A man who climbed onto a second-storey apartment balcony in Abbotsford a year ago and set a barbecue on fire has been sentenced to three days in jail and three years of probation.

Michael Rodden, 32, pleaded guilty to a charge of arson, while a mischief charge was stayed during sentencing on March 20 in Abbotsford provincial court.

The incident took place on March 24, 2019 in the 2600 block of Ware Street while a family including a two-year-old boy was sleeping in their apartment.

The family heard a huge smash on their patio and thought someone was breaking into their home.

When they rushed toward their patio, they saw that their living room window was smashed and that Rodden was babbling and yelling.

RELATED: Mission RCMP take suspect into custody

RELATED: Stranger climbs onto second-storey patio and lights fire in barbecue

The family then noticed that their barbecue was on fire, with flames so high they were touching the ceiling. The blaze caused the glass panels on the patio to explode.

They grabbed a jug from their water cooler and dumped it on the flames.

Meanwhile, Rodden had jumped onto their neighbours patio, and a passing off-duty police officer called in the fire.

Members of Abbotsford Fire Rescue Service and the Abbotsford Police Department arrived on scene, and Rodden was arrested.

According to the provincial court database, Rodden has numerous past convictions for offences such as possession of stolen property, dangerous operation of a motor vehicle, uttering threats, stealing vehicles, break-and-enter, robbery, unlawful confinement, possession of drugs for the purpose of trafficking, possession of child pornography, mischief, and breaching his bail and probation conditions.

The convictions date back to 2006 and most of them occurred in Abbotsford.

Rodden was the subject of a police notice in July 2017, when he was wanted by the Mission RCMP on three warrants. He was arrested the following month.

Cops and Courts

Originally posted here:
Man sentenced for setting apartment barbecue on fire in Abbotsford - Mission City Record

entitled 12, a cabin dwelling designed by ORTRAUM architects is completed along the edge of helsinkis jollas peninsula. the 72 square meter timber house was planned as an addition to an existing 150 square meter home built in the 1960s. the client couple needed two main spaces a ceramics workshop and a music composing studio while the organization of the plan needed to be flexible enough to function additionally as a guest house and future home for one of the two children in the family, so bathroom and kitchen spaces were included.

all images by marc goodwin

12 by ORTRAUM architects is designed to serve as a model structure for environmentally friendly architecture and infill projects within its suburban finnish context. the building is built on top of the existing 6x6m concrete foundation of an old garage, avoiding groundwork on site completely. timber elements were ordered tailor-made, and installed on top of the concrete base within one day, creating a minimal impact on the neighborhood. the building is ventilated naturally. the roof slopes towards the south and is equipped with solar panels, providing the energy for running the ground source heat pump of the main home.

the massing of the house is divided into two levels, an organization expressed visually from the dwellings exterior. formalized as an irregularly shaped volume stacked upon a rectangular block, these volumes each represent two different programs. the design team playful formal strategy generates a dynamic and sculptural architecture which expresses a different character when viewed from each perspective, reacting to the corner location on the property with by-passers moving closely around the building. the exterior timber cladding will turn grey with time and blend in with the adjacent forest and rocky surroundings.

project info:

project title: 12

architecture: ORTRAUM architects

location: helsinki, finland

photography: marc goodwin

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ORTRAUM architects plays with volumes in the design of its dwelling: '12' - Designboom

How Will the $2 Trillion COVID-19 Relief Package Affect Architects? | 2020-03-27 | Architectural Record This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more. This Website Uses CookiesBy closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.

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How Will the $2 Trillion COVID-19 Relief Package Affect Architects? - Architectural Record

I dont have a creative mind can i still be an architect? | Forum | Archinect '); }, imageUploadError: function(json, xhr) { alert(json.message); } }}); /*$(el).ckeditor(function() {}, {//removePlugins: 'elementspath,scayt,menubutton,contextmenu',removePlugins: 'liststyle,tabletools,contextmenu',//plugins:'a11yhelp,basicstyles,bidi,blockquote,button,clipboard,colorbutton,colordialog,dialogadvtab,div,enterkey,entities,filebrowser,find,flash,font,format,forms,horizontalrule,htmldataprocessor,iframe,image,indent,justify,keystrokes,link,list,maximize,newpage,pagebreak,pastefromword,pastetext,popup,preview,print,removeformat,resize,save,smiley,showblocks,showborders,sourcearea,stylescombo,table,specialchar,tab,templates,toolbar,undo,wysiwygarea,wsc,vimeo,youtube',//toolbar: [['Bold', 'Italic', 'BulletedList', 'Link', 'Image', 'Youtube', 'Vimeo' ]],plugins:'a11yhelp,basicstyles,bidi,blockquote,button,clipboard,colorbutton,colordialog,dialogadvtab,div,enterkey,entities,filebrowser,find,flash,font,format,forms,horizontalrule,htmldataprocessor,iframe,image,indent,justify,keystrokes,link,list,maximize,newpage,pagebreak,pastefromword,pastetext,popup,preview,print,removeformat,resize,save,smiley,showblocks,showborders,sourcearea,stylescombo,table,specialchar,tab,templates,toolbar,undo,wysiwygarea,wsc,archinect',toolbar: [['Bold', 'Italic', 'BulletedList','NumberedList', 'Link', 'Image']],resize_dir: 'vertical',resize_enabled: false,//disableObjectResizing: true,forcePasteAsPlainText: true,disableNativeSpellChecker: false,scayt_autoStartup: false,skin: 'v2',height: 300,linkShowAdvancedTab: false,linkShowTargetTab: false,language: 'en',customConfig : '',toolbarCanCollapse: false });*/ }function arc_editor_feature(el) { $(el).redactor({minHeight: 300,pasteBlockTags: ['ul', 'ol', 'li', 'p'],pasteInlineTags: ['strong', 'br', 'b', 'em', 'i'],imageUpload: '/redactor/upload',plugins: ['source', 'imagemanager'],buttons: ['html', 'format', 'bold', 'italic', 'underline', 'lists', 'link', 'image'],formatting: ['p'],formattingAdd: {"figcaption": {title: 'Caption',args: ['p', 'class', 'figcaption', 'toggle']},"subheading": {title: 'Subheading',args: ['h3', 'class', 'subheading', 'toggle']},"pullquote-left": {title: 'Quote Left',args: ['blockquote', 'class', 'pullquote-left', 'toggle']},"pullquote-centered": {title: 'Quote Centered',args: ['blockquote', 'class', 'pullquote-center', 'toggle']},"pullquote-right": {title: 'Quote Right',args: ['blockquote', 'class', 'pullquote-right', 'toggle']},"chat-question": {title: 'Chat Question',args: ['p', 'class', 'chat-question', 'toggle']}, "chat-answer": {title: 'Chat Answer',args: ['p', 'class', 'chat-answer', 'toggle']}, },callbacks:{ imageUpload: function(image, json) { $(image).replaceWith('

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I dont have a creative mind can i still be an architect? - Archinect

Bungie has earned a large fan base with the popularity of its Halo andDestiny franchises, but the developerseems to beworking on something new. Previous statements suggestDestiny 3 isn't coming anytime soon, and Bungie confirmed last September that it's looking beyondDestinyto develop new franchises. Little is known about Bungie's next game, but one fan may have figured out what it will be about.

The current season of Destiny 2, called Season of the Worthy, has brought the game into a bit of a content drought. There's still the returning Trials of Osiris PvP mode, of course, but the general lack of other exciting things to do has led some fans tobelieveBungie's focus has turned away from Destiny 2 entirely. With Bungie hinting that Destiny 3 might not launch until after 2020, it appears the studio's focus is on its new IP, rather than a Destiny 2 follow-up.

Related:Destiny 2's Rasputin Bunker Slide Is The Game's Freshest Content

Reddit user DovahSpy recently shared a theoryon what this next game could be about. In the Halo series, players who went out of bounds during a multiplayer match were automatically killed and received the message "Killed by the Guardians."In Destiny, player characters - called Guardians - instead receive the message "Killed by The Architects,"so it follows that Bungie's next IP will star a player character faction called Architects. It's a simple theory, but a sound one, as Bungie's games have a habit of referencing one another. A Halo: ODST Easter egg, for instance, teased Destiny before it was announced.

If the protagonists of Bungie's new game are indeed called Architects, it could shed some light on the new game's premise. Since Destiny's Guardians protect humanity and Halo's Spartans are legendarily skilled warriors, Architects might build or design something in the new game's world. Still, this alone isn't much to go off of, but Bungie has indirectly revealed other details about its new game that create a clearer picture.

Bungie filed a trademark for a project called"Matter" in 2018, which suggests an emphasis on physical substances (and, if it's about Architects, perhaps building materials). Additionally,BungieMatter job listingshinted at a "comedic," "lighthearted," and "whimsical" game focused on competitive play, as well as an emphasis on "combat animation" and on "how character design can enable fan cosplays."While mentions ofRPG-like gameplay systems and loot drops suggest otherwise, these other details bring to mind Fortnite, a whimsical, competitive shooter with iconic character designs and in which players build things. Perhaps Bungie is aiming to capture some of Epic Games' success with its next game, whetherMatter turns out to be Destiny 3 or an entirely new franchise.

Next:Bungie Says Destiny 3 Fans Will Need To Wait A Little Longer

Tiger King: Where Are All Of Joe Exotic's Husbands Now?

Camden Jones is a freelance reporter and regular contributor to Screen Rant. He also contributes to sites like GameRevolution and ESPN Esports, and he is a former Game Informer intern. A graduate of the the Missouri School of Journalism, Camden writes mostly about video games and the people who play them, but he has dabbled in topics such as the Missouri state government and artificial cattle insemination.Visit Camden's website to see his full portfolio of work, including features, podcasts, and videos. You can also follow him on Twitter @CCJ1997 for updates on his latest work and thoughts on gaming, environmentalism, and K-pop, or email him at ccj1997(at)gmail(dot)com.

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Why Destiny 2 Fans Think Bungie's New Game Will Be About Architects - Screen Rant

This photo shows the software in use; although this shot was taken in an office, many architects are currently working from home. Courtesy of Spacemaker

The coronavirus outbreak isnt halting some architects from plunging ahead on early-stage design concepts. In fact, Norwegian company Spacemaker has seen an increase in the use of its software since lockdown took place in European countries. Find out how its AI-based software is not only a solution in times of crisis but for the future of design.

Many countries in Europe are currently mandating either semi or total lockdown, forcing citizens to remain at home. Before the outbreak, certain companies were already allowing employees to work from home but many companies were still resisting the home-office trendexcluding industries in which it is impossible. Now, companies who can enable home-office are finding its the only way to maintain progress.

Were undergoing an interesting time in history, where Artificial Intelligence and Robotics are pulling through as essential tools. As many professionals are homebound, its the perfect time for Artificial Intelligence (AI), which has already taken over a number of industries and disciplines, to spread faster in the field of Architecture.

Although the use of AI in architecture is still in its infancy, a few companies are providing AI-tech solutions for project design.

Spacemaker, for example, has developed a game-changing AI technology that helps users discover smarter ways to maximize the potential of a building site. Users can generate and explore a multitude of site proposals for which the software provides a detailed analysis. The software is also a platform for collaborative workflow among architects, engineers, real estate developers and municipalities.

We developed a self-service software for our subscribers. The users are expertsthe architects, urban planners, engineers, already working on urban projects. AI will never replace these experts, only help them complete their tasks quicker, Spacemaker CEO and cofounder Havard Haukeland told ArchiExpo e-Magazine in an interview via video conference.

As most mistakes occur during the early stages of building design, only to be realized six months down the line or during construction, the software focuses on that phase. The original version relied perhaps too much on AI technology, according to Haukeland; users would plug in the details of their needs and the software would provide smart proposals, making it less flexible for the creative mind of an architect.

Architecture and the exploration of design is about collaboration and using intuition, which cannot be handled mathematically. For our second version of the tool, we decided to combine architecture intuition and artificial intelligence. AI becomes a proactive support without running the show, so to speak.

The first version had only been available for six months when the team at Spacemaker expanded the product, doubling the amount of code in eight weeks to combine data automation with AI-driven design, real-time analysis and a collaboration platform. The software is also made compatible with other drawing tools such as ArchiCad and Rhino.

[When we published our second version], we really saw a major increase of use. Weve also found that users tend to start with our software first, then move to drawing software because [ours] is more specific and its easier to set up a sitethe software can generate a 3D model in several minutes.

Were still at the beginning of the journey, according to Haukeland. Riding the AI wave in all its excitement is precisely the moment to take caution. We can get too distracted by the amazement of AI, he said.

We need to put importance on the customer value of technology instead of saying AI should be used for everything. If we dedicate our work to the opportunities of AI, we might miss the real objective: helping people.

Our software will continue to evolve but we will focus on the end users needs.

At the current moment, the Spacemaker software is a hybrid AI systemusing AI to manage workflow and generate faster results while maintaining human intuition. The company plans on building new products in the future to be more dedicated to the value chain and mix-use projects such as offices, hospitals and schools. At this time, its software is mostly used for residential projects often located in urban settings. Architects and urban planners are the main user types, exploring design options the software generates that meet city requirements and client needs, such as avoiding noise pollution from traffic.

Architecture professionals embracing AI software are several steps ahead of those who dont, according to Haukeland.

Our belief here at Spacemaker and what our customers tell us is that once youve seen the opportunities of AI and other technologies, like the Cloud, but the architects who use AI will surely replace the architects who dont. AI will never replace the architect. Those who embrace will get a step ahead of those who dont.

Read a similar interview we published recently: AI Software by Habx Generates Personalized 7-minute Floor Plans. Both Habx and Spacemaker are a part of the Intelligence Artificielle et Architecture exhibition in Paris, currently closed due to the coronavirus outbreak. The video below is in French only.

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Interview. Homebound Due to the Coronavirus Outbreak, Architects Use AI Software to Progress - ArchiExpo e-Magazine

Steel stilts elevate Narula House, a British dwelling on banks of a River Thames tributary that has been designed by John Pardey Architects to endure flooding.

The wood-clad Narula House is intended to evoke an abstract object beside the river Loddon near Wargrave, which is identified as a flood zone.

John Pardey Architects (JPA) completed the house for a client who wanted a striking property that overlooked the river and offered plenty of space to entertain guests.

It is raised on stilts to keep the house and its services well above predicted flood levels, while allowing the clients to "enjoy life as if on a cruise liner" during times of flooding.

"The client had been dreaming for some time of building their own 'wow' house, a comfortable modern home to enjoy as a couple and a great place for entertaining large gatherings of family and friends both inside and outside," JPA's Chris Gray told Dezeen.

"The new house and all servicing has been raised well above predicted flood levels which allows the client to embrace flooding as part of the life on the river," Gray continued.

"During the days floating above the flood water, they enjoy life as if on a cruise liner!"

Narula House is the third dwelling completed by JPA along the banks of the Loddon, and so it was familiar with the challenges and demands that came with building in the flood zone.

According to the studio, the potential flood depth for the site is recorded as 1.17 metres so the dwelling is positioned 2.2 metres above ground to accommodate the potential threat of increased water levels caused by climate change.

"It is very much a response to this particular site and client brief, however many aspects of the design would be familiar to anyone looking to build in a flood zone," said Gray.

"The basic approach is for the house to sit lightly on the ground, keep the house and services well above predicted flood levels and allow the free-flow of floodwater across the site."

Narula House has a slender steel framed structure that is raised on piled foundations. Its site has been landscaped to allow the free flow of floodwater across it.

It is distinguished by a single, linear form that aligns with the north and south cardinal points contrasting with the meandering river over which it looks.

"The logical placement of the house might have been to align it with the river's edge, so it would face south-east however we chose to align it so as to play off the diagonal path of the river with accommodation facing south," said JPA.

"The rectilinear house aligned with the cardinal axes counterpoints the meandering river beautifully, reinforcing both."

Narula House's materiality was intended to evoke an abstract object hovering above the meadow, and features sweet chestnut cladding with a translucent preservative coating that offers a light, white finish.

This is teamed with fibre cement panel infills around its glazed areas, and an earthy grey brick chimney structure that extends up from a ground level barbecue area.

The dwelling is accessed by an open tread staircase, which leads onto an entrance deck with a sheltered front door made from natural iroko wood.

This opens into a generous lobby area and central courtyard, which features a second staircase down to the grassy riverbank.

On the westside of the courtyard is a large open-plan living space, which has unbroken views of the river.

It is enveloped by a balcony sheltered by an overhanging roof, which JPA designed to offer solar shading.

The same roof overhangs the east side of the house, which contains the residence's private living spaces.

Branching off a linear hallway that runs the length of the house, these private living spaces include a study, utility room, cloakroom, and three ensuite bedrooms.

Throughout the home, the interiors feature deliberately simple, light finishes to help create the feeling of openness.

They are lined with timber flooring and decorated with the client's own furnishings including many 20th century design classics in a bid to create a "wonderful autobiographical feel".

Narula House is complete with an annexe for guests accessed from the home's main entrance via a glass-lined corridor.

The annexe takes the form of a freestanding pavilion and has a lift for access.

JPA is a Lymington-based architecture studio founded in 2000 by John Pardey.

In December 2019, Narula House's site flooded after a period of extreme rainfall that raised the water table significantly. This was captured in a photo by the client.

Other recent projects on Dezeen that are designed to endure flooding includes Bates Masi's Kiht'han house on Long Island, which is lifted above the ground and features lower-level screens to let water pass underneath.

Photography is by James Morris and drone footage is by Electric Blue.

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Narula House raised on stilts over River Thames flood zone - Dezeen

Mario Cucinella, Grimshaw, Archi-Tectonics, WORKac, Ennead, FXCollaborative, Weiss/Manfredi Architecture/Landscape/Urbanism, BIG Bjarke Ingels Group, SHoP Architects, Behnisch Architekten, 3XN Architects, GCA architecture: these are the 12 architectural studios featured in The Architect Series, the event format SpazioFMGperl'Architettura has been offering to the public since the spring of 2018.At this suspended time, when the rhythms of our working day have changed and the populations of countries all over Europe and the world are living under lockdown, web portals and corporate web sites have been making their content archives available to the general public via streaming, and online entertainment has become a valid way for people to enjoy interesting and educational content in their free time. SpazioFMGperl'Architettura offers users of the Floornature portal the complete series of 12 events in The Architect Series, the exhibition format created by The Plan magazine for the gallery and showroom of Iris Ceramica and FMG Fabbrica Marmi e Graniti, top brands in the Iris Ceramica Group. While waiting for the thirteenth event in the series, cancelled in compliance with the Italian regulations for containment of the covid-19 virus, everyone can take a peek behind the scenes of selected well-known architectural practices through the documentary films in the series. Each episode is a double event, as video interviews conducted by The Plan in SpazioFMG per l'Architettura during meetings with the architects and extracts of their lectures in Milan are now also available online.

The series began with a look at an important Italian architect, Mario Cucinella, and his studio MC A. The event offered the audience at SpazioFMG per l'Architettura a sneak preview of the exhibition Archipelago Italia for the Italian Pavilion at the 16th International Architecture Exhibition in Venice, as well as introducing the theme of sustainability and the work of SOS - School of Sustainability.Sustainability is the cross-cutting key concept also present in other architectural studios projects, from the Sustainability Pavilion for Expo Dubai 2020 by Grimshaw and presented by Andrew Whalley, the studios Deputy Chairman, to the digital crafting and innovative approach of Winka Dubbeldam, the architect of Dutch origin who founded Archi-Tectonics. As well as the work of architects Amale Andraos and Dan Wood, founders of WorkAC, through integration of functions combining architecture, landscape and ecological systems. Complete, sustainable projects made possible by the discussion, collaboration and cooperation underlying major international studios and collectives such as Ennead, presented by founding Design Partner Tomas Rossant; FXCollaborative, presented in SpazioFMG by senior partner Dan Kaplan; SHoP Architects with co-founder Corie Sharples, Behnisch Architekten with Stefan Behnisch and 3XN Architects with founder Kim Herforth Nielsen. Multidisciplinarity and research are the key themes of the presentation by architects Marion Weiss and Michael Manfredi of WEISS/MANFREDI, Architecture/Landscape/Urbanism, founded in New York in 1989, and Kai-Uwe Bergmann, partner in BIG, Bjarke Ingels Group. The last episode in the series before this obligatory break, only recently made available online, is a documentary film focusing on GCA architecture, presented by its founder Josep Juanpere with Andrea Navarro and Juan Velasco (associate members).br />(Agnese Bifulco)

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All the events in SpazioFMG's The Architect Series now available via streaming - Floornature.com

Such is the distance of the quasar code-named PKS 2000-330 that the light picked up by the scientists at the CSIRO's radio telescope at Parkes, New South Wales, last week would have left the star-like object 20,000 million years ago.

Before this, the most distant object known was a quasar 15,500 million light years away, discovered by American scientists nine years ago.

Announcing the discovery yesterday, the Federal Minister for Science and Technology, Mr Thomson, said it opened a new debate on the extent and age of the universe and rekindled the controversy about the nature of quasars.

Quasars are the most distant and luminous bodies known. More than 200 have been discovered, but the source of their intense radiation remains unknown.

They have spectrums the wavelength of light with a big "red shift." The red shift is directly proportional to distance. The, farther the shift towards the longest (red) wavelength the farther the object is from Earth.

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For 10 years, scientists have been trying to discover an object with a red shift greater than 3.53, the measurement of a quasar found in 1972.

"The lack of success had led to the idea building up strongly that 3.5 represented the edge of the universe. The theory was developed more or less by default, as no one had managed to find a more distant object," says Dr David Jauncey, of the CSIRO division of radiophysics.

The quasar discovered last week has a red shift of 3.78. It was found by Dr Bruce Peterson (of the Mount Stromlo, ACT, and Siding Spring, NSW, observatories), Dr Ann Savage (of the Royal Observatory, Edinburgh) and Dr Jauncey and Dr Alan Wright of the CSIRO.

Dr Jauncey says the controversy referred to by Mr Thomson has been the question of whether the red shift is a true measure of the distance of a quasar. He says he and his colleagues have not merely found one object. "It's a big jump in the red shift, and we now believe we know how to find more of these quasars at this distance, if they exist," he says.

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The idea of a flat universe, an edge, has gone. "The earliest questions were: How big is the Earth? How big is the Sun? How big is the universe? We can perhaps measure all three now," he said last night.

But it would take a radio telescope perhaps as big as Australia, or the world, to determine accurate the size of "PKS 2000-330". Measurements of closer quasars indicated they had "central engines" the driving force a few light years across.

An accurate radio position of the newest quasar was determined using the Tidbinbilla radio interferometer near Canberra. The Siding Spring installation near Coonabarabran, in NSW, was used to identify the object.

Finally, another telescope at Siding Spring obtained a spectrum which proved that the quasar was farther away than other known objects within the universe.

Read more:
From the Archives, 1982: New star extends universe by 4500 million light years - Sydney Morning Herald

Gleaming porcelain tile in the foyer now offsets the black accents delivering a fresh, clean look. Even the doors on the three-car garage were changed. Terry replaced all three with a modern profile with four lights in each door (Protech Overhead Doors.)

The kitchen was the biggest nightmare in the renovation, by far. But it wasnt the structural surprises that caused it. It was a difficult contractor. A buddy had asked Terry if he could throw some work to a friend. Terry was aware of a previous job completed by this contractor and agreed.

He started and everything looked good in the beginning, says Terry. But then he stopped showing up for work. I tried to be patient. Id feed him money to move to the next step, hed come in for a few days then not show up again.

These delays upended Terrys entire timeline. The trim carpenters couldnt get their work done and each delay tumbled on down the line toppling everyones schedule. Electricians, plumbers, and installers all experienced setbacks. A renovation that was scheduled for 12 weeks now stretched into nine months, which meant that Terry had to move into the property mid-renovation, which he had not planned on doing.

Unfortunately, its a common scenario experienced by many homeowners. The difficult decision to cut your losses and move on weighs heavy. But Terry finally made the hard decision to fire him. We didnt even get all the materials we paid for, he says. He left me high and dry. Fortunately, Infinite Designs and Interiors came to the rescue and brought the kitchen renovation spectacularly to the finish line.

The curvy cabinets are now gone and two floor-to-ceiling banks of white and wood accented cabinets and drawers stock everything a gourmet chef could dream of. A four-seater kitchen island with quartz countertop acts as the sole division between the great room and kitchen now. Lit by round glass bowl pendants, the kitchen has become a focal point, not a hidden grotto.

Terry opted for high-end Thermador industrial appliances, with 6 burners on the range, a grill and two ovens, one steam, one convection, plus a warming tray and a 40-inch seamless hood over the range. A Miele built-in coffeemaker and 39 dB silent Bosch dishwasher fill out the equipment. You cant even hear that dishwasher, says Terry. You wouldnt know it was running unless you saw the light indicator on the floor. (TA Appliances sourced the appliances except for the range hood which came from Vancouver.)

With black fixtures and white walls in Sherwin Williams Eider White, using Benjamin Moore paint, the congested look is gone and the contemporary transformation, complete.

The basement, I didnt touch much, says Terry. That level was already an entertainers paradise with a games room with pool and foosball, wine room, lounge, wet bar, fitness area, office and extra bedroom and washroom perfect for teenagers. The only change made here was the addition of a home theatre, which Terry outfitted with lounges on risers for unobstructed viewing.

We had my daughters 25th birthday down there, says Terry. There were easily fifty people. The theme was drinks and food from around the world. We had stations all throughout the basement, the Mexico stand had margaritas and nacho dips. France had champagne and a cheese platter. Spain had tapas and sangria. For USA, it was sliders and beer and so on.

The exterior of the property continues to be party central, with a pool, hot tub, outdoor kitchen, cabana, fire pit and even a standalone fountain. The family has held catered pig roasts there for sixty people with ping pong and horseshoe tournaments followed by bonfires. Its a big property, says Terry, Truly an entertainers dream house. Weve had a great time here.

4 Quinn Street in Springwater is now on the market, represented by Sothebys International Realty Canada.

Continued here:
The Road Away from Rome: A massive renovation on a Springwater bungalow - simcoe.com