Leah Overcomes Thyroid Complications Sheds Over 35 Pounds
Check out Leah #39;s Full Transformation Here-http://hitchfit.com/before-afters/leah-overcomes-thyroid-complications-sheds-over-35-pounds/ Leah #39;s Program Choice-...
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When hes done campaigning, Mitt Romney promises in the disarming and revealing documentary, MITT, People will know me and know what I stand for the flipping Mormon.
Directed sympathetically by Greg Whiteley, who had access to the former Massachusetts governor and his family during both his failed 2008 quest for the Republican presidential nomination and his failed 2012 presidential campaign, the documentary takes us in the room on election night with Romney and his immaculately-scrubbed, Osmond-like familyas they learn President Obama is being re-elected. Romney takes the news with equanimity but there is poignance in his features. Does anyone have a number for the president? he asks.
A good documentary uses judicious editing to make an important addition to your knowledge of a subject, and Mitt does so in a big way. We now know that Romney and even his wife Ann were plagued by doubts. Given that public servants, as they annoyingly call themselves, can be almost unbearably arrogant about their powers and the peoples love for them, Romney comes across as an un-politician. Reductionist sportscasters tell us that A won and B lost because A wanted it more. Romney, it now seems, wasnt the guy who wanted it more.
Director Greg Whiteley (L) and Mitt Romney attend the premiere of Mitt at the Sundance Film Festival.Photo: Getty Images
Before his triumphant first debate with President Obama, Mrs. Romney is seen joking that dirge music should be played because Mitt was walking to his execution. Romney himself allows that he is intimidated by the president and even after his success in that showdown, which marked the high point of the campaign, he pooh-poohs his performance, saying that incumbent presidents always lose the first one. At one point he spoofs his own campaign fundraising speeches: Let me tell ya, Im gonna win this! Oh my gosh, I cant fake it.
Der Mittster comes across as funny and amiable, a sweet dork rather than the T-Rex of venture capital. He tries to iron his jacket cuffs without removing the coat, sleeps on the floor of an airplane and criticizes his own appearance. Try not to break my hair, he says his famously oaken coifwhile primping for a debate.
Mitt is a personal profile, not a campaign-strategy film, and there isnt much here for political analysts to factor into their horse-race analysis. But the stiff who was born wearing a necktie and a starched shirt is transformed and redefined in just 90 minutes. Now we know that Romney is decent, relatable, honest and open, a good man deserving of lasting respect.
Link:
‘Mitt’ sheds light beyond Romney’s failed White House run
Washington was blanketed in snow when the Takacs Quartet came to town, the roads around the Kennedy Center deserted. The quartets two scheduled performances in the Fortas Chamber Music series were among the highlights of the concert season: a traversal of all six of Bela Bartoks string quartets, music the Takacs, founded in Budapest in 1975 and now with a British first violin and an American violist has made utterly its own. But for many concertgoers, the roads were impassible. On Tuesday night, the ensemble played three of the quartets the first, third and fifth to a half-empty Terrace Theater.
Bartoks quartets are often perceived as being difficult to access, even under clearer weather conditions although I confess I have always found them immediately simpatico, a brilliant fusion of the classical music tradition with the wider frame of reference and expressive possibilities of the 20th century. They are not exactly intimate pieces: big, ambitious, searing, filled with ideas and emotions, with folk dances and complex rhythms, burrs and drones and plucks and plinks and burbles and rumbles, to be the stuff of small gatherings. But it certainly felt like the height of luxury to be part of the exclusive group that got to hear them on Tuesday: the flowery post-Romantic heaviness of the first, the slashing chords of the third, the almost film-score opening of the fifth. As often happens during concerts under unusual circumstances, there was a kind of solidarity between players and audience from the outset: an even greater immediacy, even warmer applause. The second night, the cycles conclusion, was no less musically accomplished, but as a return to business as usual, with all the seats filled, felt slightly anticlimactic.
(Ellen Appel) - The Takacs Quartet.
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It had nothing to do with the playing. The Takacs are wonderful travel companions through the diverse terrain of this music. They approach it with the expertise of long acquaintance, but none of the rhetorical affect of people trying to show you something. There is nothing didactic in their presentation. They do not indulge in virtuosity, nor underline emotional high points; no member stands out as playing with more beauty or finesse or skill than any other although if I had to give a beauty prize it would go to the warm sound of Geraldine Walther, the groups violist and newest member, who joined in 2005. (Only two of the original members, the second violinist Karoly Schranz and Andras Fejer, with a light crisp chewy cello sound, remain; but the first violinist, Edward Dusinberre, has been a member of the quartet for 21 years.)
They play with a taut, compelling immediacy, a lightness and flexibility of tone, making a sound that is not lush or goopy, but suffused with color. They can keep hold of the intellectual intricacies of this music, in which Bartok brings together many disparate elements and a whole catalogue of sound effects, into a single tight braid, stepping in just as things start to get diffuse in the fourth quartet, for instance, at a moment when each instrument seemed to be departing on its own trajectory to reestablish the structure that keeps the music together. But they also can present the straightforward, aching feeling in the sixth quartet, written in 1939, as the composer was struggling to work in the gathering clouds of war and just before he left Hungary forever, without pathos, but with an intensity that is even more moving in its unaffected simplicity.
We are fond today of cycles. Orchestras devote a season or two or three to the symphonies of a given composer, recording as they go; pianists present the complete Chopin preludes or ballades, works that a generation ago were almost never heard in performance as a set, and the Beethoven piano-sonata cycle has become such a thing that the pianist Stewart Goodyear has taken to playing all 32 of them in a single-day marathon.
A cycle offers concertgoers a sense of value added: hearing a lot of a composers music at one go is like a crash course for lodging his idiom, his sound in ones ear, and emphasizes his greatness by presenting him in the trappings of monumentality. It involves, for all, a sense of something large undertaken, and accomplished, together. It is akin to sitting down and reading all the novels of Jane Austen or Philip Roth or any other writer at a single go: Its ideal for some, while others might prefer to roam and savor a little more slowly, and with a little more variety.
ScatterRadio: Would you rather tell a truth that sheds a tear, or a lie that draws a smile?
http://www.scatterradio.com Would you rather tell a truth that sheds a tear, or a lie that draws a smile? Free user-generated online radio service. Voice you...
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Two GBRf Sheds pass Barnt Green, 20/01/14.
Firstly, 66705 passes Barnt Green on a late running 4V94 Ironbridge to Portbury Biomass empties. A bonus HST. Then, 66722 on 6V83 Peterbrough to Morton-on-Lugg.
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LAS VEGAS --(Every major television station in Nevada, including channel 8, will air a special 30-minute documentary tonightthat sheds light on sex trafficking in this state. It's called "trafficked No More" and depicts a growing crisis that's claiming victims. The documentary will also be streamed on 8NewsNOW.com. It starts at 7:30 p.m.)
Mary Ann Swigartgot lured into sex traffickingwhen she was 18 years old. While the victims of sex trafficking don't always want to talk about their experiences,she felt it was important to share her experience.
ForSwigart, her heavilytattooedface literally tells her story.
"You look in the mirror and see big bold letters of what the situation was," she said.
The tattoos cover the left side ofher face. There's even a faint outlineon her forehead with the name of her former pimp.
"I can't explain into details what I went through, but it wasn't anything nice,"Swigart said.
Shewas lured into the business in her teens by a man who promised her a career as a tattoo model and lots of money. Instead,she was forced to work on a porn site and as a prostitute.
"It's a very prevalent and it's a huge problem," said Heather Frost, WestCare Nevada.
Frostsays she's seen countless women and girls. Some girls are as young as 7 when they come into her facility as victims of human and sex trafficking.
"A lot of times, families even in affluent neighborhoods, in the country and here in Vegas, will sell their children into human trafficking," Frost said.
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Documentary Focuses on Sexual/Human Trafficking
Landlord Virendra Patel, 58, built the structure four years ago in a London suburb without getting planning permission from Brent council.
He concealed it from planning officers and leased it to the family of six, who lived without paying council tax in five tiny rooms crammed into the 48 metre-square outbuilding in Kingsbury, north west London.
But in one of the first cases of its kind, Mr Patel is being forced to demolish the structure and pay thousands in legal costs after he was taken to court by the local authority.
Buildings more than four years old cannot usually be the subject of a planning order but a change in the law allowed Brent to force the landlord to demolish the structure because he had concealed it.
Suburban: Valley Drive, Kingsbury, where the outhouse was found
Mr Patel originally claimed the outhouse would be used as a gym, before allowing the tenants to move in with a clause exempting them from paying council tax. He claimed that it was a coincidence that people had moved in, and that he had not realised they were living council-tax free.
But a judge at Hendon Magistrates Court ruled last week that there had been a deliberate concealment of the buildings use, and ordered Mr Patel to pay 11,703 costs and demolish the outhouse.
George Crane, who is Brent council's lead member for regeneration, said: This is a fantastic result for the council and unscrupulous landlords who flout planning laws should take note.
Brent Council wants good homes for local people and we are doing everything we can to raise standards. Beds in sheds simply aren't good enough and we will stamp them out.
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'Beds in sheds' clampdown finds family of six living in tiny outhouse
By CAITLIN HEATHCOTEJan. 22, 2014, 10 p.m.
The brainchild of Seven Sheds, owner Willie Simpson said the recipe was cooked up to mark the anniversary of the microbrewery's 200th batch of beer.
CHEERS: The creators of Platypus 200 are (back from left) Anvers marketing manager Todd Ashdown, Seven Sheds brewer Willie Simpson, (front) ginseng farmer Siegfried Pyka ...
WHAT do quinoa, chocolate, beer and ginseng all have in common?
It sounds like a riddle but the answer is soon to be sold at the cellar door at Seven Sheds at Railton.
Platypus 200 is the latest dark ale offering from Seven Sheds and was officially launched yesterday as the microbrewery's 200th batch of beer.
Platypus 200 is a collaboration of several main players in the Cradle Coast Tasting Trail and Liberal MP for Braddon Jeremy Rockliff, who was invited to launch the beer, said it was a ``fine example in leadership'' of the type needed to promote agri-tourism into the future.
Mr Rockliff said agri-tourism was a growth area for the region and said collaboration like this would be the way of the future for both industries.
The brainchild of Seven Sheds, owner Willie Simpson said the recipe was cooked up to mark the anniversary of the microbrewery's 200th batch of beer.
``We have always done milestone beers so we were looking to do something because we knew the 200th was coming up,'' Mr Simpson said.
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Beer boasts best of the tasting trail
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