Home Builder Developer - Interior Renovation and Design

Springdale, Arkansas, will be the latest city to get a major parks reimagining, as the New Orleans and New York-based Trahan Architects and New Orleanss Spackman Mossop Michaels have revealed a total overhaul of Luther George Park.

The project continues the Walton Familys reshaping of Northwestern Arkansas, as the parks modernization was funded through a Walton Family Foundation Design Excellence Program grant. The upgrade was commissioned by the Downtown Springdale Alliance to help jumpstart development in downtown Springdale and bring more public plazas and outdoor entertainment to the city.

The new master plan for the 14-acre Luther George Park will add 200 new native trees and will re-center the park with a new Performance Pavilion, a curving, multipurpose archway that can do everything from host concerts to act as a passive shade structure when not in use.

The pavilions Cor-ten steel cladding will weather and patina naturally over time, letting it gradually blend in with the environment. The pavilion will front the parks great lawn and will be bounded in the rear by berm, creating a natural seating configuration and helping to further disguise the structures impact on the landscape. In a press release announcing the overhaul, the design team attributed the pavilions future flexibility to the theater rigging integrated into the structure itself. Once complete, the pavilion will be capable of accommodating up to 3,000 concertgoers and about 50-to-100 movie viewers at a time on the smaller lawn at the back (in a post-COVID world, of course).

We believe strongly in the power of landscapes to inform our architecture the performance pavilion draws inspiration from the rolling hills of the landscape and the strong axial connection between the river and downtown Springdale. It is both an icon and deeply embedded in the context, said Trey Trahan, founder and CEO of Trahan Architects in the same project announcement.

No timetable for the projects completion, or cost, has been announced at the time of writing.

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Trahan Architects and Spackman Mossop Michaels will overhaul a major Arkansas park - The Architect's Newspaper

Littleton, MA Maugel Architects and Nauset Construction announced the completion of the new 60,000 s/f headquarters for Workers Credit Union (WCU) located on Russell St.

Renovations included demolition of the existing building down to the structural steel and construction of new additions. The new headquarters houses WCUs corporate offices, a number of departments, conference rooms, training rooms, a caf, an outdoor dining patio and a fitness center. Hill International served as the owners project manager.

To create a timeless, elegant design that appeals to all generations, Maugel creatively blended traditional and modern design elements throughout the space. The exterior design features traditional masonry walls with cast stone piers, cornices and lintels that complement more modern elements, such as double-height curtain walls, a glass cantilevered entrance canopy and a metal outdoor pergola.

The interior design juxtaposes modern elements, such as metal and glass, with more traditional elements of wood and terrazzo. A central spine with a two-story lobby allows for expansive views through the depth of the building to the exterior.

This has been an incredible journey. Our new headquarters will be a place of purpose to improve the daily lives of our members and through them, the greater community, said Bob Lockett, chief strategy officer at WCU. It took the combined efforts of a very talented group of people to bring us to this day. The building will not simply be a place to work, it will be a place where families are protected, homes are created, dreams are fulfilled and the journey to financial wellness is begun.

On the first floor, a main circulation path leads to a large caf and training rooms. Folding interior glass walls enable the caf, training areas and adjacent corridor to be opened to create a large gathering space. The caf has access to the outside through a pair of glass doors opening to a colonnade and an outdoor patio featuring a metal pergola and areas for lounging and dining. Adjacent to the patio is an employee entrance equipped with bike racks, benches, and recycling. The employee circulation path showcases a variety of seating areas that encourage impromptu conversation and collaboration.

The second-floor lobby showcases a monumental terrazzo staircase with glass guardrail, floating wood slat ceilings with cove lighting, a multi- colored green moss wall with an abstract design reflective of the WCU logo, and decorative light pendants that spiral down through the double- height space open to below. The upper reception area features a stone, wood, and accent- lighted reception desk with a back-painted branded glass wall.

To promote employee well- being and maximize natural light into workspaces, large open office areas were placed along exterior walls with large windows. The natural light filters through the space, enabling users of internal glass-walled offices and conference rooms to enjoy the borrowed light. Gathering nodes and breakout spaces were thoughtfully placed along pathways to promote collaboration.

It has been an honor working with Workers Credit Union and the outstanding team of the Blackham Company, Nauset Construction, Hill International, RRC Engineering and BLW Engineers to create an iconic workplace, said Maugel project architect Cindi Cascio. This beautifully re-imagined building will now take on a new life supporting Workers Credit Unions amazing work serving the community and improving lives.

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Project of the Month: Maugel Architects and Nauset Construction complete Workers Credit Union headquarters - New England Real Estate Journal Online

Chinese Opera Base in the Qingyun Hutong / Origin Architect

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Text description provided by the architects. Spaces, in urban, may be formed overnight, but the soul of the city must not be shaped if it is not deposited, immersed, and chafed for a long period of time.

OriginLocated on the south side of the Forbidden City in Beijing, the Qianmen District has witnessed the rise and fall of the city for centuries. Qingyun Hutong No.23-29 courtyards lie on the eastern area of the Qianmen District, just like a miniature imprint in this grand epic. South courtyard, facing the theater stage of the Pingyao Pigment Hall across the alley, once sheltered Mei Lanfang, a Peking Opera master a hundred years ago. He used to train his voice in the courtyard brewing his unique artistic style. Once being the Guandi Gao Temple, there were abundance of well-structured halls following strict order during the heyday of religion in the Middle Courtyard, and the Hutong streets nearby were all named after it. The North Courtyard was occupied decades ago by an electron tube factory, so called "modern industry", with steel-framed and red-brick-wall.

However, these old buildings and memories are gradually vanishing. In recent decadesafter experiencing the era that families lived crowdedly and moved out collectively, the houses in yards are abandoned, collapsed and destroyed. That causes the rapid disappearing of urban texture and cultural memory. And now in the large courtyards, except for a dilapidated house remaining in the South Courtyard, two wing rooms in Guandi Gao Temple, as well as the roof-collapsed run-down factory, the rest have crumbled into dust and disappeared in a pile of rubble. The restoration project aims to restore the city's cultural context, preserve cultural memory and revitalize city and communities through appropriate intervention.

Tiny Hutongs and Successive courtyardsThe architect first carried out in-depth archaeological research and analysis of the process of land change. The remaining buildings are protected, the damaged part of the buildings are selected carefully for rebuilding to develop a courtyard group, so that the defective space texture of city can be recognized again. At the same time, a series of "Tiny Hutongs" are introduced into the courtyard by the specially reserved gaps, which are the inward extension of the outer city streets and drive the continuous flow of the inner and outer spaces of the whole courtyard group.

Memory CarrierArchitecture is not only an inorganic substance, but also a living history. During the redevelopment, the historical diversity of real remains has been affirmed and respected, and the conflicts between the damaged and intact, the red brick and gray brick, the factory building and courtyard are all-inclusive and even strengthened. The residual wall left by the Gao Temple is preserved as it was, as a witness to the interchange of history. Some buildings have been reinforced and patched as necessary. The inclined and collapsed walls are supported by terraced brick buttresses, and the old residual columns are butted up and down with new wood to restore their structural strength. The new measures are firmly anchored and grown together with the old members. After archaeological cleaning and excavation of mounds and rubble, several groups of hard fahlunite column bases Mei Lanfang's former residence have been rediscovered and returned to their original places. Other old objects and materials scattered around--old cornerstones, old bricks and tiles--are collected and randomly mixed into the new walls and floors as time fragments.

In the middle of the brick wall of the rebuilt house, a large number of dispersed glass bricks are inserted like clouds, and the existence of the house entity is weakened, which is not only a confession of one's fictional identity, but also a questioning of the reincarnation of being born and destroyed. Several other solid brick walls are penetrated by irregular steel members, keeping the memory metaphor of drilling holes through walls in the compound yard era. A thick trunk that has been dead for many years has been cleared out of the soil from the middle yard and placed on the wall where it was found to witness the coming and going of people in the future together with other still lush trees in the courtyard.

Weathering steel is used as the main intervention material in the factory building, and the air leakage hole on the red brick wall is closed. The internal structure is integrally strengthened by butting the same type of new angle steel with the old beam-column angle steel. New materials and old stuff are scattered in every corner and talking to each other in different ways, silently tell their real times and changes, and weave a touchable memory of time together.

Opera and CultureStemmed from the original historical accumulation, this place is defined as a compound of Hutong spaces and opera culture, which pours impetus into the revival of the surrounding communities and cities. Unlike large-scale centralized modern theatres, a series of places for opera creating, rehearsals, performances and salons form small-scale scattered communities, attracting emerging small cultural creative groups.

The old factory on the north side and the attached building of Guandi Gao Temple have been respectively transformed into an opera rehearsal factory and a special little theater. The drama and cultural exchange salon grown on the site of Mei Lanfang's former residence on the south side opens to Sanli River on the south side, bringing riverside scenery and tourists into the interior. Several creative spaces scattered in the middle and continuous internal streets connect all parts. For the purpose to ensure the modern comfortable conditions of various spaces, the park is equipped with various facilities and systems, and the air-conditioning equipment in each room is hidden under the ground or in the wall as required by the conditions.

As the future operation maturing, it is hoped that the new drama and cultural activities will break through the boundaries, spread along the flowing roadway to the depths of Hutong, and be integrated into the deep cultural foundation of the old city of Beijing.

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Chinese Opera Base in the Qingyun Hutong / Origin Architect - ArchDaily

John S. Chase is the Texas architect you wish you knew aboutor perhaps should have already heard of. Inspired by the work of Frank Lloyd Wright with his own postmodern twists, Chases work has left a mark in East Austin, on the Texas Southern University and University of Texas campuses, and in churches all over the state. Now, a new University of Texas Press book, John S. ChaseThe Chase Residence, celebrates Chases remarkable 60-year career. The book explores how Chase turned his own Houston home into the centerpiece of a larger body of work through a process that was in equal measure architectural, social, personal, and political. This new story of the Chase Residence, still home to Chases widow, Drucie, demystifies how Chase fashioned a space to fit his familyand simultaneously fixed his place in architectural history.

John S. Chase was also a trailblazer for architects of color. He entered the University of Texas soon after its desegregation and soon became the first Black person to obtain a masters degree in architecture. He was also the first state-licensed Black architect in Texas. At one point, Chase served as the first Black president of the Texas Exes, UTs alumni association. And he was a founding member of the National Organization of Minority Architects.

The Chase Residence was a collective effort. It was written by David Heymann, a professor of architecture at UT, and includes a lengthy essay from co-author Stephen Fox, an architectural historian as well as contributions from architecture students Heymann took on his visits to Chases own home in Riverside Terrace, considered a timeless masterpiece among the many houses, churches, and other edifices he built. That group, led by Heymann, tracked down Chases own architectural drawings, made new drawings of key details, and persuaded Chases family and friends to contribute photos that bring the homes long history to life. Best viewed at night, the Chase house, even after nearly 70 years, remains a lantern, a beacon in the city. It is a landmark and a landmark accomplishment.

Chase artfully created his house beneath loblolly pines with windows that fully embraced Houstons humid greenhouse climate. Its vast interior courtyard offered views of leafy tropical plants and gave his boys, John Jr. and Tony, space to ride bikes around a koi pond. The den where Chase worked offered vistas of family life even as he continued to sketch out a fast-growing list of projects for his firm. Inside the original house, Chase tucked a bar behind a bookshelf so that visiting Baptists ministers, teetotalers who frequently commissioned him to build churches, would not spot liquor but could be quickly extracted from an alcove when politico friends arrived for cocktails.

Churches remained a mainstay of Chases practice in the 1950s and 60s, Fox writes. Many churches designed by Chase still stand proudly in Austin, Dallas, and Houston, too. In Houstons Fifth Ward, Chase built the First Shiloh Baptist Church in 1954 and 55. The church features a towering brick sanctuary with dramatically rising roof planes and a bell tower, a landmark on Lyons Street fit for a congregation established for more than 100 years. A marker outside the church today marks its historic status and Chases contribution, too. Through those early works, Chase had become a starchitect.

Gradually, Chases other projects took form as other private homes, more churches, and landmark buildings that rose across Texasand beyond, as Foxs essay explains. One of his very first jobs in 1952 was a building for a group then known as the Colored Teachers Union in Austin. He later earned major commissions from clients like Texas Southern University and Tuskegee University in Alabama. Many of his masterworks still stand on TSUs Houston campus, including its Humanities Building, with a stunning rounded entrance bay, its student center, and its law school.

Eventually, Chase designed buildings on the campus of his alma mater, tooincluding UTs utilitarian San Antonio garage and the track and soccer stadium. But UT wasnt always good at remembering its famous alumnus. He doesnt appear in the school yearbook, for example. The first on-campus show featuring his work didnt occur until after his death in 2012. But recently, one of his early Austin works, the 1952 headquarters for the teachers union, was acquired by UT. Its now being remodeled and refitted as part of the universitys community engagement programsin a way, taking Chases architectural journey full circle. Theres also a John S. Chase scholarship fund at UT for promising Black students, particularly those with an interest in architecture. And now, at long last, theres a UT Press book honoring his legacy and his home.

As his clientele and family expanded into the 1960s, so did the Chase residence. The Chases welcomed their third child, Saundria, to the family. In 1968, when she was six, he began a renovation and simultaneously enclosed the atrium to create a vast two-story gathering space for a whos-who of famous friends and clients, including the late Congressman Mickey Leland, actor Gregory Peck who was in town for a Democratic fundraiser, and other luminaries like John Connally, then governor of Texas. One iconic photo shows Leland, a regular at the Chase home, lounging in that atrium with Saundria, by then a young adult. The Chase house, always in a state of flux, continued to evolve. This new book, as Fox writes, honors an architect who was part of a larger artistic movement that powerfully imagined, and gave compelling form to, new ways for African Americans to live in the American South, with dignity, assurance and distinctive modern style, too.

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A New Book Celebrates the Work of Architect John S. Chase - The Texas Observer

Talk about an immersive experience.

While countless tales have been told about shipwrecks and sunken treasures over the centuries, Dutch architecture firm ZJA is bringing members of the public closer to the real thing than ever before. The company just unveiled plans for an underwater museum in the Netherlands entitled Docking the Amsterdam which would be built around a genuine 271-year-old sunken vessel. Though the ship originally went under off the coast of Hastings in the U.K., it will be brought (still submerged) to its new home for the project. Once in place, the ship will be held in a massive glass tank where visitors can inspect its 40m-long body from many different angles.

Visiting this venue is like entering a theater that stages the investigation in progress and engages the public with the discoveries the divers and researchers do inside the wreck, reads the projects description. Though this is certainly the case, the nascent museum also has the potential to engage with an even more timely conversation.

The museums exterior will have a domed canopy made from technical fabrics.ZJA

The cargo ship was originally part of the Dutch East India Companys fleet and was returning from its maiden voyage to India when a storm damaged it so badly the captain intentionally beached it. Though the company was a pioneer in trade, students of history are also familiar with its critical role in colonialism and the slave trade which emerged as a result. The firm told Dezeen that, reassessment and discussion are essential in accurately relaying its history.

As far as the museums exterior, current plans call for a domed roof that will enclose the space with technical fabric. This not only allows more natural light to flood the interior but also creates enough room for an elevated walkway where visitors can view the ships remains from above.

The museum does not yet have an official opening date, but ZJA hopes it can begin welcoming guests in 2025.

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A 271-Year-Old Shipwreck Will Become the Center of a New Underwater Museum in Amsterdam - Robb Report

From Archinect's active community of architecture students and professionals, firms, and schools, we have selected five employers with current opportunities for architects, marketing professionals, and interns in New York City/Brooklyn, Los Angeles, and San Francisco. Take a look at these new listings, and visit Archinect Jobs for more open positions.

SPF:architects is a Los Angeles-based architecture and design practice led by Zoltan E. Pali, FAIA and Judit M. Fekete-Pali. They are currently looking forjust filled a position for a highly motivated Marketing Coordinator/Social Media Strategist. Since this job was just filled, you may be interested in these similar opportunities.

Founded in 1993, Architecture Research Office (ARO) is a New York City-based firm with a diverse portfolio of strategic planning, architecture, and urban design projects. This Marketing Coordinator position is available for qualified candidates with 12 years of experience.

Kiss + Cathcart is a Brooklyn-based firm with a decades-spanning dedication to applying environmental principles to architecture, planning, and design. They are seeking aResearch/Sustainability Intern (paid position) with a passion for the environment and design excellence.

Founded by Yale graduate Drew Lang, NYC-based Lang Architecture is a boutique firm with a primary focus on residential projects. They are looking to hire a skilled Project Architectwith 36 years of experience.

With offices in San Francisco, Denver, and Woodstock, Bull Stockwell Allen is an established architecture firm specializing in hospitality, resort, recreation, and workplace projects. Current openings include a Project Architect and a Job Captain at the Bay Area studio.

If you don't already, follow Archinect's Facebook, Twitter, Instagram, Pinterest, and LinkedIn, or the dedicated Archinect Jobs Facebook, Twitter, and Instagram feeds.

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This week's featured hiring firms are SPF:architects, Architecture Research Office, Kiss + Cathcart, Lang Architecture, and Bull Stockwell Allen -...

Architects have warned of the disastrous unintended consequences of a government proposal that would allow high streets and town centres to be converted into housing without planning permission.

The half-baked ideas could do irreversible harm to the commercial hearts of towns and cities up and down the country, they said, and render local authorities powerless to intervene in shaping their districts.

Former RIBA president Ben Derbyshire said the loss of local democratic control was unacceptable at a philosophical level and questioned ministers claim that the proposal would breathe new life into cities. Instead he predicted that footfall would plummet with devastating results.

In a consultation announced this month the government proposed the creation of a new permitted development (PD) right, effectively granting permission for the vast majority of commercial buildings in England to be converted to homes.

The proposed right, which could come in to force as soon as August and does not require primary legislation, would apply even in conservation areas.

It would allow any buildings in the newly created Class E use class to be converted into homes without planning consent.

Class E covers the vast majority of non-residential town centre uses, including offices, shops, restaurants, estate agents, gyms, GP surgeries and nurseries and many more. Only a small number of distinct uses kept outside Class E because of their unique characteristics or community value such as pubs and theatres will be exempt from the new right.

The proposed right is much wider ranging than existing conversion rights, introduced in 2015, which have seen more than 72,000 homes created from former offices and light industrial units. Not only does this extend the right to many more building types restaurants and cafes, clinics and creches for example but the tight size limits imposed on many of the existing rights would be removed.

Until now, for example, while developers have technically had a permitted development right to turn shops and professional services premises into homes, this has only applied to properties smaller than 150sq m.

Now, however, properties of any size can be converted without planning permission meaning the largest shops on the high street could be quickly converted into homes, with no right for the local authority to object.

In order to undertake the conversion, developers will have to meet space standards and ensure the provision of adequate natural light, as well as meet a handful of other tick-box prior approval criteria a response to the growing criticisms of the poor quality and small size of many existing homes created under PD rules.

However, these prior approval criteria will not allow local authorities to object to the conversion on the basis that they want to retain commercial uses in a particular location, or in order to support the delivery of local plan policies around town centres.

The proposal also goes further than previous rights in that it will apply in conservation areas albeit with an additional prior approval criterion added to consider the impact of conversion on the conservation area.

Only a short list of areas including National Parks and Areas of Outstanding Natural Beauty will be exempt from the new right. However, local authorities will have the ability to apply for so-called article 4 directions exempting specific areas from the measures, if they can mount a persuasive case as to why that is necessary. A number of London boroughs, for example, managed to secure similar exemptions from the 2015 office-to-resi rights. And they were enthusiastically deployed by prime minister Boris Johnson when he was mayor of London to protect the capitals commercial heartland.

Local authorities will not be able to object on the basis that they want to retain commercial uses in a particular location, or in order to support local plan policies around town centres

The new proposal is so far-reaching that leading planning barrister Zack Simons, of Landmark Chambers, said it was by far the most radical planning reform of the year, despite the publication of the Planning for the Future white paper in the summer, and the bringing in of a raft of other controversial permitted development rights (such as the right to demolish and rebuild commercial property).

The proposals have been welcomed by some developer lobby groups, including the Home Builders Federation, with Housing Today columnist Paul Smith, of developer Strategic Land Group, writing today that permitted development rightsprovide the ability for our towns and cities to respond quickly to changing circumstances.

However, Holly Lewis, co-founding partner at architect We Made That which has extensive experience of working with local authorities on urban realm strategies, told Building Design: When have you ever walked through a residential area and thought, Wow! This place is buzzing!? Its common sense that uncontrolled switching of high street units into housing threatens the vitality of our town centres.

Opening up high streets to property speculation as a misguided attempt to answer current challenges will only exacerbate the ingrained inequalities that have been so starkly exposed by the pandemic.

Julia Park, head of housing research at architect Levitt Bernsteins, questioned the governments haste.

In a column published today in Housing Today sister publication BD, she writes: It is hard to imagine that the re-purposing of high streets and town centres will ever be reversed so these decisions cannot be taken lightly.

Given the long-term impact that so many of these half-baked ideas will have, local authorities surely deserve time to plan for an orchestrated shrinkage of town centres and high streets, incentivised by favourable business rates for non-residential uses and we deserve a planning process that upholds local democracy.

Ben Derbyshire, chairman of housing specialist HTA Design, warned of the chaotic free-for-all that would ensue.

As everyone knows, including Robert Jenrick, a successful high street has to be curated: ask any of the Great Estates in London, he said. Marylebone High Street prospers because someone really cares about whos there and the shopping experience.

He warned: The amount of activity of high streets would plummet and that has to be really carefully managed and thats before we get to the quality of the accommodation itself.

PD conversions would bring in no section 106 money and councils would also lose business rates, while at the same time facing a potentially higher social services load as a consequence of people living in substandard accommodation. He also questioned how the new homes would be serviced with no space for wheelie bins among other issues.

Derbyshire urged the profession to keep up the criticism until the disastrous unintended consequences have been averted, pointing out that some U-turns on PD rights have already been won by campaigners, such as the requirement for space standards to apply and for habitable rooms to have a window.

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Architects fear latest permitted development expansion will be disastrous - Housing Today

Developers Dream Office REIT and Humbold Properties have revealed a SHoP Architects-designed supertall skyscraper that, if approved, will straddle Torontos entertainment and financial districts and soar 79 stories above one of the citys oldest streets. Described in a press release as a true mixed-use tower with 588 residential rental units, over 10,000 square feet of retail, and 660,000 square feet of office space, the projecttopping off at just over 1,000-feet-tallmarks the New York City-based SHoPs first skyscraper project in Toronto. Canadian firm Adamson Associates is serving as executive architect.

Per the developers, SHoP was selected for the project, to be located at 212 King Street West, due to the firms previous successes in melding historic buildings with wholly contemporary structures. As pointed out in the project reveal, SHoP is responsible for the design of two of only three projects in New York City history to incorporate modern high-rises with existing landmarked buildings: The ultra-slender 111 West 57th Street in Manhattan and 9 Dekalb Avenue, an under-construction residential supertall in downtown Brooklyn thats slated to be the tallest in the borough.

As for 212 King Street West, it will celebrate (read: rise directly above) not one but three iconic, low-rise heritage buildings at the site: 212 (the Union Building), 214 (the Canadian General Electric Building), and 220 (the Nicholls Building) King Street West. According to real estate blog Toronto Storeys, Dream Office REIT owns the Union Building while Humbold owns the Canadian Electric Building. Both companies co-own the Nicholls Building.

We are excited to unveil a design that not only honours our citys rich architectural history but injects new energy into the downtown core, said Robert Singer, vice president of Humbold Properties. We are thrilled to be partnering with Dream to create a new vision for this unique intersection and to carry these buildings legacies on for generations to come.

Noting a sensitive, civic-minded approach to skyscraper design, the announcement went on to elaborate on the interplay between old and new at the intersection of King and Simcoe Streets:

When it came to the existing heritage buildings along King Street, the goal was to be respectful and celebratory, skillfully interlocking the residential and commercial floorplates in a way that sparks a dialogue between the historical and contemporary components of the project. Generous setbacks and recessing of the tower are intended to give the buildings at-grade the space needed to maintain and enhance their presence along King Street.

The centerpiece of the vertical megadevelopment will be a so-called civic-scaled atrium that will serve as a year-round public gathering and event space while also doubling as the main office lobby. Express elevators will provide access to rooftop green spaces atop the base-comprising heritage buildings and, below ground, there will also be a direct connection to PATH, Torontos expansive subterranean network of amenity-lined pedestrian corridors that link its downtown office towers with shopping centers, parking garages, and subway stations.

As noted by Gregg Pasquarelli, founding principal of SHoP, the atrium creates a relationship between indoors and outdoors while establishing a visual connection with Roy Thomson Hall, a concert hall that serves as home to the Toronto Symphony Orchestra, and David Pecaut Square.

We know we have to move forward and innovate, but we need to do so in a way that demonstrates sensitivity and sensibility, and contributes to the life of a city, saidPasquarelli. The soul of the building lies in the intensity of details.

This emphasis on encouraging and expanding civic activity will extend out of the atrium and onto King Street itself thanks to a planned sidewalk-widening effort that will allow for outdoor cafes, greenery, seating, and improved pedestrian circulation.

A virtual meeting in which the public can learn more about the skyline-reshaping development is planned for January 25. And before anything happens, the city, as mentioned, first needs to grant the new 212 King Street West with approval. Its worth noting that Toronto hasnt proven itself to be particularly averse to supertall projects given that there are two superlatively lanky towers, Foster + Partners The One and the Hariri Pontarini Architects-designedSkyTower at Pinnacle One Yonge, currently under construction in the city.

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SHoP Architects unveils a mixed-use supertall tower in Toronto - The Architect's Newspaper

Architect of Lockheed Martin dead at 89

One of the primary architects behind the 1995 merger that created Lockheed Martin has died at age 89.

Daniel Tellep was the CEO of Lockheed Corp. when he and Martin Marietta CEO Norm Augustine began a series of secret meetings over the course of a year that culminated in the merger of the two defense giants, according to a Lockheed Martin release.

He served as CEO of the combined company for nine months, then remained chairman until 1998.

Dan and I had been good friends as well as business competitors for many years, even before the opportunity to create Lockheed Martin appeared, Augustine said in an email sent to Lockheed Martin. He was a superb engineer, a visionary and a quality human being who truly impacted our nation as well as our company. I count myself fortunate to have known Dan and will truly miss him.

Tellep began working for Lockheed in 1955 as a principal scientist in the Missiles & Space Co. subsidiary. Lockheed Martin said one of his proudest moments was being honored with the 1964 Lawrence Sperry award by the American Institute of Aeronautics and Astronautics for his work on re-entry technology and heat transfer.

His family created a tribute page hosted by Lockheed Martin that traces his interest in aeronautics to his childhood when a cousin gave him a model airplane kit in the late 1930s. As an adult, he became a pilot and liked to fly sailplanes. In his later years, he took up painting and writing.

He is survived by four daughters, his first wife, two step daughters from his second marriage, as well as grandchildren and great grandchildren.

Tellep died Thanksgiving morning. The family reported that his final words were: Live beautifully.

Posted by Nick Wakeman on Dec 17, 2020 at 1:53 PM

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Architect of Lockheed Martin dead at 89 - Washington Technology

By: Sebastian Morris 7:30 am on December 17, 2020

Renderings from Bruno Kearney Architects reveal a new TD Bank retail location within the historic Brill Building at 1619 Broadway in Midtown, Manhattan. Located on the corner of West 49th Street, the property was originally constructed around 1931 and was designated a landmark in 2010 for its ornate Art Deco faade. The prominence of the building requires approval of all proposed work by the Landmarks Preservation Commission (LPC).

Despite objections from Community Board Five, the commissioners ruled that the proposed construction will have no adverse effect on the historic faade and has allowed permits to proceed.

The architects presentation to LPC relied heavily on a 2010 precedent, at which time the commissioners issued approvals for the installation of over 9,700 square feet of illuminated retail signage. To date approximately 7,600 square feet of signage has been installed spanning both Broadway and 49th Street elevations thereby obscuring the protected faade.

The proposed retail signage for TD Bank is paltry in scale compared to the behemoth billboards currently on display.

Renderings of TD Bank signage at 1619 Broadway Bruno Kearney Architects

Illustration of previously approved signage at 1619 Broadway circa 2014- Marvel Architects

Rendering of previously approved signage at 1619 Broadway circa 2014- Marvel Architects

Additional construction includes the installation of two double-door glass entrances into the bank, the removal of existing glass lights to accommodate TD Bank signage, a new fixed aluminum louver, and an internally illuminated TD Bank logo that will be viewable along 49th Street.

The project team has not announced an anticipated construction date for the new TD Bank.

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Renderings Reveal Commercial Renovation to the Brill Building at 1619 Broadway in Midtown - New York YIMBY