Architects

In 2004 twin brothers Dan and Tom Searle started the band, originally named "Counting The Days". Sam Carter who at the time was an active drummer in several other projects, joined the band in 2007. With their second record RUIN (2007) (the first in which Sam was involved) they sparked interest from bigger labels and in 2008 were signed as a part of the Never Say Die! Tour, supporting bands such as Parkway Drive. Only a year later they headlined the UK dates of said tour.

With other releases such as HOLLOW CROWN (2009) and LOST FOREVER // LOST TOGETHER (2014) the Architects fandom grew, many tours throughout North America, Australia and Europe followed. In their song 'C.A.N.C.E.R' guitar player Tom Searle referenced his cancer condition (of which they hadn't shared publicly until after his death). After he was declared cancer free after leg surgery in 2013, the cancer unfortunately returned.

On August 21st 2016, three months after the release of their seventh studio record ALL OUR GODS HAVE ABANDONED US as well as the cancellation of an US headliner tour "due to a family emergency", drummer Dan Searle shared the sad news of his brother's passing in a Facebook post. "I dont know what will become of Architects", he wrote, "We will not release any music unless we truly believe that it is something that Tom would have been proud of."

Two years later this is exactly what Architects have achieved: Accompanied by the single 'Hereafter' they announced the pending release of HOLY HELL, the first record without founding member Tom. Included in HOLY HELL's track list is 'Doomsday', one of the last tracks in which Tom had worked on, finished by the remaining band members including new lead guitarist Josh Middleton. With this record Architects have created the monument for Tom that he deserves. With the release of "Hereafter" and "Royal Baggers" Architects show that they stick to their original sound just like bands The Ghost Inside or While She Sleeps did

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The Quinlan Group

Architects

"We are difficult and tedious clients who say at the outset that we will be guided by our architect.....but then give preference tour own ideas, and send sketched instructions on squared paper expecting our misguided vision to result in excellence.Quinlan and his colleagues did not treat us with the distain we deserved.....but guided us through the swamp of planning and application processes with tact and professionalism.Their ideas often prevailed, and the finished result surprised even the architect in its simplicity and effectiveness.Engage Quinlan and be assured of the best efforts of this talented and industrious Perth-boy."

- Simon Raybould

Architects

"Knowledgeable and talented company with great vision and design. Listen to my needs,and fitted in with my budget Agreed with me to put bathroom and laundry in same area, and storage underneath,suggested I make the dinning room larger to make it more useful by extending it out .Designed a fantastic plan for me, even made suggestions for bathroom and laundry accessories, and tiles, fittings etc.All paperwork with council done by this company as well as, organise engineers and surveyors ,suggested builder.Always punctual for appointment's and always answers all questions, and explains everything clearly."

- lucy6124

Architects

"We really enjoyed working with Danny, he made the process of renovating our 100 year old house really enjoyable. Danny did come up with the perfect solution for each little challenge, and now, 5 years in the house, we appreciate all the little details. We highly recommend Danny Bro and team."

- Melissa Emerson

Architects

"My wife and I live in Singapore, and taking on the task of designing and building a house on the Mornington peninsula in Melbourne was always going to be challenging given the distance and the fact we wanted to be closely involved. Engaging Minett Studio has been a terrific decision as not only are we happy with the architecture, but Alishia has seamlessly managed all the interconnecting parts for us engineers, planning authorities, builders and suppliers. Her skill lies in understanding what each player needs, and designing right solutions on the first attempt. Were delighted with her expertise and service."

- Robert Fisher

Architects

"Dear Clinton,It is with pleasure that we write to you to express our gratitude for commencing and completing the renovation of our property at 180 Barcom Avenue, Darlinghurst.Initially we came to you at a time when our proposed renovation with another builder/designer was turning into a complete nightmare. Thankfully we saw the light, sacked the w***** and turned to you in desperation.Our act of desperation turned into a fabulous opportunity and post CplusCs appointment we moved ahead at a rapid and consistent pace. We were most fortunate to have your expertise and guidance throughout the project. We especially appreciated and respected your advice and felt safe, positively controlled and highly informed throughout the process.We have been asked many times if we would do it again and we have categorically stated that if we had CplusC performing a renovation we wouldnt hesitate.So thanks once again to you and not to mention the fabulous tradies. Too many times you hear of great jobs accompanied by bad staff or vice versa, however we were able to experience both.We wish you all the success with CplusC. R. & J. HambourClient Darlinghurst Residence"

- hambour

Architects

"I engaged Taylor Knights as architects and interior designers for this challenging renovation and addition to my Federation home in St Kilda. They far exceeded my expectations with service and innovative design. Peter and James carefully listened to the complex brief, responding in a considered way delivering a house exceptional in design and on budget. Maximum advantage was made of the space available, even converting the existing roof space into a home office, something I hadnt considered. By working the traditional heritage features with the contemporary an element of surprise and sophistication has been achieved throughout. I particularly love the connection with the outdoors and the use of natural light which streams through the skylights on even the dullest days. Attention to detail is evident everywhere. This is a fantastic home and I would highly recommend Taylor Knights."

- Ann Dillon

Architects

"We have worked on a number projects McMahon & Nerlich and found them to be great to work with! Their pragmatic and level-headed approach to building issues ensures the construction phase runs smoothly free for all parties. We have worked on renovation projects up to $1m and would have no hesitation in recommending McMahon & Nerlich for renovation and new build projects."

- Alistair Holmes

"In 1996, Robert designed a brilliant renovation for our Edwardian home in North Melbourne. It became a home we loved to live, work and entertain in and we lived there for 15 great years. Now weve moved out to the Macedon Ranges in Victoria, where our landscape is all about space and sky. Weve been on paper with Robert again for the past year and now have another beautiful design to progress. His ability to listen and hear whats important to you and what you want a home to be is greatly appreciated after all, youre the ones wholl be living there. There are many different challenges this time around a home that will be off-grid completely and require minimal heating and cooling requires a great deal of additional thinking and planning. He effortlessly guides us through all parts of the process and he is collaborative and consultative. As with our earlier working relationship, were happy that Robert just gets us and what we want to achieve. This time were planning our forever home and we know were in safe hands."

- Kim Bear

Architects

"Jess and Tristan are both extremely professional and a joy to work with.They came to our house to meet personally to discuss our needs and look at the property.They were extremely honest with their quote and were able to explain to us exactly what we would be able to do within our budget. Every step of the way they were friendly, helpful, and were able to keep our minds at rest by emailing us updates. After it was all over we were able to extend our loungeroom out and raise the ceiling. If we ever need help with an extension (or even a new house!) again we will definitely be giving them another call.Thanks guys!"

- gllitterqu33n

Architects

"I photographed Mihaly Slocombe's Glendearg Grove project last year. What I really liked about this project is how much light it captured and how the indoor space communicated with the space outside. As soon as I walked inside, it felt open and homely at the same time. I was particularly impressed with the level of detail Erica and Warwick put into the kitchen design - not only was it aesthetically beautiful, with it's contrasting tones and materials, but it was a pleasurable kinaesthetic experience, one of tactile functionality. After the shoot I wanted to get in there and cook a meal, just so I could touch everything!Working with Mihaly Slocombe on photoshoots has been a smooth collaboration - we both have great care for detail and getting it right. They are true professionals and their passion for great architectural solutions is evident."

- Tatjana Plitt Photography

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Best 15 Architects Near Me | Houzz

All of the original members of Architects were intently involved with the Brighton music scene due them all growing up in the surrounding areas. They cross several genres with their technical music, the primary influences have been noted as ranging through artists from hardcore punk and heavy metal music with Meshuggah, Converge, The Dillinger Escape Plan, Gojira and Thrice all noted as influencers. Sam Carter who was a drummer and studied drums at the Brighton Institute of Modern Music before joining Architects, had performed in multiple local bands, one of which had the opportunity of supporting Enter Shikari. Architects was born in 2004 when Drummer Dan Searle and his twin brother Guitarist Tom Searle began the project under the name Counting Days, until the addition of Matt Johnson, guitarist Tim Hillier-Brook and Tim Lucas on bass guitar continued as Architects.

After the release of their debut album Nightmares in May of 2006, the band were offered the opportunity to tour with several prolific artists including Beecher and Bring Me The Horizon, yet due to the age of the members at the time they had to book several weeks off college in order to continue their touring schedule. After their first album, Architects sound was forced to change dramatically due to the departure of lead vocalist Matt Johnson He was replaced by local musician Sam Carter who had been described by Searle as an 'easy choice'. After their next album 'Ruin' which took them on large headline tours in both the UK and the US they revealed they had been signed to Century Media Records for a three album deal. The first release was 'Hollow Crown' which made the first dent on the UK charts, placing it at #117 and was promoted with the band completing a 19 date headline tour of the United Kingdom before supporting Parkway Drive in Australia.

Their next album 'The Here and Now' was released in 2010 and saw the band's sound following a more commercial direction, with sales figures reflecting this as they charted at #57 in the UK, a substantial gain compared to its predecessor. Critics enjoyed the album, but fans were not impressed with the departure from the heavier, more technical sound they had first been attracted to. They slowly began to remedy this with their next releases, returning to the music they were first inspired to make, the outcomes were greatly rewarded as the 2014 release 'Lost Forever//Lost Together' saw them crack the top 20 of the UK and Australian album charts whilst making their first dent on the US billboard.

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Architects Tour Dates, Concerts & Tickets Songkick

Willow House / Guz Architects

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Guz Wilkinson & Chayanit Boonma

MSE Consultants

Herizal Fitri Consultants

Nyee Phoe Flower Garden Pte Ltd

891.65 m2

2013

Text description provided by the architects. The Coral House was located on a square flat site in a quiet residential neighbourhood in Singapore. Designed for a young couple with three small children, the house aimed to create dynamic spaces that encourage play and interaction. The house embraces Singapores tropical climate by creating open, well ventilated spaces in an interlocking composition of building, garden, pool, pond and roof gardens that integrates as much as nature as possible in the in the densely urban environment of Singapore.

The building plan opens up around a central water courtyard and has been oriented to capture the most of the prevailing breezes. The two-storey building is set out as an L-shape and is counter balanced by a single storey open verandah with an accessible roof garden on the opposite end. Main living and dining areas are located on the ground floor with service areas hidden behind the main staircase. The bedrooms and study room are on the first floor; the master bedroom and childrens bedroom are located at opposite end of the buildings L-shape, separated by the main staircase.

Water and garden make up the main component of the central courtyard. From the main entrance, the focal point is a water garden comprising a large fish pond with a tree-filled island. The movement of water and fish brings life into the courtyard and draw the eye away from the building. Further down the living and kitchen area the fish pond transforms into a shallow freshwater reflective pond which then merge into a 3m deep swimming pool. The swimming pool wraps around the verandah and is encased within a long raised strip of clear acrylic panel. The acrylic panel extends into the basement level and becomes a window to the subterranean media room, bringing nature light and movement to what would otherwise be a still and dark space.

Circulation is unrestricted around the courtyard, the main stair links from the courtyard on the ground floor to an open corridor which runs along the first floor joining the bedrooms and the roof gardens. Each bedroom looks onto the main courtyard and extends out onto a roof garden. The roof gardens allow a direct relationship with the garden, break down the 2-storey massing of the house and create an illusion of a single storey building. From the street the bedrooms are seen peeping above the edge of the roof garden which is softened by an abundance of overhanging vegetation and colour.

The house makes extensive use of passive environmental principle to minimize the need for mechanical cooling. Cross ventilation is maximized by the careful placement of the building on site, large roof overhang has been designed to shade the glazed area from the strong sun. The integration of extensive landscaping on all floors helps to reduce carbon dioxide and contribute to water retention, reducing the pressure of the surface water system at heavy rain times.

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Willow House / Guz Architects | ArchDaily

Crisp Architects

Architects and Building Designers

"I worked for over a year as the Interior designer on a large new home in Litchfield Co. Connecticut with Crisp architects. I found Jimmy welcomed all input throughout the process, both from the contractor, client as well as from me. The detailed drawings and specifications contributed greatly to one of my favorite completed projects. All in all Crisp architects was a pleasure to work with."

- Rebecca C Brandon, ASID

Architects and Building Designers

"Great guys to work with. Young and enthusiastic. I hired them for a project in Corona Del Mar. The project is a little behind the timeline, but is looking good. They are on time to meetings and are very available via phone or email."

- rozlipoff

Architects and Building Designers

"Did a wonderful job on our commercial buildout in Downtown San Jose. Eugene was very easy to work with, and extremely knowledgable. Very happy client."

- Chris Fenton

Architects and Building Designers

"I just met with Wayne and Angela Visbeen to discuss a commercial project which is in dire need of a face lift. Before Wayne even sat down, he started making comments about the room. Within a minute his pens started sketching out what appears to be a Disney like rendering of how he envisions the transformation of the space. You actually see a 3D version coming to life right before your eyes. This will be the second time working with the Visbeen's. They designed the interior of our dream home in Byron Center many years ago. It was a thrilling experience back then, and I am even more excited about the project ahead. When a friend saw our home, he asked who the architect was, and proceeded to hire him to revamp his private suite at the Van Andel Arena, which turned out amazing. I highly recommend Angela and Wayne for any project you may be thinking of. You will see what I mean the moment you meet them. A dynamic duo that work together to create or transform your space into something you could only dream of.Most sincerely,Victoria S.Grand Rapids MIchigan"

- Victoria Scalici

Architects and Building Designers

"talent - creative - energetic - competentWatching Mat Cummings produce a sketch for a client is like watching an artist create a painting. It is a means for him to demonstrate his technical creativity. His clients should be framing these mini masterpieces!Working with Mat on several kitchen and bathroom renovations/additions, I have come to respect his work and the work environment he has created for his staff. Skilled in their discipline, it is a pleasure to work with Cummings Architects as well as refer them to clients."

- lmk interiors, ltd.

Architects and Building Designers

"I worked closely with Joe on developing a design for a home we were building. Throughout the entire project, Joe, along with other members of his team, brought great experience and expertise to the overall design. They are creative, thoughtful, responsive and practical. On a number of occasions Joe carefully moved the design to just the right place to avoid mistakes and maximize functionality, while making it look great. I found his team to be very responsive and easy to communicate with. I was very pleased with the exceptional plan that was produced. On top of all of that, they were just great people to work with. I fully recommend Joe and his team to anyone looking for someone to help them put together a great design for a home."

- rccbc

Architects and Building Designers

"We have worked with Bob Wetmore of Cornerstone to design two houses on adjacent lots in Greenshores on Lake Austin for our family. The first is a true Mid-Century Modern house with classic lines and room layouts. This house is a nice blend of 50's architecture while taking advantage of modern materials that weren't available 60 years ago. Our second house is a unique design that fits our needs for a Lakeside lot with steep slopes. Bob has been great to work with and has contributed so many great ideas for both homes. Bob's ability to make instant sketches while discussing options is second to none. Bob's knowledge of building materials is impressive and leads to good design outcomes."

- John Woodworth

Architects and Building Designers

"The Brickmoon team made our first time house building experience a pleasant one. They were very responsive to our needs and expert in their opinions. We are currently in the construction phase and are greatly benefitting from the time put in with Brickmoon."

- jtholany1

Architects and Building Designers

"Jeff and his team are easy to work with, have amazing skill and style, and create something unique so that you feel it is your own special design in the end. I can't say enough good things about board and vellum. I highly recommend them to any interested party looking for complete satisfaction from design to the financials."

- robinwaterman

Architects and Building Designers

"I worked with Chris Wyrick of Wyrick Residential Design recently on drawings for a custom Acadian style home. He was a pleasure to work with and always offered in great advice to really take our design to the next level (while being conscience of our budget). He was also very patient. My biggest praise to him is when we had to appeal to the ACC board in the neighborhood we are building in, Chris came to the meeting and offered up great points which really helped my case with the committee. He is passionate about his work and willing to stand behind his clients. I would recommend Wyrick Residential Design to anyone who needs an architect."

- Chelsea Carr

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Best 15 Architects and Building Designers | Houzz

Architecture, the art and technique of designing and building, as distinguished from the skills associated with construction. The practice of architecture is employed to fulfill both practical and expressive requirements, and thus it serves both utilitarian and aesthetic ends. Although these two ends may be distinguished, they cannot be separated, and the relative weight given to each can vary widely. Because every societywhether highly developed or less so, settled or nomadichas a spatial relationship to the natural world and to other societies, the structures they produce reveal much about their environment (including climate and weather), history, ceremonies, and artistic sensibility, as well as many aspects of daily life.

The characteristics that distinguish a work of architecture from other built structures are (1) the suitability of the work to use by human beings in general and the adaptability of it to particular human activities, (2) the stability and permanence of the works construction, and (3) the communication of experience and ideas through its form. All these conditions must be met in architecture. The second is a constant, while the first and third vary in relative importance according to the social function of buildings. If the function is chiefly utilitarian, as in a factory, communication is of less importance. If the function is chiefly expressive, as in a monumental tomb, utility is a minor concern. In some buildings, such as churches and city halls, utility and communication may be of equal importance.

The present article treats primarily the forms, elements, methods, and theory of architecture. For the history of architecture in antiquity, see the sections on ancient Greece and Rome in Western architecture; as well as Anatolian art and architecture; Arabian art and architecture; Egyptian art and architecture; Iranian art and architecture; Mesopotamian art and architecture; and Syro-Palestinian art and architecture. For later historical and regional treatments of architecture, see African architecture; Chinese architecture; Japanese architecture; Korean architecture; Oceanic art and architecture; Western architecture; Central Asian arts; Islamic arts; South Asian arts; and Southeast Asian arts. For a discussion of the place of architecture and architectural theory in the realm of the arts, see aesthetics. For related forms of artistic expression, see city; interior design; and urban planning.

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South Asian arts: Sri Lankan architecture

The most impressive monuments are the great stpas, some of gigantic size and considerable antiquity but often reconstructed in the course of the centuries. They generally have a triple circular base, and as in early Indian stpas, a hemispherical dome with a miniature railing

The types of architecture are established not by architects but by society, according to the needs of its different institutions. Society sets the goals and assigns to the architect the job of finding the means of achieving them. This section of the article is concerned with architectural typology, with the role of society in determining the kinds of architecture, and with planningthe role of the architect in adapting designs to particular uses and to the general physical needs of human beings.

Architecture is created only to fulfill the specifications of an individual or group. Economic law prevents architects from emulating their fellow artists in producing works for which the demand is nonexistent or only potential. So the types of architecture depend upon social formations and may be classified according to the role of the patron in the community. The types that will be discussed heredomestic, religious, governmental, recreational, welfare and educational, and commercial and industrialrepresent the simplest classification; a scientific typology of architecture would require a more detailed analysis.

Domestic architecture is produced for the social unit: the individual, family, or clan and their dependents, human and animal. It provides shelter and security for the basic physical functions of life and at times also for commercial, industrial, or agricultural activities that involve the family unit rather than the community. The basic requirements of domestic architecture are simple: a place to sleep, prepare food, eat, and perhaps work; a place that has some light and is protected from the weather. A single room with sturdy walls and roof, a door, a window, and a hearth are the necessities; all else is luxury.

In much of the world today, even where institutions have been in a continuous process of change, dwelling types of ancient or prehistoric origin are in use. In the industrialized United States, for instance, barns are being built according to a design employed in Europe in the 1st millennium bce. The forces that produce a dynamic evolution of architectural style in communal building are usually inactive in the home and farm. The lives of average people may be unaltered by the most fundamental changes in their institutions. The people can be successively slaves, the subjects of a monarchy, and voting citizens without having the means or the desire to change their customs, techniques, or surroundings. Economic pressure is the major factor that causes average individuals to restrict their demands to a level far below that which the technology of their time is capable of maintaining. Frequently they build new structures with old techniques because experiment and innovation are more costly than repetition. But in wealthy cultures economy permits and customs encourage architecture to provide conveniences such as sanitation, lighting, and heating, as well as separate areas for distinct functions, and these may come to be regarded as necessities. The same causes tend to replace the conservatism of the home with the aspirations of institutional architecture and to emphasize the expressive as well as the utilitarian function.

As wealth and expressive functions increase, a special type of domestic building can be distinguished that may be called power architecture. In almost every civilization the pattern of society gives to a few of its members the power to utilize the resources of the community in the construction of their homes, palaces, villas, gardens, and places of recreation. These few, whose advantages usually arise from economic, religious, or class distinctions, are able to enjoy an infinite variety of domestic activities connected with the mores of their position. These can include even communal functions: the palace of the Flavian emperors in ancient Rome incorporated the activities of the state and the judicial system; the palace of Versailles, a whole city in itself, provided the necessities and luxuries of life for several thousand persons of all classes and was the centre of government for the empire of Louis XIV. Power architecture may have a complex expressive function, too, since the symbolizing of power by elegance or display is a responsibility or a necessity (and often a fault) of the powerful. Since this function usually is sought not so much to delight the patrons as to demonstrate their social position to others, power architecture becomes communal as well as domestic. In democracies such as ancient Greece and in the modern Western world, this show of power may have been more reserved, but it is still distinguishable.

A third type of domestic architecture accommodates the group rather than the unit and is therefore public as well as private. It is familiar through the widespread development of mass housing in the modern world, in which individuals or families find living space either in multiple dwellings or in single units produced in quantity. Group housing is produced by many kinds of cultures: by communal states to equalize living standards, by tyrants to assure a docile labour force, and by feudal or caste systems to bring together members of a class. The apartment house was developed independently by the imperial Romans of antiquity to suit urban conditions and by the American Indians to suit agricultural conditions. Group architecture may be power architecture as well, particularly when land values are too high to permit even the wealthy to build privately, as in the 17th-century Place des Vosges in Paris, where aristocratic mansions were designed uniformly around a square, or in the 18th-century flats in English towns and spas. Although most domestic architecture of the 20th century employed the style and techniques of the past, the exceptions are more numerous and more important for the development of architecture than ever before. This is because the distribution of wealth and power is widespread in parts of the world where architecture is vital and because the modern state has assumed responsibility for much high-quality housing.

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architecture | Definition, Techniques, & Theory | Britannica.com

Our Light Saw House represents a contemporary, design-based solution to sustainable architecture.

Built upon an existing double fronted Edwardian weatherboard, our clients sought a local architectural response to a property they had owned for some time, but not lived in for 15 years whilst overseas.

To accomplish the project requirements, the original house was retained, but retro-fit in such a way as to exceed current building standards. A compact extension to the rear addresses the need to bring light and warmth over the top of the existing house.

The volumes created allow the compact floor plan to feel generous and in proportion to the original house without overshadowing the south facing backyard. All new rooms are connected to the environment through views to the sky and adjacent landscaped gardens.

Recycled or recyclable materials have been utilised throughout. Existing external brick paving, paths and garden beds were salvaged and re-imagined internally to connect the garden to the wet areas. Key trees, retained and protected during construction, now thrive within a newly landscaped environment.

Builder: Philip Building Group

Landscape Architect: Eckersley Garden Architecture

Photographer: Derek Swalwell

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Zen Architects | Sustainable Architecture | Melbourne

Established in 1983, the firm of Garth Hayden Architect has developed a reputation for excellent design and full understanding of building alterations/renovation as well as a strong knowledge of historic preservation and building conversions.The firm has completed a variety of commissions including residential condominiums, offices, retail stores, art galleries and private residences throughout New York City including the Boroughs of Brooklyn and Queens and in Long Island. The firm's approach combines the practice of quality, timely, cost-effective architecture and interiors combined with sustainable design strategies.In addition to providing full architectural services, the firm demonstrates a special expertise in successfully maximizing a project's potential under the applicable zoning regulations and expediting approval processes. The principal's in-depth knowledge of local codes, personal experience with local jurisdiction and strong project management capability help to speed up construction starts and minimize delays. These skills, in addition to collaborating with experienced professional engineering firms, ensure the delivery of successfully completed projects.

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The 10 Best Architects in Secaucus, NJ (with Free Estimates)

Listen to the full album: http://bit.ly/1WUsquY"Gone With The Wind" by Architects from the album 'All Our Gods Have Abandoned Us,'' available nowOrder here: http://www.architectsofficial.com/

Architects Facebook: http://www.facebook.com/architectsukArchitects Twitter: http://www.twitter.com/architectsukArchitects Instagram: http://instagram.com/architects

Direction and visuals - Jeb Hardwick - http://www.jebhardwick.com

Lyrics

The weight of the world is resting on thin ice. When the surface breaks will I find paradise? As I freeze to death, left to reflect, what a waste of time I was, in retrospect. Id take a leap of faith, but Id lose my nerve. In the end, Ill get the hell that I deserve. Im always gone with the wind. Crawling in and out of my mind. God knows, I lost all my faith. A sickness with no remedy, except the ones inside of me. You ever wonder how deep you can sink into nothing at all? Disintegrate. Annihilate me. Do you remember when you said to me, My friend, hope is a prison.? Of all the patterns that I could create, I built a labyrinth with no escape. To keep my self under lock and key. I am my own worst enemy. A sickness with no remedy, except the ones inside of me. You ever wonder how deep you can sink into nothing at all? Disintegrate. Annihilate me. If I could silence all the doubt in me, accept that what is meant to be, is meant to be. You ever wonder how deep you can sink into nothing at all? Disintegrate. Annihilate me.

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Architects - "Gone With The Wind" - YouTube

Zaha Hadid Architects Wins Competition for Port of Tallinn Masterplan in Estonia

Zaha Hadid Architects has been selected as the winners of an international competition to masterplan the revitalization of the Old City Harbour in Tallinn, Estonia. Beating out an esteemed shortlist of 6 teams, including AZPML, KCAP Architects & Planners and Helsinki-based ALA Architects, ZHAs proposal was lauded by the client for its innovative and integrated approach to Tallinns maritime gateway.

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Zaha Hadid have very skilfully created a balanced connection between urban space and the port area with some carefully considered access roads and traffic solutions, said Valdo Kalm, the chairman of the management board of the Port of Tallinn. What stands out in their designs are the diagonals running through them of the pedestrian footpaths, around which a very diverse and memorable city space has been established.

Interesting details include the water features theyve designed along Reidi Street and their partial and very smooth and effective raising of the areas for pedestrians up to another level. Adding to the overall feel of integration in their designs is the urban square and greenery theyve come up with for the area around Admiralty Basin, stretching all the way from the front of Terminal A to the front of Terminal D. Their entry was also marked out by strong logistics and property development analysis and a convincing and realistic projection of the implementation of the Masterplan stage by stage.

Among other criteria, the jury evaluated each of the finalists entries based on their cohesion with the surrounding environment, the strength of connection between the port and city, the quality of innovation in the solution and the projects overall feasibility.

Aimed at realization by 2030, the masterplan competition was launched with the aim of reconnecting the city and public realm to the port, while spurring new development that will complement and enhance the existing port functions.

Zaha Hadid Architects will now work alongside Latvian architectural firm RemPro, engineering consultant Tyrens UK real estate consultants Colliers Estonia and RLB UK and VA-Render for visuals to further develop the project, with a final scheme targeted for the end of 2017. At that point, detailed architectural and economic plans will be produced to determine an exact timeline for implementation.

News via Port of Tallinn.

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Zaha Hadid Architects Wins Competition for Port of Tallinn ... - ArchDaily