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    Category: Architects


    ORTRAUM architects plays with volumes in the design of its dwelling: ’12’ – Designboom - March 28, 2020 by admin

    entitled 12, a cabin dwelling designed by ORTRAUM architects is completed along the edge of helsinkis jollas peninsula. the 72 square meter timber house was planned as an addition to an existing 150 square meter home built in the 1960s. the client couple needed two main spaces a ceramics workshop and a music composing studio while the organization of the plan needed to be flexible enough to function additionally as a guest house and future home for one of the two children in the family, so bathroom and kitchen spaces were included.

    all images by marc goodwin

    12 by ORTRAUM architects is designed to serve as a model structure for environmentally friendly architecture and infill projects within its suburban finnish context. the building is built on top of the existing 6x6m concrete foundation of an old garage, avoiding groundwork on site completely. timber elements were ordered tailor-made, and installed on top of the concrete base within one day, creating a minimal impact on the neighborhood. the building is ventilated naturally. the roof slopes towards the south and is equipped with solar panels, providing the energy for running the ground source heat pump of the main home.

    the massing of the house is divided into two levels, an organization expressed visually from the dwellings exterior. formalized as an irregularly shaped volume stacked upon a rectangular block, these volumes each represent two different programs. the design team playful formal strategy generates a dynamic and sculptural architecture which expresses a different character when viewed from each perspective, reacting to the corner location on the property with by-passers moving closely around the building. the exterior timber cladding will turn grey with time and blend in with the adjacent forest and rocky surroundings.

    project info:

    project title: 12

    architecture: ORTRAUM architects

    location: helsinki, finland

    photography: marc goodwin

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    How Will the $2 Trillion COVID-19 Relief Package Affect Architects? – Architectural Record - March 28, 2020 by admin

    How Will the $2 Trillion COVID-19 Relief Package Affect Architects? | 2020-03-27 | Architectural Record This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more. This Website Uses CookiesBy closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.

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    How Will the $2 Trillion COVID-19 Relief Package Affect Architects? - Architectural Record

    I dont have a creative mind can i still be an architect? – Archinect - March 28, 2020 by admin

    I dont have a creative mind can i still be an architect? | Forum | Archinect '); }, imageUploadError: function(json, xhr) { alert(json.message); } }}); /*$(el).ckeditor(function() {}, {//removePlugins: 'elementspath,scayt,menubutton,contextmenu',removePlugins: 'liststyle,tabletools,contextmenu',//plugins:'a11yhelp,basicstyles,bidi,blockquote,button,clipboard,colorbutton,colordialog,dialogadvtab,div,enterkey,entities,filebrowser,find,flash,font,format,forms,horizontalrule,htmldataprocessor,iframe,image,indent,justify,keystrokes,link,list,maximize,newpage,pagebreak,pastefromword,pastetext,popup,preview,print,removeformat,resize,save,smiley,showblocks,showborders,sourcearea,stylescombo,table,specialchar,tab,templates,toolbar,undo,wysiwygarea,wsc,vimeo,youtube',//toolbar: [['Bold', 'Italic', 'BulletedList', 'Link', 'Image', 'Youtube', 'Vimeo' ]],plugins:'a11yhelp,basicstyles,bidi,blockquote,button,clipboard,colorbutton,colordialog,dialogadvtab,div,enterkey,entities,filebrowser,find,flash,font,format,forms,horizontalrule,htmldataprocessor,iframe,image,indent,justify,keystrokes,link,list,maximize,newpage,pagebreak,pastefromword,pastetext,popup,preview,print,removeformat,resize,save,smiley,showblocks,showborders,sourcearea,stylescombo,table,specialchar,tab,templates,toolbar,undo,wysiwygarea,wsc,archinect',toolbar: [['Bold', 'Italic', 'BulletedList','NumberedList', 'Link', 'Image']],resize_dir: 'vertical',resize_enabled: false,//disableObjectResizing: true,forcePasteAsPlainText: true,disableNativeSpellChecker: false,scayt_autoStartup: false,skin: 'v2',height: 300,linkShowAdvancedTab: false,linkShowTargetTab: false,language: 'en',customConfig : '',toolbarCanCollapse: false });*/ }function arc_editor_feature(el) { $(el).redactor({minHeight: 300,pasteBlockTags: ['ul', 'ol', 'li', 'p'],pasteInlineTags: ['strong', 'br', 'b', 'em', 'i'],imageUpload: '/redactor/upload',plugins: ['source', 'imagemanager'],buttons: ['html', 'format', 'bold', 'italic', 'underline', 'lists', 'link', 'image'],formatting: ['p'],formattingAdd: {"figcaption": {title: 'Caption',args: ['p', 'class', 'figcaption', 'toggle']},"subheading": {title: 'Subheading',args: ['h3', 'class', 'subheading', 'toggle']},"pullquote-left": {title: 'Quote Left',args: ['blockquote', 'class', 'pullquote-left', 'toggle']},"pullquote-centered": {title: 'Quote Centered',args: ['blockquote', 'class', 'pullquote-center', 'toggle']},"pullquote-right": {title: 'Quote Right',args: ['blockquote', 'class', 'pullquote-right', 'toggle']},"chat-question": {title: 'Chat Question',args: ['p', 'class', 'chat-question', 'toggle']}, "chat-answer": {title: 'Chat Answer',args: ['p', 'class', 'chat-answer', 'toggle']}, },callbacks:{ imageUpload: function(image, json) { $(image).replaceWith('

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    I dont have a creative mind can i still be an architect? - Archinect

    Why Destiny 2 Fans Think Bungie’s New Game Will Be About Architects – Screen Rant - March 28, 2020 by admin

    Bungie has earned a large fan base with the popularity of its Halo andDestiny franchises, but the developerseems to beworking on something new. Previous statements suggestDestiny 3 isn't coming anytime soon, and Bungie confirmed last September that it's looking beyondDestinyto develop new franchises. Little is known about Bungie's next game, but one fan may have figured out what it will be about.

    The current season of Destiny 2, called Season of the Worthy, has brought the game into a bit of a content drought. There's still the returning Trials of Osiris PvP mode, of course, but the general lack of other exciting things to do has led some fans tobelieveBungie's focus has turned away from Destiny 2 entirely. With Bungie hinting that Destiny 3 might not launch until after 2020, it appears the studio's focus is on its new IP, rather than a Destiny 2 follow-up.

    Related:Destiny 2's Rasputin Bunker Slide Is The Game's Freshest Content

    Reddit user DovahSpy recently shared a theoryon what this next game could be about. In the Halo series, players who went out of bounds during a multiplayer match were automatically killed and received the message "Killed by the Guardians."In Destiny, player characters - called Guardians - instead receive the message "Killed by The Architects,"so it follows that Bungie's next IP will star a player character faction called Architects. It's a simple theory, but a sound one, as Bungie's games have a habit of referencing one another. A Halo: ODST Easter egg, for instance, teased Destiny before it was announced.

    If the protagonists of Bungie's new game are indeed called Architects, it could shed some light on the new game's premise. Since Destiny's Guardians protect humanity and Halo's Spartans are legendarily skilled warriors, Architects might build or design something in the new game's world. Still, this alone isn't much to go off of, but Bungie has indirectly revealed other details about its new game that create a clearer picture.

    Bungie filed a trademark for a project called"Matter" in 2018, which suggests an emphasis on physical substances (and, if it's about Architects, perhaps building materials). Additionally,BungieMatter job listingshinted at a "comedic," "lighthearted," and "whimsical" game focused on competitive play, as well as an emphasis on "combat animation" and on "how character design can enable fan cosplays."While mentions ofRPG-like gameplay systems and loot drops suggest otherwise, these other details bring to mind Fortnite, a whimsical, competitive shooter with iconic character designs and in which players build things. Perhaps Bungie is aiming to capture some of Epic Games' success with its next game, whetherMatter turns out to be Destiny 3 or an entirely new franchise.

    Next:Bungie Says Destiny 3 Fans Will Need To Wait A Little Longer

    Tiger King: Where Are All Of Joe Exotic's Husbands Now?

    Camden Jones is a freelance reporter and regular contributor to Screen Rant. He also contributes to sites like GameRevolution and ESPN Esports, and he is a former Game Informer intern. A graduate of the the Missouri School of Journalism, Camden writes mostly about video games and the people who play them, but he has dabbled in topics such as the Missouri state government and artificial cattle insemination.Visit Camden's website to see his full portfolio of work, including features, podcasts, and videos. You can also follow him on Twitter @CCJ1997 for updates on his latest work and thoughts on gaming, environmentalism, and K-pop, or email him at ccj1997(at)gmail(dot)com.

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    Why Destiny 2 Fans Think Bungie's New Game Will Be About Architects - Screen Rant

    Interview. Homebound Due to the Coronavirus Outbreak, Architects Use AI Software to Progress – ArchiExpo e-Magazine - March 28, 2020 by admin

    This photo shows the software in use; although this shot was taken in an office, many architects are currently working from home. Courtesy of Spacemaker

    The coronavirus outbreak isnt halting some architects from plunging ahead on early-stage design concepts. In fact, Norwegian company Spacemaker has seen an increase in the use of its software since lockdown took place in European countries. Find out how its AI-based software is not only a solution in times of crisis but for the future of design.

    Many countries in Europe are currently mandating either semi or total lockdown, forcing citizens to remain at home. Before the outbreak, certain companies were already allowing employees to work from home but many companies were still resisting the home-office trendexcluding industries in which it is impossible. Now, companies who can enable home-office are finding its the only way to maintain progress.

    Were undergoing an interesting time in history, where Artificial Intelligence and Robotics are pulling through as essential tools. As many professionals are homebound, its the perfect time for Artificial Intelligence (AI), which has already taken over a number of industries and disciplines, to spread faster in the field of Architecture.

    Although the use of AI in architecture is still in its infancy, a few companies are providing AI-tech solutions for project design.

    Spacemaker, for example, has developed a game-changing AI technology that helps users discover smarter ways to maximize the potential of a building site. Users can generate and explore a multitude of site proposals for which the software provides a detailed analysis. The software is also a platform for collaborative workflow among architects, engineers, real estate developers and municipalities.

    We developed a self-service software for our subscribers. The users are expertsthe architects, urban planners, engineers, already working on urban projects. AI will never replace these experts, only help them complete their tasks quicker, Spacemaker CEO and cofounder Havard Haukeland told ArchiExpo e-Magazine in an interview via video conference.

    As most mistakes occur during the early stages of building design, only to be realized six months down the line or during construction, the software focuses on that phase. The original version relied perhaps too much on AI technology, according to Haukeland; users would plug in the details of their needs and the software would provide smart proposals, making it less flexible for the creative mind of an architect.

    Architecture and the exploration of design is about collaboration and using intuition, which cannot be handled mathematically. For our second version of the tool, we decided to combine architecture intuition and artificial intelligence. AI becomes a proactive support without running the show, so to speak.

    The first version had only been available for six months when the team at Spacemaker expanded the product, doubling the amount of code in eight weeks to combine data automation with AI-driven design, real-time analysis and a collaboration platform. The software is also made compatible with other drawing tools such as ArchiCad and Rhino.

    [When we published our second version], we really saw a major increase of use. Weve also found that users tend to start with our software first, then move to drawing software because [ours] is more specific and its easier to set up a sitethe software can generate a 3D model in several minutes.

    Were still at the beginning of the journey, according to Haukeland. Riding the AI wave in all its excitement is precisely the moment to take caution. We can get too distracted by the amazement of AI, he said.

    We need to put importance on the customer value of technology instead of saying AI should be used for everything. If we dedicate our work to the opportunities of AI, we might miss the real objective: helping people.

    Our software will continue to evolve but we will focus on the end users needs.

    At the current moment, the Spacemaker software is a hybrid AI systemusing AI to manage workflow and generate faster results while maintaining human intuition. The company plans on building new products in the future to be more dedicated to the value chain and mix-use projects such as offices, hospitals and schools. At this time, its software is mostly used for residential projects often located in urban settings. Architects and urban planners are the main user types, exploring design options the software generates that meet city requirements and client needs, such as avoiding noise pollution from traffic.

    Architecture professionals embracing AI software are several steps ahead of those who dont, according to Haukeland.

    Our belief here at Spacemaker and what our customers tell us is that once youve seen the opportunities of AI and other technologies, like the Cloud, but the architects who use AI will surely replace the architects who dont. AI will never replace the architect. Those who embrace will get a step ahead of those who dont.

    Read a similar interview we published recently: AI Software by Habx Generates Personalized 7-minute Floor Plans. Both Habx and Spacemaker are a part of the Intelligence Artificielle et Architecture exhibition in Paris, currently closed due to the coronavirus outbreak. The video below is in French only.

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    Interview. Homebound Due to the Coronavirus Outbreak, Architects Use AI Software to Progress - ArchiExpo e-Magazine

    Narula House raised on stilts over River Thames flood zone – Dezeen - March 28, 2020 by admin

    Steel stilts elevate Narula House, a British dwelling on banks of a River Thames tributary that has been designed by John Pardey Architects to endure flooding.

    The wood-clad Narula House is intended to evoke an abstract object beside the river Loddon near Wargrave, which is identified as a flood zone.

    John Pardey Architects (JPA) completed the house for a client who wanted a striking property that overlooked the river and offered plenty of space to entertain guests.

    It is raised on stilts to keep the house and its services well above predicted flood levels, while allowing the clients to "enjoy life as if on a cruise liner" during times of flooding.

    "The client had been dreaming for some time of building their own 'wow' house, a comfortable modern home to enjoy as a couple and a great place for entertaining large gatherings of family and friends both inside and outside," JPA's Chris Gray told Dezeen.

    "The new house and all servicing has been raised well above predicted flood levels which allows the client to embrace flooding as part of the life on the river," Gray continued.

    "During the days floating above the flood water, they enjoy life as if on a cruise liner!"

    Narula House is the third dwelling completed by JPA along the banks of the Loddon, and so it was familiar with the challenges and demands that came with building in the flood zone.

    According to the studio, the potential flood depth for the site is recorded as 1.17 metres so the dwelling is positioned 2.2 metres above ground to accommodate the potential threat of increased water levels caused by climate change.

    "It is very much a response to this particular site and client brief, however many aspects of the design would be familiar to anyone looking to build in a flood zone," said Gray.

    "The basic approach is for the house to sit lightly on the ground, keep the house and services well above predicted flood levels and allow the free-flow of floodwater across the site."

    Narula House has a slender steel framed structure that is raised on piled foundations. Its site has been landscaped to allow the free flow of floodwater across it.

    It is distinguished by a single, linear form that aligns with the north and south cardinal points contrasting with the meandering river over which it looks.

    "The logical placement of the house might have been to align it with the river's edge, so it would face south-east however we chose to align it so as to play off the diagonal path of the river with accommodation facing south," said JPA.

    "The rectilinear house aligned with the cardinal axes counterpoints the meandering river beautifully, reinforcing both."

    Narula House's materiality was intended to evoke an abstract object hovering above the meadow, and features sweet chestnut cladding with a translucent preservative coating that offers a light, white finish.

    This is teamed with fibre cement panel infills around its glazed areas, and an earthy grey brick chimney structure that extends up from a ground level barbecue area.

    The dwelling is accessed by an open tread staircase, which leads onto an entrance deck with a sheltered front door made from natural iroko wood.

    This opens into a generous lobby area and central courtyard, which features a second staircase down to the grassy riverbank.

    On the westside of the courtyard is a large open-plan living space, which has unbroken views of the river.

    It is enveloped by a balcony sheltered by an overhanging roof, which JPA designed to offer solar shading.

    The same roof overhangs the east side of the house, which contains the residence's private living spaces.

    Branching off a linear hallway that runs the length of the house, these private living spaces include a study, utility room, cloakroom, and three ensuite bedrooms.

    Throughout the home, the interiors feature deliberately simple, light finishes to help create the feeling of openness.

    They are lined with timber flooring and decorated with the client's own furnishings including many 20th century design classics in a bid to create a "wonderful autobiographical feel".

    Narula House is complete with an annexe for guests accessed from the home's main entrance via a glass-lined corridor.

    The annexe takes the form of a freestanding pavilion and has a lift for access.

    JPA is a Lymington-based architecture studio founded in 2000 by John Pardey.

    In December 2019, Narula House's site flooded after a period of extreme rainfall that raised the water table significantly. This was captured in a photo by the client.

    Other recent projects on Dezeen that are designed to endure flooding includes Bates Masi's Kiht'han house on Long Island, which is lifted above the ground and features lower-level screens to let water pass underneath.

    Photography is by James Morris and drone footage is by Electric Blue.

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    Narula House raised on stilts over River Thames flood zone - Dezeen

    All the events in SpazioFMG’s The Architect Series now available via streaming – Floornature.com - March 28, 2020 by admin

    Mario Cucinella, Grimshaw, Archi-Tectonics, WORKac, Ennead, FXCollaborative, Weiss/Manfredi Architecture/Landscape/Urbanism, BIG Bjarke Ingels Group, SHoP Architects, Behnisch Architekten, 3XN Architects, GCA architecture: these are the 12 architectural studios featured in The Architect Series, the event format SpazioFMGperl'Architettura has been offering to the public since the spring of 2018.At this suspended time, when the rhythms of our working day have changed and the populations of countries all over Europe and the world are living under lockdown, web portals and corporate web sites have been making their content archives available to the general public via streaming, and online entertainment has become a valid way for people to enjoy interesting and educational content in their free time. SpazioFMGperl'Architettura offers users of the Floornature portal the complete series of 12 events in The Architect Series, the exhibition format created by The Plan magazine for the gallery and showroom of Iris Ceramica and FMG Fabbrica Marmi e Graniti, top brands in the Iris Ceramica Group. While waiting for the thirteenth event in the series, cancelled in compliance with the Italian regulations for containment of the covid-19 virus, everyone can take a peek behind the scenes of selected well-known architectural practices through the documentary films in the series. Each episode is a double event, as video interviews conducted by The Plan in SpazioFMG per l'Architettura during meetings with the architects and extracts of their lectures in Milan are now also available online.

    The series began with a look at an important Italian architect, Mario Cucinella, and his studio MC A. The event offered the audience at SpazioFMG per l'Architettura a sneak preview of the exhibition Archipelago Italia for the Italian Pavilion at the 16th International Architecture Exhibition in Venice, as well as introducing the theme of sustainability and the work of SOS - School of Sustainability.Sustainability is the cross-cutting key concept also present in other architectural studios projects, from the Sustainability Pavilion for Expo Dubai 2020 by Grimshaw and presented by Andrew Whalley, the studios Deputy Chairman, to the digital crafting and innovative approach of Winka Dubbeldam, the architect of Dutch origin who founded Archi-Tectonics. As well as the work of architects Amale Andraos and Dan Wood, founders of WorkAC, through integration of functions combining architecture, landscape and ecological systems. Complete, sustainable projects made possible by the discussion, collaboration and cooperation underlying major international studios and collectives such as Ennead, presented by founding Design Partner Tomas Rossant; FXCollaborative, presented in SpazioFMG by senior partner Dan Kaplan; SHoP Architects with co-founder Corie Sharples, Behnisch Architekten with Stefan Behnisch and 3XN Architects with founder Kim Herforth Nielsen. Multidisciplinarity and research are the key themes of the presentation by architects Marion Weiss and Michael Manfredi of WEISS/MANFREDI, Architecture/Landscape/Urbanism, founded in New York in 1989, and Kai-Uwe Bergmann, partner in BIG, Bjarke Ingels Group. The last episode in the series before this obligatory break, only recently made available online, is a documentary film focusing on GCA architecture, presented by its founder Josep Juanpere with Andrea Navarro and Juan Velasco (associate members).br />(Agnese Bifulco)

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    All the events in SpazioFMG's The Architect Series now available via streaming - Floornature.com

    Q&A: Illinois architect on the growing challenges of maximizing efficiency – Energy News Network - March 27, 2020 by admin

    Nathan Kipnis was recently the national co-chair of an effort to achieve carbon-neutral construction by the end of the decade.

    Editors note: This article has been updated throughout for clarity.

    More than a decade ago, the American Institute of Architects in Chicago challenged members to make a commitment to achieving carbon-neutral building construction by 2030. The campaign has since gone national, with hundreds of firms signing on and helping to prevent more than 17 million metric tons of carbon emissions in 2018 alone, according to its most recent annual report.

    Nathan Kipnis, FAIA, an architect in Evanston, Illinois, has been involved with the AIAs 2030 Commitment since the programs outset. Kipnis had served as the national co-chair in 2018 and 2019. He recently spoke with the Energy News Network about the campaigns progress and the challenges it faces as members seek higher efficiency levels.

    The following conversation has been edited for length and clarity.

    A: When we first started we thought getting to 50% more efficient (than a 2003 baseline) was very difficult. Now every part of a house has gotten to the point where you can pick up a 70% reduction from heating, cooling, refrigeration, and lighting. With 80%, it gets very difficult. Moving forward, 90% and 100% is going to be [very challenging].

    A: When we talk about something thats better, it tends to cost more. Theres four things that tend to make an increase in cost in high-performance homes. Thats the mechanical system, the electrical system, the insulation, and the windows. Everything else is pretty much the same.

    A: You want to look at the home as a system and not just individual parts. When people replace their windows in their 1950s home, [that is great]. They could put windows that are twice as efficient but if they have the same insulation, the heat goes right around them. You need to also be thinking about your insulation. And you do that before you paint the interior of the house or youre never going to do it, because then youve just painted the walls, youre gonna wait 15 years. [Then when your mechanical needs to be replaced, hopefully you can replace it with an all-electric system, like an air source heat pump]. At the same time, you want to add a smart control system. Now that youve made the house really tight, you need outside ventilation brought in a controlled fashion. And thats generally an air-to-air heat exchanger. So those are the things you need to do all at once, or at least logically planned out.

    A: When you get new appliances like an electric induction cooktop, this may mean that you need to upgrade your electric service coming into the house. Some people might have 100 amps and might need 200. Some people have 200 and might need 400.

    Most of our clients have electric cars now. On any project we wire for electric car charging, solar panels, and for battery backup systems. A backup battery takes significant room in a mechanical room; generally four or five feet of wall space. And then in the garage, just getting the conduit there from your circuit box. I would say in the last seven or eight years, every garage, weve done that capability.

    A: Right. It tended to be that the people that could make a really efficient building didnt know anything about design. And people that were really smart on design didnt want to get bogged down in the technical aspects of high efficiency. One of the things we really thrive on and have always done is what we call High Design, Low Carbon, which is actually trademarked.

    A: Your options get very limited, but it doesnt mean that it cant work at affordable housing levels.

    A: Buildings last a very long time and the climate is going to change enough to impact how we layout and design a home. Ive seen studies that show every 10 years that (the climate zone for) Illinois is dropping 400 miles south. In three or four or five decades, were going to have the same climate that Texas currently has. And the houses and buildings need to respond to that.

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    Q&A: Illinois architect on the growing challenges of maximizing efficiency - Energy News Network

    27th World Congress of Architects – UIA2020RIO is Postponed to July 2021 – ArchDaily - March 27, 2020 by admin

    27th World Congress of Architects - UIA2020RIO is Postponed to July 2021

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    Following the recommendations of public authorities and the WHO general guidelines towards the COVID-19 pandemic, The International Union of Architects, UIA, the Institute of Architects of Brazil, IAB and the Executive Committee UIA2020RIO have decided to postpone the 27th World Congress of Architects to July 2021. The announcement echoes several other events related to architecture that had to be postponed, including the Venice Biennale and the Salone del Mobile.

    According to the organizers, registration fees will be automatically applied to the new Congress dates. In addition, the lectures and projects accepted for this year's Congress willstill to apply to the new program in 2021.

    The UIA2020RIO will take place between the 18th and 22nd July 2021.

    Excerpt from:
    27th World Congress of Architects - UIA2020RIO is Postponed to July 2021 - ArchDaily

    8 Architects on How the Pandemic Will Change Our Homes Forever – Dwell - March 27, 2020 by admin

    As the new coronavirus continues to spread, cities and countries around the globe have ordered citizens to retreat to their homesand stay there. As we shelter in place, the rooms where we once spent few waking hours now encapsulate our entire existenceand this short-term recalibration may have long-term effects. We spoke with eight architects and designers to find out what the COVID-19 pandemic means for the future of home designread on for their thoughts, and check back as we update this story.

    Smith House by MacKay-Lyons Sweetapple Architects

    MacKay-Lyons Sweetapple has always questioned consumption, and in a way all of this is reinforcing business as usual for us and our work. Were interested in economy as a democratic ideahouses should be economically accessible. Its the same way Frank Lloyd Wright thought about his Usonian homes, and how Ferdinand Porsche thought about the Volkswagen.

    People think sustainability is a new thing, but traditional cultures have always operated this wayin terms of economy. Economy is what you do when you cant afford to get it wrong. Thats how we look at vernaculars. As architects were in the aesthetics business, and economy is universally an aesthetic idea. Were doing more with less. Its "frugal chic."

    Maybe the pandemic is underlying whats always been important, and weve become decadent and forgot. Its about connecting interiors to outer landscapes. Its about the idea of prospect and refuge. We need that in our dwellings and always did, but especially now. We need that sense of looking out at the landscape and into the future.

    I also want to mention urbanity. Weve gone a long ways away from making good communities. When you design a dwelling, its about privacy and community at the same time, which is what weve been focused on. Were making villages where homes feel private but also give a sense of community, like what were doing in Shobac. Its essential to have eyes out on the world, because you want to see whats coming. Thats a basic human comfort. Its timeless and universal. Im not a fashion guy, Im more interested in elegance and timeless principals. The crisis is making us rediscover that essence.

    Off-Grid Guesthouse by Anacapa Architecture

    Like millions of others, everyone in my company is now working from home. Video calls from home give us a very intimate window into each others lives. We see kids in the background bouncing on the couch, dogs barking, people in their pajamas, significant others...its been a bonding experience. Almost everyone has been loving it, and most of us have said that we feel more productive due to fewer interruptions than normally happen in our open-office environment.

    However, this level of total isolation is extreme. We need to be around each otherwe need to draw together on paper, build models, walk to the coffee shop, print things, throw things, look at books, hug people, and do normal human things. When this ends, we will recalibrate, but it wont go back to the way it was before.

    This experiment, especially if it lasts a long time, is going to completely redefine our ability to work from home. Companies, including us, are being forced to learn how to accommodate this, and we will find the silver lining. I think this is going to allow us more flexibility to enjoy our homes that we spend so much time creating, while still holding ourselves and our teams accountable for being effective and productive.

    I can imagine, with millions of employees all working remotely, that after companies learn how to effectively work from home, they will start to reevaluate how necessary their physical office spaces are, and how much money can be saved if employees work from home at least part of the time. Some may find that they only need half as much space as they did before, and that they only need a physical office for staff meetings and in-person client meetings. But in order to make this work, there will need to be serious changes to the "home office" idea. This health crisis could possibly have a long-term effect on how important a home officeor at least a working nookis in residential design.

    Amagansett Modular House by MB Architecture

    Were already seeing some short-term effects: people are now spending more time at home, and finally focusing on long-overdue improvements (bigger pantries, more defined work spaces, and adding/upgrading guest bedrooms). More generally, I see a very dramatic surge in interest in our prefab buildings, from all over the country (and in fact, the world, based on our web stats). And finally, theres a surge of city residents whove moved out to the country and are looking for a permanent second home. My own sense of how this affects future home design is that the fundamentals of domestic lifecentered around life at home versus perceptions of luxurywill prevail. And that would be a very good thing.

    Walk Street House by Ras-A Studio

    The pandemic has given people (who might not already have experience with it) a large dose of working remotely. This might offer businesses and employees alike a glimpse of its potential and staying power. It could have us rethink what a home office isand its priority in the program of a home.

    False Bay Home and Writers Cabin by Olson Kundig and Geremia Design

    In times where people are resourceful and want to be connected to others, there are really beautiful things that can happen. What are the opportunities that come out of times when people have economic restraint? Or fear? I think creativity is attached to being resourceful and I live for these times because right now is when people are open minded. Instead of throwing money at something theyre being bold and thoughtful with their ideasIm hoping thats on the horizon.

    I feel like people have a lot more space to dive into conversations because theyre not distracted by getting into the next meeting. People and corporations have been way more attentive to design, and more thoughtful and immersed in conversations, which will have a great impact on the projects. Clients have more bandwidth, honestly. Tuning in on a deeper level has positive results.

    A lot of my clients in the bay area tend to have minimalist and modern style. But Im hoping people will be more sentimental and will be more open to bold choices. I know a lot of people that have called me to say "Im ready to paint my room." Its kind of low hanging fruit but people are bored and want to do home improvements. People are feeling a little less hesitant about experimenting. Im hoping color is something thats big time.

    Theres no reason to procrastinate and theres a feeling of satisfaction in doing things like painting a room or hanging art thats been sitting in the attic. Its like a marriage. When you stay in a marriage long enough you start to shake out things and work on things that you wouldnt normally have time for. I think when your faced with living with something for long enough, you learn how to work with it and you learn how to love it in a different way. I think thats one positive thing to come out of this.

    Carraig Ridge House by Young Projects

    "Well design" standards will incorporate new criteria for the residential market. This will inspire architects and designers to consider new ways we can think critically and creatively about domestic environments. For example, the importance of green roofs might be completely reconsidered...which, in turn, may necessitate structural retrofitting for existing buildings, and increased standards for new residential buildings.

    Millennium House by Joel Sanders Architecture

    Retro futurism. I see a return to a high-modernist aesthetic championed by architect Le Corbusier at Villa Savoye: sparkling white rooms, tile, and porcelain fixtures that convey a visual sense of health and hygiene. Think of a sink that greets visitors at the entrance to Villa Savoye.

    In regards to the home office, over the past decade digital technology has already transformed homes into live/work spaces where, over the course of a day, people assume a variety of personal and professional roles. The pandemic now requires almost all of us to work from home, putting pressure on all of us to retrofit our homes with technology.

    Sackett Street residence by Frederick Tang Architecture

    There are 8.55 million people living in NYCthe largest amount in any city in the United States. The average space per person in the city is around 531 square feet. This opens our eyes to problems with affordable yet available housing, and how we can resolve space in an efficient way so residential living does not feel crampedone of the reasons why New Yorkers leave their spaces and go out. We are human and still need connection and social activity. There will always be a need for communal spaces, but personalizing each home will be very important. This approach will make sure that people are comfortable in their own space without the anxiety of wanting to leave.

    Park Avenue Prewar Apartment by Michael K. Chen Architecture

    In previous crises, the home was a refuge, a place to retreat to. Now, its quickly becoming a place that people are looking forward to leave on a regular basis. I wonder if private space will take on some of the dimensions of the public space that so many of us are missing. At the same time, I think that the crisis has laid bare the shortcomings of our social fabric and safety net. Certainly in New York, there is the near-universal awareness that public schools not only educate our children, but also feed them. I hope that this awareness informs how schools are resourced and designed in the future

    Arc Village Studio by Sim-Plex Design Studio

    As more and more people work from home, we need to find ways to combine living areas with work spacesbut we should be careful not to decrease the quality of either space. Since space is limited in most homes, flexibility is keyfor example, a dining room table can be transformed into a work space using flexible partitions. Our Arc Village Studio project is an example of how rooms can suit different functions without degrading the quality of those spaces.

    Lead illustration by Arunas Kacinskas

    Related Reading:

    40 Things You Can Do if Youre "Social Distancing" at Home

    Li Edelkoort Thinks Coronavirus Will Change Consumer Behavior Forever

    Read the original here:
    8 Architects on How the Pandemic Will Change Our Homes Forever - Dwell

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