Viewers have been left in hysterics by a man who made absolutely no attempt to hide his disgust in front of the cameras during the grand reveal on a home makeover show.

John Geoghegan's face says it all when he opens his eyes to see his bedroom now decorated with yellow floral wallpaper and a blue wardrobe, as his wife Rachel tries very hard to find the positives.

The car-crash clip from BBC One's Your Home In Their Hands from 2015 saw four decorators compete to create the best design - and it's fair to say if John had anything to do with it, the interior designer responsible for his bedroom would be looking for a new job.

After Rachel says she "likes the wardrobe", John says: "Nah, it's too much. For me it's too busy. I wouldn't have done anything like it and I don't like it.

"You're supposed to be able to go to sleep in a bedroom and it's like a kids' play area.

"I think it looks horrendous, it doesn't look anything like a bedroom. So sorry, but it's a big thumbs down from me.

"It's hideous. I think it's even too much for Rachel if she was to tell the truth."

As presenter Celia Sawyer awkwardly tries to get his wife on side, John quickly adds: "It's rank. I don't like it at all. Definitely not."

Asking if they will keep the room with the new design, John states "not for long" and says his message for the designer would simply be: "Don't touch the other room."

The moment of TV gold has been viewed almost one million times after being tweeted by @Plinketyplink2, with the caption: "Still the best reaction to a house makeover ever."

And to be fair to John, pretty much everyone else was in agreement.

One said: "If you use that wallpaper, the rest of the room should be as plain as possible. It just looks like the designed vomited up every idea they had."

A second wrote: "Poor woman clearly hated the room & was fighting back tears yet the presenter was badgering her to speak positively about having a bedroom where the fabric fairy had been sick."

It looks like other episodes went in a fairly similar direction with a viewer saying: "Im beginning to think its a prank show after watching another. Its called Your Home in Their Hands. The hands of maniacs by the looks of it."

Time to order the boxset then.

Continued here:
Man's brutal assessment of 'rank' home makeover labelled best reaction ever - Mirror Online

From being a nurse to a luxury lifestyle, and decor consultant, Desirees eye for fine luxury and design never left sight. Heres a sneak peek into her journey from traveling around the world for collaborations with renowned designers, and to launching her own company.

Doing what she loves

It certainly was a pursuit of happiness for Desiree Busnelli, as she overcame one challenge after another, but never gave up. Busnelli battled a life-changing stomach surgery in 2007, which left her in a body cast for over four months. Determined to be resilient, she made this a turning point in her life and chose to pursue her dreams of becoming a luxury consultant finally.

As she dived into designing, Desiree already had experience in real estate and knew that this would help her progress. As children, we were five girls, and I was the oldest daughter. As I grew, I was fascinated with exquisite things. My grandma, Kathleen Leavitt, who also was an interior designer, would take me along to her showroom in Bellevue, Washington. At just ten years old, I was awestruck with the luxury street of dreams, and simple things like elegant, modern bathroom setups. This interest to explore opulence stayed and grew as I traveled more and developed a worldly sense of culture.

Never, say never

If being an entrepreneur is tough, being a woman entrepreneur is double the challenge. Being a stay at home mom, and juggling responsibilities, Desiree made sure to embrace all the roles before her. Working alongside the elite CEO, Emanuele Busnelli, and his team of B&B Italia over the last decade, Desiree was able to nourish her passion for fine aesthetics and charming decor. After years of persistence, I developed the expertise required for chic and contemporary designing. I strongly believe that nothing happens overnight, and it takes eight to ten years of hard work if you are aiming at becoming the best.

B&B Italia went over to design sophisticated hotels around the world. And soon, Busnelli independently founded the JECHIJO Bespoke Design Company in the suburbs of Milan, Italy.

If you want to fly, give up everything that weighs you down and march towards your dreams. It is very important that you enjoy and love what you do every day. Im a realist, and I constantly ask myself if what Im doing makes me feel good and if I can do it every day. What keeps me going is to try and make people happy by creating a positive space either by knocking down dormant walls or by building vibrant new walls.

The world could possibly never get enough of inspiring women like Desiree Busnelli, who have followed their dreams. Despite being a high-end lifestyle consultant, Desiree is rooted and does her best for the community. Through her charitable collaborations with organizations like Miracle Babies, Voss World, and similar, she is a constant source of hope and positivity.Opinions expressed here are the opinions of the author. Influencive does not endorse or review brands mentioned; does not and can not investigate relationships with brands, products, and people mentioned and is up to the author to disclose. VIP Contributors and Contributors, amongst other accounts and articles, are professional fee-based.

The DN News Desk reports on information from all around the globe. The desk puts the spotlight on personalities and businesses across various verticals that have an influence on their industry.

Published September 2, 2020

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Interior decorator Desiree Busnelli: It's been an amazing journey, from my association with B&B Italia to establishing Jechijo Bespoke Design -...

Alexa Hampton @alexahamptoninc

Lauren Tamaki

You know when you see something that just looks right, but you cant put your finger on why? Chances are it has to do with its scaleand more often than not proportions influenced by classical architecture, says Alexa Hampton, who built a foundational knowledge of such buildings while traveling with her father, the legendary American decorator Mark Hampton. But this concept isnt just something from the history books: Its built around function.

If you dig back into why things are the way they are, its all about the sizing of people," explains Hampton. For example: "The reason why I like sconces at five foot six off the ground, is because that is generally where eyeballs are," she says.

The general consistency in human size has resulted in a sort of template for design that has existed across generations and continents. Many of the lessons of proportion Hampton cites date back to classical antiquity. Understanding classical decor is a lot like the idea that modern dancers must first learn balletits about grasping the foundations of any art form, which empowers you to employ them in new combinations. "As Julie Andrews said, once you know the notes to sing, you can sing anything," Hampton says.

So how to learn those notes? Well, "the easiest education you can get in design is to look at classical architecture," Hampton urges. "Look at Buckingham Palace or Gothic architecture or Russian palaces. The more you look, the more youll understand it."

To go along with these observations, Hampton offers some notes. Think of this as your study guide, and once you read it, go back and look at some of your favorite buildings and spacesit just may make you see them in a whole new light.

As Hampton said, it's all based on the human forma template that won't change, whether you're in a grand estate or a modest apartment. And it's worth keeping that in mind when you decorate: "I don't actually believe that furniture should scale up if your room is biggerI think that's ridiculous," Hampton says. "It should all be scaled to the human body."

"Sometimes people get these huge homes and they think they have to scale up," says the designer. "They put the pictures too high and the furniture far apart, and it just looks off."

Instead of scaling up for a larger space, Hampton suggests creating multiple groupings of human-scaled furniture within it.

Of course, sizing based off of humans is inherently logical. "There's always a vein of practicality running through the whole process," says Hampton of her interior design work. This concept is a good one to fall back on when you're feeling unsure. What height should your countertops be? Probably just above your waist, so you can easily work at them while standing. How big should a rug in your bedroom be? Wide enough for you to set your feet down on it when climbing out of bed. Where should you hang a painting? Roughly at eye level so you can see it. Once you begin approaching design in these terms, you realize its "rules" are less strict barriers and more sensible

"One of the central ways I think to be more fluid about proportion is to have pieces of many different proportions in a room," Hampton says. "If you have all furniture of the same size, there's no rhythm, there's no balance movement, it's very static."

But still, she advises, the central barometer should beyou guessed itthe human form. "Once you establish that framework, you can go above and below, or that through line, go up and below it," she says. "But it all is tethered to that line."

That line, in fact, is what connects pieces of smaller and larger scales. Speaking by phone from a room her father decorated, Hampton says, "This room has a really large sofa, and then these tiny slipper chairs. And if I were to just show these chairs and this sofa to a client, they would think I was crazy. But it's not in a vacuum: It has pieces of other sizes connecting them. And those together make it scaled both to the room and to the human body."

Not only do you want proportional variation in your furniture, you want it in your layout. In a large room, break the footprint into sections with rugs of varying sizes. Oftentimes you want a really big rug to amplify and to connect the spaces," Hampton says. "But then you might put a smaller rug under the coffee table and part of the sofa, to punctuate that space as a destination of its own."

This will also direct the flow of a room: "You need to think of traffic patterns," says Hampton. "There needs to be a path from the opening into the room to the door going outside." These pathways can be dictated both by furniture placement and rug outlines. "For example, you can't have the edge of a rug be your path," Hampton says. "Your path is either covered by rug, or it's not covered by rug." If you are decorating a room that connects two other rooms, serving as a kind of transitional space, make sure there is a clear path from one door to the other.

As Hampton says, the more you look at your surroundings (or books and magazines featuring great interiors), the better you'll come to understand what worksand what doesn't. The designer recalls one instance as a teenager that confirmed the importance of education by seeing.

"Right after I graduated from college, my father was supposed to go on this trip to Italy with the American Academy in Rome," she recalls. "And at the last minute, he couldn'tso my mother and I went. I was totally thrilled." Their companions on the trip were a group of top architects, designers, and artists.

"One day, I found myself standing next to Michael Graves, and we were on this hillside overlooking a building," Hampton recalls. "And he said to me, 'Can you tell me what's wrong with that house?' What a question to be asked by a genius in his field," Hampton says. "I was terrified."

"My mind was racing, and I finally said, 'there are four windows on that side and there should be five,'" she recalls. Graves nodded "and I ran away as fast as I could," laughs Hampton.

"I've thought a lot about this story over the years. And at the end of the day I think it wasn't luckit was just, if you look enough and see enough, eventually, you can tell if something's off."

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Everything to Know About Scale and Proportion in Design - HouseBeautiful.com

ALMOST half of Brits are considering a change of career - with medical professions, landscape gardening and teaching topping the list of preferred industries.

A survey of 2,000 adults revealed this years events had left two-thirds thinking life is too short to be working in a job they hate.

1

This could mean a shift in careers for millions, with a fifth (21 per cent) admitting they dont enjoy their job and 42 per cent seriously considering a change in profession.

Three in 10 (31 per cent) of those polled by the National Lottery said lockdown had made them realise how important a good work-life balance is.

The desire to work in a traditional office role has gone out of the window, with 23 per cent considering a medical career, 12 per cent saying theyd love to be a gardener and 11 per cent wanting to retrain as a teacher.

One in 10 said theyd like to start again as a chef or baker, eight per cent would now like to join the charity sector, and one in twenty (six per cent) have spent so much time online that they now want to become a social media influencer.

The National Lottery carried out the research ahead of tonights EuroMillions rollover draw - where an estimated 126 million jackpot is up for grabs.

Despite the life-changing sums won on the lottery, 22 per cent of Lottery millionaires have chosen to carry on working by retraining for a new career in an industry theyre more passionate about.

The survey revealed just three in 10 Brits would give up working if they won the lottery, with 36 per cent learning a new trade.

When asked what role theyd take on if they scooped a big prize, 16 per cent said theyd train to be a pilot while 13 per cent said theyd like to learn how to be a florist.

Barbara Derry-McClellan is one of the lucky winners to quit their unfulfilling job to start a new career after she scooped the 2.3 million Lotto Jackpot in 2000.

She didnt want to sit at home all day so, two years later, followed her passion and started her own florist shop.

Eighteen years later, Barbara and her husband Ian own both a flower shop, Pinks of Hazlemere, and run a florist wholesale business supplying to flower shops and floral artists across the UK.

She said: I hated my job at a courier company, it was so boring and unfulfilling.

I didnt really have any other skills apart from being good at talking to customers but I did think my mum (a florist) was super talented and that Id love to be able to do what she did.

TOP 20 NEW CAREER AMBITIONS FOR BRITS

Medical ProfessionalGardenerTeacherChef/BakerDecorator/Interior DesignerCharity Worker/VolunteerFloristCare WorkerPhotographerDelivery DriverPersonal TrainerShop AssistanYouTube StarNovelistCounsellor/TherapistSocial Media InfluencerPoliticianVideo CreatorMusicianFilm Maker

The National Lottery win gave me that chance to try my hand at flower arranging and I have loved every minute, first working in the shops and now supplying other flower businesses direct.

It can be incredibly busy and hard work, especially on big occasions like Mother's Day and Valentines but I find it really rewarding.

I probably wouldnt have made the leap if it hadnt been for the Lotto win and now Im surrounded by beautiful blooms everyday what more could a girl ask for?

Three quarters (78 per cent) of those surveyed said the events of 2020 had made them reconsider their lifestyle and priorities.

Two thirds (66 per cent) have pledged to become healthier, 45 per cent want to spend more time with their loved ones, and 32 per cent are committed to travelling the world, as soon as its safe to do so.

Andy Carter, Camelots senior winners advisor, added: 2020 seems to have left many of us wanting more from our jobs, thinking about what our next career move might be or jacking it all in to do something that we really love.

Our passion for gardening and cooking in lockdown and months of home-schooling has clearly inspired the nation to consider a career overhaul and realise the importance of job satisfaction.

The importance of our careers doesnt appear to change even after a lottery win, with only a number of the people looking to quit their jobs if they get lucky.

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Over half of National Lottery winners still work in some capacity with many starting their own business after their win, turning their hand to floristry, hairdressing we even have a winner thats invented their own spicy sauce.

Tonights EuroMillions draw is a rollover with an estimated 126 million jackpot up for grabs.

Players can check their tickets online at http://www.national-lottery.co.uk, via the National Lottery app or in their local store.

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Half of Brits consider career change with medical professions, gardening and teaching topping list of - The Sun

Ceylon et Cie, Dallas

AD100 designer Michelle Nussbaumer houses a treasure trove of vintage and antique finds from the furthest reaches of the globe in her Dallas design district warehouse and shop. Complementing the exuberant menagerie of pieces is Nussbaumers fabric collection with Clarence House, as well as a line of plaster furniture and lighting. ceylonetcie.com

Ceylon et Cie.

Paloma & Co., Houston

Offering a dose of cofounders Paloma Contreras and Devon Liedtkes timeless style, the concept space displays work by emerging artists, global finds, and colorful tabletop items and gifts. We are constantly adding new antique and vintage finds to our mix, Contreras says. shoppalomaandco.com

Paloma & Co.

Moxie, Houston

Founded by designer Dennis Brackeen and located in the Upper Kirby shopping district, Moxie is a go-to source for high-end antiques, vintage modern furnishings, lighting, and decorative accessories. Last year, Moxie expanded into an 8,500-square-foot showroom that became available next door. moxie-interiors.com

Moxie.

Dressing Room Interiors Studio, Charlotte, North Carolina

For a curated selection of vintage furnishings, locals seek out Ariene Betheas shop. Many pieces have been refurbished and updated with new colors and often graphic patterns before being displayed. Global wares and accessories are also scattered throughout, as are original artworks by local creatives. dressingroomsinteriorsstudio.com

Dressing Room Interiors Studio.

Mitchell Hill, Charleston, South Carolina

Designers Michael Mitchell and Tyler Hill recently opened their own multilevel space in Charlestons design district, which is home to top brands for the region including Arteriors, Farrow & Ball, and Julian Chichester. The duos twisted traditional style is on display throughout, and designers and consumers alike are encouraged to drop in for inspiration. mitchellhillinc.com

Mitchell Hill.

Casa Gusto, Palm Beach, Florida

During this years Kips Bay Palm Beach celebrations, AD100 designer Alex Papachristidis declared Casa Gusto one of the most stylish stores Ive been to in years on Instagram. Helmed by Cris Briger and Charles Peed, this Palm Beach destination specializes in 18th- and 19th-century furnishings as well as new additions, such as a series of papier-mch classical busts and hand-colored prints in custom-painted mats and frames. getthegusto.com

Casa Gusto.

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40 of the Best Home Decor Stores in America - Architectural Digest

Were it not for the 22nd Amendment, which limits presidents to two terms, we would now almost certainly be reflecting on the final months of Barack Obamas presidency, its historic resonances and forward-looking ideals. Its a soothing reverie, and one that can, blessedly, come to life as you turn the pages of a lavish new book by the Obamas decorator.

Michael S. Smiths Designing History (Rizzoli, written with Margaret Russell) is by far the most comprehensive illustrated record of the executive mansion and an engaging account of Smiths deep dive into the history of the White House, as he helped the Obamas update the stolid mansion with a more contemporary and open aesthetic, easing the burdens of a young first family living in the glare of history.

Not since the Kennedys has a family had such a transformative effect on the White House.

With the Obamas in residence, the house of the people became a place to entertain in a more casual manner, which fit their personal style. Glittering parties were, however, part of the program, naturally, and Smith recalls events that included everyone from Aretha Franklin to Lin-Manuel Miranda, who previewed what would become a number from Hamilton.

Bettmann

Most institutions are highly resistant to change, and there was a strong sense in America that if you broke tradition, the dignity of the presidency itself was being assaulted, Smith writes.

The Obamas never accepted that notion. Being conventional wasnt their style, and they recognized their ability to bridge the formality of the building with relevance and accessibility for all.

This premise served as a guide rail for Smiths close collaboration with Michelle Obama, and together they brought about the most thorough rethinking of the important state and family rooms since the landmark restoration by Jacqueline Kennedy in the early 1960s. By adding contemporary art to these monumental spaces, Smith counterbalanced the sense of history. And not since the Kennedys had there been a family that had such a trailblazing, transformative effect on the White House, he writes.

The Yellow Oval Room in particular captures the Obamas looser but no less dignified way of entertaining. Once Franklin D. Roosevelts private study, Kennedy, in collaboration with decorator Stphane Boudin, reimagined it as one of the most beautiful and romantic places in the White House, Smith writes.

White House Photo / Alamy Stock Photo

Peter SouzaAlamy

Nancy Reagan also favored the Yellow Oval, and she gave Smith tips on where to place the furniture in a series of late night calls, one of which lasted four hours. The Obamas loved the drama of its views across the South Lawn to the Washington Monument, and they went with a less formal floor plan, with walls in the Virginia-born English decorator Nancy Lancasters buttah yellow color and graced with works by Barnett Newman and Alice Neel, as well as two Czannes from the White House collection.

Designing History: The Extraordinary Art & Style of the Obama White House

$54.00

On the state floor of the mansion, which is mostly open to the public for tours, the Old Family Dining Room has long been the most private chamber. Its far more intimate than the neighboring State Dining Room, yet still imposing, so Smith again turned to contemporary art to create a groundbreaking aesthetic. Where somber 19th-century portraits and landscapes once dominated, the Obamas hung works by Robert Rauschenberg and Josef Albers.

This room, the scene of Eleanor Roosevelts Sunday scrambled egg dinners, became the setting for President Obamas official luncheons and, in another White House first, the annual Passover Seder. It was also, Smith notes, for the first time included on the White House tour, at the Obamas request.

The longest-surviving architectural interior in the White House is the wood-paneled State Dining Room, which was designed for Theodore Roosevelt by Charles McKim and once featured mounted hunting trophies. Smith gave the room a refreshing, Kennedyesque chalky white look: white coffered walls punctuated by straight-falling curtains with a Kailua Blue accent inspired by the waters of the presidents home state.

Association

The designer marveled that the room had rarely been used in recent times (these days, state dinners are often held in tents on the South Lawn), in part because the Teddy Rooseveltera chairs are practically impossible to move. Smith solved the problem with lighter mahogany reproductions, which still surround the dining table. He notes that the chairs fit Michelle Obamas considerate mandate that any change must improve the house for the future.

The change she requested that didnt work out well, at least at first, was decking out the Truman Balcony, which overlooks the South Lawn, with comfortable furniture and hurricane lamps. The lamps kept imploding, and we couldnt figure out why, Smith says. Eventually we figured out that it was the air pressure from Marine One landing just yards away. They replaced them with plexiglass lamps, a solution that was sensible and elegant, just like the Obamas.

This story appears in the September 2020 issue of Town & Country. SUBSCRIBE NOW

Matt Tyrnauer is a writer and director. His docuseries The Reagans will air on Showtime later this year.

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The Obamas Re-Invented Entertaining at the White House - TownandCountrymag.com

Our roots plug into the soil of our origin stories, deep into the fertile grounds of heritage, family and values the ones we keep and the ones we eventually show the middle finger to.

Faranaaz Veriava is propped up against her purple plush headboard chatting via Skype. She jokes about being an interior decorator in another life; about walking away from a cushy corporate law offer; and the damn fine feeling of taking on bad guys and winning.

She turned out to be a human rights lawyer starting her career at Idasa (Institute for Democratic Alternatives in South Africa) and working at the Human Rights Commission before spending some time at the Johannesburg Bar. Today shes head of the education programme at SECTION27, the public interest law centre.

Together with Equal Education, SECTION27 brought and won a legal challenge in July to compel the Department of Basic Education to continue with the Schools Nutrition programme suspended during Covid-19 lockdown. Governments decision came with the shameful cost of thousands of children going hungry.

It was the most painful case to work on because nothing is worse than letting a child go hungry, says the woman who also worked on justice for five-year-old Michael Komape, who drowned in a pit toilet at his school in Seshego, Limpopo in 2014.

That these cases stick in the public consciousness is the point for Veriava. Her outrage turns to drive and then, as a self-confessed A-type personality, she goes into high gear building legal cases and strategy for broad impact. She insists on resonance beyond a courtroom or a ruling. It should feel like Michael was every South Africans son; everybodys little brother.

Michael would have been the same age as my youngest son Reza; I never forget that, she says.

Veriavas story of becoming a fighter and defender for human rights though begins long before she was. Her roots are tangled up in a family story of political activist history and a tradition of public service. Its also a story of family rupture, sacrifice and confronting the inevitable flaws of beings human. Veriava claims all these histories. Struggle against injustice has given her an internal compass, and surrender to the certainty of human frailties has given her empathy.

I want my boys to understand that who they are in the world does not necessarily make them better, and if theyre better at some things its because theyve had different opportunities, she says.

When I was about 11-years-old my father, a public health doctor, was arrested under the state of emergency laws and detained at Modderbee Prison. I remember visiting him in prison and crying thinking he would be killed because it was just a few years earlier in 1977 that Steve Biko had been killed and my father was among the people demanding the doctors who attended to Biko be sanctioned, she says.

Two years earlier her parents had also got divorced. It meant moving from Lenasia to Laudium to be raised by her single mom and aunt. There taught her independence and hard work but there would be labels: daughter of a divorcee; the daughter of political activist; and being secular born into a Muslim community.

Being an outsider though was a super power of perspective. She could get over needing to pray five times a day to fit in with my Muslim friends at school. She would also grow to recognise complexity and shortcomings in her parents and the adults in her family. They were the imperfectly perfect of just being human, heroes too to her.

At Wits University studying law and politics were magnets. So was student politics of the late-80s and the man who would become her husband, Kenneth Creamer. He is a publisher, economics lecturer and member of the presidential economics advisory council.

The relationship would be love, but more labels and lessons would follow. They are an inter-racial couple with different religious and class backgrounds. In the beginning, they made concessions like living together but provinces away from family and expectation. They even settled for a fusion wedding combining religious rites.

She says: We got together in that magical year of 1994. We believed in the same politics and values of a non-racist and non-sexist world. Maybe we were nave thinking we were going to change the world.

Now in the middle of her life, she acknowledges that things have become more complicated. Identity politics of today, like the Black Consciousness Movement, are critical to get over an inferiority complex, to recognise oppression but it has to move beyond this and it needs to overcome opportunistic exploitation, she says.

Complicated is not the moment to look away though. Its not the time to shrink from personal power, responsibility or action, she says.

The fight for her is still about upholding values that build a strong state; one that delivers better quality public services. Its also to push back against the erosion of civil liberties and human rights. She keeps telling this to her boys Adam (15) and Reza (11), the law students she teaches and SECTION27 research interns she mentors.

I want my boys to understand that who they are in the world does not necessarily make them better, and if theyre better at some things its because theyve had different opportunities, she says.

She leaves them with heavy things to think about but its to shape them, not burden them. She adds that she anyway wins hands down as cooler of the boys two parents from my R&B and jazz music, to fashion or anything cool, she says with a laugh. She concedes though that shes rubbish at getting excited about sports.

But the family may take walks together. Nature is her freedom, she says, religion almost. And its trees in particular that shes drawn too. Theres a kindred connection, or a metaphor at the least: growing from roots grounded in promise to release in canopies of fulfilled potential; and always the sure daring to stand firm. DM

Five Questions for Faranaaz Veriava

What image is on your phones home screen?

Its a photo of my boys. In the photo Adam is four and half, hes wearing a dashiki and hes holding his brother Reza who was four months old at the time. Both boys are also wearing garlands we made for spring day; its a beautiful pic.

What would you spend your last R100 on?

A book, it would probably have to be second-hand one at R100.

Whats the worst piece of advice you ever took?

Thats easy behave like a lady.

The thing you wish you learnt earlier on in your life?

I was submissive for too long. As a young black female advocate at the Johnnesburg Bar I tolerated intimation and exclusion and allowed it to make me small; I wish I came into my own confidence and power sooner.

Three books that have changed your life

Books have been my security blanket all my life. My three book are To Kill a Mockingbird by Harper Lee ; Animal Farm by George Orwell; and Nervous Conditions by Tsitsi Dangaremba.

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Faranaaz Veriava: Always ready to take on the good fight - Daily Maverick

The Walt Disney Family Museum in the Presidio of San Francisco hasnt forgotten about Disney fans and their relentless desire to continually learn about the people and events that make Disney what it is. That drive never sleeps.

So in this time of physical distancing, the museum, operated by the Walt Disney Family Foundation, is delivering talks with the folks who make the history directly to your computer.

Here are several of the upcoming bookings. See all of the details and more on their events page at https://www.waltdisney.org/calendar.

Ray Spencer

Art Director and Former ImagineerRay SpencerFri, Aug 21 | 5:30pm PT | Zoom WebinarFREE | Sign-up Required

Join Art Director and Former Imagineer Ray Spencer for backstage stories from his projects for Walt Disney Imagineering, including Buena Vista Street, Trader Sams Enchanted Tiki Bar, and the reintroduction of the Hatbox Ghost character to TheHaunted Mansion.

Bobby Moynihan

Actor Bobby Moynihan Wed, Aug 26 | 5:30pm PT | Zoom WebinarFREE | Sign-up Required

Join actor, comedian, and writer Bobby Moynihan for behind-the-scenes stories from his voice work on several Disney projects, including roles in DisneyPixarsMonsters University(2013) andInside Out(2015), Disney Television AnimationsDuckTales(2017present), Lucasfilm AnimationsStar Wars Resistance(201820), and Disney Channel Original MoviesDescendants 2(2017) andDescendants 3(2019).

Robert Kondo

Animator Robert Kondo Wed, Sept 2 | 5:30pm PT | Zoom WebinarFREE | Sign-up Required

Robert Kondois co-founder and president of Tonko House, a San Francisco Bay Area-based studio focused on creating animated narrative content. Formerly an art director at Pixar Animation Studios on films such asRatatouille(2007) andToy Story 3(2010), he lends his unique design sensibilities and passion for storytelling as co-director of the Academy-nominated short film,The Dam Keeper(2014). Originally from Southern California, Kondo graduated from the Art Center College of Design in Pasadena as an illustrator.

Tania Norris

Interior DesignerTania McKnight NorrisSat, Sep 19 | 1pm | Zoom Webinar$12 | Sign-up Required

Tania McKnight Norriswas born in Scotland and spent her childhood in the United Kingdom. She trained as an interior decorator in London before moving to Southern Rhodesia (now Zimbabwe). In 1963, she moved to Los Angeles for her husbands profession.

Norris was hired in 1964 as an interior designer at WED Enterprises, the arm of Walt Disney Productions that covered all projects apart from films. She worked with many Disney Legends on projects spanning Disneyland attractions, original concepts for Walt Disney World Resort, and Expo 67 in Montreal. In addition to contributing to the overall design of New Orleans Square, one of her signature contributions to themed entertainment history was her design for the iconic purple wallpaper used in theHaunted Mansion.

In the 1970s, Norris became Project Designer for the RMSQueen Maryin Long Beach. This was followed by a move to central California where she opened an antique shop, anchored a weekly antique-focused radio show, and participated in antique shows across America.

Norris interests include gardening, photography, travel (she has visited over 130 countries), cooking, needlepoint, and botanical art. She is a member of the American Society of Botanical Artists, former President of the Botanical Artists Guild of Southern California, and created the Beverly Hills Rose Society. She also established an endowment fund for botanical art at the Huntington Library, Art Museum, and Botanical Gardens in San Marino and donated her rare collection of botanical books and Renaissance woodblocks to the Getty Research Institute.

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Studio Peregallis Swiss Vision

European charm is out in full force in this Swiss kitchen, which was created by AD100 firm Studio Peregalli for a publisher client. The kitchens wooden table and chairs were created in the countrys Engadine Valley. The star-shaped pendant light fixture and floral backsplash tiles were, however, another story. The latter, which are Portuguese and date back to the 17th century, add a charming sense of blue and white to the Alpine space, which Architectural Digest visited in December 2012. They are also evidence of the firms effort to use old materials whenever possible, because of their rich patina, as architect Laura Sartori Rimini said at the time. Other notes of blue and white can be seen elsewhere throughout the interior, from a statement dish here to a well-place dish towel there.

Giverny? No, but close.

A French Kitchen Reminiscent of a Famous Interiors Touchstone

For many fans of blue-and-white kitchens, the ne plus ultra example is the cook space of Impressionist artist Claude Monet. Located at his famous Giverny home, it gives the surrounding garden grounds of the property a run for their money. This kitchen contains many of the same hallmark elements. Black traditional built-in French range? Check. Blue-and-white tiles seen behind it? Check. A litany of copper pots and an overall embrace of wood? Check, check. Fittingly, this space, which appeared in a fall 2011 issue of Architectural Digest, is located in the country region of Auvergne, France.

Ahoy, this kitchen beckons.

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15 Dreamy Blue and White Kitchens from the Pages of 'AD' - Architectural Digest

Its hard to think of a decorator more associated with traditional than Sister Parish, whose use of striped ticking, floral chintzes, whitewashed antiques and patchwork quilts is widely credited with launching American country style into the spotlight by the 1960s. Funny, then, that in recent conversations with Parishs great-granddaughter Eliza Crater Harris, the topics were decidedly 21st century: Instagram Live, e-commerce, and even transparent pricing. Crater Harris was well aware of the potential irony. It may not be expected of us to embrace contemporary design dialogues, but in fact Sister was someone who loved change, she says. We often ask ourselves, What would Sister do?

We is Sister Parish Design, a fabric brand founded in 2000 by Susan Crater, Crater Harriss mother (and Parishs granddaughter). The family connections go deeper. At the time, Crater had just finished collaborating with her mother, (Parishs daughter) Apple Bartlett, on a book about the legendary decorator. From that experience sprang another idea: Why not resurrect some of the prints Parish and her business partner Albert Hadley had created for private clients? I think it was kismetwhich was also the name of one of our prints, says Crater. Launching the firm was about not wanting the Parish-Hadley legacy to die. Whats better than bringing the prints they did for their private clients into the marketplace? Otherwise, people might not have ever seen them again.

What originally started as a historical rescue mission has become a much more forward-looking enterprise, a process hastened by the 2018 appointment of Crater Harrisan interior designer who previously worked with Markham Robertsas creative director of the brand. I visited Craters home in Bedford, New York, this March, just before the coronavirus pandemic triggered nationwide shutdowns; as I sat down with all three generations of the Sister Parish legacy, it was clear that they were brimming with plans for the brandfrom new patterns and colorways to transparent pricing and plans for street-level retailand also that they werent planning to modernize Sister Parish Design at a hesitant, one-step-a-time pace. This was a confident stride into what the family sees as the future of design. And if they have to brush up against a few traditional industry taboos to get there?

If we are really listening to Sister, then our brand should not be an altar to the past, says Crater Harris. [It should be] a design studio concerned with how decorators work and design today, and how people live today.

Sister ParishCourtesy of Sister Parish Design

Parishs home in Maine, as featured in House & Garden in 1977Courtesy of Sister Parish Design

Left: Sister Parish Courtesy of Sister Parish Design | Right: Parishs home in Maine, as featured in House & Garden in 1977 Courtesy of Sister Parish Design

In 1933, a 23-year-old Sister Parish launched her design firm, finding early clients in friends who admired the unique sensibility she had deployed in her own home, in Far Hills, New Jersey. Nearly three decades later, she met the young Hadley while working on the Kennedy White House, and the pair founded Parish-Hadley Associates in 1964. Their work and style would dominate American decorating in the coming decades, and they continued to work together until Parishs death in 1994, all the while nurturing the next generation of great American designers. Like the push-and-pull between history and innovation the brand faces today, the Parish-Hadley relationship was often one of opposites attracting. Parish was known for her floral, feminine approach to decorating; Hadley was a modernist who prized an edited, architectural look. That yin-and-yang energy propelled their work to greatness, with a client list that read like the eras whos who: Astor, Getty, Vanderbilt, Whitney, Paley, Mellon, Rockefeller. She wanted to hire someone to take over. She wanted to retire, Hadley told The New York Times in 1996. Thirty-two years later, we never retired. We had a marvelous relationship.

The Sister Parish story, then, is Hadleys too. Indeed, the archives that inspire the companys patterns are a mix of textiles Parish collected on her travels and Hadleys original designs. That said, there are few exact reproductions in the line; each pattern has been updated gently to resonate today. We're not just resurrecting these textiles, we're also refining them, says Crater Harris.

Sintra in Fern, printed on grassclothCourtesy of Sister Parish Design

The rebirth of a pattern called Sintra perfectly illustrates the Sister Parish Design ethosa tree of life pattern on a piece of quillwork in the Parish-Hadley offices that the two designers would ultimately turn into a hand-screened textile for curtains in Brooke Astors Money Room. (So called because it was where she sat to write checks for various charities.) Albert designed Sintra from a piece of quillwork, but now we're printing Sintra on a piece of grass cloth, says Crater Harris. And the colors I've chosen for Sintra might not have been colors he would have chosen or that Brooke would have wanted, but were moving forward to serve the designers and clients of today.

Walking that tightrope balance between paying homage to a storied legacy and embracing the seismic changes that have swept the industryboth aesthetically and in how designers shopis no easy feat. Crater says that her daughters experience as a designer has shaped the companys vision as it positions itself for the future, unspooling some of the more traditional ways of doing business in favor of an approach that reflects the way young designers want to interact with brands today.

The most notable shift came earlier this month with the launch of a new website. We were working on updating our site pre-COVID, but the challenges of the last few months definitely accelerated the need for our company to offer more utility for the design trade online, says Crater Harris.

The website also reflects a shift in business strategy, including sample fulfillment, listed prices, and the ability to transact online. The new site makes it easier to shop Sister Parish fabrics, wallcoverings, and home accessories on your time, with better inquiry abilities for quicker responses from our teamall in an effort to untether our clients creative visions from an analog, 9-to-5 approach to designing, says Crater Harris. Adding pricing to our site is really just one of many other additions that makes it easier for our clients to do their work, and to shop as they please.

Posting pricing can be seen as a challenge to the showroom model, but Sister Parish designs are still represented in 10 showrooms across the country, in addition to its international representation. Instead of taking business away from showrooms, Crater and Crater Harris see their new site as turbocharged lead generation for their partners, delivering qualified customers to the showrooms while still allowing the brand to connect with design enthusiasts who love the Sister Parish story.

Crater Harris channels all things grandmillennial. The bedroom walls and window treatments are in the companys Dolly pattern.Courtesy of Sister Parish Design

COVID clarified our need for online support on many different levels, from e-marketing, to a better capturing of client interest, to providing additional support to all of our showrooms, said Crater Harris last week when asked how the sudden global shift had altered the familys business plans. We feel confident that this investment in our digital space will result in serious sales growth for our showroom representatives around the country and internationally. The world has changed rapidly, and this idea that a trade company that is represented at a showroom should not have an online presence is over, and our amazing showroom partners around the country understand that our ability to create energy online directly supports growing their leads and sales.

The company did recently exit the John Rosselli showroom in New York, though not because of any disagreements about distribution. Last year, the company brought its sampling operations in-house, operating out of a studio in Bedford; for now, the studio will manage order fulfillment in the New York territory, as well. Though the pandemic has delayed the companys plans, the next move for Sister Parish Design will be a street-level flagship in Manhattan, which they hope to open in 2021.

Like transparent pricing, street-level retail is part of the companys emphasis on tapping into the enthusiasm of a new generation of traditionaliststhe grandmillennials, if you will. The term, coined last September by House Beautiful, is associated with a love of ruffled florals, needlepoint pillows, and all things wicker among young people in their 20s and 30s, and hearkens unapologetically to the Sister Parish aesthetic.

The brands latest campaign was styled and photographed remotely by tastemaker Mieke ten Have. Here, a tablecloth in the new Titania pattern in Pink Green shares the spotlight with a new spongeware collection.Mieke ten Have

Its also a label that neatly captures the passions of a certain group of devotees that had been interacting with Crater Harris in the brands Instagram feed. Our brand has connected with the hearts of a new, younger audience that is highly engaged with us on social media, says Crater Harris of the excitement around the Sister Parish look among a group of young people perhaps not quite ready to hire a decorator or order custom drapery. When it went live, the site featured new ways for these fans, young and old alike, to access and interact with the brand: an online shop with hats in Sister Parish fabrics that sold out almost overnight; a selection of pillows and table linens; and a collection of spongeware plates, bowls and pitchers. A campaign featuring the tabletop products and two new fabric patterns was remotely styled (and shot on an iPhone) by tastemaker, stylist and editor Mieke ten Have in a COVID-era creative partnership brokered by strategist and consultant Sean Yashar, who felt that ten Have, like Crater Harris herself, uniquely embodied the grandmillennial sensibility.

Fabrics and wallcoverings will remain the heart and soul of Sister Parish Design as the company forges aheadCrater Harris sees the foray into home products not as a push to enter a new market, but rather as a service to an already-existing audience eager to be part of the conversation. Based on feedback [from our followers], we felt a responsibility to connect with them more deeply, but until recently, our product offerings were trade-only, she explains. With the site relaunch, we have also invested in a more diversified home accessories collection specifically to speak to our growing grandmillennial audience that wants access to the Sister Parish lifestyle through tabletop, linens, pillows and apparel.

A new storytelling initiative, Tell A SisterInstagram Live conversations between Crater Harris and like-minded creatives that are then recapped in a bloglike formatalso tap into the burgeoning passion online for that Sister Parish ethos. My great-grandmother really believed in a beautifully designed home, but also that that was really just a backdrop for a full lifea life filled with kids and dogs and a career, she says. I see this series as a way to connect with our clients and our community, bringing together designers to talk about those things.

For all of the companys bold moves, much of its business modeland core customer baseremains unchanged. Its a path forward that acknowledges both that the old way of doing things is still incredibly viable (no, the showroom isnt dead), while also leaning into the possibilities that come with building consumer loyalty around the brand. We are always guided by Sisters philosophy, which still runs through every decision we make, says Crater Harris. She said, Innovation is the ability to reach into the past and bring back what is good, what is beautiful, what is useful, what is lasting.

Homepage photo: Eliza Crater Harris, Susan Bartlett Crater and Apple Bartlett | Jonathan Becker

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What would Sister do? A traditionalist icon embraces the future - Business of Home