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The art world descends on Tinseltown this week as the sophomore edition of Frieze Los Angeles gets underway. Local galleries and museums have pulled out all the stops to capture visitors attention. But sinceFrieze, Felix, and other LA fairs are arguably the center of it all this week, here is our guide to how to navigate them. Good news for those of you who dont want to spend all your art-buying money on Uber: This time around, the fairs are more concentrated and easier to travel between now that the Art Los Angeles Contemporary has moved to Hollywood from Barker Hangar. Happy fairgoing.
Gretchen Andrews Frieze Los Angeles information guide. Courtesy of the artist.
When: February 1316;Thursday, February 13, preview,invitation only; Friday, February 14, preview, check ticket and invitation time; Saturday, February 15, 11 a.m.7 p.m.;Sunday, February 16, 11 a.m. 6 p.m.
Where: Paramount Pictures Studio
What to Know: The second edition of the anchor fair, which attracted considerable buzz (not to mention celebrity cameos) in 2019, features 70 international exhibitors, making it considerably more manageable than the sprawling New York or London editions.This year, the fair boasts anew curated sectiondedicated to emerging art spaces in LA and new curatorsforFrieze Projects, which returns to transformthe Paramount backlot into an outdoor artistic showcase.
On the backlot, keep an eye out for a collective dance performance fromBlack Lives Matterco-founder and artistPatrisse Cullors thatinvites visitors to participate and reclaim time, space, andenergy, according to organizers. Other anticipated projects include those byLorna Simpson,Jibade-Khalil Huffman,andGary Simmons. Inside the fair, highlights include new paintings by art star Avery Singer at Hauser & Wirth and an immersive LED ceiling installation by James Turrell presented by Pace and Kayne Griffin Corcoran.
Tickets:Admission to Frieze LA is not for everyone. Tickets to the Friday preview range from $500 (including a curated tour, magazine, and tote bag) to $175; general admission on Saturday or Sunday is $125. Tickets to view the special programs only (outside the tent) are $60 on Friday and $25 over the weekend.
Coady Brown, Spellbound. Image courtesy 1969 Gallery, New York.
When:February 1316; Thursday, February13, opening reception, 6 p.m.9 p.m.; Friday, February 14, 11 a.m.7 p.m.; Saturday, February15, 11 a.m.7 p.m.;Sunday, February16, 11 a.m.6 p.m.
Where:Hollywood Athletic Club,6525 Sunset Boulevard, Hollywood
What to Know:After years on the far west side of the city at Santa Monicas Barker Hanger, the11thedition of the long-running Art Los Angeles Contemporary fair is relocating to the historic Hollywood Athletic Clubon Sunset Boulevard. Although it has lost a number of heavy-hitting exhibitors since the arrival of Frieze LA, such as David Kordansky Gallery andSusanne Vielmetter Los Angeles Projects, this years lineup boasts50 exhibitors from 11 countries, including New Yorks the Hole and Los Angeless Luis De Jesus. The fair will also hostindependent publishers, special projects, and on-site artist interventions.
Keep an eye out for a project by Gozi Ojini presented by Court Space, a curatorial platform that pops up at Los Angeless public and private sports courts. Ojini will present installations and sculptures made from repurposed sports equipment, referencing the athletic history of the Club.
Tickets:$25 for a one-day pass; $30 for a three-day pass; $65 for opening night
The Hollywood Roosevelt Hotel. Courtesy of the Hollywood Roosevelt Hotel.
When:February 1316;Thursday, February 13, 11 a.m.6 p.m., preview by invitation only; 6 p.m.8 p.m., public preview;Friday, February 14, and Saturday, February 15, 11 a.m.8 p.m.; Sunday, February 16, 11 a.m.4 p.m.
Where: The Hollywood Roosevelt, 7000 Hollywood Blvd., Los Angeles
What to Know:If Frieze LA is the art-fair equivalent of the Oscars, Felix is the Independent Spirit Awards. The hip hotel fair, now in its sophomore year, was founded by collector and television mogul Dean Valentine with art dealers Mills Morn and Al Morn of Morn Morn gallery. Taking inspiration from the historic Gramercy International Fair, which kicked off the art-fair phenomenon in the mid-1990s, Felix invites dealers to set up shop in individual hotel rooms. This years edition will feature 60 exhibitors fromChina, Germany, Ireland, Italy, Mexico, Poland, and the UK, bringing back a majority of last years galleries and welcoming 25 new ones.
This time around, the fair has tweaked its structure to avoid overcrowding near the entrance, which frustrated some visitors during its debut. Felix is also hosting a series of special projects organized byWilliam J. Simmonsthat will appear in the lobby, ballroom, and outdoor bungalows. Highlights include a display of work by Judy Chicago selected by TV producer Jill Soloway and a video by Martha Wilson that shows the artist gradually transforming into Melania Trump.
Tickets:$25
Spring Break LA. Courtesy of the fair.
When: February 1416; Friday, February 14, 11 a.m.4 p.m., press preview and VIP afternoon first look, 4 p.m.9 p.m., VIP opening night; Saturday, February 15, 11 a.m.9 p.m.; Sunday, February 16, 11 a.m.7 p.m.
Where:Skylight ROW DTLA,757 S Alameda Street, Downtown Los Angeles
What to Know:You can expect a freewheeling, immersive experience at this fair, which was founded in New York in 2012 but expanded to LA last year to coincide with Frieze. As in New York, the LA version offers curators a free space to exhibit inside a disused urban building. (Transactions take place online through the Spring/Break site, which takes a final cut from the sales.) This years fair hosts 45 nearly exclusively Los Angeles-based artists, curators, and artist-run spaces, all responding to the fairs 2020 theme, In Excess. By keeping overhead costs for participants low, the fair hopes to encourage experimentation, meaning you are more likely to see an ambitious installation or new media work at Spring/Break than at some of the weeks other fairs.
Tickets:$2550
A visitor interacting with Camile Magrane. Image courtesy stARTup Art Fair.
When:February 1416; Friday, February 14, 7 p.m.10 p.m., opening night party; Saturday, February 15, 12 p.m.9 p.m.; Sunday, February 16, 12 p.m.7 p.m.
Where: The Kinney, 737 West Washington Boulevard, Venice Beach
What to Know:The opening night party is open to anyone with a general admission ticket ($15 in advance and $20 at the door). The scrappy fair hosts more than 80 artists who will transform the rooms and grounds of the Kinney Hotel in Venice Beach with painting, photography, sculpture, and installation. In addition to unrepresented artists, fair organizers give free exhibition space to local community nonprofits who show their art in hotel rooms or hallways, includingArt Share LA, theLos Angeles Center of Photography,the Los Angeles Art Association, and theLos Angeles Childrens Project.
Tickets:$10100
Image via Art Palm Springs.com
When: February 1317; Thursday, February 13, 5 p.m.9 p.m., opening night preview, VIP ticket holders only; Friday, February 14, 11 a.m.7 p.m.; Saturday, February 15, and Sunday, February 16, 11 a.m.6 p.m.;Monday, February 17, 12 p.m.5 p.m.
Where: Palm Springs Convention Center,277 N Avenida Caballeros, Palm Springs
What to Know: If you are looking to take a trip to the desert before or after Frieze Week, but cant stand to be too far away from an art fair, Art Palm Springs is for you.The ninth edition of the fair, which coincides with Palm Springs renowned Modernism Week, brings together 70 international art dealers with an emphasis on American art.Eckert Fine Art, which presents work from founder Jane Coats Eckerts collection of 19th- and 20th-century American art, is bringing works by Alexander Calder, while Swiss gallery Imago Art will present Cy Twomblys mixed-media piece Untitled (La Compositioni) (1964) from the collection of Baron Giorgio Franchetti.
Tickets:$25 for a day pass; $100 for the VIP preview plus a four-day pass
Link:
Heres Your Go-To Guide to All the Fairs Taking Place in Los Angeles During Frieze Week 2020 - artnet News
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SnapAV just announced the Signature by Episode custom install speaker line. Signature by Episode offers 32 models across three series, one and two-step installation options, with seven optional cradle accessories that can be paired with pre-construction brackets, back boxes, and a plethora of grille options. The Signature by Episode 3 Series models feature polypropylene woofers and silk dome tweeters for all-purpose performance. Models in the Signature 5 Series are a step up and feature polypropylene woofers and adjustable silk dome tweeters, both with vacuum-deposited titanium for added performance. The Signature 7 Series features honeycomb fiberglass Nomex woofers and pure titanium tweeters for discerning listeners.
Crafted with premium components and tuned based on the sound principles of the National Research Council (NRC), Signature by Episode delivers lifelike sound that does not cause listener fatigue while providing more bass extension, and the ability to be played at louder volumes without distortion. Signature by Episode also gives integrators a completely tool-less speaker solution with Push Lock by Swarm technology, securing in-wall and in-ceiling speakers with the simple push of a button. And, for more challenging installations involving uneven sheetrock or popcorn ceilings, the dog ears can be cinched an additional 6 millimeters to ensure a perfect fit.
The Signature by Episode 3 Series starts at 195 or 225, Signature 5 Series starts at 260 or 300 and the Signature 7 Series starts at 345 or 400.
More information on the Signature by Episode 3 Series is here.
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SnapAV to Release the Signature by Episode Custom Install Speaker... - rAVe [PUBS]
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The curtain wall is steadily rising up1059 Third Avenue, a 481-foot-tall mixed-use tower on the Upper East Side.Designed byManuel Glas Architectsand developed byReal Estate InverlandandThird Palm Capital, the slender reinforced concrete superstructure topped out at 30 stories andwill yield a total of 127,000 square feet. The development will contain 38 condominiums spread across 103,900 square feet, averaging around 2,740 square feet apiece.
Photos from street level show the state of progress. It is likely that the exterior could be completed by the end of 2020.
1059 Third Avenue, photo by Michael Young
1059 Third Avenue, photo by Michael Young
1059 Third Avenue, photo by Michael Young
The first large sections of continuous floor-to-ceiling glass have been installed on the top floors of the northern elevation.
1059 Third Avenue, photo by Michael Young
1059 Third Avenue, photo by Michael Young
More work on the southern elevation is needed. Several balconies hang over the side and will give residents views of Central Park and the Midtown skyline.
1059 Third Avenue, photo by Michael Young
Meanwhile on the wide northern profile, the metal frames that will hold up the panels in between the tight grid of rectangular windows are mostly in place.
1059 Third Avenue, photo by Michael Young
1059 Third Avenue, photo by Michael Young
The columns and edges of each floor plate have been painted gray.
1059 Third Avenue, photo by Michael Young
1059 Third Avenue, photo by Michael Young
Installation has yet to begin on the curtain wall on the ground floor and first several stories of the podium.
1059 Third Avenue, photo by Michael Young
The residences begin on the sixth story and go all the way to the top of the building. Some will have private outdoor terraces. The development will also contain 7,100 square feet of office space on the second floor and a hospital facility measuring around 9,700 square feet on the third and fourth floors. Amenities include a fitness center, a spa, and a residential lounge. The closest subway is the Lexington Avenue-63rd Street station, serviced by the Q and F trains. Also nearby are the 4, 5, and 6 trains at the 59th Street-Lexington Avenue station by the Bloomingdales flagship store. Central Park is four avenues to the northwest, while access to the Ed Koch Queensboro Bridge is three streets to the south going along 59th Street.
So far, YIMBY has not heard of an official completion date for 1059 Third Avenue, though sometime in 2021 may be a safe estimate.
Subscribeto YIMBYs daily e-mailFollowthe YIMBYgram for real-time photo updatesLikeYIMBY on FacebookFollowYIMBYs Twitter for the latest in YIMBYnews
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Curtain Wall Continues to Ascend at 1059 Third Avenue on the Upper East Side - New York YIMBY
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"Submerge" installation at Artechouse, New York. Photography by Alkenz.
Calling all influencers: Pantone and New York art space Artechouse have teamed up on an immersive, eye-popping installation to kick off New York Fashion Week. The exhibit, named "Submerge," does feel a bit like taking an underwater plunge thanks to 17 projectors affixed to the ceiling. Together, these transform the enormous room into a canvas for shimmering animations celebrating "Classic Blue," the Pantone 2020 Color of the Year.
It's the second-ever exhibition at the multimedia artvenue, which opened last September in the former boiler room of Chelsea Market.This particular space, with its past life on display in a labyrinth of overhead ductwork, follows two other Artechouse locationsone in Washington D.C., the other in Miamiin what has become something of a chain. Since the D.C. location opened in 2017, Artechouse hasshownrenowned media artists and collectives likeRefik Anadol, National Cherry Blossom Festival, and Rhizomatiks.For this show, the venue and Pantone called in Mexico Citycreative collective INTUS Interactive Design to create the audiovisual experience.
"At Artechouse, we try to connect audiences to art in an entirely new way," says Sandro Kereselidze, art founder and chief creative officer at Artechouse. "Just as musicians use the notes to evoke feelings, we as artists use color to affect the psyche and elicit powerful emotions."
Continue for more photos of the installation, open to the public through February 23.
Read next: Classic Blue is Pantone's 2020 Color of the Year
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Pantone and Artechouse Kick Off New York Fashion Week with Immersive Installation - Interior Design
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A surprise sale on Amazon today slashes the Fire TV Stick down to just $34.99, but theres another deal you should consider before you buy one. If you dont need to have the stick form factor, the Roku Express HD Streaming Media Player is easily the best value device out there even on a normal day. Its priced at $30 and it gives you access to all the different streaming services you use along with Rokus beloved software. $30 is indeed a great price, but Amazon is offering a discount today so you can snag one for just $24! Theres no way this deal will be around for very long though, so hurry up and grab one while you still can.
Heres more from the product page:
Follow @BGRDeals on Twitter to keep up with the latest and greatest deals we find around the web. Prices subject to change without notice and any coupons mentioned above may be available in limited supply. BGR may receive a commission on orders placed through this article, and the retailer may receive certain auditable data for accounting purposes..
Image Source: Roku
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The Roku Express is only $24 right now - BGR
These HVAC systems for single-family homes, apartments, and other residential applications provide plentiful ventilation and efficient cooling and heating at the touch of a button.
(Courtesy Delta)
BreezElite Ventilation FanDelta
This bathroom exhaust fan allows for hands-free operation thanks to a built-in humidity sensor. Its special mounting-bracket system simplifies installation, maintenance, and renovation.
(Courtesy Honeywell)
MM14CHCS Portable Air ConditionerHoneywell
Set on rolling wheels, this portable indoor system houses four features within one unit: heating, cooling, airflow, and dehumidification. Ideal for single rooms (or New York studios), the MM14CHCS has three fan speeds, a 24-hour energy savings timer, light-touch digital buttons, and remote control.
(Courtesy LG)
Art Cool MirrorLG
Aptly named, this wall-hung HVAC unit features an opulent mirrored chassis. Offering superior energy efficiency with real-time feedback, the duct-free inverter technology is equipped with built-in Wi-Fi for touchless operation.
(Courtesy Mitsubishi Electric)
SLZ-KF Four-way Ceiling CassetteMitsubishi Electric
Featuring multiple-direction vane controls, this ceiling-mounted ductless unit allows users to select up to four airflow patterns. When paired with the 3D i-see Sensor, it automatically detects room capacity to adjust temperature, airspeed, and other qualities for optimal comfort.
(Courtesy Panasonic)
nanoe XPanasonic
The main feature of this ductless heat pump unit, available in early 2020, is a built-in air and surface purification system that penetrates deep into carpet and furniture fibers. With nearly whispering airflow, the technology dispenses nanoscale OH radicals to reduce odors and pollutants.
(Courtesy YORK)
YHGYORK
The newest release within the LX series features a compact body to fit in tight spaces. Users can connect remotely via Alexa or YORKs Affinity Hx3 thermostat to monitor energy usage in real-time.
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Hot at home? Try the latest, greatest heating, ventilation, and cooling units - The Architect's Newspaper
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I don't know about you, but the bulk of my income is spoken for before it even hits my checking account. Not only do I add money to my emergency savings fund and pay for insurance every month everything from health, home, and car to life and disability I also have my mortgage, retirement savings, and debts to think about.
Despite all of that, I'm here to argue in favor of yet another way to redirect your money: a homeowner's savings account.
Hear me out.
Yes, technically your emergency savings account is meant to cover you in the case of a homeowner's emergency read: flooded basement, broken water heater, termite infestation, etc. but what if it's not enough? Or what if multiple things happen at once?
Having a separate high-yield savings account dedicated specifically to house stuff can help ensure you stay covered if things like a broken water heater and a non-covered healthcare expense crop up at the same time. When you have a family, this becomes even more important.
My experience two years ago is the perfect example why.
After saving up for a while and receiving a particularly lovely tax refund my husband and I decided it was finally time to dig up our old, rotting deck and replace it with a beautiful new one.
We were still in the midst of paying off some healthcare expenses related to the birth of our second daughter, but we figured we could handle it all. Then, a few weeks after the deck installation finished, guests staying in our basement felt water leaking through the ceiling. As it turns out, the water hose to our refrigerator had a leak, and it was seeping through the basement ceiling.
Luckily, we caught it early enough that it wasn't as devastating as it could have been. We ended up spending about $300 to get the water hose replaced, and since the ceiling damage was minimal, we let it dry out, painted over the stain, counted ourselves lucky, and moved on. Until about a month later when we suddenly had no hot water.
A quick trip to the basement (again) confirmed that our water heater had not only gone out, but that it was leaking out into the laundry room. We were lucky enough, again, to catch this relatively early on, but even the low-ball estimate for repair included a brand new hot water heater (generally about $799-$1,501, according to HomeAdvisor) and replacing the laundry room flooring (about $1,000, plus the cost of tile).
At this point we began to feel two things. One: a little unlucky, and hopeful that the home issues would stop. Two: extremely grateful. Grateful that we had decided back when we first bought the house and knew we would want to make some updates to start siphoning off some money into savings specifically for house-related things.
Updating the deck, fixing the refrigerator and hot water heater, and replacing the laundry room floor meant that the savings was pretty much depleted, but we knew we were still covered for whatever additional health-related expenses or other emergencies might be coming down the pipeline because we had our emergency fund.
At the end of the day, I'm not a certified financial expert (I just write about money), but I like to helpfully suggest, to whomever will listen: If you're a homeowner, get yourself a new high-yield savings account as soon as you can, and start putting whatever you can away specifically for house-related emergencies. You'll never be sorry you did.
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When my family was hit with 2 expensive home repairs at once, we only made it through thanks to our high-yield savings account - Business Insider
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Despite increased focus on science, technology, engineering, and math (STEM) jobs, hard labor is still a major driver of the national economy.
Recent data from the U.S. Bureau of Labor Statistics reveals that employment for construction workers and hand laborers/movers has grown faster than employment in STEM jobs over the past five years. While STEM careers tend to command higher salaries, wage increases for careers in manual labor have also outpaced STEM. Wages for STEM careers grew at an average annual rate of 2.1 percent between 2013 and 2018, whereas wages for construction workers and hand laborers/movers grew by 2.9 percent and 3.0 percent, respectively.
While employment and wage growth might be strong, working in a physically demanding job can be both taxing and dangerous. Research from the Occupational Safety and Health Administration shows that out of 4,674 worker fatalities in private industry in 2017, more than 20 percent were in a construction field. Additionally, a recent analysis from the Bureau of Labor Statistics found that while hand laborers/movers account for just 2 percent of total employment, they were responsible for 6 percent of days away from work due to occupational-related injury and illness in 2018.
To identify the most physically demanding jobs, researchers at InsuranceProviders.com analyzed data from the Occupational Information Network (O*NET). They created an index to measure the overall level of physical demands for different jobs based on strength, stamina, coordination, and flexibility requirements.
The 5 million employees in the 20 most physically demanding jobs make up about 3.5 percent of the nations 145 million workers. Construction laborers and hand laborers/movers account for approximately 80 percent of total employment among the 20 most physically demanding jobs. While most of the physically demanding jobs are related to building and construction, otherssuch as dancers, athletes, and trainersrequire intense fitness routines or athletic practice. Here are the 20 most physically demanding jobs.
The Top 20 Most Physically Demanding Jobs
Photo Credit: Alamy Stock Photo
20. Brickmasons and Blockmasons
Overall physical demand index: 57.7Strength index: 88.7Stamina index: N/AFlexibility index: 76.6Coordination index: 65.4Total employment & projected growth: 63,930 (9.7%)Mean annual wage: $54,430
Brickmasons and blockmasons are responsible for using materials such as brick, tile, and concrete to build or repair structures like walls, partitions, arches, and sewers. More specifically, brickmasons and blockmasons must be able to handle and move heavy objects, employing physical abilities such as trunk strength and extent flexibility. The mean annual wage for brickmasons and blockmasons is slightly above the national average.
Photo Credit: Alamy Stock Photo
19. Hand Laborers and Material Movers
Overall physical demand index: 58.4Strength index: 96.2Stamina index: 76.6Flexibility index: 60.7Coordination index: N/ATotal employment & projected growth: 2,893,180 (4.9%)Mean annual wage: $30,890
Hand laborers and material movers manually move materials such as freight, stock, or luggage from one location to another. They might also perform other general labor, and they often work in warehouses, manufacturing facilities, and retail operations. With a total employment of 2,893,180 workers, hand laborers and material movers are the most common job on this list. They also have the lowest mean annual wage on this list, at $30,890.
Photo Credit: Alamy Stock Photo
18. Stonemasons
Overall physical demand index: 60.0Strength index: 100.0Stamina index: 76.6Flexibility index: N/ACoordination index: 63.5Total employment & projected growth: 12,310 (9.0%)Mean annual wage: $44,370
Stonemasons typically use stone materials and masonry techniques to build structures like piers, walls, walkways, curbstones, and floors. Stonemasons often use hand tools to shape, trim, or cut stone, as well as mix and pour grout. Among all occupations on this list, stonemasons have the highest strength index due to the weight of the materials they must work with and move.
Photo Credit: Alamy Stock Photo
17. Construction Laborers
Overall physical demand index: 60.5Strength index: 98.1Stamina index: 88.7Flexibility index: 55.1Coordination index: N/ATotal employment & projected growth: 1,001,470 (10.5%)Mean annual wage: $40,350
Construction labor is the second most common job on this list and total employment is projected to grow by more than 10 percent in the next decade. Compared to other occupations, construction work requires an incredible amount of both strength and stamina. In addition to building, these laborers may also be involved in clearing debris from construction sites, digging trenches, and setting up scaffolding.
Photo Credit: Alamy Stock Photo
16. Firefighters
Overall physical demand index: 64.0Strength index: 72.8Stamina index: 96.2Flexibility index: N/ACoordination index: 86.9Total employment & projected growth: 321,570 (5.3%)Mean annual wage: $53,240
In addition to fire work and prevention, firefighters provide emergency medical services, search and rescue, disaster assistance, and hazardous material response. Being a firefighter requires both strength and stamina, which is why its so common to see these workers exercising at the station when not responding to an emergency.
Photo Credit: Alamy Stock Photo
15. HelpersRoofers
Overall physical demand index: 64.9Strength index: 98.1Stamina index: N/AFlexibility index: 67.2Coordination index: 94.3Total employment & projected growth: 8,630 (13.0%)Mean annual wage: $31,740
While helpers generally assist roofers by using or holding materials and tools involved in building or repairing roofs, they are also responsible for cleanup on the job site. Helpers to roofers require a high degree of strength and coordination because they generally work high above the ground and must keep their balance. This is one of the lowest-paid occupations on this list, but the projected growth is more than twice as much as the overall average of 5.2 percent.
Photo Credit: Alamy Stock Photo
14. Commercial Divers
Overall physical demand index: 77.3Strength index: 53.2Stamina index: 76.6Flexibility index: 92.5Coordination index: 86.9Total employment & projected growth: 3,380 (7.2%)Mean annual wage: $59,470
Commercial divers inspect, repair, remove, or install equipment and structures within bodies of water. They might also conduct underwater tests or experiments, rig explosives, or take photographs. The physical requirements of the job skew towards flexibility and coordination; divers must be able to swim and perform manual labor while underwater.
Photo Credit: Alamy Stock Photo
13. Tree Trimmers and Pruners
Overall physical demand index: 78.5Strength index: 85.0Stamina index: 76.6Flexibility index: 74.7Coordination index: 77.5Total employment & projected growth: 42,440 (9.8%)Mean annual wage: $40,510
Tree trimmers and pruners remove branches from trees and shrubs in order to maintain a clear path for roads, sidewalks, or utilities, or to improve the appearance of a landscape or neighborhood. Strength is an essential skill for this job, since it often involves climbing and working with heavy equipment. Coordination and balance are also critical for those working in high places.
Photo Credit: Alamy Stock Photo
12. Roof Bolters, Mining
Overall physical demand index: 79.3Strength index: 88.7Stamina index: 76.6Flexibility index: 74.7Coordination index: 77.5Total employment & projected growth: 3,250 (-9.7%)Mean annual wage: $59,090
Roof bolters are responsible for operating machinery to install roof support bolts in underground mines. The installation process can involve drilling holes into the ground and breaking up rocks and concrete. Even though roof bolters typically use machinery, they must still exert physical strength to perform their job duties. Although this is one of the highest-paid occupations on this list, employment is expected to decline by 2028.
Photo Credit: Alamy Stock Photo
11. Drywall and Ceiling Tile Installers
Overall physical demand index: 79.4Strength index: 64.4Stamina index: 76.6Flexibility index: 85.9Coordination index: 90.6Total employment & projected growth: 101,900 (2.3%)Mean annual wage: $49,170
Like many of the other jobs on this list, drywall and ceiling tile installers are heavily involved in construction. These workers apply materials such as plasterboard, wallboards, and tiles to ceilings or interior walls of buildings to improve aesthetics and reduce sound. The physical demands of this job typically involve carrying and installing heavy materials and also maintaining balance while installing these materials at various heights.
Photo Credit: Alamy Stock Photo
10. Reinforcing Iron and Rebar Workers
Overall physical demand index: 80.1Strength index: 81.3Stamina index: 88.7Flexibility index: 72.8Coordination index: 77.5Total employment & projected growth: 18,360 (11.1%)Mean annual wage: $54,670
Reinforcing iron and rebar workers are an integral part of many construction crews. These workers use tools such as fasteners, rod-bending machines, and blowtorches to secure reinforced steel bars (rebar) or wire mesh to the concrete used in constructing roads, buildings, and bridges. The main physical demands of this job include carrying heavy equipment, standing for many hours at a time, and bending or stooping in order to install rebar.
Photo Credit: Alamy Stock Photo
9. Choreographers
Overall physical demand index: 83.1Strength index: 57.9Stamina index: 97.1Flexibility index: 78.5Coordination index: 99.0Total employment & projected growth: 5,090 (-2.8%)Mean annual wage: $53,560
At $53,560 per year, choreographers earn slightly more than the national average across all occupations. Choreographers must exercise high levels of stamina, coordination, and flexibility in order to lead rehearsals, create new dance routines, and demonstrate proper technique and form.
Photo Credit: Alamy Stock Photo
8. Fallers
Overall physical demand index: 85.2Strength index: 91.5Stamina index: 93.4Flexibility index: 65.4Coordination index: 90.6Total employment & projected growth: 4,680 (-18.0%)Mean annual wage: $48,520
Fallers cut down trees, while ensuring that the direction of the trees fall minimizes any damage to people or objects around it. Since fallers rely on a variety of hand tools such as axes or chainsaws, they must be strong enough and have enough stamina to properly use them. The job outlook for fallers is the worst on this list, with a projected 18 percent decline in employment over the next decade.
Photo Credit: Alamy Stock Photo
7. Roofers
Overall physical demand index: 86.9Strength index: 88.7Stamina index: 88.7Flexibility index: 73.8Coordination index: 96.2Total employment & projected growth: 128,680 (11.8%)Mean annual wage: $43,870
Roofers install shingles, slate, asphalt, aluminum, or wood on new or existing buildings. They may also bind, seal, insulate, or soundproof the roofs as well. Coordination is particularly important for roofers, who must maintain their balance on top of ladders or buildings as they perform their work.
Photo Credit: Alamy Stock Photo
6. Structural Iron and Steel Workers
Overall physical demand index: 88.4Strength index: 97.1Stamina index: 76.6Flexibility index: 85.9Coordination index: 94.3Total employment & projected growth: 77,410 (11.5%)Mean annual wage: $58,170
Also known as ironworkers, structural iron and steel workers raise and place iron or steel girders and columns in order to form structural frameworks for new buildings. These workers may also construct metal storage tanks or prefabricated metal buildings. Welding metal components, operating machinery, and loading or unloading materials are some of the physical demands for this job, making strength and coordination especially important skills.
Photo Credit: Alamy Stock Photo
5. Fitness Trainers and Aerobics Instructors
Overall physical demand index: 88.5Strength index: 77.5Stamina index: 98.1Flexibility index: 80.3Coordination index: 98.1Total employment & projected growth: 308,470 (12.8%)Mean annual wage: $44,580
Like choreographers, athletic trainers must also have high levels of stamina, coordination, and flexibility in order to lead workouts, design new exercise routines, and demonstrate proper technique and form. Its common for fitness trainers and aerobics instructions to teach multiple classes or clients in a day, further raising the physical demands required.
Photo Credit: Alamy Stock Photo
4. Manufactured Building and Mobile Home Installers
Overall physical demand index: 90.3Strength index: 93.4Stamina index: 88.7Flexibility index: 85.9Coordination index: 93.4Total employment & projected growth: 2,920 (-11.4%)Mean annual wage: $32,910
Since manufactured building and mobile home installers are constantly moving materials and using construction tools, strength, coordination, and stamina are the major physical abilities required for this job. Manufactured building and mobile home installers have the lowest total employment on this list, at 2,920 workers, and employment is expected to decline even further by 2028.
Photo Credit: Alamy Stock Photo
3. Athletes and Sports Competitors
Overall physical demand index: 90.4Strength index: 95.3Stamina index: 98.1Flexibility index: 71.9Coordination index: 96.2Total employment & projected growth: 10,800 (6.2%)Mean annual wage: $87,030
Despite low employment numbers, athletes and sports competitors are the highest-paid workers on this list, with a mean annual wage of $87,030. Regardless of the sport, athletes are generally strong, coordinated, and in great aerobic shape. For most athletes, the competition itself is only a small part of the job; training and practice are where most of the work hours are put in.
Photo Credit: Alamy Stock Photo
2. Derrick Operators, Oil and Gas
Overall physical demand index: 92.0Strength index: 93.4Stamina index: 88.7Flexibility index: 93.4Coordination index: 92.5Total employment & projected growth: 11,310 (17.1%)Mean annual wage: $47,630
At 17.1 percent, derrick operators have the highest projected growth of all occupations on this list. These workers rig derrick equipment and operate pumps to circulate mud or fluid through a drill hole, with the ultimate purpose of extracting oil and gas. Flexibility, strength, and coordination are highly important to derrick operators, who use heavy machinery and handle heavy objects.
Photo Credit: Alamy Stock Photo
1. Dancers
Overall physical demand index: 97.0Strength index: 87.8Stamina index: 100.0Flexibility index: 100.0Coordination index: 100.0Total employment & projected growth: 9,720 (0.6%)Mean annual wage: $43,056
Among all occupations on this list, dancers require the greatest amount of stamina, flexibility, and coordination. Whether performing solo or as part of a group, dancers must maintain tight synchronization between the bodys movement and musical accompaniment, usually in a choreographed routine. Like athletes, professional dancers practice rigorously and maintain peak physical fitness.
Detailed Findings & Methodology
Data on physical demands of occupations for the U.S. were obtained from the Occupational Information Network (O*NET). Wage statistics were obtained from the U.S. Bureau of Labor Statistics Occupational Employment Statistics and employment statistics were obtained from the U.S. Bureau of Labor Statistics Employment Projections Program, with projections into 2028.
To identify the most physically demanding jobs, a composite score for each occupation was calculated based on the following data from O*NET: trunk strength, static strength, explosive strength, dynamic strength, stamina, gross body equilibrium, gross body coordination, extent flexibility, and dynamic flexibility. Values for these measures were combined to result in four dimensions of physical demand: strength, stamina, flexibility, and coordination. Jobs were then ranked by their overall score.
In general, the most physically demanding jobs are lower-paying jobs. More specifically, employees in the 20 most physically demanding jobs have an average wage of $36,926, which is significantly lower than the $51,960 annual mean wage for U.S. employees as a whole. A few of the main outliers include athletes, commercial divers, and roof bolters (mining), which all have average wages more than 1.5 times the average wage of the 20 most physically demanding jobs.
Interestingly, none of these jobs require a college degree. In fact, only two occupationsfirefighters and commercial diversneed an additional postsecondary certification or training program. Half of the most physically demanding jobs require a high school diploma or equivalent, and eight do not require any educational credentials at all.
While the job outlook for individual physically demanding jobs varies significantly, from -18 percent for fallers to 17.1 percent for derrick operators, these jobs overall are poised for growth by 2028. Altogether, the 20 most physically demanding jobs are projected to grow at a rate of a little over 7 percent in the next ten years, which is higher than the projected growth of about 5 percent in the number of employees in the U.S. as a whole.
FOX28 Spokane
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Since it was established over a decade ago by Laura Merage, RedLine has presented an annual members' show that follows the theme for the venue's exhibition program. This year, that theme is "Afrofuturism," which imagines utopian pasts or futures in which black people are central to the narrative content.
Ive said it before, and Ill say it again: It doesnt make sense to tie a members' show to a specific theme when the participants have little in common ideally, such an exhibit should be a free-for-all, with each artist presenting what they do best, whatever that may be.Luckily, thats pretty much how this years members' show, Near in the Distance, turned out. As RedLine director Louise Martorano observes with a laugh, The artists never follow the theme, and just do what they want.
The unwieldy task of organizing the show fell to Rhode Island-based curator Nicole J. Caruth. Some months ago, Caruth came to RedLine to speak with the residents about what they intended to create for the exhibition, and she found that some of the artists were uncomfortable with the theme, feeling that their work would be inauthentic. As a result, she did an admirable job of adjusting the Afrofuturism theme to the mostly non-African American artists at RedLine, or at least was flexible enough to allow the artists to adjust the theme themselves.As she says in her curators statement, You wont find the typical aesthetics associated with Afrofuturism here.
When I talked with Caruth just hours before Near in the Distance was set to open, she told me that gentrification was on the minds of many of the RedLine artists. And that makes sense, since artists even those artists with temporarily subsidized spaces at RedLine are on the front lines of the process: Artists typically have their studios and often their homes in affordable areas, and here in Denver those formerly cheap neighborhoods are becoming high-rent districts virtually overnight. Caruth takes note of this, too, in her curators statement: The artists in this exhibition focus on the world as they know it now, tackling topics such as displacement, surveillance, climate change, hybridity, gender equality and rest.
One side of Anthony Garcia Sr.'s mural, "White Wash."
courtesy of RedLine
The show starts in the small gallery off the lobby with Eileen Roscina Richardsons Cultivate, which looks like a kitchen and is very homey and welcoming. Hanging from the ceiling is a ring of dried flowers arranged so that they radiate away from the center. Below that is a large table, with chairs around it; on top of the table are a row of books and several vessels holding fermenting agents, such as sourdough starter. The idea is to create a sense of community by bringing people together to make food with the fermented ingredients: As the culmination of the piece, the artist plans to stage just such a dinner.
As viewers enter the main gallery, they encounter Regan Rosburgs Everything Is Fine, wrapping around a free-standing wall; the side facing the entry looks something like a big, abstract drip painting. The piece addresses pollution and climate change, and focuses on Rosburg's residency in the Arctic, to which she sailed from Svalbard, Norway, aboard a tall ship with other artists, along with scientists and writers. On one side of the wall, Rosburg has draped ghost nets and other bits of plastic flotsam, and on the opposite side are scores of pieces of correspondence from artists, children, scientists and others. The plastic-covered side reflects the negatives related to the issue, while the side with the letters reveals hope for the future.
Artist and community activist Anthony Garcia Sr. has also taken over both sides of a free-standing wall for his two-sided mural, White Wash. On the prominent side is a set of horizontal stripes evocative of Latino weaving, marred by a swath of whitewash and on the other side broader stripes in a dirty white all but completely cover the marks and images that lie beneath. As Garcia explains in his artist's statement, the goal is a society that values its communities and their histories. Gentrification and the erasure of existing cultures is clearly on the mind of the artist, one of the city's premier muralists.
Tony Ortega's "Northside Gothic."
courtesy of Tony Ortega
Opposite Garcia's piece, Tony Ortega has used one side of a similar wall for a painting of a 1970s Chicano couple rendered in his signature style. Behind them is an outline of a little north Denver house and, behind that, a trio of smaller, similar portraits of the couple. In front of the painting, on both sides, Ortega has placed sculptures of guardian animals dogs? done in black papier mch. The old Northside was once the heart of the barrio, but its now being filled with affluent whites, so the topic is again gentrification: The dreams of the young couple from a generation ago are unattainable for their children.
"Circuit City," by Chris Bagley.
courtesy of RedLine
No artist takes the future implication of Afrofuturism more to heart than Chris Bagley, whose Circuit City is a cross between the interior of a sacred space and that of a nightclub. This piece, which is meant to conjure up some future metropolis, fills an entire small gallery at the back of RedLine. Bagley has covered the floor with shiny reflective panels and, hanging above, a crumbled Mylar blanket rotates like a deformed disco ball. On either side are internally lit columns made of circuit boards, and there are other lighted elements, too. On the back wall is a movement-activated video projection, in which those interacting with it are reduced to flattened blobs with no discernible features. For Bagley, the unrecognizable shadows of figures suggest a time when appearances will be replaced by actions.
Tya Alisa Anthony's "Balance Baltimore."
courtesy of RedLine
Other works deserving of notice include Tya Alisa Anthonys charming Balance Baltimore, a shelf that holds tiny, multi-colored matte-board houses lined up in a row. Marsha Macks wallpaper, flower pots, plants and candy-wrapper room has a decidedly upbeat look, and reflects her mixed identity of Asian and Caucasian. I also liked the pieces by Clay Hawkley, especially The Net, in which pictures of young people are torn apart, and joined together, by a wavy grid of lines. Trey Duvalls trio of steel pipes that rise and fall on cables attached to machines is super-simple, but really works. In contrast, the three-part Michael Sperandeo, which includes an archival print, a 3-D print of a mythical figure, and augmented reality through a laptop, is incredibly complex, but it works, too.
Finally, established Denver artists Charles Parson and Carley Warren both deserve a tip of the hat. Parson presents an ambitious wall installation about the landscape that incorporates drawings of mountains with clear acrylic contraptions filled with sand. Warren contributes another classic work, a pair of wooden sculptures whose forms are based on the shapes of conventionalized spiders.
Over the past decade, RedLine has shown itself to be a place where you can see some of the area's best contemporary artists, as well as some of its most exciting emerging ones. Thats more than enough of a theme.
Near in the Distance, through March 8 at RedLine, 2350 Arapahoe Street, 303-296-4448, redlineart.org
Michael Paglia is an art historian and writer whose columns have appeared in Westword since 1995; his essays on the visual arts have also been published in national periodicals including Art News, Architecture, Art Ltd., Modernism, Art & Auction and Sculpture Magazine. He taught art history at the University of Colorado Denver.
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Sony Electronics announced the details Tuesday of a new beamforming microphone, the MAS-A100, designed for hands-free lectures and presentations. The ceiling-mount microphone is designed for both speech reinforcement and recording using both beamforming technology and an Intelligent Feedback Reducer function. The microphone has a dual-channel output for simultaneous recording that captures the speaker and students/participants voices and includes support for Dante2 and Power Over Ethernet (PoE).
The beamforming microphone has a dual-channel output that enables simultaneous speech reinforcement and recording. The microphone also has auto-noise reduction capabilities to minimize background sound from air conditioners and projectors, which makes it ideal for lecture capture and meeting recording. The microphone can be integrated into existing AV rooms using Dante and its Automatic Calibration function automatically optimizes the parameters of the audio processing for speech reinforcement by generating and capturing the test signal during the installation process.
The beamforming microphone is expected to be available in spring 2020.
Here are more specs.
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