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Columbia, MO Family owned and operated company - All Roofing, Siding, Window Installation and Insulation Needs. Schedule your Free Video Inspection Today! (5...
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Roof Repair Fairfax - FREE Estimates | Call Us NOW
Roof Repair Fairfax - (703) 997 - 5380 - CALL NOW - FREE Estimates http://www.roofrepairfairfax.net/ We are the MOST affordable Fairfax Roofing Contractors, ...
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Hasheider Roofing Siding Ltd - Prairie Du Sac, WI
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Rocha Roofing Services (760) 802-5174
Rocha Roofing Services 1791 Crystal Ridge Way, Vista, CA 92081-5417 (760) 802-5174 We are a licensed company offering roofing repair and other services. http...
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AAA Roofing Company - (614) 436-8550
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How To Choose The Best Residential And Commercial Roofing Contractor 901-373-3900
http://LDMRoofing.com Many people want to know how to choose the best roofing contractor in the Memphis area. What kinds of things should you look for when s...
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How To Choose The Best Residential And Commercial Roofing Contractor 901-373-3900 - Video
Nashville, TN (PRWEB) January 30, 2014
Tim Leeper Roofing has expanded their team and services in the commercial roofing division due to an increase in service requests for Middle Tennessee.
The locally owned and operated roofing company has added two new service technicians, as well as a commercial consultant with many years of experience. They have expanded to help small to mid-sized businesses with repairs, retrofit roofs and replacement.
The market is changing, as it always does, and we are just answering, Leeper says.
Tim Leeper Roofing is urging business and property owners to include routine maintenance into their annual budget, with the exceptions of newer and very old roofs. It is much more cost effective to be proactive than reactive, saving considerable money over the long term. The upsides to routine maintenance include keeping mold away, possible insurance cancellations, keeping happy tenants, lower repair costs and minimized damage on the roof itself.
Most of what we see in commercial roofing, is neglect, Leeper says in regards to commercial roofing damage. No one maintains the roof at all and, in return, we see loose materials subject to wind driven rain penetration, punctures, deteriorated material and more.
Some roofs are more susceptible to damage, requiring frequent inspections, especially commercial roofs that tend to be larger. A few of these factors include environment, such as high wind zone or chemical plants, high traffic on the roof, weather varying with extreme temperatures, internal gutters or drain systems and food-related businesses that receive expensive fines and experience loss production for water leaks. Thus, it is vital to keep commercial roofs in good shape.
There isn't necessarily a one size fits all, each building has its own needs, says Doug Herron of Tim Leeper Roofing. The more the commercial roof owners are aware of them, the more money they can ultimately save.
Call Tim Leeper Roofing at (615) 553-2782 to schedule your free inspection today.
As heard on The Dave Ramsey Show on WLAC in Nashville, Tim and his team will give you an honest assessment of your roof. I know because theyve done work on my roofs. And as a small business owner, Tim understands and cares about your budget.
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Tim Leeper Roofing Expands Commercial Roofing Services in Middle Tennessee
Dallas, TX (PRWEB) January 29, 2014
KPOST Company, industry-leading commercial roofing company in Dallas, provides ongoing support and advocacy for the commercial roofing industry both locally and nationally on the topic of immigration reform. As both a national and local issue, the complexities as it pertains to construction are not always heard. Therefore, the KPOST Company team has committed to providing regular information via their website in order to educate on the nuances of immigration in the commercial roofing industry.
In the most recent installment Commercial Roofing Contractors Must Rally Around Immigration Reform KPOST CFO Jayne Williams is featured via video discussing the challenges of immigration reform and commercial roofing.
The truth is that most Americans are misinformed about the benefits of a foreign labor pool. There is some misnomer that these people take jobs away. They do not, said Jayne Williams, KPOST Company CFO and Safety Officer. The immigrant labor pool is enthusiastic about the jobs provided and performs a great service to many industries, commercial roofing included.
The education is needed and very timely, in light of White House promises to address labor shortages, educational needs and immigration reform as it pertains to economic success for this country.
Even though our labor pool is dwindling, our legislators dont want to take a holistic approach to immigration reform. They prefer to piece meal the process with small tokens like amnesty rather than devise a well-rounded, long-term solution, said Steve Little, KPOST Company president.
KPOST Company will continue to provide information on immigration reform and other industry-focused issues via the Latest News section of their new website as well as provide support via local, regional and national associations who also speak out on these issues.
About KPOST Company
KPOST Company, Dallas commercial roofing experts, is an industry-leading commercial roofing and waterproofing, contractor whose core values are SAFETY, QUALITY, and VALUE. KPOSTs services include commercial roofing (both new construction and roof replacement), waterproofing, specialty installations, repair & maintenance and lightweight insulating concrete. Over the past 10 years, KPOST has completed over $250 million in roofing/waterproofing construction including high profile contracts such as the AT&T Stadium, the Perot Museum of Science and Nature, the Omni Dallas Convention Center Hotel, and the Container Store Headquarters and Distribution Center. For more information visit the website at http://kpostcompany.com.
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Commercial Roofing Contractor KPOST Companys Executive Team Provides Guidance on Industry-Centric Immigration Reform
The adjective surreal has, over time, come to mean unfathomable or not of this world or just really, really freaky. But its worth noting that the early surrealist writers werent interested in summoning strangeness for strangenesss sake. Their goal was rather to discomfit readers in the way that our most vivid dreams do, through the juxtaposition of realistic yet unrelated images: two realities, more or less distant, brought together, in the words of poet Pierre Reverdy.
The best stories in Ben Marcuss new collection of short fiction, Leaving the Sea, are surreal in this original sense of the word. They seem powered by the electrostatic charge that results whenever the texture of the familiar is abraded by some alien, highly resistant material. These 15 tales are by turns tender, funny, heartbreaking, frightening and occasionally overweening. But even when hes overestimating his readers patience or fortitude, Marcus is nothing less than fully engaged in an artistic enterprise that the surrealists would have authorized: injecting into our recognizable world just enough weirdness to make readers second-guess their senses.
(Knopf) - Leaving the Sea, by Ben Marcus
Snow wreaks havoc across the South, Syrian army nears Aleppo, rare white lion born in Poland, and more.
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This destabilizing weirdness starts off subtly in the opening story, What Have You Done? So invested are we in tracking the shaky progress of an ill-tempered man who has reluctantly returned home for a family reunion that it almost slips right by us when he pauses to regard the newest architectural additions to the downtown Cleveland skyline: They were tall and thin and black, hooked at their tops, and were either sheathed entirely in charcoal-tinted glass or simply windowless.
Even those who dont think to scribble a question mark in the margin after reading that sentence may wonder whether theres some sort of connection between those hellish, hook-topped skyscrapers and the middle-of-the-night knock at the door that resonates throughout the next story. I Can Say Many Nice Things begins as wry, spot-on satire. Its setting is a creative-writing seminar offered to (hilariously untalented) cruise-ship passengers as an edifying onboard activity. But mid-story, a crew member begins barging in on sleeping passengers to check them against the ships manifest, without explaining why. After this point, Marcuss straightforward narrative sensibility begins tacking toward the mysterious Don DeLillo Islands, where paranoia reigns supreme and light humor goes to harden.
If these details sound more at home in dystopian sci-fi than in a pair of otherwise naturalistic short stories set in present-day Cleveland and aboard a tacky cruise ship, theyre only the first of many such dissonant chords Marcus strikes. Indeed, as we make our way through this collection, we may feel as if were moving gradually through a dark chronology of Americas imminent social and political unraveling. And though theres nothing to indicate that these texts are linked schematically, its hard not to register them as creepy snapshots from some pre-apocalyptic Instagram feed.
By the time we reach the books midpoint, the seeds of dread that Marcus has planted early on have blossomed into full-blown fleurs du mal. Weve encountered the sad-sack protagonist of Rollingwood, whose string of personal misfortunes is so devastatingly complete that it almost suggests a memo has gone out to his ex-girlfriend, his boss, the people in his carpool, even his sickly child, declaring him anathema. And weve had time to process the pair of brief Q&A-style interviews with two highly educated, supremely self-satisfied sociopaths who justify their withdrawal from humanity by quoting radical social theorists and couching their monstrousness in magazine-ready pull-quotes. (To me its beautiful that our survival strategies are wonderfully diverse and not all of us can succeed.)
We got a list of part of the SXSW premiere lineup of films not long ago, with Veronica Mars and Jon Favreaus Chef announced as the fests first wave of films. Now weve got most of the rest of the festivals lineup. The midnight selections and some inevitable late-breaking additions are still to be announced, but this should be more than enough to get potential attendees excited about the 2014 lineup.
SXSW will feature the premiere of Nacho Vigalondos Open Windows (above),as well as the feature Faults from Riley Stearns, who directed the great short film The Cub. (Faults features Mary Elizabeth Winstead in the lead in a story about cult brainwashing and deprogramming.) Theres also a great set of films imported from Sundance, including Richard Linklaters Boyhood, which only played twice in Park City, and films such as The Raid 2 and Frank, the latter of which features sequences shot at last years SXSW.
Check out the full lineup below.
NARRATIVE FEATURE COMPETITION
Eight world premieres, eight unique ways to celebrate the art of storytelling. Selected from 1,324 films submitted to SXSW 2014. Films screening in Narrative Feature Competition are:
10,000KM(Spain) Director: Carlos Marques Marcet, Screenwriters: Carlos Marques-Marcet, Clara Roquet Autonell A year of a long distance relationship, two computers and two cities Los Angeles and Barcelona, can love survive 6,000 miles? Cast: Natalia Tena, David Verdaguer(World Premiere)
Animals Director: Collin Schiffli, Screenwriter: David Dastmalchian Jude and Bobbie are a young, homeless couple who masterfully con and steal in an attempt to stay one step ahead of their addiction. They are ultimately forced to face the reality of their situation when one of them is hospitalized. Cast: David Dastmalchian, Kim Shaw, John Heard (World Premiere)
Before I Disappear Director/Screenwriter: Shawn Christensen Based on the 2013 Academy Award winning short filmCurfew. At the lowest point of his life, Richie gets a call from his estranged sister, asking him to look after his eleven-year-old niece, Sophia, for a few hours. Cast: Shawn Christensen, Fatima Ptacek, Emmy Rossum, Paul Wesley, Ron Perlman, Richard Schiff (World Premiere)
Fort Tilden Directors/Screenwriters: Sarah-Violet Bliss, Charles Rogers It shouldnt be this hard for Allie and Harper to get to the beach. Cast: Bridey Elliott, Clare McNulty, Griffin Newman, Jeffrey Scaperrotta, Neil Casey (World Premiere)
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SXSW Film Program Features Boyhood, Open Windows, and Faults
