Q: Before all this snow came and covered the ground, I saw plants that looked like dandelions. However, I remembered that there are other weeds that look like dandelions and wondered if they may be a problem. What can I do about them?

A: There are several weeds that are common and in their juvenile stage look much like dandelions. London rocket (a common relative of mustard), prickly lettuce and some sowthistle seedlings may be what you observed. They will survive the cold weather and can be problems in your garden next year. Some are perennial and others are annual weeds. Your local NMSU Extension Service office can help you identify these weeds and determine appropriate measures to manage specific weeds.

London rocket, a mustard weed, is a host known to overwinter curly top virus which will infect your tomatoes and chiles next year. For that reason, it is important to eliminate as many of them as possible from the vicinity of your garden (from as much of your property as possible). It is recognizable by the mustard oil fragrance of its crushed leaves. It is not prickly like some of the other weeds mentioned.

Prickly lettuce and sowthistles are in the sunflower family because they have flowers with the same structure as sunflowers, but their flower heads are much smaller. They are often prickly and when the leaves and stem are broken usually exude a milky sap. Some are annual and biennial weeds and some are perennial. This characteristic determines how you must manage these weeds. They are not as notorious as the mustards for spreading disease, but they are not good plants to allow near your garden.

With the annual weeds such as mustards, prickly lettuce and some sowthistles, the key is to remove them before they can form seeds. This may be done with herbicides, but manual removal is often fairly easy to accomplish by cutting the top from the root with a hoe or another garden implement. The mustard weeds should absolutely be removed before you plant tomatoes and chiles next spring.

The perennial weeds are a little more difficult to manage because they can regrow from a small piece of root left in the ground. Some of these weeds can have an extensive root system, so physical management by hoeing and tilling becomes more difficult, but not impossible. There are also herbicides that may be used to manage these weeds, but it is critical to use the proper product and to use it carefully according to the label direction. Your NMSU County Extension agent can help you determine the best method for managing your weeds and minimizing problems in your garden. You will also find that the book, Weeds of the West, published by the Western Society of Weed Science is a good reference for helping you identify the weeds in your garden and landscape.

Send your gardening questions to Yard and Garden, Attn: Dr. Curtis Smith, NMSU Agricultural Science Center, 1036 Miller Rd. SW, Los Lunas, NM 87031. Curtis W. Smith, Ph.D., is an Extension Horticulture Specialist emeritus with New Mexico State University's Cooperative Extension Service. NMSU and the U.S. Department of Agriculture cooperating.

See original here:
Yard & Garden: Some destructive weeds mimic dandelions

ALBUQUERQUE, N.M. With just more than 2 minutes left in the New Mexico Bowl, Washington State held an eight-point lead against an opponent that had been outmanned and outclassed throughout the game and had no timeoutsleft.

Fans eyed the exits, reporters across the social media landscape wrote the game off as over and just about everyone in the stadium was certain that WSU had alreadywon.

Everyone, including theCougars.

We got too complacent; kind of thought we won the game early, senior Justin Sagote said after the Cougars 48-45 loss to ColoradoState.

CSU linebacker Shaquil Barrett

You have viewed 20 free articles or blogs allowed within a 30-day period. FREE registration is now required for uninterrupted access.

S-R Media, The Spokesman-Review and Spokesman.com are happy to assist you. Contact Customer Service by email or call 800-338-8801

Colorado States Jake Schlager, right, recovers fumble by WSUs Teondray Caldwell (34) on late kickoff returnSaturday. (Full-size photo)

TimePlay Score

2:52Grayson 12-yard TD pass to Vaden. Roberts converts the PAT45-37

The rest is here:
WSU blows 8-point lead over CSU with 2 minutes left - Sun, 22 Dec 2013 PST

ALBUQUERQUE, N.M. With just more than 2 minutes left in the New Mexico Bowl, Washington State held an eight-point lead against an opponent which had been outmanned and outclassed throughout the game and had no timeouts left. Fans eyed the exits, reporters across the social media landscape wrote the game off as over and just about everyone in the stadium were certain that WSU had already won. Everyone, including the Cougars. We got too complacent, kind of thought we won the game early, senior Justin Sagote said after the Cougars 48-45 loss to Colorado State. CSU linebacker Shaquil Barrett

You have viewed 20 free articles or blogs allowed within a 30-day period. FREE registration is now required for uninterrupted access.

S-R Media, The Spokesman-Review and Spokesman.com are happy to assist you. Contact Customer Service by email or call 800-338-8801

Associated Press photo

Washington Staterunning back Theron West (24) celebrates his touchdown with teammate Marcus Mason during the first half of the New Mexico Bowl NCAA college football game against ColoradoState (Full-size photo)

ALBUQUERQUE, N.M. With just more than 2 minutes left in the New Mexico Bowl, Washington State held an eight-point lead against an opponent which had been outmanned and outclassed throughout the game and had no timeouts left.

Fans eyed the exits, reporters across the social media landscape wrote the game off as over and just about everyone in the stadium were certain that WSU had already won.

Everyone, including the Cougars.

We got too complacent, kind of thought we won the game early, senior Justin Sagote said after the Cougars 48-45 loss to Colorado State.

CSU linebacker Shaquil Barrett forced a fumble, recovered it himself, and the Rams promptly scored, tying the game on the two-point conversion by running a delayed handoff to Donnell Alexander known as the Statue of Liberty play.

See original here:
Colorado State rallies to beat WSU, 48-45 - Sat, 21 Dec 2013 PST

ALBUQUERQUE, N.M. -- With just more than 2 minutes left in the New Mexico Bowl, Washington State held an eight-point lead against an opponent that had been outmanned and outclassed throughout the game and had no timeouts left.

Fans eyed the exits, reporters across the social media landscape wrote the game off as over and just about everyone in the stadium was certain that WSU had already won.

Everyone, including the Cougars.

"We got too complacent; kind of thought we won the game early," senior Justin Sagote said after the Cougars' 48-45 loss to Colorado State.

CSU linebacker Shaquil Barrett forced a fumble, recovered it himself, and the Rams promptly scored, tying the game on the two-point conversion by running a delayed handoff to Donnell Alexander known as the "Statue of Liberty" play.

"They had a lot of reasons to quit in this game," WSU coach Mike Leach said. "They could have quit at any point because they spent most of the game about 10 points, two touchdowns behind. They never did quit."

WSU quarterback Connor Halliday had fumbled on a quarterback keeper the previous play, but officials ruled that his knee touched the ground before the ball was loose after a lengthy review.

WSU's Teondray Caldwell fumbled the ensuing kickoff at the Cougars' 24-yard line and Jared Roberts' field goal sailed through the uprights with no time left on the clock, giving CSU its first lead, and the victory.

"We were thinking the whole time they've just got to run the ball a few times, kneel it," Sagote said. "Then there are two turnovers in 10 seconds that changed the whole game."

Prior to Halliday's run, the Cougars passed the ball on three consecutive plays, electing not to keep the ball on the ground and ignoring the stopping of the clock with an incomplete pass. On their previous drive, up 45-30 with about 6 minutes left, the Cougars passed three times and ran three times.

The rest is here:
Cougars collapse late in New Mexico Bowl loss to Colorado St.

The Artists' Gallery makes the most of its compact space in a downtown Columbia office building. And its all-member holiday show and sale covers seemingly every available surface with art in various media.

As you would expect from a group exhibit that arrived with the onset of winter weather, this show has its share of reminders of the season. They range from directly representational depictions of winter to other, less direct references.

As part of the latter group, Winnie Coggins' clay vessel "Winter Winds" has white bands worked into its bumpy surface. The effect is of a strong wind raking a brown landscape.

Stylistically situated midway between realism and abstraction, Jing-Jy Chen's watercolor-and-ink "Winter" incorporates direct references to a tree-covered landscape, but its melding of black, gray and white tones also has a semi-abstract quality.

Straightforward realism can be found in Barbara Steinacker's pastel "Baby, It's Cold Outside." The artist sets this scene inside a presumably warm room, where the viewer first contemplates a candle placed just inside the window and then looks outside to gaze upon a snowy yard.

Setting up his camera outside on a cold day, photographer Carl Segal's "Bactrian Camels in the Snow" has two of those furry beasts looking very comfortable as they stand in a snowy landscape.

Whatever the season, many of the artists in this exhibit like to set their scenes out in nature.

Deborah Maklowski's colored-pencil drawing "Stone Barn" astutely brings out architectural detail in the subject's stone walls. The artist's drawing "Water's Edge" similarly makes sharp distinctions between rocks along the shore and a very blue body of water. Maklowski switches media for her pastel "Red Barn at Massey," with the softer attributes of pastel making for a visually softer image of a red barn set in a yellow field.

Some of these artists are willing to travel quite a distance for their natural subject matter.

Jerry Weinstein's photograph "Boat in the Harbor Iceland" bears a title that might have you reaching for yet another layer of clothing, but this appears to be a warm-weather scene. The boat in question is a Viking-style vessel whose traditional design is in contrast to the modern-looking boats docked behind it. You get the sense that all of these boats are intended for weekend pleasure cruises.

View original post here:
Columbia Artists' Gallery presents all-member holiday show

Home Mail News Sports Finance Weather Games Groups Answers Screen Flickr Mobile More omg! Shine Movies Music TV Health Shopping Travel Autos Homes Yahoo Sports Search Sports Search Web Sign In Mail Help Account Info Help Suggestions Yahoo Score Strip League: NFL Miami vs. Buffalo Sun 1:00 PM MIA BUF New Orleans vs. Carolina Sun 1:00 PM NO CAR Dallas vs. Washington Sun 1:00 PM DAL WAS Tampa Bay vs. St. Louis Sun 1:00 PM TB STL Cleveland vs. NY Jets Sun 1:00 PM CLE NYJ Indianapolis vs. Kansas City Sun 1:00 PM IND KC Minnesota vs. Cincinnati Sun 1:00 PM MIN CIN Denver vs. Houston Sun 1:00 PM DEN HOU Tennessee vs. Jacksonville Sun 1:00 PM TEN JAX Arizona vs. Seattle Sun 4:05 PM ARI SEA NY Giants vs. Detroit Sun 4:05 PM NYG DET New England vs. Baltimore Sun 4:25 PM NE BAL Pittsburgh vs. Green Bay Sun 4:25 PM PIT GB Oakland vs. San Diego Sun 4:25 PM OAK SD Chicago vs. Philadelphia Sun 8:30 PM CHI PHI Atlanta vs. San Francisco Mon 8:40 PM ATL SF View All

Read this article:
Detroit Lions: Jim Schwartz Deserves to Be Fired Immediately

There are a couple of landscaping tricks to keep in mind when constructing an informal path through your yard. A flagstone path can meander through the woods, lead from the front of your home to the rear, help you access your garden or connect various lawn areas. Theyre an excellent device to help create visual connections within the yard.

Material: Flagstone, a natural stone, is flat like a flag. You can cut it into squares or use a hammer and a chisel to easily break it into different sizes and irregular shapes.

Crab Orchard and Pennsylvania Bluestone are the most frequently used types in this area. Cherokee Flagstone is harder and shinier, but it isnt as easy to work with because you must manually cut it.

The color you choose should blend with the rest of your landscape.

Path: Lay out your path to match the typical gait of an adult. Select pieces that are 18- to 24-inches wide (side to side) and 1- to 2-inches thick. Use flagstone as individual pieces, not little pieces that you fit together like a puzzle. If you use pieces smaller than 18 inches the stones tend to wobble when stepped on. Put a 6- to 10-inch gap between each stone.

Flagstone paths work best in relatively flat or gently sloping areas. Use a shovel to scrape the ground so its flat and stable, and then add a small amount of coarse sand to help level the stone.

Bury each flagstone piece about half-way in the ground. Add mulch, stone or plants flush with the top of the stone.

If your yard is sloped, create a series of steps with some level areas between them. This is similar to a landing on a run of stairs.

You can use the same flagstone, but youll also want pieces that are 4- to 7-inches thick that you stack on top of each other.

Hardwood mulch works well around the path because it packs down well. My favorite mulch to use around a flagstone path is crushed slate, which is available by the ton at select stone yards. Its a pretty light blue color. Due to its small particle size, it packs down and helps hold the stone in place. It also helps control weeds.

Go here to see the original:
Tips to build fabulous flagstone path

I'm very excited to add this newest collection of photos to the site. I decided to put this together as a free alternative to all the paid landscaping picture sites that keep popping up everywhere. While this collection of design ideas isn't quite as big as some, it is from the same that they're selling. For Free. I actually left quite a few photos out of the galleries as many of them repeat the same designs and styles.

Along with this directory, the original gallery of pictures also has thousands of images of designs from the most creative designers and sites online.

A collection of several of our own design ideas in the designs and plans galleries will lead you through the steps and explanations of what actually goes into creating a landscape.

You can also look at over 120 sketches and designs that may help you generate some ideas for shape, planting ideas, hardscapes and more. See: 120 free landscaping plans to take advantage of this directory.

And on top of all this there are also several other directories that you may find helpful. Tips on how to plan a landscape. Most everything on this site can be found in the menu to the left. Hopefully you can save your money. Good luck with your project.

Click On Images To Access Galleries

Don't forget to take a look at my Original Pictures Gallery. It's as good as if not better than these new examples in the sense that there is much more variation, professionalism, and detail.

For tips, instructions, and details to some of my own design plans and projects see The Landscaping Plans And Ideas Gallery. For everything else that has to do with designing, see the menu at the left.

See the original post:
Free Landscaping Pictures And Design Ideas

Landscape design is an independent profession and a design and art tradition, practised by landscape designers, combining nature and culture. In contemporary practice landscape design bridges between landscape architecture and garden design.[citation needed]

Landscape design focuses on both the integrated master landscape planning of a property and the specific garden design of landscape elements and plants within it. The practical, aesthetic, horticultural, and environmental sustainability components merit Landscape design inclusion. It is often divided into hardscape design and softscape design. Landscape designers often collaborate with related disciplines such as architecture and geography, soils and civil engineering, surveying, landscape contracting, botany, and artisan specialties. Design project focus can tend towards: in landscape design - artistic composition and artisanship, horticultural finesse and expertise, and a detailed site involvement emphasis from concepts through construction; whereas in landscape architecture - focus of urban planning, city and regional parks, civic and corporate landscapes, large scale interdisciplinary projects, and delegation to contractors after completing designs. There can be significant overlap of talents and skills, depending on the education, licensing, and experience of the professional. Both landscape designers and landscape architects practice landscape design.[citation needed]

Factors in designing include objective qualities; such as the climate and microclimates; topography and orientation, site drainage and groundwater recharge; municipal and resource building codes, soils and irrigation, human and vehicular access and circulation, recreational amenities (i.e.: sports and water), furnishings and lighting, native plant habitat botany when present, property safety and security, construction detailing, and other measurable considerations. Factors in designing also include subjective qualities such as: genius loci (the special site qualities to emphasize); client's needs and preferences; desirable plants and elements to retain on site, modify, or replace, and available to use as borrowed scenery from beyond; artistic composition from perspectives of both looking upon and being in the *gardens; spatial development and definition; plant palettes in designed layouts, and artistic focal points for enjoyment. There are innumerable other design factors and considerations brought to the complex process of designing a garden that is beautiful, well functioning, and thrives over time. The up-and-coming practice of online landscape design allows professional landscapers to remotely design and plan sites through manipulation of two-dimensional images without ever physically visiting the location. Due to the frequent lack of non-visual, supplementary data such as soil assessments and pH tests, online landscaping necessarily must focus on incorporating only plants which are tolerant across many diverse soil conditions.[citation needed]

Historically, landscape designers trained by apprenticingsuch as Andr Le Ntre, who apprenticed with his father before designing the Gardens of Versaillesto accomplished masters in the field, with the titular name varying and reputation paramount for a career. The professional section of garden designers in Europe and the Americas went by the name 'Landscape Gardener.' In the 1890s the distinct classification of landscape architect was created, with educational and licensing test requirements for using the title legally. Beatrix Farrand, the sole woman in the founding group, refused the title preferring Landscape Gardener. Matching the client and technical needs of a project, and the appropriate practitioner with talent, legal qualifications, and experienced skills, surmounts title nomenclature.[citation needed]

Institutional education in landscape design appeared in the early 20th century. Over time it became available at various levels. Ornamental horticulture programs with design components are offered at community college and universities within schools of agriculture or horticulture, with some beginning to offer garden or landscape design certificates and degrees. Departments of landscape architecture are located within university schools of architecture or environmental design, with undergraduate and graduate degrees offered. Specialties and 'minors' are available, such as in horticultural botany, horticulture, natural resources, landscape engineering, construction management, fine and applied arts, and landscape design history. Traditionally, hand drawn drawings documented the design and position of features for construction, while Landscape design software is frequently used now.[citation needed]

Other routes of training are through informal apprenticeships with practicing landscape designers, landscape architects, landscape contractors, gardeners, nurseries and garden centers, and docent programs at botanical and public gardens. Since the landscape designer title does not have college degree or licensing requirements to be used, there is a very wide range of sophistication, aesthetic talent, technical expertise, and specialty strengths to be responsibly matched with specific client and project requirements.[citation needed]

Many landscape designers have an interest and involvement with gardening, personally or professionally. Some integrate this scope with their design practice, informally or as licensed landscape contractors. Gardens are dynamic and not static after construction and planting are completed, and so in some ways 'never done.' Involvement with landscape management and direction of ongoing garden direction, evolution, and care occurring depend on the professional's and client's needs and inclinations. As with the other interrelated landscape disciplines, there can be overlap of services offered under the titles of landscape designer or professional gardener.[citation needed]

Read more here:
Landscape design - Wikipedia, the free encyclopedia

Landscape comprises the visible features of an area of land, including the physical elements of landforms such as (ice-capped) mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings and structures, and transitory elements such as lighting and weather conditions.

Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect the living synthesis of people and place vital to local and national identity. Landscapes, their character and quality, help define the self-image of a region, its sense of place that differentiates it from other regions. It is the dynamic backdrop to peoples lives.

The Earth has a vast range of landscapes including the icy landscapes of polar regions, mountainous landscapes, vast arid desert landscapes, islands and coastal landscapes, densely forested or wooded landscapes including past boreal forests and tropical rainforests, and agricultural landscapes of temperate and tropical regions.

Landscape may be further reviewed under the following specific categories: landscape art, cultural landscape, landscape ecology, landscape planning, landscape assessment and landscape design. The activity that modifies the visible features of an area of land is named Landscaping.

The question of the various meanings which 'Landscape' and its cognate terms in the Germanic languages has acquired from the Middle Ages till present times is not just a question of etymological curiosity; it reflects, among others, the history of conflicts between local and centralized power in emerging European nation-states (a subject discussed in depth by Kenneth Olwig in publications listed below) and also changing approaches to landscape within Geography and within the Arts. Moreover, the story of the various meanings of the English word landscape makes up an interesting example of "dynamic construal" of meaning.

It is widely accepted in the literature that "In Europe the concept of landscape and the words for it in both Romance and Germanic languages emerged around the turn of the sixteenth century to denote a painting whose primary subject matter was natural scenery (Punter 1982; Cosgrove 1993)"[1]

It should be noted though that the Northern European concept of landscape appeared centuries earlier than the 19th and that it carried then, and continues to carry, meanings that go far beyond natural scenery.[2] 'It is believed that the words land, landscipe or landscaef entered the English language some time after the 5th century; these terms referred to a system of human-made spaces on the land.

Olwig argues that the substantive importance of the landscape concept is easier to understand when the word is broken down for separate analysis into land and scape and then reconstituted .[3]

Taking first land: Land (a word from Germanic origin) may be taken in its sense of something to which people belong (as in England being the land of the English, (likewise Finland, Ireland, Poland). The 'land of a people' was historically divided into smaller lands, which might belong to a communality (e.g. the common lands belonging to the village community) or to a figure seen to represent or embody the land (e.g. the lands of the prince).[3] (Another meaning of the term land refers to a material substance as in "an area of ground" (Oxford English Dictionary, 1971;in the following:OED).

On the suffix -scape:

More here:
Landscape - Wikipedia, the free encyclopedia