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    Category: Interior Designer


    Interior Design | RoomSketcher - March 23, 2019 by admin

    Interior design is the practice of space planning and designing interior spaces in homes and buildings. It involves creating floor plans, furniture layouts, and designing the look and feel of a space. Interior design also includes the specification of furniture, fixtures, and finishes, and coordinating their installation.

    Using RoomSketcher has increased my ability to design. It has helped me to come up with ideas I wouldnt have thought of just by playing around with it. Jenny, Canada

    Are you tackling an interior design project? Whether you are a professional with many projects and clients, or if you just have an interest in interior design, RoomSketcher is the perfect app for you.

    There are many reasons for creating an interior design project. However, the goal is usually the same to improve how a space functions and to make it more visually appealing.

    Whats essential for interior design is being able to communicate your design ideas clearly. With RoomSketcher, you can create 3D interior design drawings and professional floor plans so that you can communicate your interior design ideas clearly and professionally.

    Every interior design project starts with a planning phase. What are you trying to achieve? Is it a remodel or a new build? Either way, for best results, you want to start with creating a floor plan either of the room, the entire floor, or the whole house. If you already have a blueprint, you can use this as the basis for your project. If not, spend time measuring the walls and making a sketch this is time well spent for later.

    Now its time to get the sketch or blueprint into an online project, that you can carry with you every where you go. Use RoomSketcher to create your interior design project online, complete with walls, windows, doors and stairs, and any fixed installations that are not moveable.

    Once the project is created, its easy to create your various versions and layouts, without having to completely re-draw the project every time. An online project is also easy to share with your clients and contractors, and you can work on the project anywhere, any time.

    Learn more about using RoomSketcher as your interior design software >

    A floor plan is an important part of the project communication. The 2D Floor Plan can be used to mark everything from room names, measurements, lighting and electrical points, and important notes you need during the installation process. The 3D Floor Plan is a beautiful way to visualize how the final result can look. This helps clients make decisions and is helpful to the contractor so he or she gets an idea of what the final result should look like. 3D Floor Plans can be made complete with details like colors of walls, furniture and accessories, as well as furnishing style and finishes.

    With the rise of online tools, interior design has now become available to everyone. You no longer need to use complicated software to create stunning 3D visuals. With RoomSketcher you can create stunning 3D Photos and 360 Views to visualize the interior design project. They are a beautiful way to visualize your interior design project and are helpful to your clients and your contractors.See more beautiful 3D images in our interior design ideas section.

    Learn more about using RoomSketcher as your interior design software.

    You can access many of our features without spending a cent. Upgrade for more powerful features!

    Love using RoomSketcher it is so easy to use, and makes my ideas come to life. It was so helpful to see how our renovation would look. Kelley, New Zealand

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    Interior Design | RoomSketcher

    Top 100 Interior Design Blogs, Websites & Newsletters To … - March 23, 2019 by admin

    1. Freshome | Interior Design and Decorating Ideas

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    Top 100 Interior Design Blogs, Websites & Newsletters To ...

    Interior Designers: Jobs, Career, Salary and Education … - March 23, 2019 by admin

    Career, Salary and Education Information Go to: What They Do | Work Environment | How to Become One | Salary | Job Outlook | Related Careers

    Following is everything you need to know about a career as an interior designer with lots of details. As a first step, take a look at some of the following jobs, which are real jobs with real employers. You will be able to see the very real job career requirements for employers who are actively hiring. The link will open in a new tab so that you can come back to this page to continue reading about the career:

    Application Materials: Digital Portfolio, Resume, Cover Letter

    Join our collaborative design practice as an Interiors Architectural Design Professional for the opportunity to build a strong and thriving career

    Please have: Degree in a related field Minimum of 2-4 years experience in Interior Design Design Portfolio Skilled in AutoCad

    See all Interior Designer jobs

    Interior designers make interior spaces functional, safe, and beautiful by determining space requirements and selecting decorative items, such as colors, lighting, and materials. They read blueprints and must be aware of building codes and inspection regulations, as well as universal accessibility standards.

    Interior designers typically do the following:

    Interior designers work closely with architects, civil engineers, mechanical engineers, and construction laborers and helpers to determine how interior spaces will function, look, and be furnished. Interior designers read blueprints and must be aware of building codes and inspection regulations.

    Although some sketches or drawings may be freehand, most interior designers use computer-aided design (CAD) software for the majority of their drawings. Throughout the design process, interior designers often use building information modeling (BIM) software to create three-dimensional visualizations that include construction elements such as walls or roofs.

    Many designers specialize in particular types of buildings, such as homes, hospitals, or hotels; specific rooms, such as bathrooms or kitchens; or a specific style. Some designers work for home-furnishings stores, providing design services to help customers choose materials and furnishings.

    Some interior designers produce designs, plans, and drawings for construction and installation. These may include construction and demolition plans, electrical layouts, and plans needed for building permits. Interior designers may draft the preliminary design into documents that could be as simple as sketches, or as inclusive as construction documents with schedules and attachments.

    The following are examples of types of interior designers:

    Corporate designers create interior designs for professional workplaces from small office settings to large-scale corporations within high-rise buildings. They focus on creating spaces that are efficient, functional, and safe for employees. They may incorporate design elements that reflect a company's brand in their designs.

    Healthcare designers use the evidence-based design process in designing and renovating healthcare centers, clinics, doctors' offices, hospitals, and residential care facilities. They specialize in making design decisions based on credible research to achieve the best possible outcomes for patients, residents, and the facility.

    Kitchen and bath designers specialize in kitchens and bathrooms and have expert knowledge of the variety of cabinets, fixtures, appliances, plumbing, and electrical solutions for these rooms.

    Sustainable designers use strategies to improve energy and water efficiencies and indoor air quality, and they specify environmentally preferable products, such as bamboo and cork for floors. They may obtain certification in Leadership in Energy and Environmental Design (LEED) from the U.S. Green Building Council. Such certification indicates expertise in designing buildings and spaces with sustainable practices in mind.

    Universal designers renovate spaces in order to make them more accessible. Often, these designs are used to renovate spaces for elderly people and people with special needs; however, universal designs can benefit anyone. For example, an entranceway without steps may be necessary for someone in a wheelchair, but it is also helpful for someone pushing a baby stroller.

    Interior designers hold about 66,500 jobs. The largest employers of interior designers are as follows:

    Most interior designers work in offices, but technology has changed the way many designers work. For example, rather than using drafting tables, interior designers now use complex software to create two-dimensional or three-dimensional images.

    Interior designers also travel to clients' design sites.

    Interior designers may need to adjust their workday to suit their clients' schedules and deadlines, meeting with clients during evening and weekend hours when necessary.

    Get the education you need: Find schools for Interior Designers near you!

    Interior designers usually need a bachelor's degree with a focus on interior design or interior architecture.

    A bachelor's degree is usually required in order to become an interior designer, as are classes in interior design, drawing, and computer-aided design (CAD). A bachelor's degree in any field is acceptable, and interior design programs are available at the associate's, bachelor's, and master's degree levels.

    The National Association of Schools of Art and Design accredits about 350 postsecondary colleges, universities, and independent institutes that have programs in art and design. The Council for Interior Design Accreditation accredits more than 180 professional-level (bachelor's or master's degrees) interior design programs.

    The National Kitchen & Bath Association accredits kitchen and bath design specialty programs (certificate, associate's degree, and bachelor's degree levels) in more than 40 colleges and universities.

    Applicants may be required to submit sketches and other examples of their artistic ability for admission to interior design programs.

    Licensure requirements vary by state. In some states, only licensed designers may do interior design work. In other states, both licensed and unlicensed designers may do such work; however, only licensed designers may use the title "interior designer." In still other states, both licensed and unlicensed designers may call themselves interior designers and do interior design work.

    In states where laws restrict the use of the title "interior designer," only candidates who pass their state-approved exam, most commonly the National Council for Interior Design Qualification (NCIDQ) exam, may call themselves registered interior designers. Qualifications for eligibility to take the NCIDQ exam include at least a bachelor's degree in interior design and 2 years of work experience.

    California requires a different exam, administered by the California Council for Interior Design Certification (CCIDC). Qualifications for eligibility to take the CCIDC exam include a combination of education and experience.

    Voluntary certification in an interior design specialty, such as environmental design, allows designers to demonstrate expertise in a particular area of the occupation. Interior designers often specialize to distinguish the type of design work they do and to promote their expertise. Certifications usually are available through professional and trade associations and are independent from the NCIDQ licensing examination.

    Artistic ability. Interior designers use their sense of style to develop designs that are aesthetically pleasing.

    Creativity. Interior designers need to be imaginative in selecting furnishings and fabrics and in creating spaces that serve the client's needs and fit the client's lifestyle.

    Detail oriented. Interior designers need to be precise in measuring interior spaces and creating drawings, so that their drawings can be used by other workers such as engineers or other designers.

    Interpersonal skills. Interior designers need to be able to communicate effectively with clients and others. Much of their time is spent soliciting new clients and new work and collaborating with other designers, engineers, and general building contractors on ongoing projects.

    Problem-solving skills. Interior designers must address challenges, such as construction delays and the high cost or sudden unavailability of certain materials, while keeping the project on time and within budget.

    Visualization. Interior designers need a strong sense of proportion and visual awareness in order to understand how pieces of a design will fit together to create the intended interior environment.

    The median annual wage for interior designers is $49,810. The median wage is the wage at which half the workers in an occupation earned more than that amount and half earned less. The lowest 10 percent earned less than $26,260, and the highest 10 percent earned more than $91,230.

    The median annual wages for interior designers in the top industries in which they work are as follows:

    Interior designers may need to adjust their workday to suit their clients' schedules and deadlines, meeting with clients during evening and weekend hours when necessary.

    Employment of interior designers is projected to grow 5 percent over the next ten years, about as fast as the average for all occupations. Designers will be needed to respond to consumer expectations that the interiors of structures meet certain conditions, such as being environmentally friendly and more easily accessible.

    Although only about 5 percent of interior designers are directly employed in the construction industry, many interior designers are heavily dependent on that industry to generate new work projects for them.

    In addition to demand created by new construction, demand for interior designers will also arise from the need to remodel and renovate existing homes, commercial buildings, and other facilities, such as hospitals, hotels, and schools. For example, interior designers will be needed to help accommodate the future living needs of an aging population, especially for those people who choose to stay in their homes as they age.

    Job prospects should be better in high-income areas, because wealthy clients are more likely than others to engage in remodeling and renovating their spaces. Keeping up to date with the newest design tools, such as three-dimensional computer-aided design (CAD) software, also will improve one's job prospects.

    Architects plan and design houses, factories, office buildings, and other structures.

    Art directors are responsible for the visual style and images in magazines, newspapers, product packaging, and movie and television productions. They create the overall design of a project and direct others who develop artwork and layouts.

    Craft and fine artists use a variety of materials and techniques to create art for sale and exhibition. Craft artists create handmade objects, such as pottery, glassware, textiles, and other objects that are designed to be functional. Fine artists, including painters, sculptors, and illustrators, create original works of art for their aesthetic value, rather than for a functional one.

    Fashion designers create original clothing, accessories, and footwear. They sketch designs, select fabrics and patterns, and give instructions on how to make the products they design.

    Floral designers, also called florists, cut and arrange live, dried, and silk flowers and greenery to make decorative displays. They also help customers select flowers, containers, ribbons, and other accessories.

    Graphic designers create visual concepts, using computer software or by hand, to communicate ideas that inspire, inform, and captivate consumers. They develop the overall layout and production design for various applications such as advertisements, brochures, magazines, and corporate reports.

    Industrial designers develop the concepts for manufactured products, such as cars, home appliances, and toys. They combine art, business, and engineering to make products that people use every day. Industrial designers consider the function, aesthetics, production costs, and usability of products when developing new product concepts.

    Landscape architects design parks and the outdoor spaces of campuses, recreational facilities, businesses, private homes, and other open areas.

    *Some content used by permission of the Bureau of Labor Statistics, U.S. Department of Labor.

    Originally posted here:
    Interior Designers: Jobs, Career, Salary and Education ...

    Best 25 Interior Designers and Decorators in Toronto Metro … - March 7, 2019 by admin

    116 Wright Ave. TorontoONM6R 1L2

    495016

    Veronica and Carrie have designed luxury hotels, retail spaces, and restaurants from New York to Dubai with an internationally renowned interior design firm based in Toronto and New York. We have an extensive portfolio of residential design, working on projects from Toronto, New York, and Milan. Always looking to exceed client expectations, we now bring our widespread knowledge and proven talents to Toronto, with clients across the country and south of the border.Two Fold Interiors is an award winning interior design firm that provides innovative, functional, and stylish Residential and Hospitality Design. We have designed projects with industry leaders on Four Seasons, Park Hyatt, Mandarin Oriental, Edition Hotel, Prada, in addition to numerous residential projects for private homes, condos, and cottages. With our creative vision for small to large scale projects, we bring vast design knowledge, an unparalleled attention to detail, and a trending vision that we are excited to share with you. Two Fold Interiors can provide turnkey solutions to any project. With a classic approach to modern design, the Studio works with local trades and artisans to produce spaces that are captivating, purposeful, and inspiring.For additional information on our services or to set up an initial design consultation, please contact us.

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    What is Interior Design? : About : IIDA - February 20, 2019 by admin

    The profession of Interior Design is relatively new, constantly evolving, and often confusing to the public. NCIDQ, the board for Interior Design qualifications, defines the profession in the best way: The Professional Interior Designer is qualified by education, experience, and examination to enhance the function and quality of interior spaces. Read the full definitionfrom NCIDQ.

    Throughout the process the journey of the creative process, designers are constantly defining themselves and redefining their work. Weve culled a few observations from our Members, friends and Board Members. We hope it provides a glimmer of inspiration for you in your work and your life.

    Good design combines usefulness with at least one of the following: beauty, comfort, efficiency, economy, or durability.

    -Michael Maurer, Principal, The Gettys Group, Chicago

    Design is everywhereIt touches and affects everyone. Design is human-centered.

    -Jack Weber, IIDA, LEED AP, Design Principal, Gresham, Smith and Partners

    Design is the expression of the envelope that surrounds you at work, at home, at play, everywhere. Its creating an experience, an emotion, or a story of your surroundings; helping lifes functions to be pleasing to the senses while organizing you.

    -Jessica Mann Amato, IIDA, LEED AP, President Elect IIDA NY Chapter and Senior Project Manager, NELSON, New York, N.Y.

    Design is a series of decisions that result in a series of consequences, good or bad. Good design results from making informed decisions from a knowledge base, realizing that each choice we make has a real and lasting impact on the lives of the people we serve, our communities, and the world at large. It could even be said that, as creators of environments, we are on divine assignment. What an awesome responsibility!

    -Vicki VanStavern, IIDA, LEED AP, President, VanStavern Design Group Inc.

    Design is a holistic, creative process approach to solving a problem or need. It requires clear definition of need and a good understanding, derived from research, of the physical/functional needs of the solution and where it must serve. In addition, the artistic design influence of scale, emotion, form, materials and color are embedded in what we call cultural content.

    -Chuck Saylor, Founder, Chairman and CEO of Izzydesign

    Everything is design. Its intrinsic, not just added to a project. From the name of a company, to its branding, and productseven the way the phone is answeredis a question of design. We, as designers, are problem-solvers for our clients.

    -David Galullo, IIDA, CEO, Design Principal, Rapt Studio

    Design is my life.

    -Richard N. Pollack, FIIDA, FAIA, President and CEO, POLLACKconsulting

    Design is the fulfillment of ambition, gratification and reward. Successful design is the tuition to immortality through the benefit to others.

    -Neil Frankel, Frankel + Coleman, Chicago

    To me, design is about the hope that sparks in an insight... an insight that often springs whole from moments of clarity in seeing into a systems' behavior... an insight that allows others to see and engage, building toward an inventive and useful whole.

    -Dave Lathrop, Manager of Workspace Futures Perspective, Steelcase, Grand Rapids

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    What is Interior Design? : About : IIDA

    Interior Designer | Bathroom, Kitchen & Home Design Service - February 20, 2019 by admin

    Are you looking for an interior designer or an interior design company for your next residential or commercial project? MDK Designs provides expert interior design consultation and services. Our interior designers provideclients with unique interior design ideas for renovations and new home builds. Ourinterior design firm provides exceptional customer service throughout the entire design and decorating process. Let your hassle-free and fun interior design experience begin.

    MDK Designs Interior Kitchen and Home Design Project Location: Weston, MAThis client desired an old world feel so MDK Designs combined various textures to create a warm, beautiful and highly functional kitchen where the entire family could gather. Afterall, the kitchen is the heart of the home. MDK Designs provided the following kitchen interior design services: space planning, kitchen layout, tile design, appliances, color scheme and all specifications.

    MDK Designs Master Bath Interior Design ProjectLocation: Lexington, MA.An MDK Designs client wanted to achieve a modern classic look with very clean lines. This goal was achieved by combining oversized thassos granite with a smoked glass tile. A custom vanity was built from walnut surrounded with staggered glass tile as the backsplash. Texture and softness were added by using customized fabric wall panels as a backdrop to compliment the overall interior bathroom design. Learn more about 2018 bathroom design trends.

    Melanie D. Kokoros, Interior Designer

    At MDK Designs, our goal is to make interior designing and decorating easy and exciting. Well work within your budget and provide you with exceptional value. If you have a vision for your home or commercial space, MDK Designs will help make it a reality. We create beautiful spaces that are stylish and highly functional for everyday living.

    Melanie Kokoros, Interior Designer and Owner of MDK Designs, offers interior design solutions that will reflect your personality and individual decorating style. Melanie and her design team listen closely to your needs and budget with the sole intention of making your interior design ideas come true. Your vision coupled with our expert interior design expertiseis the recipe for decorating even the most challenging spaces.

    I had the pleasure of working with Melanie on my residence (condo) and multiple 3 family buildings we converted to condo's.I was impressed with her vision and very pleased with the final results. Having worked with Interior Designer's before I realized Melanie was a great fit during our first meeting.The finished product was amazing and the feedback we got from realtors and prospects was even better. It really helped our properties standout from the rest. It also helped us get top dollar for our properties. I highly recommend her and look forward to working with her again soon on my next project.Sotirios L.

    Over the last several years Melanie has helped us with our home and business office. Working with Melanie is always an enjoyable experience and her ideas, creativity and suggestions are always spot on. The end result has been impressive!Sal N.

    Excellent, her design was incredible. We had a small kitchen renovation and she came up with a whole new look that the customer still raves about which is not always easy to do with limited space. Her attention to detail and follow up to make sure we always had all the products needed to continue moving forward was a welcome change. Not often we find this level of customer service throughout our projects.Mark M.

    Melanie is the best designer out there. Having her oversee our project was the best thing we did. From start to finish Melanie was there. Her design ideas were spectacular. Even years later, every morning I walk into my kitchen and say "I love my kitchen." Thank you to Melanie and her team!Karen V.

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    Interior Designer | Bathroom, Kitchen & Home Design Service

    Best Interior designer | Interior Designer in Ahmedabad … - February 20, 2019 by admin

    Combining art and science to carry out the best Interior design. As a paramount firm in the interior designing fraternity, we strive to achieve healthier and artistically pleasing environment that you would bring the serenity in living. Our skilled artisans plan, research, manage and coordinate in the every aspect of the design and adds your deigning flavors combined with their creativity to accomplish the task magnificently well in time.

    We tremendously work hard on conceptual development, site inspections, space planning, research along with construction management to introduce nothing but the best interior design for your home. We take in the account of every tiny detail from our precious clients prior to execution of the design. Our firm believes in providing the best decoration enriched with the latest fashion and beautiful designing feature that mesmerizes the every guest that enters your home. We emphasis much more on effective use of the space and functional design to illuminate residential or commercial place competently.

    Having more than a decade of experience in the fraternity, we design, develop and decorate your place that would be gorgeous in looking and extremely peaceful in living. Color is powerful designing tool, which has the potential to change the course of design. Years of experience have developed our art of composing, and bringing the appropriate color to create flourishing design on interior development. You will certainly feel the distinct designing essence that we have put through the utmost hard work, dedication and artistic elements every time you enter in it.

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    Best Interior Designers UK | The Top 50 Interior Designers … - February 20, 2019 by admin

    Looking for the best interior designers in the UK? Look no further, we have rounded up the current top 50 interior designers in the UK, whatever your style. Revamping your home has never been easier. Here are the pros you need to know

    A Swedish-born, London-based interior designer who worked for Nicky Haslam at NH Design before setting up on her own in 2013, Beata Heuman is one to watch. Over the last five years, she has established her own distinct style, often using lots of linen and natural materials, and a simple palette interspersed with pops of bright colour and pattern (she also has a small product range, which includes gorgeous Palm Drop print fabric and Marbleized wallpaper). Interests include African tribal art (I fell in love with an antique Fante flag from the Kingdom of Dahomey at the Decorative Antiques & Textiles Fair in Battersea, she enthuses) and books on American pre mid-century decorating. The balance of our designs exists in the marriage of quirky, traditional details paired with a Scandinavian sensibility, says Beata who has just completed the new Farm Girl Caf restaurant in Chelsea, a full refurbishment of a listed cottage in Sussex and a pied terre in West London. Its about creating spaces that people love being in.

    Inspired in equal measure by the English country style of the 1960s and 70s and from historical interiors of every period Ben Pentreaths decorating schemes combine classical details with bold colour and contemporary fabrics. His background is in art history (he studied at the University of Edinburgh before attending the Prince of Wales Institute of Architecture) and he worked with the Princes Foundation before setting up his own architectural and interior design studio in 2004 (since then his royal connections have continued: the designer was enlisted to revamp Will and Kates Kensington Palace apartment); currently he is working on various private houses in the Cotswolds, a central London apartment and a family home in Notting Hill. He is also known for Pentreath & Hall, the Lambs Conduit Street shop he set up with designer and decorative artist Bridie Hall which sells furniture, lighting, glassware and home objects.

    Growing up as a teenager in London, Iraqi-born Broosk Saib spent his spare time trawling Portobello Market for antiques. He studied interior design at the American College, before setting up his showroom in 1985; eight years later he decided that his home was a far better showcase for his interiors and since then, clients wanting his bespoke, consultancy service visit by appointment. A room should be functional and practical, and there should be an element of theatre; a stage set designed around the client and their lives, he says. I also think lighting can make or break a room. He is inspired by classic design and architecture, and often veers towards using lots of reds and blues and natural materials like wood, semi-precious stones and metals.

    Audrey Carden and Eleanora Cunietti met 25 years ago at a London antiques fair when they were both scouting for pieces for clients. Their first business venture together was the Carden Cunietti interiors shop in Notting Hill; since 2008 they have been concentrating solely on their interior design practice. People probably think of our interiors as textured with splashes of colour and featuring furniture from different eras, reveals Audrey, of the duos defining factors. We always emphasise comfort when it comes to sofas and dining chairs. And mixing light sources, including vintage pieces, is definitely part of our vision. Continuing projects range from a French chalet to a penthouse in Santa Monica but they have also recently completed their first major commercial commission: The Apartment at Bicester Village.

    Charles Bateson cites nine years spent working for Ashley Hicks as his greatest design inspiration. Certainly it stood him in good stead when it came to starting his own practice more than two decades ago. Known for his classic contemporary tone, Charles residential projects range from a turreted house on an estate overlooking Loch Ness in Scotland to a new build in Provence. Convex mirrors are a trademark touch (he has his own collection of mirrors and lamps), as are favourite materials such as Verre Eglomise and other deep-etched decorative glass panels, stone and marble marquetry (lately, he has also started incorporating more wrought-iron). Bespoke, built-in and freestanding furniture is mostly designed in-house. Bateson also goes to a huge effort to ensure that clients enjoy the process surely one of the reasons why so many return.

    Read the Country & Town Interiors Guide here

    Former Fox Linton design director Dennis Irvine set up on his own in 2015. Since then his studio has tackled numerous luxury hotels such as The Wellesley in Knightsbridge (think embossed leather wall panels, bespoke lighting and fashion photography from the Vogue archives) and Jumby Bay, a private island off the coast of Antigua where he recently designed the restaurant and private dining rooms. The rest of his time is spent on high-end, super prime residences. All his interiors are characterised by a tasteful tone (Dennis calls it enduring elegance), rich textures and one-off pieces of furniture. His current headline project is Langley House, a Grade II-listed Palladian mansion in Buckinghamshire which opens this summer as a country house hotel. The overall design will encompass modern sensibilities and an understated feel, says Dennis.

    Co-founded by couple Sarah Daniels and Jon ODwyer eight years ago (the pair were previously both directors at Richard Daniels Design), DO Design specialises in hotel interiors but takes on a few select residential commissions too. Its so important for a hotel to feel homely and equally our residential clients often want their homes to have that feeling of luxury you get in a hotel, so the two complement each other nicely, comments Sarah who avoids high fashion trends in favour of long-lasting, timeless designs. The pair work on the initial concepts together, then split roles: Jon focuses more on the interior architecture and master planning while Sarah concentrates on developing the furnishings. We love to combine surfaces such as wood, metal, stone, linen and wool, she says. Were not ones for high shine and flamboyant luxe. The materials we use are clean and unobtrusive, in other words easy on the eye.

    Textiles are the lifeblood of a project; the architecture and furniture are the structure, says Douglas Mackie whose striking interiors always feature plenty of colour and form. Custom-made fabrics from French textile atelier Toyine Sellers and American weaver Sam Kasten crop up in all projects (the glorious colours and extraordinary textures enhance our work every time, elaborates Douglas) and he sources furniture from different periods with the purpose of creating a considered balance within each room. The combination of artwork, sculpture and artefacts is also key, and an instinctive part of what he does is help clients curate their objects in unexpected ways. They also make a good starting point for a decorative scheme: it varies with every situation but having two great items of furniture and artwork that a client loves, is a wonderful way of informing the direction of a space.

    London-based Swedish designer Ebba Thott is co-founder of Sigmar, a multidisciplinary company comprised of a shop that specialises in 20th-century design (run by her business partner, Danish furniture expert Nina Hertig) and a studio. As youd expect, modern 20th-century design is a staple throughout her interiors but the real objective for Ebba is to always achieve cohesion. I hope that I can help bring harmony to someones space, by creating balance for the senses; everything matters from light to touch, she says. By which she means making a home feel tied together, often by subtly weaving in echoing patterns in certain places for that hard-to-achieve lived-in feel. She also has her own collection of paints, Damo, based on a broad grey scale, which are often requested by clients (the hues work particularly well with dark woods). The result is schemes that are considered and ultra calming.

    A fresh take on the English country house look is how Emma Sims Hilditch describes her design ethos which centres around creating beautifully calm, elegant homes. Paint palettes are often muted (the blue-grey tones of Farrow & Balls Pigeon and Neptune Moss are favourites), paired with fabrics by the likes of de Le Cuona and GP& J Baker. She loves Belgian design (in particular the work of Axel Vervoordt) and considers creating light and shade as one of the most important principles of her schemes. After a spell working in film production with Ridley Scott, she began making curtains and soft furnishings from home, before officially launching her business in 2009. Based in the Cotswolds, in a restored Grade II former inn, she is currently working on a private estate outside London which involves restoring a former school house, a woodmans cottage, a bespoke gun room and an ice cream parlour.

    Check Out our Edit of Beautiful Bathrooms

    Neutral palettes layered with texture to create interest: thats Fiona Barratt-Campbells signature style in a nutshell. I like to use a lot of different surfaces: rustic reclaimed wood, polished concrete, cast metals, woven leather Then I add colour through accessories and antiques, particularly 20th century pieces, says Fiona, who launched Fiona Barratt Interiors in 2006 and snaggedRichard Bransons luxury lodge in Verbier as her first commission. A recent full-scale residential redevelopment in Moscow, which involved turning a concrete shell into a family apartment, was kitted out with a bespoke contemporary FBC London kitchen and contrasting old-world silk rugs and a curated art collection. Right now, she has 16 projects on the go, from a Georgian terrace in Bath to a waterfront penthouse apartment.

    With an art background and ten years as creative director of Talisman under her design belt, its no wonder that Flora Soames interiors are shaped by her love of beautiful things and an identifiable stamp of colour and pattern. The great granddaughter of Winston Churchill who set up her design consultancy in 2009, Flora counts the whimsical nature of the Bloomsbury Group and the decorators such as Nancy Lancaster and John Fowler among her many influences. A clients furniture, art, textiles and accessories constantly inspire us, confirms Flora, who has just completed the renovation of an Oxfordshire farmhouse and the redesign of the private dining room at Wiltons restaurant in Mayfair. Her own growing collection of antique textiles can also drive a project and she is launching her own range of fabrics later this year. Whether it is a weave, embroidered fabric, chintz or velvet, fabrics contribute to the vital patina that we are looking to achieve in our interiors.

    A diffusion arm of Taylor Howes, Th2 was launched by Gail Taylor, Sheila El Hadery and Karen Howes in 2005 as a more accessible design service, delivered in super quick time with an affordable price tag. A year ago, they took the concept one step further with the launch of th2Studio, an online venture offering fully designed rooms, furniture and accessories at the click of a button. In general, creative and managing director Gail favours natural timbers, warm wools and crisp linens to give a room an organic undertone, plus a soothing colour palette. From the companys base at Design Centre Chelsea Harbour, the team has not long completed a family mews house and a sky-high apartment in a cutting-edge development, both in London. They have also converted an old office just off the Kings Road into a temporary home set furnished in new pieces from th2studio. Its great to show what we are doing to a wider market so we are using it as a pop-up for a limited period.

    A chance conversation at a dinner party with the owner of a Jacobean house in Suffolk who was looking to give it an update, led to this former art director turning to interior design (he had already done a stint at David Collins Studio). That was ten years ago and since then he has honed his English country style to a tee. I love a room to be eclectic, with a slightly bohemian edge, so it feels as if it has grown over time, explains Gavin whose roll call of influences include the Bloomsbury Group and David Hicks. Im not interested in beige or metallics but I use a huge mix of fabrics. If I look around the studio now Im working with stripes, vintage florals and silk damasks of every hue. He also loves the colour green (it always seems to appear somehow, whether in paint, fabrics or ceramics) and counts a house in Oxford and a converted barn in Bordeaux among his ongoing projects.

    Founded by friends Jenny Weiss and Helen Bygraves 20 years ago, Surrey-based Hill House Interiors was a natural extension of their work in the property sector, styling show houses for small, niche developers. These days, their signature look is elegant with an underlying hint of glamour: think a grey and cream palette with splashes of colour and dramatic finishing touches anything from a crystal chandelier over a dining table in a Chelsea townhouse to Art Deco mirrored detailing in a home in Poole. We are big advocators of bespoke cabinetry investing extra into essential feature pieces does make all the difference to the overall aesthetic, comment the duo who are just wrapping up on a private residence in the Bahamas. Were experts at creating really tonal, understated interiors though we recently worked on a scheme where the clients favourite colour was fuchsia, which we really made pop against shades of electric blue.

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    An interior has to be comfortable and it has to be practical, sums up Joanna Wood of her design philosophy. The founder of one of the largest residential interior design companies in London who set up her own practice from her spare bedroom after a spell in the interiors department at Asprey, Joanna is as at ease working on a contemporary penthouse as a 17th-century stately home or Swiss chalet. We learn as much about the client as possible, how they live, how they entertain, and then translate their ideas into reality, she continues. Joanna has done work for The Crown Estate, and for The All England Tennis Club at Wimbledon; runs a retail shop with a furniture showroom in Belgravia; and has three design companies to her name: Phillips & Wood bespoke lighting, Lewis & Wood fabrics and wallpapers, and Lawson Wood bespoke furniture.

    Juliette Byrnes Chelsea-based architectural interior design consultancy has established a reputation for creating classic contemporary interiors individually tailored to clients requirements. We always try and work on each project in a holistic way: from the full refurbishment through to the final turnkey touches, everything is thought through and discussed with the clients to enable it to be personalised, says Juliette, who likes to blend existing pieces with new, antique and bespoke furniture. She often commissions artwork, specifically butterfly boxes. The piece comprises of a perspex box with individually chosen feather butterflies in colours coordinated with the interior. It gives an ethereal quality to the design and clients love it. Juliette names one of her most memorable residences as a double basement new-build house in Chelsea which went on to win an International Property Award for best single unit in London.

    This relatively young design studio is already becoming known for its exceptional, personalised level of attention to detail whether its designing a bronze oak leaf chandelier with a clients initials tucked inside or having sofas made to the exact leg and back lengths of its owners. Co-founded three years ago by Katie Glaister, who has a background in the prime central London residential market, and Henry Miller-Robinson, who previously worked in commercial construction, theirs is an unusually broad design consultancy offering. For some clients we start with an empty space, reconfigure it and fill it with everything that is new to them; for others we love to curate, sifting through past treasures, re-framing art, re-grouping accessories and combining old furniture items with new; for others we love to curate, sifting through past treasures, re-framing art, re-grouping accessories and combining old furniture items with new, says Katie. The pair work a lot with patinated mirrors to direct light around a space, and engage specialist artisans, such as straw marquetry experts, where possible. You will notice that we tend to work with a small base palette: it can be tempting to apply a bit of this and bit of that, but usually less is more. There is so much choice but a designers skill is to narrow it down.

    It has been 25 years and more than a thousand completed projects since Karen Howes co-founded Taylor Howes (she took over as sole director in 2011). Her aim, whether working on a family office in Abu Dhabi or a thatch new build in the Cotswolds is always to deliver interiors that dont just look spectacular but which function brilliantly on a day-to-day level as well. The studio has become synonymous for always injecting a dash of colour into rooms, especially sumptuous, jewel-like tones. 2017 was the year of emerald green, and we would say were now in a blue phase, using a cross section of shades, comments Karen whose opinion is so respected that artisans and design houses regularly ask for her feedback on their new collections. Several collaborations are in the pipeline this year, including a dining table with Davidson and a wallpaper with de Gournay. Her design rules? Space planning is key and if you change one thing, it can change everything.

    Everyone from Mohamed Al Fayed to Alexandra Tolstoy has sought out Katharine Pooleys impeccably chic design eye. Inspired by the East meets West aesthetic, her soft, tonal decorating schemes often mix warm metallics with shades such as ivory, coral blush and celadon.These colours are best used when combined with specialist plaster finishes, shells and skins, and textured natural fabrics, explains Katharine who oversees a design studio of 45 interior designers and architects. My favourite finishes include gesso, agate, shagreen and mother of pearl. Last autumn she published a book, Journey by Design, which featured one of her most memorable houses to date: a large villa in Kuwait inspired by her clients antiques and relics, which she complemented with one-off pieces sourced in Asia. She has a flagship showroom in Doha and a growing roster of clients based in North America and The Middle East.

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    Michael Keech and Graham Green met at Ralph Lauren, where they launched the Home Collection. They founded Keech Green in 2002. Their vibe glamorous and restrained is often described as nodding towards Art Deco but really they can adapt their vision to any brief, pairing traditional fabrics with modern artwork say, or branching out to the world of superyachts. The pair take a very hands-on approach, designing virtually all the furniture and lighting for their projects, and sourcing unusual finishes. Current projects include a new-build country house in Yorkshire, an apartment in Geneva and a Georgian-style house in Hampstead. They are shortly relocating to Lingley, Belgravia, for an exciting new collaboration.

    My style is timeless, textural, and chic, says Kelly Hoppen of her trademark palette of soft neutral tones. It has evolved over the years, but the fusion of East meets West will always be at the core of my design philosophy and underpins all of my work. This means clients (who include everyone from Gwyneth Paltrow to the Beckhams) can expect clean, precise lines layered with opulent materials. Harmony has to be the keyword for an interior designer, and as our lives become increasingly hectic, weve never needed this more in our homes. Its not necessary Eastern-style pieces or accessories that make a home East meets West, it is more creating that feeling of tranquility, continues Kelly, who was awarded an OBE for services to interior design in 2009. For me, a room isnt complete without an Eastern sense of balance. You should walk into a room and it should just feel right. Clients can choose between Kelly Hoppen Couture for a bespoke design (and access to her little black book of useful numbers for managing and maintaining your property), or the more accessible Studio Hoppen.

    When Maria Speake and Adam Hills set up architectural salvage and design company Retrouvius 25 years ago, their sole purpose was to give new life to unwanted, discarded materials. These days the business is split into two: a Kensal Green warehouse where reclaimed stock (Persian rugs, oak plan chests, cast-iron marble-topped tables) is sold, and a sister design studio led by Maria which undertakes all kinds of projects, from the architecturally-led to the purely decorative (the studio has just completed the penthouse at the new Television Centre at White City, in collaboration with designer Bella Freud). Whats brilliant about Retrouvius interiors is that salvaged materials always feature in some form (even if its not immediately obvious), perhaps in a stone panel for the bathroom behind a roll-top bath, etched glass panels and antique floor tiles or sliding 1930s copper framed windows. Carefully considered and well-executed, the results are always spot-on.

    From Dean Street Townhouse to Cecconis in West Hollywood, Swedish-born Martin Brudnizki is behind some of the glitziest restaurants, hotels and private members clubs, both in the capital and worldwide. He established his studio in 2000 and now oversees a team of more than 70 interior designers, architects, lighting designers, product designers and art consultants across London and New York. In 2015, he also set up And Objects, a separate product design studio through which he has collaborated with the likes of Porto Romana and George Smith. Pivotal career projects over the years have included Soho Beach House Miami (one of his first US commissions), The Academicians Room at The Royal Academy of Arts and, most recently, the new-look Annabels, which has an Oriental-inspired lounge, a Mexican bar and a Garden of Eden garden room and terrace. The overall look is incredibly rich, vivid and over the top, says Martin who counts everything from a sharp bead detailing in an historic house to the painterly clash of colours in a modernist painting as inspiration. He also takes on a very small percentage of residences, the latest of which is Madison Square Park Tower, an apartment development in New Yorks Flat Iron district that completes this year.

    The award-winning designer of hotels such as Coworth Park, Chewton Glen and The Grove, where he has just returned to refresh the Glasshouse restaurant and the drawing rooms, Martin Hulbert has more than 25 years experience in the interiors industry. For the last 13 he has worked with business partner Jay Grierson and between them, they take on projects of all budgets and sizes, across the residential and commercial sectors. He defines his interiors as highly considered; not just about the visible but the invisible. Design that is authentic and contains an element of wit to humanise a space. Expect a curated mix of old and new: a contemporary leather dining chair paired with an antique dining table say, or placing a plexiglass console in a traditional Georgian house.

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    A former creative director for Candy & Candy who set up his own studio six years ago, Martin Kemp has worked on high-profile projects ranging from a grade I-listed mansion in Mayfair to a modern bachelor pad in Monaco, a polo club in Saint Tropez to a private jet. Our DNA is probably to do with having an eye for detail and the level of finish, he says, recalling his childhood home as memorable for its dramatic colour, eclectic furnishings and diverse artworks. The studio focuses mainly on the super-prime residential market and has just completed Clarges, a significant new development overlooking Green Park which comprises flats, a spa and a showstopper lobby. A home needs to be comfortable emotionally and psychologically, as well as physically, concludes Martin. You need to walk into your home and feel instantly at ease.

    Inchbald-educated husband and wife team Monique and Staffan Tollgard met while working on a film set and now put their storytelling experience to good use in interiors. We are telling the story of a client through their home, using the language of design, explains Monique. What is the hero piece of each room? How do light and shade work to create atmosphere? Over the years the company has expanded so now she heads up the interior design side of things while Staffan focuses on product design and sourcing furniture and lighting for their store. The pair are always looking to identify the Rdatrden (red thread) in a room design meaning the core essence or creative DNA. The spark can come from an architectural detail, a family heirloom, or a collection of art but each project holds a unique red thread, says Monique.

    A former Miami-based architect who spent five years as design director at Helen Green Design before setting up her own London atelier in 2016, Natalia Miyar is known for her confident use of colour and texture, and creating a balance between practicality and beauty. Materiality is at the heart of my designs and we use a lot of stone and metal in our projects, she confirms. Add to that cut-velvets for upholstery, deeply grained woods, vintage mirrors, lustrous gemstones and raffia wallcoverings and the result iseffortlessly luxurious interiors. Miyar has an international client base at the moment she is criss-crossing the globe between London, Manhattan, Ibiza and Kenya and finds stimulation in travel. The contrasting landscapes of the different places Ive lived in resonate strongly with me and feed into my work.

    A doyenne of the interior design scene, Nina Campbell has been in business for more than 50 years so its no wonder that her vast portfolio of projects ranges from an apartment in Rome to a hotel in Germany that was built by Queen Victorias daughter, via an English country retreat. Some of the most interesting can soon be seen in her new book Nina Campbell Interior Design: Elegance and Ease (out in September), alongside case studies of her own properties. The key thing is that a house has to be suitable for someones lifestyle. Its got to be comfortable and welcoming, she explains of her schemes which often feature upholstery fabrics such as chenille, linens and velvets. As American interior decorator Elsie de Wolfe used to say, suitability, practicality and proportion are the three abiding words to work through. Nina has just finished a huge house in Maine, complete with a pool house and party house. We really let rip; theres a super glamorous room, just with a bar in it, with violet lacquered walls and a silver ceiling.

    Former aviation finance lawyer Noor Charchafchi made the switch to interior design seven years ago after renovating several properties with her husband. Now she excels in opulent yet understated residences. Subtle inlays of brass, sumptuous fabrics and textured finishes tend to appear throughout her work. We often find that clients prefer to use a neutral base and then play with colour in their accent pieces but Im also a big lover of using bold hues on larger items of furniture and joinery, she explains, naming her mothers cousin, the late Zaha Hadid as a design hero. When she and her team arent busy with private commissions, they work with on developments such as the Berkeley Groups Chelsea Vista Bridge apartments and real estate investment management company Yara Capitals student housing in Lewisham. A furniture collection is in the pipeline for next year.

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    Italian-born Paolo Moschino bought Nicholas Haslam in 1995 and immediately set about putting his own European classic with a twist stamp on the business, which is comprised of an extensive fabrics and furniture collection and a design studio. The latter is headed up by Philip Vergeylen, and, under his guidance, elegant schemes often juxtapose modern and antique pieces across the eras to create interiors with bags of personality. The maxim that good pieces will work together is also true for furniture; you can put an 18th-century commode alongside two 1950s armchairs and it will look great if each item has integrity, says Paolo. The pair champion natural fabrics, such as Belgian linens and items such as books and art that make a house sing. No concept is ever repeated and every project whether a home in the Caribbean or a refit of a superyacht is built around the objectives of the client.

    Get the architecture correct first; its pointless decorating something that is badly planned or badly proportioned, says interior designer Philip Hooper who has led a decorating team at Sibyl Colefax & John Fowler for the last 17 years. As a trained architect I would never embark on a project where I had not had some element of control over the details and layouts. Philip, who has a team of five, works on around ten projects at once, all at various stages (at the moment these include a house in Philadelphia and a small estate in Norfolk). What unites them all is the common thread of comfort: whether youre working in an 18th-century idiom, a modernist home or on some place in the tropics, its always about having somewhere comfortable to sit. You need a light to read by, a place to put your feet up and a table to place a drink.

    Its never easy following in a mothers footsteps (especially not when the mother in question is Nina Campbell) but over the last 16 years Rita Konig has channelled her own style. This involves decorating by instinct, layering colours and textures together to create a pretty, relaxed look. I love a wall crammed with pictures. I also love a good clash Im not a fan of matchy-matchy fabrics, says Rita who spent six years living in New York before moving back to London in 2012. A room should make you want to come in, sit down and stay a while. When shes not working on interiors currently a home in Nashville with the architect Gil Schafer, a private members club and hotel in California and various residences in the UK she runs one-day design workshops from her home and offers advice on Rita Says, part of her website, which covers everything from must-have products to tips on lighting.

    A former creative director at David Collins Studio, Robert Angell set up his own practice eight years ago. Passionate about design history, he takes a white box approach to each project, starting with a clean slate and then creating sketches and moodboards that build up colour, form and light (his design references are modernists such as Philip Johnson and Mies van der Rohe). He designs nearly every aspect himself, from the carpets to the upholstery fabrics, lighting and wall treatments. This allows both scale and proportion to be exploited in harmony with their surroundings, creating a cohesive well thought through design, he says, describing his overall mood as modern yet timeless. Eighty per cent of his time is spent on commercial projects, the latest of which are a flagship restaurant in New Yorks Hudson Yards, a new spa space for The Savoy and bedrooms at the Belmond Grand St Petersburg.

    Carpets are my favourite place to start; when it comes to decorating a room, everything must start with a carpet, insists Robert Kime, an antiques dealer turned decorator who counts the Prince of Wales and the Duke of Beaufort among his most aristocratic clients. He outlines his design philosophy as combining a relaxed mood with an elaborate mix of antique treasures and is equally passionate about textiles, wallpapers, lighting and furniture all of which he designs and sells at his London showroom. This year, new fabrics include Karsamba a woven design inspired by an early 19th-century Anatolian hanging and Turin, a print based on a 17th-century Piedmontese panel. One of his most memorable past commissions, he says, was Wraxall Manor because the history of the house and the overall process was wonderful. He has recently completed new suites at The Gunton Arms, a traditional pub with rooms in Norfolk.

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    When Roger Jones joined Sibyl Colefax & John Fowler nearly 25 years ago he was head of the antiques department. That was until clients who came to rely on Roger for advice on the buying and placing of antiques started asking for his help decorating their homes too (he still has overall responsibility for the antiques department). Today, all his projects follow the same guiding principle: to have regard for the architecture and a clients way of life. He works with three design assistants on commissions from houses in Connecticut to Kuwait, private members clubs to sailing yachts. His schemes are calm and unfussy (most of my projects seem to have a room with blue walls, he quips), but what he finds most rewarding is working on houses that have some age, some history to them, and dealing with them in a sympathetic way but making them relevant to modern life.

    Trained furniture restorer, gilder and a specialist in paint and lacquer, Rose Uniacke sets out to design uncluttered, rigorously edited spaces with a relaxed warmth and sense of serenity. And its a pared-down, harmonious look she has perfected for her starry clients who include the screenwriter Peter Morgan and Jo Malone. Every project is completely different but I always start with the architecture the essence of the physical space is so important and consider how to make the best of it. Details really make the design, be they complex or simple in nature, says Rose who has recently finished the restoration of an Aesthetic Movement Artists Studio by EW Godwin in Chelsea and the Belmond Royal Scotsman with carriages inspired by the Highlands landscape. She also has a collection of furniture, lighting and accessories, named RU Editions and has just launched her first fabric collection, RU Fabric.

    Having met at university, friends Nicole Salvesen and Mary Graham teamed up in 2013 to set up their own practice (prior to that Salvesen worked at Nina Campbell and Graham was at Leveson Design) specialising in elegant interiors with a contemporary kick. The duo love colour (at the moment we are particularly enjoying decorating with pinks and greens; we use a lot of art and antiques and find that they are set off brilliantly by a green background, says Mary) and are so inspired by the elegance of Georgian England that they have launched a range of upholstered furniture with David Seyfriend, that alludes to the simplicity of Georgian proportions. They go to great lengths to ensure that the interior design process is enjoyable for clients, whether its the owner of a chalet in the Alps or a private members club in Mayfair.

    Core to Serena Williams Ellis approach to interior design is her penchant for mixing not matching, whether its high-gloss walls with a salvaged French limestone floor or pairing pretty and ugly colours together dusky pink and soft grey, say, or ochre and moss green. Since she began her career 25 years ago (she worked for Christies Fine Art Auctioneers), projects have swung the design spectrum from privately owned historic houses to yachts and contemporary chalets. I always like a strong architectural element to build on if its not there I create it, says Serena whose old meets new, simple but quirky style is determined by everything from 18th-century English design to the Orient. She encourages clients to create their own lookbook with images from magazines so she can find out what they are attracted to, and just as importantly, what they are not attracted to. Commissions range from a single item of bespoke furniture to entire houses.

    Creative director at David Collins Studio for more than a decade, Simon Rawlings and his team are behind some of the most high-profile hospitality and commercial spaces, both globally and in the UK, including the Corbin & King restaurants and, most recently, the first stage of Harrods two-year food hall transformation. The studio designs just a few private homes at a time, plus residential developments and show homes but, says Rawlings, creatively its the heart and soul of the business. They also invest a huge amount of time into developing, prototyping, sourcing and creating unique finishes with specialist artisans. Rawlings specifies his style as obsessively tailored eclecticism, by which he means having a near-obsession with texture, colour and pattern detail, while ensuring harmony is struck with the right balance and tonal variation.

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    With creative director Sophie Elborne at the helm, Kitesgrove, a five-year-old studio that encompasses interior design and project management, is behind some of Londons smartest residences including an apartment within Battersea Power Station, and three homes in a renovated 7,000 sq/ft building in South Kensington all of which sold within five months of launching to market. She describes her interiors as inviting, comfortable and multi-layered. Our designs whisper rather than shout. Great emphasis is placed on making spaces feel as good as they look: think materials such as reclaimed wood, un-dyed linens and raw metals (she cites Jacques Granges playful interiors as a source of inspiration) and a high level of attention to detail (such as considering how paintwork looks in different types of light). At the moment she is splitting her time between a lateral penthouse in Knightsbridge, designed with an art collector in mind, and the renovation of a Georgian family home in Chelsea.

    An in-demand designer with almost 25 years experience who eschews the fashionable in favour of bringing a room to life with exquisite colours, furniture or a favourite family heirloom. Susie Atkinsons inviting decorating schemes are all about the balance: I love hand-blocked wallpapers, and hand-gathered curtains and use these where I can. But perhaps most of all I like to combine mid-century lighting with antique furniture and a few quirky accessories to bring a bit of character and humour to a space, she says. Favoured materials include wool, silks, leather and antique mirroring or brass to add warmth, and as well as taking into account the architecture, she will always consider the direction of light, which has a significant effect on the colour palette. Her roll call of diverse, high-profile projects includes Babington House and Dean Street Townhouse, The Queens Club London, and the new Beaverbrook hotel in Surrey but right now, its a beach house in the Caribbean and a 1930s boat that shes most excited about. I have always wanted to do a beach house and a boat, so Im thrilled.

    Suzy Hoodless is behind the communal spaces at one of this years most anticipated new developments in the capital: the Television Centre at White City. The aim was to be inspired by the building and its history, but not slavishly driven by the 1950s roots; the look is mid-century with the best of European contemporary design, says Suzy. She explains her aesthetic as discerning and design-led, an alchemy of styles and periods and has an instinct for which colours and materials are right for a space. Other recent projects include a converting an artists studio in Chelsea into a family home and a five-storey townhouse in Kensington where there are unexpected surprises such as a panelled dining room with parquet flooring that conceals a hidden bar.

    An international powerhouse whose handsome style draws on modern architecture to lend an industrial edge to her designs. There is always, I think, a sense of approachable luxury within what we do, whether thats in a hotel in Hong Kong or a private chalet in Gstaad, she says. For me, design is a layered process; starting first with the layouts and space planning before building up to the final touches, such as art and dressing. She cut her teeth working for Philippe Starck at his property company YOO before setting up on her own 16 years ago. A large part of her time is spent on commercial projects but she is finding increasing crossovers with residential commissions. We are finding more and more that people want their homes to be like hotels and their hotels to be like homes, she continues. Ultimately, as designers we want to create spaces that people embrace and enjoy.

    Before Tiffany Duggan set up her studio six years ago she did stints painting sets for the theatre and as an interior stylist both of which feed into her eclectic decorating schemes, which she describes as fusing a little old and new, a touch of theunexpected and a bit of drama. She gravitates towards a base of moody, muted tones, adding the odd pop of bright colour and punchy pattern. I also think there should be just a little humour in any room, she says. Interests vary wildly from the Hollywood Regency movement to the romance of country houses, the boho jungalow vibe to anything with a Moorish hook. She is currently working on a period property in Hampstead, a pied terre in Marylebone and a holiday home in Ibiza. Her first homeware collection is in the works too, due out later this year.

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    I need to know why a building or house is the way it is, to understand the original intention of the architect, says interior and furniture designer Tim Gosling, whose portfolio is a mix of private and commercial commissions and includes the Goring Hotel and numerous superyachts. My favourite periods are Art Deco and Regency. That may sound like an odd span, but it is 1830 and 1930 a hundred years difference and a cultural explosion of ideas and design details. Tim founded his studio in 2005 after 18 years as director at Linley and has a reputation for clean-cut sophisticated interiors. He loves using vellum (such a remarkable material; you can dye it, stain it, print on it,) and straw work for its refraction and luminosity. This autumn, he is organising an exhibition at Design Centre Chelsea Harbour with the Furniture Makers Company to showcase bespoke furniture.

    Founded by the late Helen Green in 2002, its now headed up by creative director Tim Murray a firm believer that the location, architecture and how the client wishes to use their property are the primary defining factors of an interior. Proportion is also key: My team and Iall have a deeply ingrained, innate appreciation for proportion and as such it is the foundation of all good design. An empty room can feel right when well proportioned. It can equally feel uncomfortable if its proportions are wrong, says Tim, who is also passionate about joinery detailing. For instance, a stunning study, library or bookshelves that are the statement pieces of an interior. The studio also is also renowned for luxury hotel design.

    A contemporary architecture and design practice with an affection for heritage buildings, Tom Bartletts Clerkenwell-based Waldo Works is known for combining simple geometrics and a strong use of colour. We like to be rigorous about what we do so we try and make sure every decision is linked back to an original design idea or story, says Tom of his sensibly academic approach. It actually makes designing easier because it narrows your choice and you are not entirely dealing with decisions that are solely based on aesthetics which can be very objective. Projects range from The Laslett hotel in Notting Hill to Cara Delevingnes London pad and a set of rooms for a castle in Austria but whatever hes working on, Toms intention is to create spaces and places that are a little unexpected.

    Self-confessed colourists who adore pattern, texture and warmth, Bunny Turner and Emma Pocock co-founded the Turner Pocock design studio in 2007. These days a client is unlikely to come to us if they want all neutrals but we very much pride ourselves on making someones house their home, says Emma. We love blues, greens and pops of yellow and coral but we try not to be complacent and push ourselves to move out of our comfort zone by experimenting with new palettes. The pair work between London and Geneva, meaning they are ideally placed for both their European and UK client base.

    With a background as an art historian and experience working for Sothebys and the Guggenheim in Venice, its no wonder that art plays a central role in Virginia Whites interiors (she also worked for designer John Stefanidis before starting her own company 17 years ago). She likes to design a space as a whole, rather than room by room and has a tendency towards light walls (Farrow & Balls Slipper Satin is a favourite), natural floors and accent colours brought in with furniture or art. Having not long ago finished a project in Finland, I find Scandinavian design is such an immense influence on creating modern and easy to live with interiors, reflects Virginia who also has her own collection of fabrics, wallpapers and furniture, and often advises on purchasing art. She works on three or four projects in parallel, often for longstanding clients.

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    Best Interior Designers UK | The Top 50 Interior Designers ...

    Interior and spatial designer job profile | Prospects.ac.uk - February 20, 2019 by admin

    A career in interior and spatial design combines architectural knowledge, project management and creative design skills

    Interior and spatial designers are involved in the design or renovation of internal spaces, including structural alterations, furnishings, fixtures and fittings, lighting and colour schemes.

    You may work in a range of commercial, leisure or domestic settings. The job combines the efficient and functional use of space with an understanding of aesthetics. Some designers, particularly in the domestic market, are concerned solely with the appearance, rather than the structure, of the interior.

    As an interior and spatial designer, you'll need to:

    In addition, you may also sometimes act as a project manager for the client throughout the construction stage. This can involve coordinating the design on site and managing the construction team.

    Salaries vary widely and depend on your contacts, location and reputation. It's possible to command high earnings, particularly when you're involved with high-profile 'prestige' projects.

    Income figures are intended as a guide only.

    Typical hours include regular extra hours but not shifts. Evening and weekend work should be expected. Since the designer's role is often integral to a larger construction and development process, flexibility with working hours is an accepted part of the job.

    Part-time work is possible, while self-employment and freelance work are common.

    You will usually need a relevant degree, foundation degree or HND to be a professional designer. The following subjects are preferred:

    Degrees, foundation degrees or HNDs in the following subjects are also useful:

    Entry without a degree or HND is possible if you have significant experience and creative flair.

    Pre-entry postgraduate qualifications aren't needed, but specialist courses can enable you to move into interior/spatial design from another area of art and design. Taking a course in CAD or Photoshop may be useful.

    You'll need to have:

    Competition for work experience is strong so it's important to be proactive when looking for opportunities. Many courses provide students with the opportunity to showcase their work. However, as few graduates are offered work from their degree shows, it's vital to network and take advantage of any opportunities. Make as many contacts as possible during your studies and work experience, as they may be able to help you get your career started.

    A good way of making contact with established designers is by joining the Chartered Society of Designers (CSD). There are now many websites where you can showcase your work to employers and potential clients, for example, Arts Thread.

    The demand for talented interior designers is steadily increasing, although competition remains fierce. Selection is often based on a portfolio that shows your design skills, as well as your capacity to get involved in a range of different projects. It's unusual for employers to offer traineeships, and speculative approaches are strongly advised.

    Interior and spatial designers usually work for architects or design consultancies (interior or multidisciplinary) in private practice, or for commercial organisations with in-house design departments.

    Many work on a freelance basis or are self-employed, although it is uncommon to set up your own business without substantial experience and having built up a reputation and a list of contacts.

    Clients may include:

    There are increasing opportunities to work for domestic customers in the expanding field of house interiors. This can include the restoration or maintenance of historically important buildings as part of a team made up of conservation officers, architects, designers and other professionals.

    Look for job vacancies at:

    Design directories, such as The Directory of Design Consultants, are useful for identifying design companies to target with a speculative CV or personal call.

    Large consultancies offer on-the-job training and some provide courses on subjects such as negotiation, marketing (particularly branding), website creation, CAD and software packages such as Photoshop, Flash and Illustrator.

    Continuing professional development (CPD) courses, including training seminars and workshops, are accessible to members of the CSD. Members are awarded a professional practice certificate to document this professional development.

    Professional practice seminars on a range of subjects, including business practice and regulatory matters, are available throughout the year to members of the BIID. Members are required to undertake a certain amount of CPD each year to update personal and professional skills, as well as network and share ideas.

    Further study provides the opportunity to experiment, diversify or obtain specialist knowledge in order to progress in your career. Masters and PhDs are available in specialised areas of interior design and related subjects. Further education (FE), art and design or private colleges also run short courses. It's important to research courses thoroughly to ensure they meet your requirements. Useful subjects to study include:

    Typically, interior designers spend the first five to ten years of their career developing and building on existing skills and knowledge, as well as gaining further experience. Beyond that, there is no definite or structured career path, and the extent and speed of career progression depends on the setting and your performance, aptitude and dedication.

    Newly qualified junior designers tend to work alongside more experienced colleagues. You'll typically be given responsibility for parts of a project and can also assist with gathering information and putting together 'mood' or 'sample' boards for presentations to clients. This can lead to increased responsibility, depending on your performance.

    Specialisations and further professional qualifications at Masters or PhD level can enhance your chances of promotion, while moving from a larger consultancy to a smaller one can mean more responsibility.

    Search for postgraduate courses in interior design.

    It's important to build up a portfolio as you progress in your career. This helps both in terms of promotion within a company or consultancy, and in attracting new clients if you're self-employed. The majority of established interior and spatial designers showcase their work online to potential clients. Freelance work for consultancies, practices or individual clients is possible with experience, as is setting up your own business or becoming a partner in a consultancy.

    See how well you match this job profile and over 400 others.

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    Interior and spatial designer job profile | Prospects.ac.uk

    Interior Designer Job Description, Career as an Interior … - February 20, 2019 by admin

    Education and Training: College

    Salary: Median$40,670 per year

    Employment Outlook: Good

    Interior designers plan and design the interiors of buildings. They work for interior design firms, architectural firms, retail stores, and the design departments of large industries or institutions. Some have their own businesses. Interior designers often specialize in homes, hospitals, hotels, or banks. Some specialize in restaurants, stage sets, or the interiors of ships or airplanes.

    When they plan the interior of a new building or the structural remodeling of an old one, interior designers usually work with architects. The architects consult with the interior designers about traffic patterns and may ask them to plan the placement of stairways, windows, and doors, as well as cabinets and other built-in units.

    Interior designers examine material samples before presenting a detailed plan and sketch to a client. ( Paul Barton/Corbis.)

    Whether they are involved in the planning of the structure of a building or merely in the decorating of one or more rooms, interior designers give advice on color schemes, window treatments, and hardware and lighting fixtures. They also suggest finishes for walls, ceilings, floors, and cabinets. They choose accessories, such as plants or paintings, that will accent an interior.

    Interior designers talk with their clients to establish how much work needs to be done. They also take into consideration the clients' habits, tastes, and budget requirements when they create their designs. They draw up floor plans or sketches, which are done more and more with computer-aided design, or CAD, than by hand. Interior designers present these plans and sketches to clients along with color charts, fabric swatches, photographs, and sometimes even original designs for furniture. They also submit an estimate of the total cost of the job. They may have to revise their plans several times before the client approves them.

    Once the plans for designs are approved, the interior designers supervise the actual work of decorating. They order materials and contract for the services of workers. They may shop for those furnishings that will not be custom made. They make sure that draperies are hung properly and that the furniture is arranged conveniently.

    Designers who work for department stores and office or home furnishings stores usually only consult with customers at the store, and they are expected to help sell the store's merchandise. They also make suggestions to the store's buyers about the wants and needs of customers.

    To become an interior designer, several years of formal education after high school are needed. There are two-to three-year programs in professional schools of interior design, or a person can study interior design in a four-year program leading to a bachelor's degree at a college or university. Some students go on to get a master's degree or a doctoral degree.

    A student must also go through an informal one-to three-year apprenticeship before becoming an interior designer. Trainees often act as receptionists, buyers, or clerks while they learn the practical side of the interior design business. Experienceddesigners assist and advise trainees in such tasks as matching patterns, arranging furniture, dealing with customers, and computer-aided design. After completing their training and taking an exam, interior designers may become licensed and members of the American Society of Interior Designers.

    The placement office of a college or school of interior design may be able to help students find a job as an interior design trainee. Professional associations or employment agencies may also have job information. A person can apply directly to interior design firms, department or furniture stores, architectural firms, or manufacturers of furniture. Some graduates find jobs through newspaper classifieds or Internet job banks. Those who cannot find trainee jobs right away often get job experience selling furniture or accessories until they can find the position they want.

    Advancement depends on talent and experience. Interior designers can become supervisors in a design studio or in a department of a large store, manufacturing firm, or design firm. Some interior designers advance by opening their own businesses. Others teach in schools of design or work for magazines that deal with home furnishings and interior design.

    There will be an increase in the employment of interior designers through the year 2014. More businesses and individuals are using their services. However, beginning workers may find heavy competition for jobs. Some decide to focus on a niche market in order to be competitive, such as designing for the elderly or the environment-conscious, or focusing specifically on kitchens and baths. The best jobs will go to those with talent, education, and experience.

    Interior designers work in studios or stores that range from small boutiques to larger, more luxurious settings. They are often out consulting with customers, manufacturers, and workers. Some must travel long distances and carry heavy portfolios and sample books. They may visit expensive homes, buildings under construction, and drafty warehouses. Interior designers often work long and irregular hours. They are usually under pressure to meet deadlines.

    Interior designers need tact, patience, and flexibility in order to deal with all kinds of customers. They should have artistic and creative talent as well as good business sense and the ability to solve problems. In addition, they should have computer skills in order to present their designs electronically.

    Earnings of interior designers vary widely. According to the U.S. Bureau of Labor Statistics, the top 10 percent earn $71,220 or more per year, while the bottom 10 percent of interior designers receive less than $23,440 per year. The median annual salary is $40,670 per year.

    Experienced designers may work for a salary, a commission, or a combination of the two. A few designers with exceptional talent earn well over $100,000 per year. Benefits for salaried interior designers sometimes include paid holidays and vacations, health insurance, and pension plans. Self-employed designers or those who work on commission for small firms must provide their own benefits.

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