Politan Rows popular Vietnamese eatery Tran An (215 NE 82nd Street) has opened its first standalone outpost in Little River, marking the second location for the restaurant.

The 20-seat spot, named after Nguyens grandfather, Tran An, draws inspiration from the flavors of the familys hometown in Hanoi. The menu features several variations of traditional Vietnamese bnh m sandwiches, pho soups, broken rice and vermicelli noodle bowls, and salads with protein options like Vietnamese grilled marinated pork, lemongrass sausage, and lemongrass braised beef stew. The restaurant also serves shareable dishes like shrimp spring rolls, pork and shrimp imperial rolls, pork and shrimp Saigon crepes, and more. Drinks are made with nostalgia in mind like its take on traditional Vietnamese iced coffee an ode to Nguyens favorite childhood memories of drinking Nesquik strawberry milk. For guests dining on-the-go, Tran An will have their full menu available for contactless pick-up and takeout through their window counter.

The 750-square-foot space, which was designed in collaboration between Nguyen and interior designer Mark Alan Diaz, is inspired by the soul of an immigrant familys home with red and yellow circular design elements, small areas for guests to sit, and a noodle bar with counter-seating that looks into the open kitchen.

The restaurant is open Monday through Saturday from noon to 10 p.m. and Sunday from noon to 6 p.m.offering limited indoor and outdoor dining, takeout, and delivery.

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Tran An Debuts a Brick-and-Mortar Outpost in Little River - Eater Miami

Turkey is a global hotspot for superyacht design, and one of its cruiser builders has found a way to incorporate features from those huge vessels into a much smaller hull. The new Mazu 82 is a remarkably fresh design, with a lightweight carbon composite hull that gives it a top end of 46 mph, and an interior by acclaimed Turkish designer Tanju zelgin that turns it into an avant-garde residence on the water.

Instead of the plain-jane designs emanating from many shipyards, zelgin worked with Mazu to create a contemporary interior that combines large windows with muted colors, subtle textures and both strong natural and indirect lighting. The designer refers to the interior as understated elegance.

Mazu founder Halit Yukay says the interior works well with the huge open bow area and angular lines of the deckhouse. The exterior and interior should be seen as a whole as one is the extension of the other, says Yukay. Both should create a coherent unity and reflect the main mood and feelings that the designer intended.

The exterior makes optimal use of space, like the forward area that can be converted to an outdoor cinema, or the sterns social/dining area. Just adjacent, the three steps down to the swim platform are designed to be used as seating while the yacht is at anchor.Mazu Yachts

Beyond feelings, the shipyard employed superyacht techniques like using one-piece panes of glass wherever possible to provide a more uniform look. But it wasnt all about the aesthetics, either. The oversized tempered, laminated front windshield has a PVB interlayer that makes the structure bulletproof, while also being extra clear to eliminate distortions and glare. Mazu also added a custom sliding roof to open up the helm area and main salon to the sky.

Because of the finite length of the hull, some elements have been designed to do double-duty. The three steps from the aft cockpit to the swim platform, for instance, also function as furniture, so guests can sit, or even lie down, and still be connected to the adjacent social dining area.

Multifunctional design was important for the owner, said Yukay. In fact, the open foredeck has three different uses: as a sunbathing area, a dining area for 12 people, and a screen can be set up to turn it into an open-air cinema. You cant get more superyacht than an outdoor cinema.

The unusually large windshield is both aesthetically pleasing and highly technicalso protective that its bulletproof.Mazu Yachts

zelgin, one of Turkeys most famous residential designers, wanted to create an interior that was more in tune with land-based architecture than a typical yacht. The space has to be as compact and light as possible without losing the illusion of feeling at home, he said. One of our key aspects during the design phase of the yacht was to create a space that feels more as if you were in your own house with all the familiarity and comfort that comes with it.

To enhance that feeling, the designer created a custom lighting system that incorporates both direct sunlight and more subtle indirect lighting. Lighting is an important tool for the designer to create an atmosphere and mood, says zelgin.

The designer also combined warm, light-colored materials like walnut and leather, with walls decorated with teak paneling that has been textured and painted a metallic gray. The 82s textiles and carpets were also specially designed for the boat, as were the doors with bronzed tempered glass and matching stainless-steel hardware.

The designer combined subtle, metallic colors in the walls with brighter, warmer hues in the walnut floors and leather furniture. Large swathes of glass create strong natural lighting.Pozitif Studyo

The chosen materials are as light as possible and the textures give a sense of spaciousness with a touch of warmth, said zelgin.

That contemporary sensibility, infused with warmth, is the element that makes the Mazu 82 most like a bespoke superyacht. Of course, the big differentiator is that the Mazu can run at speeds that few superyachts could ever hope to match.

Check out these other images of the 82.

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Excerpt from:
How Mazu Packed All the Luxury of a Superyacht Into This Speedy 82-Footer - Robb Report

Kimberly Ward, founder of the Black Interior Designers Network.

WithIt, the womens leadership development network for the home and furnishings industry, recently announced the nominees for the 2020 WOW Awards. Due to the pandemic and uncertainty about safe gatherings, the board of directors has postponed the gala celebrating the WOW Awards until Friday, April 16, 2021. Finalists and recipients will be celebrated during a small gathering. The 2021 WOW Awards gala will return to celebrate 2020 and 2021 recipients Friday, October 15, 2021.

The annual awards recognize business leaders nominated by their peers who have contributed to the success of the home and furnishings industry and have demonstrated significant impact on their companies and the industry.

WithIt announced a new category to the WOW awards this year: the Visionary Award. It is the highest recognition level bestowed by WithIt, honoring a woman of achievement whose insight and actions have significantlyimpacted the home and furnishings industries. WithIt presents this award posthumously to Kimberly Ward, founder of the Black Interior Designers Network. Keia McSwaim, current president of the BIDN, will accept the award in her honor.

Kimberly Ward exemplified all the qualities of a visionary. She founded an award-winning interior design blog, Pink Eggshell, while building her successful design firm, Kimberly and Cameron Interiors. As she gained notoriety and exposure, participating in panels and appearing in media, Ward was often asked Where are all the black interior designers? In 2011 in response to this repeated question, she published a list of the Top 20 African American Interior Designers. In doing so she planted the seed that created a much-needed resource for an often-unseen segment of the interior design community. The list became the Black Interior Designers Network (BIDN), an organization that helped to connect those looking to work with or for black interior designers, to homeowners and clients. The Black Interior Designers Networks mission is to promote diversity and inclusion within the interior design industry by highlighting designers of color and supporting black designers with business development opportunities.

"Kim's legacy is the BluePrint to any organization fighting for visibility. She was a pioneer and legend, totally aware of her colleagues' monumental attributes to the community," says Keia McSwaim, president of the BIDN.

Kimberly Wards vision helped to shine the spotlight on all black interior designers and created a platform for designers to network, mentor and support each others business aspirations. WithIt recognizes Kimberlys work to bring inclusion to black designers in the industry with their inaugural Visionary Award.

In addition to honoring Ward, WithIt will present WOW Awards in five additional categories: Education, Mentoring, Leadership, Future Leader and Sales Excellence.

A new for 2020 is the Sales Excellence Award created to recognize a woman who is extraordinary in sales, demonstrates excellence in education and relationships with her customers, and exceptional commitment to the manufacturers she represents.The nominees are Tami Capriotti, Trusted Advisors Marketing; Janna Grant, Lakeside Furniture Sales; and Michelle Grant, Dardenne Designs.

The Leadership Award to recognize the contributions of a woman who has demonstrated successful leadership in her company, WithIt and the home furnishings industry. Leadership Award nominees are Carrie Dillon, International Textiles Alliance; Stefanie Lucas, American Leather; and Meganne Wecker, Skyline Furniture.

The Future Leader Award honors a young woman in the industry who has demonstrated outstanding achievement and the potential to become an industry leader. The 2020 nominees for this award are Madeline Brown, Sherrill Furniture; Sydney Harris, Furnitureland South; and Jessica Phillips, The Phillips Collection.

The Mentoring Award honors a company or individual for their efforts to foster advocacy, development and promotion of women in their company and the industry. This years Mentoring Award nominees are Gail Doby, Gail Doby Coaching and Consulting; Cindy Hall, Sherrill Furniture; and Deborah Klein, DK Inside Designer.

The Education Award recognizes an individual who has put forth significant effort to educate associates, retailers and consumers about home and furnishings. This years nominees are Kim Ballweske, La-Z-Boy; Nancy Fire, Design Works International; and Sydney Vigotov, Crypton.

What an outstanding and exceptional group of women! says Lorri Kelley, 2020 President of WithIt. We couldnt be more excited to have the opportunity to recognize each of them and their accomplishments and contributions to our industry. Each of them collectively makes all of us better at what we do now, and will do in the future. While we wont have the chance to gather together and celebrate them in 2020, we will look forward to doing that safely and with great excitement in 2021.

All nominees have submitted packages supporting their nomination which will be judged by a panel of industry leaders. Recipients will be announced in November.

About WIthIt: WithIt was formed in 1997 for women in the home and furnishings industries in order to support their multi-dimensional career paths. The non-profit network is based in North Carolina and supported by leading companies across the industry including their Vision and Platinum sponsors: International Market Centers and Ekornes. WithIts purpose is to encourage and develop leadership, mentoring, education and networking opportunities for professional women in the home and furnishings industries.

Furniture Industry News and in depth magazine articles for the furniture retail, furniture manufacturers, and furniture distributors. Read other articles by Nic Ledoux

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WithIt Gives Visionary Award to Kimberly Ward and Announces 2020 WOW Award Nominees - Furniture World Magazine

Perkins and Will

The New York studio of Perkins and Will has announced the promotion of interior design director Brent Capron to principal. He joined the firm in 2017 and has influenced the design of over 1 million square feet of interior space in Manhattan alone, and another 500,000 feet nationally, including corporate interiors projects for Penguin Random House and Viacom. Capron was promoted through the Perkins and Will Leadership Program, which recognizes individuals who have a positive impact on the firms culture and client work through innovation and design excellence.

BIFMA

BIFMA, the not-for-profit trade association for business and institutional furniture manufacturers, has appointed Deirdre Jimenez as its president and chief executive officer. Jimenez is an architect and interior designer with over 25 years of leadership experience focused primarily on the workplace environment. Jimenez will succeed Thomas Reardon, who is retiring after a 22-year tenure as executive director during which time he played a major role in shaping BIFMA for the future

ZGF Architects

ZGF Architects has announced the appointment of Sharron van der Meulen (left) to managing director in the Portland office. She joined the firm in 1987 as an interior architect and grew into design leadership roles on project teams, eventually becoming co-leader of the ZGFs interiors practice. Van der Meulen has been at the helm of many of the firms most significant local projects of the past decade, including the current expansion of Portland International Airport

SHoP Architects

New York-based firm SHoP Architects has announced the elevation of three associate principals to the role of principal. They are Angelica Trevino Baccon, John Cerone and Dana Getman. The three are the first new principals to be appointed at the firm since 2012. SHoP has also promoted two project directors, Steven Garcia and Shannon Han, to associate principal.

TEF Design

TEF Design has made two promotions in their San Francisco studio. Marketing director Glynis Nakahara has been promoted to associate principal, and firm controller Terry Buer has been promoted to associate.

IA Interior Architects

IA Interior Architects is launching their first in-house hospitality practice, led by Veronica Givone (right) as managing director. Givone is a seasoned studio leader and design director with 20 years of experience in the hospitality market, specializing in the boutique, luxury hotel market.

Lake|Flato

Dan Stine has joined Lake|Flato as director of design technology, bringing over twenty years of experience managing design technology and implementing BIM-based workflows. He also teaches graduate architecture students at North Dakota State University and maintains the blog BIM Chapters.

Ware Malcomb

Sergio Valentini has been promoted to director, architecture in the Los Angeles office and Douglas Gullo has been promoted to director, architecture in the Phoenix office of Ware Malcomb.

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On the Move: Perkins and Will Promotes Brent Capron to Principal - Interior Design

Spending more time at home recently? If so, you may be reaching for your interior designers number to address a few flaws (or opportunities for restyling) that escaped attention back before house arrest. Luckily, interiors guru Nate Berkus has your back. We asked him to correct three common mistakes to help elevate your space and make it a more habitable hideaway.

The Problem

The deskor a second or third one, for families on a virtual school scheduleoften gets shoved in a corner or space with no windows or fresh air.

The Fix

Improvise. Install a stone shelf along the wall with brackets or legs, in a hallway across from a door, creating a dedicated zone for a laptop or homework.

We Recommend

Cairn chair from Roche Bobois. Taking cues from the man-made piles of stones for which the seat is named, its so quirky that its oddly motivating.

Roche Bobois Cairn chair.Courtesy of Roche Bobois

The Problem

Living rooms used to be furnished for good looks, not hanging out or relaxing. Now form and function are equally important.

The Fix

Group furniture in ways conducive to conversation. Place one comfortable chair to the left of the sofa at a 90-degree angle and another angled toward the grouping.

We Recommend

Camaleonda from B&B Italia. A reissue of Mario Bellinis classic adds cheer and whimsyplus bragging rights among the design set for having one.

B&B Italias Camaleonda. sofa.Courtesy of B&B Italia

The Problem

It can become a catch-all for busy people, and the design can get sorely lost. I like a bedroom to be serene, clean and edited.

The Fix

Reimagine the bedroom as a place to sleep and recharge, and remove what isnt beautiful, restful or useful.

We Recommend

Miro bed from Design Within Reach. Just one look and you shift from noisy mind to tranquil comfort.

Design Within Reachs Miro bed.Courtesy of Design Within Reach

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A Designers Guide to Optimizing Every Room of Your Home During the Pandemic - Robb Report

Fuel your imagination with our new bi-monthly edit of creatives and photographers who take Instagram to a whole new level. From interior stylists and architects to visionary image-makers, we bring you a curation of global talent that will elevate your feed and inspire your own creative output.

Jennifer Bin, UX designer and photographer

Shanghai-based creative Jennifer Bin works as a UX designer by day and documents the dark side of architecture and urban exploration in her spare time. With her mix of noir-tinted sceneries and futuristic cityscapes, this pink-haired Toronto native conjures Blade Runner vibes with her grid.

Aysha Sow, blogger

Interior design, fashion and lifestyle intertwine in New York blogger Aysha Sows earthy-toned feed. Were big fans of her understated elegance, which translates into a carefully-curated combination of modern and retro vibes.

Marina Denisova, photographer

Barcelona-based editorial photographer Marina Denisovas masterful use of colour and light puts her in a league of her own. Her feed is a sophisticated journey across architecture, portraiture, interiors and landscapes, where simplicity and minimalism are the protagonists.

Hilton Carter, plant stylist

Plant and interior stylist Hilton Carters plant-packed feed is a feast for the eyes. Hailing from Baltimore, hes a constant source of inspiration when it comes to all things green from inviting snaps of his leafy home to dreamy spaces captured on his many travels.

Florian Touzet, photographer

Paris-based Florian Touzet has a penchant for capturing moody atmospheres. His photos mostly taken between Paris, the South of France and Italy have a cinematic feel that makes Florian one of our all-time favourite creatives on Instagram.

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The Spaces Selects: 5 inspiring creatives to follow on Instagram - The Spaces

In 2018, celebrated Danish architect Bjarke Ingels completed the Dortheavej Residence in Copenhagen, a residential development featuring his characteristically innovative touch. The building consists of prefabricated units stacked together to create a subtle checkerboard effect, all at angles that make the curved structure appear to undulate. Its a striking example of Ingelss workmade all the more interesting by the fact that its not a luxury complex aimed at architecture aficionados willing to shell out top dollar. No, the project, designed by one of the countrys most famous living architects, is low-income housing.

The Dortheavej Residence in Copenhagen, designed by Bjarke IngelsRasmus Hjortshoj

In America, meanwhile, low-income housing is largely designed to be ignored. Government-subsidized residences are created to be functional and durable, but almost never beautiful. Its hard to imagine a government housing project in an American city being included on an architectural tour, like the Dortheavej Residence could well be. The idea of prioritizing function over form in this sector is something that interior designer Kia Weatherspoon, who spoke yesterday at Business of Homes Future of Home conference, is trying to chip away at.

The biggest hurdle, as I see it, is getting developers to understand that good design is not a luxury, its a necessity, says Weatherspoon, whose Washington, D.C.based firm Determined by Design was founded with the mission of bringing beautiful design to marginalized communities. Nine times out of 10, she says, developers contracted for affordable housing dont use an interior design firmnot even as a consultant. It usually takes one or two initial meetings with a developer on an affordable housing project to make the case for our work, to show them that I can do good design within their budget, she says.

For the most part, many developers are too far removed from the end user to bring a lens of empathy to the project. Our industry is very whitewashed, and its my belief that people dont advocate for these communities because they dont have a loved one who might live there, says Weatherspoon. I think thats what it takes for someone to say, This isnt good enough. If your team isnt diverse enough for you to take an empathetic view on this [type of work], thats a problem. And thats not to say that every designer of color has a connection to low-income communities, but they can understand it because it is primarily Black and brown people who are the end users of these developments.

Kia WeatherspoonCourtesy of Kia Weatherspoon

For example, Weatherspoon has been on projects where the developer was fighting for only uncomfortable hard surfaces or vinyl to be installed as seating in community areas. And I say to them, If your mother lived here, would you want there to be no soft seating for her to sit on? Thats also when we have a chance to explain how far performance fabric has come and how the technology on those textiles has evolved. It doesnt have to be all vinyl to last.

Convincing a developer of her value as an expert is just the first challenge. Once Weatherspoon lands the project, she has to not only design to an inflexible budget, but also comply with guidelines and requirements from the Department of Housing and Urban Development, which include a federal set of policies in addition to regulations that vary from state to state. At Future of Home, Weatherspoon gave the example of a requirement for high-use, industrial cabinetry in affordable housing apartments, a policy she says dates back nearly 40 years. Outdated requirements often wind up costing the developer more, as the materials can be harder to find and more expensive to source than modern ones.

Manufacturing has changed and theres a premium on these high-use cabinets, she says. If you have a building that has 125 units, thats a lot of cabinetry; thats a big-ticket item. In addition to being pricey, heavy, box-style cabinets come with serious aesthetic constraints, as they usually only come in a certain door style or a few colors. But theres also an implication in that requirement that because these people are poor, theyre going to tear things up, she adds.

The Archer Park apartments, an affordable housing development that Weatherspoon designed in Washington D.C.Jennifer Hughes Photography

Decades-old materials requirements such as these are, sadly, the norm in HUD housing. The quality standards for carpeting, for instance, havent been updated since 1993, which is actually fairly recent compared with the standard for wooden doors, which dates to 1975. For HUD-funded units, Weatherspoon is required to use plastic laminate countertopsanother outdated material that isnt just unattractive, it may also be less healthy than other options, as they can contain formaldehyde, which may cause cancer. Indoor air quality is [negatively] impacted by materials like carpet and plastic laminate countertops as they age, she explains.

The outright lack of care for inhabitants health is a disturbing trend across affordable American housing, one thats been institutionalized by outdated, uninformed policies. A number of reports show that rates of chronic asthma are higher in low-income communities, a condition that a 2014 National Institutes of Health study directly attributes to low-quality housing. These policies dont consider the health and wellness of the residents, says Weatherspoon. Think about the year that weve all had and that there are people quarantined in low-income housing that was built 50 years ago that still has lead paint, that lacks energy efficiency or natural light. There are people living like that.

Weatherspoon is passionate about bringing long-overdue change to HUD policies, but feels that the first step is for the wider A&D community to acknowledge the fundamental problem in how we approach affordable housing. We need architects and designers to speak up and do their jobs, she says. Even if its not a sexy luxury project, you have to approach low-income or community-focused projects with the same zeal and integrity as you would a market-rate job. Were just one firm with this mission, but this is something we all should be rallying around so that we can do better.

Watch Kia Weatherspoon at the Future of Home conference here.

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The low-income housing system is broken. Designer Kia Weatherspoon wants to fix it - Business of Home

If, after being stuck at home for months on end, you are taking stock of your surroundings and looking for ways to spruce up the appearance or improve the functionality of your home, you are not alone. According to a report from Review Home Warranties, online searches related to home remodeling are up 84% this year.

Small but achievable updates in bathrooms, such as tile, hardware or paint, are among the more popular projects, according to the report. If youre going to update a bathroom and you want your design choices to stand up over time, the first step is determining what styles will be timeless for you specifically.

People tend to fall into one or two camps, interior designer Michael Winn of Winn Design and Build in Virginia said. They want a very classic-looking bathroom, or they want something contemporary and spa-like, like the Four Seasons. Translation: For many people, the bathroom might not be the place to get splashy with trends.

But what if you adore bold colors and patterns? Sometimes, the most timeless things are the things that you love, said Katy Harbin, a designer based in North Carolina. There are people that redo their bathroom every 10 years, and for them, choosing a paint color of the year and of-the-moment hardware might work.

For those who want to do it right and be done, though, Winn, Harbin and Boston-based interior designer Erin Gates, author of Elements of Family Style, agreed on five bathroom updates that are truly timeless.

Whether you prefer a classic-looking bathroom or a spa-like retreat, Winn said, white doesnt go out of style. Think white paint, tile, countertops, vanities and textiles.

If you find yourself craving color, you can add it with window treatments and towels, Gates suggests, or wallpaper and art. Just be wary of installing wallpaper in an often-used bathroom with a shower, as the steam can sometimes cause the paper to peel.

Harbin likes white towels with a contrast trim in a perky color.

Choosing the right paint color can be tricky, Harbin said, so its important to order larger color samples from paint stores rather than relying on paint cards. You can have an earthy bathroom, like a really pretty travertine and if you put a stark white with it, it falls flat, but rich creams will work, she said.

If you cant find larger samples, get a sample pot and paint a poster board to see how everything looks under your bathrooms lighting. Put the paint next to tile and countertop samples to be certain they all work together.

Blending two types of metals in the space can stand up better than going with one trendy finish throughout the room. In terms of particular metals, polished nickel is timeless, Winn said. Gates, too, prefers polished nickel; in her bathroom, she pairs it with a gold mirror.

When using two different metals (and no more than two), Harbin said to repeat them enough, and it will look good. Try using gold on knobs and a mirror and nickel on faucets and hardware and perhaps your lighting, for example.

Investing in higher-quality metal hardware also will help with longevity. A faucet with brass fittings and water-efficient technology may be pricier in the beginning, but youll be grateful later, Harbin said.

Marble, or a faux marble, like quartz with a marble appearance, will never go out of style, Winn said. Gates agrees, with a vote for Carrara marble.

The soft, porous stone requires some semiannual resealing to maintain its appearance, Winn said; newer generations of countertops in sturdier materials provide that marble look without the maintenance. These countertops are excellent in heavy-use bathrooms, such as those used by children, he said. Solid-slab marble is typically $100 to $200 per square foot; marble-like material is about $45 to $75 per square foot, Winn said.

White subway tile in a shower or bath will never age, Winn said. For floors, penny tile white or black and white is still found in homes built in the 1950s and 60s, Winn said, but clients also are asking for it in new bathrooms. Other classics include hexagonal and basket-weave patterns.

Choosing these tiles in white will age a bit better, Winn said, than tiles in bold colors or patterns. (If you love pattern and color, instead of a super-bold tile pattern, try a rug that can be easily changed out.)

Winn suggests white grout with white tile for a classic look. For a more modern feel, try a charcoal or black grout with white tile. As for size, larger floor tiles, such as 8 by 8 inches or 12 by 24 inches, can make a room seem bigger, since the grout lines are less visible, Winn said.

Small tiles 1 by 1 inch or 2.25 by 2.25 inches also are good for powder rooms to create a full, repetitious look. They also can be beneficial in a shower because more grout lines help prevent slipping, Gates said.

Winn recommends a free-standing, furniture-grade vanity, which will make the bathroom seem less utilitarian, he said.

Gates likes free-standing vanities with Shaker doors and undermount sinks a style she has in her bath. The Shaker style is simple, she said, without ornate details, and its rooted in history. Gates recommends a custom vanity if the budget allows.

White, gray and limed oak wood are all safe bets for a classic look that wont age, she says. In a powder room, Gates recommends a simple pedestal sink and free-standing cabinets or baskets to hold toilet paper and extra hand towels.

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Five bathroom updates that will help your space stand the test of time - The Spokesman-Review

The JaredCoffinHouse, a former whaling shipowners home turned hotel located in the heart of Nantucket, expanded late this summer with the opening of five new accommodations.

Additionally, the Tap Room, a fixture in the downtown dining scene for more than four decades, re-opened earlier this season after a 14-year hiatus. Celebrating 175 years, the three-story brick mansion offers a total immersion into Nantuckets whaling history.

Nantucket local and interior designer Audrey Sterk was selected to ensure careful preservation of the pre-civil war landmark while incorporating the islands nautical feel into the design. While the propertys footprint remained the same to retain the historic architecture of the 19th century building, portions of the ground floor have been transformed from a former restaurant space into the new accommodations.

Inspired by the colors of the sea and sand, the interiors feature a color palette of foggy greys, robin egg blues, and soft neutrals. In the individually designed rooms, custom furniture including four-poster King Beds, tulip-style coffee tables and walnut brown desks with lacquered inlay are paired with original refurbished wood floors from the 1840s.

For those looking for extra privacy, one suite features a private entrance that can be connected with the guest room to create a two-bedroom option. To complement views of Nantuckets historic streetscape, an extensive collection of original oil paintings is also on displayeach piece hand-selected by the hotels owners to highlight Nantuckets whaling days.

TheJaredCoffinHouse is steps away from what was historically called Petticoat Row. Men of the whaling heydey were out to sea for years at a time, spurring the ladies to become entrepreneurs that operated in the area close to the hotel. As a nod to the islands history making women, each of the four new suites is named after influential women.

The rooms pay homage to Anna Gardner, who was instrumental in calling an anti-slavery meeting in 1841 in which Frederick Douglass gave his first speech as an abolitionist speaker, as well as LucretiaCoffinMott, who participated in the countrys first meeting about womens rights in 1848. Guests can opt for the Maria Mitchell suite, honoring the first professional female astronomer who opened her own school in 1835 that was desegregated, a controversial move at the time. Lastly, the MaryCoffinStarbuck suite celebrates the woman who brought Quakerism to Nantucket in the early 1700s. She ran the familys trading post that served as the islands commercial center.

The 2020 season also brought changes in dining at the hotel. The Tap Room, located on the lower level of the hotel beneath the lobby, has been resurrected. A popular gathering spot for locals and visitors alike for more than 40 years, the restaurant shuttered in the early 2000s.

Boston-based Carroll Design Studio was brought on to re-imagine and re-design the pub-style outpost, which now offers indoor and outdoor dining. The two-toned interiors embody the essence of modern dining. An exposed brick wall is paired with ocean blue and cream shiplap that provides the backdrop for hanging bare bulbs and original dark wood ceiling beams. The semi-circle bar is at the heart of the space, while camel tan colored dining booths line the perimeter.

The menu offers a modern interpretation of celebrated Tap Room staples including traditional New England clam chowder, French dip sandwiches, grilled local swordfish and Welsh Rarebit consisting of melted cheese poured over slices of toasted bread. A full-service bar with beers from local Cisco Brewery and craft cocktails like Nantucket Red Margaritas are also offered.

TheJaredCoffinHouse has been a beloved Nantucket getaway for years and were excited to unveil our refreshed look and new restaurant, says Jason Curtis, general manager ofthe JaredCoffinHouse.Preservation was at the heart of the project, ensuring the historical feel remained, while updating with modern touches.

Originally constructed in 1845, theJaredCoffinHouse was the first mansion built on Nantucket. In its almost 200-year history, many distinguished guests have passed through the doors, includingMoby Dickauthor Herman Melville and President Ulysses S. Grant. TheJaredCoffinHouse as we know it today officially arrived on the scene in 2004 when it became part of White Elephant Resorts. Today its one of the most cherished properties on the island and serves as a centerpiece of the Nantucket Historic District. Guests enjoy access to a complimentary BMW courtesy car and use of Priority Bicycles.

The starting rate for a guest room is $195 per night and the starting rate for a new suite is $395 per night. TheJared CoffinHouses main building closes for the season on December 7, while the next door Daniel Webster building, with thirteen rooms, is open year-round.

For more information, please visitjaredcoffinhouse.com.

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Nantucket's Jared Coffin House Opens New Suites and the Tap Room - nshoremag.com

Because the algorithm isnt always right.

Recently, a new phase in housebound hobbies has appeared on the periphery or our doorsteps. Careful preparations of two or three hour-long recipes have, on a collective level, faded, and were once again moving to the peppier beat of gleeful consumerism.

A few months into lockdown our source of stimulus isnt in baking sourdough and twisting finicky shapes out of home-made pasta on kitchen benches, but in adding things to cart increasingly, new pieces for our interiors. Waves of packages from lockdowns triumphant purveyor Instagram are dropped off and ushered inside.

The cooking-model of the first wave was a time-consuming nod to slow living. Making the most of our time at home by learning the value of more involved tasks made us house proud, and amateur cooks dotingly captured their dishes via Ottolenghi, Laila Gohar, Alison Roman regaling one another with stories of that nights dinner: parsley-specked gnocchi, whole fish flushed-pink and dotted with lemons translucent flesh, and big pots of water bobbing with chicken and halved onions.

Its interesting to see how quickly Instagram and its algorithms can drive communal interest, an interest that is now firmly focused around indoors style. Recently opened parcels reveal green shimmers of Iittala glass or the soft plush of high thread count Bed Threads sheets.

A big delivery the other day presented orange and white checks that rose into an Occasional Pieces plinth for putting things on. The deeper into lockdown we go, the twistier the Lex Pott candles that arrive on our doorstep are.

This turn towards our spaces has permanent potential. Buying beautiful objects brings an opportunity to add detail, comfort, or to let our space tell a story of who we are. With this in mind, I spoke to Natalia Held, a Melbourne-based freelance interior designer, on breaking through inspiring Instagram feeds to create a space that authentically reflects your style.

Weve spoken before about designing space, in particular bedrooms, and youve talked about the entrance to your room as being a first important step in how to think about your layout.

The view from your doorway is something to take into consideration. When you enter a room the first object should be something youre proud to have be immediately visible or to showcase when your door is open. Whether that be something with sentimental value it could be a restored piece of furniture or pre-loved vessel or something that you searched far and wide for, or it may even be a special piece that demanded a lot of your paychecks. In terms of what kind of furniture that might be for some, a simple shelf or console that acts as a platform to showcase your taste in design is quite a good opening piece.

Some people dont like being seen sitting on their beds as they feel its quite an intimate moment, so removing your bed from the line of sight of the doorway then might be important to you. But in the same vein, your bed might be the piece you want to showcase. A lot of people portray their personality through their bed linen, and presenting softness through linen and pillows helps bring out the feel they want.

What furniture do you consider essential for personal spaces?

A big one is your own reflection. I think its so important to be able to see yourself using your space. Its a good way to perform self-practice, whether its attending to your skincare routine before you go to bed, getting dressed for work or taking photos of yourself. It provides ownership over your space, because you see how you operate in that room.

Another essential is mood lighting. Typically, I dont ever use the main light in my bedroom because I find that the light isnt tailored to the way I want to use the space, nor is it a colour I want to see my things or myself in. Mood lighting can be found in floor lamps, table lamps, or humidifiers anything that emits a softer glow can generate a specific mood, and whether that comes from warmer or cooler lighting is completely up to the individual.

Being housebound, Instagram is the most accessible channel through which were now finding design and a recurring theme of objects and layouts has been encouraged through the platforms algorithm. Is there a danger in being exposed to a repetitive feed of design?

To some degree, I have an issue with Instagram in terms of design, because promoted products and layouts encourage repetition. What part of that room that youve just seen on your feed relates to you? Pre-Instagram you would go to a store, or find a seller on Gumtree and come across a specific piece that meant something to you it was about the pride you felt because you found it, not something that was pushed up your feed because of an algorithm. I feel that your room is best when its curated by things from your own journey.

However, Instagram does make interesting design really accessible. The design intent is there, its just important that items sourced through Instagram still have design-integrity. A piece being either locally-sourced and designed, sustainable, and unique not a replica makes it worthy in my eyes. When you find such pieces, apply them to your space in a way which works specifically for your function.

Where else could you look to for organic inspiration?

Books and magazines like Frame and Wallpaper Mag are so important for curating style. Its possible that youve landed on that page and others have chosen to flick past it. Theres something quite special and emotional about connecting to design through books as it becomes a part of your personal experience.Designers I follow focus on small details. Its those small things commissioned artworks or light fixtures that you dont necessarily think of but are such a delight to cast your eyes over in the moment, and visually impact a space so much.

Some of those designers include Pierre Yovanovitch, Ilse Crawford, Axel Vervoordt and Halleroed. Pierre, for example, designs a lot of his pieces specifically to suit the layout of a room every part of the interior is completely tailored to the space. What I like about that is that hes laid out pieces according to the circulation of the room, depending on how you function in a space. Perhaps this notion is something to consider when we lay out our pieces in our homes.

Originally posted here:
I asked an interior designer how to look beyond Instagram inspiration when styling your space - Fashion Journal