Home Builder Developer - Interior Renovation and Design

Analysis of the Global Remote Control Smart Lighting Market

The report on the global Remote Control Smart Lighting market reveals that the market is expected to grow at a CAGR of ~XX% during the considered forecast period (2019-2029) and estimated to reach a value of ~US$XX by the end of 2029. The latest report is a valuable tool for stakeholders, established market players, emerging players, and other entities to devise effective strategies to combat the impact of COVID-19

Further, by leveraging the insights enclosed in the report, market players can devise concise, impactful, and highly effective growth strategies to solidify their position in the Remote Control Smart Lighting market.

Research on the Remote Control Smart Lighting Market Addresses the Following Queries

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Competitive Landscape

The competitive landscape section offers valuable insights related to the business prospects of leading market players operating in the Remote Control Smart Lighting market. The market share, product portfolio, pricing strategy, and growth strategies adopted by each market player is included in the report. The major steps taken by key players to address the business challenges put forward by the novel COVID-19 pandemic is discussed in the report.

Regional Landscape

The regional landscape section provides a deep understanding of the regulatory framework, current market trends, opportunities, and challenges faced by market players in each regional market. The various regions covered in the report include:

End-User Assessment

The report bifurcates the Remote Control Smart Lighting market based on different end users. The supply-demand ratio and consumption volume of each end-user is accurately depicted in the report.

Market Segment AnalysisThe research report includes specific segments by Type and by Application. Each type provides information about the production during the forecast period of 2015 to 2026. Application segment also provides consumption during the forecast period of 2015 to 2026. Understanding the segments helps in identifying the importance of different factors that aid the market growth.Segment by TypeBluetooth Remote Control Smart LightingZigBee Remote Control Smart LightingWi-Fi Remote Control Smart LightingOthers

Segment by ApplicationIndoor LightingOutdoor Lighting

Global Remote Control Smart Lighting Market: Regional AnalysisThe report offers in-depth assessment of the growth and other aspects of the Remote Control Smart Lighting market in important regions, including the U.S., Canada, Germany, France, U.K., Italy, Russia, China, Japan, South Korea, Taiwan, Southeast Asia, Mexico, and Brazil, etc. Key regions covered in the report are North America, Europe, Asia-Pacific and Latin America.The report has been curated after observing and studying various factors that determine regional growth such as economic, environmental, social, technological, and political status of the particular region. Analysts have studied the data of revenue, production, and manufacturers of each region. This section analyses region-wise revenue and volume for the forecast period of 2015 to 2026. These analyses will help the reader to understand the potential worth of investment in a particular region.Global Remote Control Smart Lighting Market: Competitive LandscapeThis section of the report identifies various key manufacturers of the market. It helps the reader understand the strategies and collaborations that players are focusing on combat competition in the market. The comprehensive report provides a significant microscopic look at the market. The reader can identify the footprints of the manufacturers by knowing about the global revenue of manufacturers, the global price of manufacturers, and production by manufacturers during the forecast period of 2015 to 2019.The major players in the market include Philips Lighting(Signify), Osram, GE Lighting, Cree, Schneider Electric, LIFX, Acuity Brands, IKEA, Deako, Tvilight, Hubbell Lighting, Digital Lumens, Legrand SA, Honeywell, TP-Link, Yeelight(Xiaomi), etc.

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Essential Findings of the Remote Control Smart Lighting Market Report:

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Coronavirus (COVID-19) Business Impact Remote Control Smart Lighting Market Industry Analysis, Trend and Growth, 2019-2028 - News Distinct

In 2018, the market size of Intelligent Fire Emergency Lighting and Evacuation Indication System Market is million US$ and it will reach million US$ in 2025, growing at a CAGR of from 2018; while in China, the market size is valued at xx million US$ and will increase to xx million US$ in 2025, with a CAGR of xx% during forecast period.

The report on the Intelligent Fire Emergency Lighting and Evacuation Indication System market provides a birds eye view of the current proceeding within the Intelligent Fire Emergency Lighting and Evacuation Indication System market. Further, the report also takes into account the impact of the novel COVID-19 pandemic on the Intelligent Fire Emergency Lighting and Evacuation Indication System market and offers a clear assessment of the projected market fluctuations during the forecast period. The different factors that are likely to impact the overall dynamics of the Intelligent Fire Emergency Lighting and Evacuation Indication System market over the forecast period (2019-2029) including the current trends, growth opportunities, restraining factors, and more are discussed in detail in the market study.

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This study presents the Intelligent Fire Emergency Lighting and Evacuation Indication System Market production, revenue, market share and growth rate for each key company, and also covers the breakdown data (production, consumption, revenue and market share) by regions, type and applications. Intelligent Fire Emergency Lighting and Evacuation Indication System history breakdown data from 2014 to 2018, and forecast to 2025.

For top companies in United States, European Union and China, this report investigates and analyzes the production, value, price, market share and growth rate for the top manufacturers, key data from 2014 to 2018.

In global Intelligent Fire Emergency Lighting and Evacuation Indication System market, the following companies are covered:

Market Segment AnalysisThe research report includes specific segments by Type and by Application. This study provides information about the sales and revenue during the historic and forecasted period of 2015 to 2026. Understanding the segments helps in identifying the importance of different factors that aid the market growth.Segment by Type, the Intelligent Fire Emergency Lighting and Evacuation Indication System market is segmented intoCentralized control typeNon-centralized control type

Segment by ApplicationFire TunnelIndoor

Global Intelligent Fire Emergency Lighting and Evacuation Indication System Market: Regional AnalysisThe Intelligent Fire Emergency Lighting and Evacuation Indication System market is analysed and market size information is provided by regions (countries). The report includes country-wise and region-wise market size for the period 2015-2026. It also includes market size and forecast by Type and by Application segment in terms of sales and revenue for the period 2015-2026.The key regions covered in the Intelligent Fire Emergency Lighting and Evacuation Indication System market report are:North AmericaU.S.CanadaEuropeGermanyFranceU.K.ItalyRussiaAsia-PacificChinaJapanSouth KoreaIndiaAustraliaTaiwanIndonesiaThailandMalaysiaPhilippinesVietnamLatin AmericaMexicoBrazilArgentinaMiddle East & AfricaTurkeySaudi ArabiaU.A.EGlobal Intelligent Fire Emergency Lighting and Evacuation Indication System Market: Competitive AnalysisThis section of the report identifies various key manufacturers of the market. It helps the reader understand the strategies and collaborations that players are focusing on combat competition in the market. The comprehensive report provides a significant microscopic look at the market. The reader can identify the footprints of the manufacturers by knowing about the global revenue of manufacturers, the global price of manufacturers, and sales by manufacturers during the forecast period of 2015 to 2019.The major players in global Intelligent Fire Emergency Lighting and Evacuation Indication System market include:TigerFire(Guangzhou) Lighting TechnologyhenZhen Hocen Emergency LightingGUANGDONG DP COLoseZFEMPNDP

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The content of the study subjects, includes a total of 15 chapters:

Chapter 1, to describe Intelligent Fire Emergency Lighting and Evacuation Indication System product scope, market overview, market opportunities, market driving force and market risks.

Chapter 2, to profile the top manufacturers of Intelligent Fire Emergency Lighting and Evacuation Indication System , with price, sales, revenue and global market share of Intelligent Fire Emergency Lighting and Evacuation Indication System in 2017 and 2018.

Chapter 3, the Intelligent Fire Emergency Lighting and Evacuation Indication System competitive situation, sales, revenue and global market share of top manufacturers are analyzed emphatically by landscape contrast.

Chapter 4, the Intelligent Fire Emergency Lighting and Evacuation Indication System breakdown data are shown at the regional level, to show the sales, revenue and growth by regions, from 2014 to 2018.

Chapter 5, 6, 7, 8 and 9, to break the sales data at the country level, with sales, revenue and market share for key countries in the world, from 2014 to 2018.

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Chapter 10 and 11, to segment the sales by type and application, with sales market share and growth rate by type, application, from 2014 to 2018.

Chapter 12, Intelligent Fire Emergency Lighting and Evacuation Indication System market forecast, by regions, type and application, with sales and revenue, from 2018 to 2024.

Chapter 13, 14 and 15, to describe Intelligent Fire Emergency Lighting and Evacuation Indication System sales channel, distributors, customers, research findings and conclusion, appendix and data source.

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Weekly Update: Global Coronavirus Impact and Implications on Intelligent Fire Emergency Lighting and Evacuation Indication System Market 2020- Global...

NOTE FOR 2020 READERS: This is the eleventh in a series of open letters to the next century, now just 80 years away. The series asks: What will the world look like at the other end of our kids' lives?

Dear 22nd Century,

For all the pain, grief and economic hardship the 2020 coronavirus pandemic has sown, a handful of green shoots seem to have taken root in its blighted soil.

Green being the operative word, because many of these developments could be a net positive for the planet. In lockdown, many of us are seeing what our cities look like without smog. Office workers are experiencing office life without the office; just last week, Twitter announced that most of its employees could work from home forever, while much of Manhattan is reportedly freaking out about what could happen to commercial real estate. Thousands of companies just discovered they can still function, and maybe even function better, when they dont chain employees to desks or force them to make a soul-crushing, carbon-spewing commute 10 times a week.

And what do more people do when theyre spending more time at home? Well, if youre like my wife, you start literally planting green shoots. Our house is filling up with them as I write this: lettuce, chard, tomatoes, basil, strawberries, to name the first five shoots poking out of dozens of mason jars now taking up residence on every windowsill. Shes hardly alone; garden centers and seed delivery services are reporting as much as 10 times more sales since the pandemic began. Even the mighty Wal-Mart has sold out of seeds. Ifviral Facebook postsand Instagram hashtags are any guide, pandemic hipsters have moved on from once-fashionable sourdough starters to growing fresh fruit and veg.

Another one of our cyclical back to the land movements seems to be underway, just like during the 1960s and the Great Depression before that. Only this time, we dont need land. We dont need soil. We dont need pesticide of any kind. We dont even need natural light. Thanks to giant leaps forward in the science of hydroponics and LED lighting, even people in windowless, gardenless apartments can participate in the revolution. With a number of high-tech consumer products on the way, the process can be automated for those of us without green thumbs.

In previous letters Ive discussed the inevitable rise of alternative meat, a process that has been acceleratedby the pandemic. I talked about the smaller, more nutritious plant-based meals we're going to need for life extension; I assumed such meals would be delivered by drone. But now I see a future with no food deserts, in which every home is filled with rotating space-station-like hydroponics run by artificial intelligence a cornucopia of push-button farming providing the side salad to your plant-based meat.

Even if you dont grow your own, robot-run vertical farms and community agrihoods, now springing up everywhere, will make amazing-tasting produce abundant and cheap. The locavores of our era like to boast about their 100-mile diet. Yours will look more like a 100-yard diet.

Its worth remembering that it wasnt supposed to be this way. The 2020s, in fact, is when we were slated for starvation, food riots, and big business quietly processing our corpses into food.

Thats the plot of the 1973 movie Soylent Green, set in the year 2022. Fruit and veg have all but vanished. In one scene, Charlton Heston's detective hero smuggles home a single tomato and a wilted stick of celery, enough to reduce his roommate Sol (Edward G. Robinson) to tears. On the other end of the future, in a lighter but equally depressing vein, the 2006 comedy Idiocracy showed the Americans of 2500 running out of crops because they couldnt figure out that water, not "Brawndo" (a spoof on colorful sports drinks), is what plants crave.

But these dismal future visions are receding thanks to the science of hydroponics which dates back to the 19th century, no matter its present-day association with growing marijuana. By the 1930s, wed figured out that what plants crave is surprisingly minimal: nitrogen, a handful of minerals, something to anchor the roots like rock wool or coconut husks, and H2O. Early hydroponic farms helped feed U.S. soldiers as they hopped through the Pacific during World War II.

Minimalist methods multiplied, and are still multiplying. Were tweaking the spectrum of LED lights for maximum growth, and figuring out ways to use progressively less water and nutrients. My wifes mason jar seedlings use something called the Kratky method, where you don't even need to change the water. It turns out this method wasinvented by a Hawaiian scientist as recently as 2009. And its the closest science has yet given us to a free lunch.

Im nowhere near as excited by hydroponics as my wife is. But during our quarantine time, even my head has been turned by the Rotofarm, which Ive come to think of as the iPhone of gardening. Its a beautiful device inspired by NASA research on growing plants in space. It uses anti-gravity literally, when the wheel rotates around its LED light source and the plants are hanging upside down to grow plants faster. A magnetic cover reduces the glare and increases the internal humidity. You manage it via an app.

Humankinds oldest technology turns out to be the most efficient use of space for growing plants; even in this 15-inch-wide wheel, you can really pack them in. At the bottom of the wheel, plants dip their roots into the water and nutrient tanks. An owners only job is to refill the tanks every week or so, and to snip off their dinner with scissors a few weeks after germination. Some leafy greens, like my favorite salad base arugula, can be regrown without replanting.

Still, to be fully self-sufficient, a future apartment is going to need to have multiple Rotofarm-style devices on the go at once but theyre designed to live anywhere you can plug in, on coffee tables, on desks, on walls, as eye-catching as artwork.

The main problem with the Rotofarm: It isnt actually on sale yet. It feels like weve done everything in reverse, Rotofarm creator Toby Farmer said when I reached him via video chat from his home in Melbourne. Weve got the patents, weve got the design awards, weve got the customers. Now we need to finish the prototypes. (One key tweak: reducing Rotofarms energy requirements, which as it stands could double many users household electricity bills.)

Still, orders have come from as far afield as Japan and the Netherlands, from retailers and regular users alike. Farmers biggest regret: When Ron Howards production company called, hoping to use eight Rotofarms in an upcoming Nickelodeon show set in space, Farmer didnt have enough to spare.

Rotofarm has been in the works for a few years, but acrowdfunded Indiegogocampaign that closed last month exceeded its $15,000 goal by a third of a million dollars. Farmer, despite his name, had no experience in this area; just 23 years old, he had been a web designer since the age of 12. But hes scaling up fast, hiring teams in LA and Singapore, soaking up their knowledge (he was keen to assure me hed hired a lot of 40-somethings for this very reason).

After a projected 2021 release date, Rotofarms business model involves making money on proprietary seed pods though Farmer admits that theres a DIY aspect where customers can make their own. His hope is that official Rotofarm pods will be competitive because theyll have fewer germination failures, but he'd rather see a world where more people own the device itself. In that spirit, hes making it modular the LED light bar can be upgraded separately, for example, rather than making customers buy a whole new device. (As for cost, Farmer says he can't comment yet though Indiegogo backers were able to secure one for $900 a pop.)

Might the Rotofarm fail? Of course, just like any other crowdfunded project. Much depends on its price point, as yet unannounced. But its far from the only next-level, set-it-and-forget-it hydroponic station taking aim at your kitchen. Theres a Canadian Kickstarter called OGarden that also grows food on a wheel, albeit a much larger wheel. The OGarden was funded in its first six minutes online and is set to cost around $1,000 per unit. Theres Farmshelf, a $4,900 pre-order hydroponic device that looks like a see-through refrigerator, backed by celebrity chef Jose Andres. Users will pay a $35 monthly subscription to get all the seeds they need.

One of these models is the future; maybe all of them are. Right now, these are high-end devices aimed at early adopters (and restaurants, which get a lot of benefit out of showing off how fresh their produce is as customers walk in). But with scale, with time, and with the growing desire for grow-your-own food that Rotofarm and its brethren have revealed, they will get cheaper and more widespread.

After all, the first Motorola cellphone, in 1983, cost $4,000. It looked like a brick and had 30 minutes of talk time. Now sleek, supercomputer-driven smartphones are accessible to pretty much everyone. The same process will happen in home hydroponics.

Give it 80 years, and I can see apartments with built in hydroponic farms provided as a standard utility, much as a fridge is seen as a standard feature today. As more humans move to urban environments two out of every three people will be in cities by 2050, according to the latest UN estimate the need for such devices will only grow.

We strongly believe the future of gardening is indoor gardening and more individual gardens, OGarden CEO Pierre Nibart told us last year. Stopping mass agriculture and starting to produce their own little stuff at home. He said this while demonstrating his family's daily OGarden routine: His kids harvest most of what they need for dinner from the spinning wheel.

Mass agriculture hasnt exactly covered itself in glory where produce is concerned. And in the post-coronavirus age, we are surely going to become less tolerant of the disease its intensive farming methods have caused.

Food poisoning caused by romaine lettuce, which makes up a quarter of all leafy greens sold in the U.S., has become depressingly familiar. The 2018 E coli outbreak was the worst it sickened 240 people in 37 states, hospitalized almost half of them, and killed five. But the CDC has logged 46 E coli outbreaks since 2006, and says that every reported case of infection is likely matched by 26 unreported ones. And theyre only just starting to figure out the most likely cause: groundwater contaminated by nearby cattle manure. There could also be infection from passing birds, another major vector of bacteria.

Never mind the wet markets of Wuhan that likely caused the coronavirus pandemic. Were already sickening ourselves on the regular with a problem that is baked directly into our food system and its affecting vegans as much as meat eaters.

I have no doubt youll look at our barbaric farming methods and shake your heads. Why did they use so much water? Why did they transport produce an average of 1,500 miles? Why did they grow it outdoors, where its vulnerable to pests, and then use pesticides that had to be washed off? Why did they think triple washing did anything to remove bacteria (it doesnt)? Why did they bother using soil, for goodness sake? Didnt they know what plants crave?

The force of legacy agriculture is strong, but an increasing number of companies are figuring out a better way: the vertical farm, so named because they can stack hydroponic produce in shelves or towers. As I write this, there are more than 20 vertical farm operations being constructed and tested around the country. They use around 90 percent less water than regular soil farms, can grow roughly 10 times more food per acre than regular soil farms, and using precision software they can harvest their produce 30 percent faster than regular soil farms.

Sure, theyre spending more on electricity, but theyre also spending nothing on pesticide. The economics seem irresistible.

Last year, less than 20 miles from where I write this, in highly urbanized South San Francisco, a company called Plenty unveiled its flagship operation, a vast vertical farm named Tigris. Its sheer scale invites the correct usage of Californias favorite word, awesome. Tigris can grow a million plants at once, harvesting 200 of them every minute. With $226 million in funding, Plenty says it has already farmed 700 varieties of produce. Right now, the cost to consumers is comparable to non-hydroponic products (I can get their baby arugula at my nearest Safeway for a dollar an ounce); in the long run, it should be cheaper.

And they are far from the only success story. A Chinese startup, Alesca Life, is turning disused parking lots into vertical farms as well as selling plug-and-play shipping container farms. Back in Silicon Valley, a company called Iron Ox is developing robot arms for indoor farmwork. The future looks green, and bountiful, and mostly automated (which is yet another reason youre going to need Universal Basic Income).

Which is not to say that outdoor agriculture is going away completely; its just going to shrink to the size of a community garden. Thats the basis of new urban developments called agrihoods, or multihome communities centered around a professionally managed farm; a just-published book called Welcome to the Agrihoodrepresents their first directory.

Rooftop organic farms, urban allotments: These are places where city dwellers can connect to the land and feel the satisfaction of nurturing their seeds from scratch. Soil may not be necessary to feed us, but sometimes its good to feel the dirt in your fingers. Similarly, farmer's markets are unlikely to go away. In a world where grocery stores are increasingly becoming delivery centers for services like Instacart, there will still be value in meeting and buying direct from the growers of high-end produce.

With big agribusiness heading indoors, with our apartments growing much of what we need and vertical farms providing backup in every city, well also be able to let most of our present-day farmland go fallow. That in itself should take care of a chunk of climate change, considering the amount of carbon-soaking vegetation that springs up on fallow land. Lab-grown and plant-made meat will remove the need for those disease-ridden feedlots. Aquaponics, another discipline where the science is expanding by leaps and bounds, may even let us grow our own fish for food, reducing the strain on our overfished oceans.

No doubt it wont be all smooth sailing. No doubt we, as humans, will stumble upon fresh ways to mess up the planet and make life worse. But from where Im sitting, surrounded by soilless germinating jars, the future looks very green and nutritious indeed.

Yours in leafy goodness,

2020

Read the rest here:
The indoor farm revolution - Mashable SE Asia

Iowa Gov. Kim Reynolds added movie theaters, aquariums, museums, wedding venues, and bars to the list of businesses that will soon be allowed to reopen, but FilmScene's doors will stay closed for the time being.

Movie theaters made the list of Iowa businesses included in Iowa Gov. Kim Reynolds Wednesday announcement that will allow more businesses to reopen beginning May 22, but Iowa Citys FilmScene wont be firing up its popcorn machines for movie-goers just yet.

The nonprofit theater announced on their website and social media that FilmScenes locations will remain closed while the theater continues to prepare its facilities and create a plan for reopening.

Todays announcement by Gov. Reynolds that movie theaters would be allowed to reopen is a necessary step towards our eventual reopening. We will continue to monitor public health conditions, film availability, and public confidence to determine the right opening date, FilmScene announced on their website Wednesday.

The theater closed its doors at both its Chauncey and Pedestrian Mall locations on March 16 in order to help mitigate the spread of the novel coronavirus, and has been offering rentals, curbside concession sales, and virtual screenings in order to continue doing business amid the COVID-19 pandemic. The theater stated it will continue to offer these services as it determines a reopening date.

Movie theaters were among several other businesses that will be allowed to open in the coming weeks, including aquariums, museums, wedding venues, and swimming pools for lap swimming and swim lessons only on May 22. Bars will be able open both indoor and outdoor seating at half capacity beginning May 28, and starting June 1, school-sponsored activities including high school baseball and softball seasons will be allowed to resume.

We look forward to lighting up the big screen again when the time is right, FilmScene stated in the announcement.

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Movie theaters get green light from Reynolds to reopen, but FilmScene will remain closed for now - UI The Daily Iowan

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LED Secondary Optic Market 2020: Industry Growth, Competitive Analysis, Future Prospects and Forecast 2027 - AlgosOnline

Dutch commercial photographer Roelof Bos has, like many of us, been looking for a creative outlet ever since his professional work ground to a screeching halt. But while many photographers have opted for in-door projects or porchraits, he wanted to create something more stylistic and striking.

Thus was born Lockdown, a series of poignant twilight portraits of his fellow countrymen (and women) coping with isolation in various ways.

The imagery is highly stylized and symbolic. By shooting at blue hour and compositing multiple shots, hes able to capture photos that feel simultaneously intimate, and symbolic of the dark and lonely times were living through. Each image seeks to tell a complete story in a single frame.

But dont take our word for it. Roelof was kind enough to share his experience in detail, explaining how the project came to be, how it has evolved, and what each individual image represents. Scroll down to hear the story from Bos himself.

Here in the Netherlands we also experienced a sort of lockdown (of course). Not as tight as in other countries, yet it had a serious impact. I was thinking about what other photographers or artists were doing in reaction to this lockdown, and I felt some light urge to do something myself, especially while my workflow had dropped.

But taking family shots at home (porch photography I believe you call it) or portraying care workers for example isnt really my thing too journalistic.

In my daily work as a commercial photographer I most like to work with art-directors who have a great concept, which then can be turned into photographic images by choosing the best location, model, lighting, etc. and when necessary combining several images into one composite. All to achieve an image that tells the story at its best. As a painter more or less.

Recently, while I was walking my dog at twilight, I saw people in their homes with the lights on during the magic moment when the sky is still blue. It struck me that this time of daywhich is known to me (and many photographers) to produce a nice look when day turns into nightwas in fact perfect to show the isolation of people, locked in their homes as seen from the outside.

You could shoot a whole house with its environment in near darkness with just one room lit with a person standing there.

Despite the small seize of the person in relation to the entire image (necessary to emphasize the isolation/loneliness), because of the lighting, your eyes immediately go to this person and thus to the story of the image. The images could be very beautiful while simultaneously tapping into current events, and the dark setting of the images are also symbolic for the dark times of this pandemic.

At first the plan was to just show people in their homes, doing basic things like staying connected on their smartphones with friends. So this was the first one, a daughter of friends in my village:

The result was a composite of the houses at the right time of twilight, the best shot of the girl (different lights in the bathroom were explored) and an added night sky shot of the stars. I also added some fake light pollution for suspense. The light on her face is actually from the phone. No strobe used.

I posted it on my Facebook, mentioning that it was my plan to make it a series and hence the invitation to participate in being a host/model for a new photo. This resulted in two more images, but the rest were arranged by myself.

Sometimes I was triggered just by the house and the location itself, the story then arose together with the model/owner of the house. For instance in this shot:

I used a big light stand as a tripod (height in photo is approximately 4 meters) and off camera strobe with warm filter (1 CTO) in the street for the guy. However, I used the house from a shot without the strobe and added the cat from yet another shot, and added the sky and moon. The whole shoot took only half an hour at most, but it took several hours in Photoshop to make it look like this.

In most images of the series it is a search for the ideal composition as well as finding a balance in the different brightnesses in the images. Often, I had to darken large parts of the image to not let your eyes be distracted by bright parts in the empty spaces. To obtain the right proportions, I sometimes transformed houses or moved or removed elements which were otherwise attracting too much attention.

The more the series evolved, the more the plan for the image was in my head beforehand, soI began searching for people and locations to best suit the idea. And sometimes I met people whose story or situation were already interesting enough to make it a good image.

For instance this man: he loved old wall-maps (used for education purposes). Thats how the idea arose to show someone who longs to travel.

Although you could use the available light from the living room, I did use a strobe indoors, radio-triggered from camera (again with warming filter).

People tend not to be able to stand still for half a second, and I didnt want to raise the ISO too much because most of the times I shot really wide. I wanted to have the ability to crop afterwards (to avoid making the wrong framing decision because I was losing the light) and sometimes the crop was severe. To end up with a messy grainy person is not what you want. The sky was not replaced, but stars were added.

I noticed that people were more into decorating and construction work in their houses, so I added my friend who is just in the middle of expanding his house.

Ironically, as the model in the shot it looks like hes making a lot of hours constructing it by himself, while the whole project is done by a building company. This shot was pretty straightforward, although I used different exposure values for the house to give the black wood some visible structure. Stars and Venus added.

After the first images and the good reactions I got from social mediaI posted on Facebook, Instagram, LinkedIn and TwitterI really got inspired to keep going. At the same time, there were special days coming.

The 27th of April is Kingsday (birthday of the king, all flags in the streets and normally much festivity), and the 4th of May is Memorial Day (victims of WWII, 75 years this year) and Liberation Day (comparable with VE-day I think). So I starting making images especially for these days, to be posted on these very daysimages that would be relevant to both the lockdown situation as well as the day itself and how different people were experiencing them.

For Kingsday, I did this one, with a wife singing the national anthem and a husband who dislikes that and rather enjoys his beer:

For Memorial Day, I asked my wife to play The Last Post, flag is at half-mast to show mourning, and I added a black edge on the image as well. This shot was taken during daytime, partly because I had a different shot planned in the evening, and partly because the Last Post is at 8pm, a time when it is still not twilight.

To emphasize the mourning, I added the dark sky.

Then came Liberation day (VE-day). Now I could add more layers into the story. Celebration of freedom in a time when one is restricted to ones home. My father, who has witnessed WWII as a child, saw the bombers fly over his house. Now he sees pigeons (symbol of freedom) as a squadron flying freely outdoors, while he is stuck at home.

This shot took heavy manipulation. I adapted the house (got rid of window and wall on the left), added a flag, a new sky in the reflection, as well as the pigeons of course. My father is taken from a separate shot with strobe, indoor shots mixed with reflection in windows:

Then there was going to be a Supermoon. This phenomenon is often over-hyped (IMHO) so this shot is a wink to that hype: a boy searching for the moon yet its behind him. The size of moon is also highly overdone by design.

The camera is my own, because while I was hoping for a real telescope with star tracker, I insisted on getting the photo posted on May 7th so there wasnt enough time. In the end, the boy (instead of the dad) was willing to pose, so actually a camera on tripod suits the situation betterits more of an amateur look.

This shot was captured with strobe once again, and I added some red to the sky.

The last image to mention is the reference to the holiday season, camping on your own property. All the images in this series were taken by myself, but to add to the feel of a holiday in beautiful nature I came up with the idea of adding the northern lights as a backdrop for a befriended couple in the camper.

Although I have lots of skies and landscapes in my personal stock, I had no northern lights shots. The dont occur on our latitude, so I would have travel to Norway to shoot it. I could have bought a stock image, or use a creative commons image from Wikimedia, but I would rather make it myself, just for the sake of the fact that the whole series was made by me.

So, instead, I searched for clouds more or less in the shape of these northern light flames and transformed them in post, changing the color and stacking several clouds in different opacities, some with motion blur, to get a sky as shown.

All images were taken with a 50MP full-frame camera (Canon 5DsR), mostly with a EF 16-35mm f/4L lens, except the moon photo, which was taken EF 70-200mm f/4L, and the moon itself, which was shot on with an EF 100-400mm f/4.5-5.6L + 1.4x teleconverter.

When flash is used, it was a Godox AD360 in a softbox, always with a 1 CTO warming filter to imitate tungsten light.

A big thank you to Roelof for sharing these images and the story behind them. To see more of his work and browse the entire Lockdown collection, visit his website or by giving him a follow on Instagram.

Originally posted here:
Striking Twilight Portraits Capture the Loneliness of Lockdown - PetaPixel

Are you still looking to buy or sell a house (or both) thisyear?

While many real estate experts are confident the marketwhich has seen a significant decline in sales and a small month-over-month drop in priceswill recover in the fall, it's hard to say how the pandemic will affect buyers and sellers goingforward.

Real estate brokerage and website Zoocasa also says there were 532 new listings in Mississauga in April and 260 home sales; reflecting a steep 72 per cent year-over-year decline intransactions.

Average home prices in Mississauga grew faster than the regional average at 8 per cent annually, ending April at$832,112.

A closer look at housing types reveals that detached house prices grew 5 per cent year-over-year to $1,168,041, while semi-detached and condo apartments grew 6 per cent to $802,661 and $500,349,respectively.

Here's a look at some of the most (and least) expensive homes inMississauga:

MostAffordable

8 - 3360 The Credit Woodlands

This two-bedroom, two-bathroom condo townhouse (which boasts up to 1,399 square feet of space), sold for $299,000 after being listed for $325,000. The unit features two parking spots, wood floors and a walk-out to a private, fenced-in yard. It also has a finished basement with a tenant renting thespace.

712 - 1110 WaldenCircle

This condo sold for $355,000 after being listed for $349,900. The approximately 699 square foot unit boasts one bedroom, one bathroom, and one parking spot. Located in Clarkson Village, the suite comes with a membership at the Walden Club, which has squash courts, tennis courts, a heated outdoor pool and a partyroom.

119 - 111 Bristol RdE

This one-bedroom, one-bathroom unit sold for $369,900 after being listed for exactly that price. Offering about 599 square feet of space and one parking spot, the end unit also boasts cathedralceilings.

501 - 880 Dundas StW

This relatively rare studio unit sold for $373,000 after being listed for $289,000. Offering one bathroom, two parking spots and about 500 square feet of space, the suite has floor to ceiling windows and the maintenance fees cover allutilities.

312 - 2900 BattlefordRd

This home sold for $375,000 after being listed for $319,000. The unit boasts one bedroom, one bathroom, two parking spots and about 699 square feet of space. It has an open concept living and dining area, and the kitchen has a ceramicbacksplash.

MostExpensive

1570 WatersedgeRd

This custom-built lakefront home sold for $11,999,000 after being listed for $12,888,000. It boasts six bedrooms, eight bathrooms and seven parking spots. Offering over 12,000 square feet of living space, the home features a gourmet kitchen, a formal lounge, a master bedroom with his and hers walk-in closets and a basement with a theatreroom.

1396 CrescentRd

This French country-inspired home sold for $4,130,000 after being listed for $4,349,850. The Lorne Park house boasts six bedrooms, seven bathrooms, eight parking spots and about 11,000 square feet of space. It also offers a second-floor nannysuite.

2060 DicksonRd

This 10,000 square foot Gordon Woods home sold for $3,975,000 after being listed for $4,099,000. The home offers five bedrooms, seven bathrooms, 10 parking spaces and a large 75 x 442 "Muskoka-like" lot. The house boasts an in-ground saltwater pool, a hot tub and acabana.

1430 BirchviewDr

This Lorne Park home sold for $3,228,000 after being listed for $3,499,800. It offers five bedrooms, five bathrooms, and eight parking spots. It also boasts a gourmet kitchen with granite countertops, wood flooring on the main and upper levels and a walk-out to a coveredterrace.

181 KenollieAve

This Mineola West home sold for $3,020,000 after being listed for $3,298,000. It boasts five bedrooms, six bathrooms, about 7,300 square feet of space and eight parking spaces. The home is set on a large private lot at the end of a quietstreet.

More:
PHOTOS: The most--and least--affordable houses that recently changed hands in Mississauga - insauga.com

Blaine Noland Construction has moved to a new location on Third Street, and has also begun building new, custom residential homes

Blaine Noland Construction and Painting has moved to a new location.

Blaine Noland moved his office in November 2019 to 896 NE Third in Prineville, a site formerly occupied by Jay Porter CPA. Noland's construction skills are evident throughout Crook County, including the remodel of Club Pioneer, the paint job on the Associates Real Estate building, several new shop constructions and countless paint jobs and remodels. In addition, Noland also builds custom, new residential stick-built homes.

Noland said that he remodeled the Stafford Inn (now Country Inn and Suites), which included 60 rooms and 10,000 square feet of tile. He has remodeled a number of offices in Prineville as well.

Noland provides services as a general contractor in construction remodeling and additions, interior and exterior painting for both residential and commercial jobs, and handyman work. Recently, Noland has added residential construction.

"I started off just myself, and then I brought on a painter," Noland indicated of his beginnings as a contractor.

He started his business six years ago. Prior to beginning his own business, he worked for his father doing construction. They were partners for four years. Noland grew up around construction. His first remodel was the "Roundup" building on Northeast Harwood Street.

"I was scared to death and got my license and was on my own, and next thing I knew I needed employees."

Noland has expanded to the current level of 15 employees. His wife, Ali, works in the office. He has resolved to not have partners in his business.

"I am here in a wonderful new location, and I have great employees, great painting side, handyman and construction side," Noland exclaimed of his current location.

He indicated that their business does 300 to 400 estimates for jobs per year, and lands about 250 jobs per year.

"It ranges from a 20-minute fix-it to building houses," he noted. "I build my own spec houses."

He also started flipping houses approximately three years ago. Since then, he has done a number of houses. He added that when he began doing new constructions, he started with custom shops and that has grown to building custom residences.

Noland did his first custom shop in Powell Butte about four years ago. Since that time, he has built several similar custom shops, which include apartments.

"My motto is, we have moved a few times. However, we are not moving out of town. We are just moving on up," he said.

Noland also supports Crook County sports and he supports sponsorships in Prineville. His company does an annual paint give-away. He also donated the labor and paint for the CC signs on the hill on the south side of Crook County High School.

He commented that he specializes in designing spaces and helping people reconstruct spaces.

"I just love doing that," Noland said. "That is definitely what I specialize in; helping people understand their space and understanding how to fix something anything."

Sidebar

Blaine Noland Construction and Painting

Owner: Blaine Noland

Business Address: 896 NE Third St., Prineville 97754

Phone: 541-233-9619

Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Hours: Monday through Friday: 8:30 to 4:30 (lunch 11 a.m. to 1:00 p.m.)

Call for free estimates

You count on us to stay informed and we depend on you to fund our efforts.Quality local journalism takes time and money. Please support us to protect the future of community journalism.

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Expanding business in a new location - Pamplin Media Group

Some architects design monuments, even entire cities. Others build custom homes for private clients. One requires assistants, political acumen, lots of money. The other can require an extra dose of empathy and patience when dealing with finicky clients and lots of money, too.

Norm Applebaum focused on private residences.

My clients become my family, he once said. Their homes, and the architecture I create for them, are my children. They can never be duplicated, and the bond we share lasts a lifetime.

Applebaum designed and remodeled dozens of homes in more than 50 years and gave names to some of them, like Wings in Escondido and Sun Catch in Rancho Santa Fe. And unlike some architects who become frustrated with finicky clients, he befriended his clients for life.

Applebaum, a Chicago native and San Diego resident since the late 1960s, died March 25 of leukemia. He was 80.

He was a passionate guy, said his widow, Barbara Roper. He loved everything with depth.

Keith York, founder and curator of the Modern San Diego website on local architecture, said Appleton was one of those weird, unique bridges to the past to San Diegos post-World War II generation of architects who started their careers in the 1940s and 50s.

A member of the San Diego chapter of the American Institute of Architects since 1974, Applebaum received its highest honor in 2018, the Robert Mosher Lifetime Achievement Award.

His abilities and passion as an architect, artist and master craftsman are impressive, and they are readily reflected in his work, the citation read.

Norman Martin Applebaum was born in Chicago on Dec. 28, 1939, and moved with his family five years later to Los Angeles, where his mother was a mezzo-soprano and his father, a violinist.

Norm took up the trombone and studied at the Los Angeles Music Conservatory. He played jazz with the likes of Stan Kenton, Dick Shearer and Peter Sprague.

My background as a musician strengthens my creative process, he once said, and as a jazz musician, more so, because of improvisation.

Applebaum attended the Merchandising Institute in Los Angeles and took an aptitude test at LA City College to see if he was suited to be an architect. The test didnt say so, but he ignored the results and earned an architectural degree in 1968 from Arizona State University. He soon moved to San Diego, worked for several firms before earning his architectural license and started his one-man firm in 1972.

All my homes are done artistically, Applebaum said. I dont do any development or tract work or spec work. All my individual custom homes are art.

Applebaum took his cues from Southern Californias pre-World War II architectural heritage, drawing on both its Hispanic traditions and contemporary styles.

It began in the 1930s, he told The San Diego Unions architecture critic Kay Kaiser in 1984. So we should keep using it, whatever the contemporary ideas may be.

Roper, Applebaums third wife, said contemporary styles went only so far with her husband.

He hated the downtown area with all the Vancouver-like buildings with all the balconies, she said.

Applebaum never wanted to visit the Timken Museum of Art in Balboa Park, home of many Old Masters, she said, because the 1960s modern building clashes with the Spanish Colonial revival buildings around it.

One of Applebaums biggest and most contemporary homes was what he called Sun Catch, the Rancho Santa Fe residence completed in 2006 for investment company executive Charles Brandes and his wife Tanya.

Among its many features are 27-inch-thick steel beams, covered in wood, that extend the roof as much as 85 feet beyond the walls and act like sun catchers.

When you start defying gravity, you create a mystique, Applebaum told a Union-Tribune interviewer at the time. (People will wonder) how did he do it.

One of Applebaums many clients who became a devoted friend was Richard Matheron, a retired U.S. ambassador to several African countries. In 1988 Applebaum designed a home he called Wings, overlooking the San Diego Zoos Safari Park, and a replacement when it was lost in the 2007 Witch Creek-Guejito Fire.

He was my best male friend over the years, Matheron said. He used to say frequently that he must have done something right if clients continue to invite him back to dinner.

Applebaum would typically interview clients about their goals for a new or remodeled home and then build intricate models out of corrugated cardboard that were works of art in themselves.

Both Kay (his late wife) and I always enjoyed the process, Matheron said. We never felt we were in a hurry.

When the first house was lost, Applebaum met the couple shortly afterward and began planning a replacement, this time with photovoltaic cells and other sustainable architectural features.

The first house had much of a zen quality, he said. This house is, in a way, more monumental. The fireplace is massive.

In recent years Applebaum joined Matheron and other buddies at the AMC Mira Mesa multiplexs live simulcasts of New York Metropolitan Opera productions. They then would walk to Mimis Cafe for lunch. Applebaum insisted that Matheron order the French pot roast.

Youll want that, Applebaum said, but Matheron judged it Frenchish not French. It became a running joke.

Roper said Applebaum did not travel in San Diego society circles, where architects sometimes find their best clients.

He was hungry for work at times but he never complained about it, she said.

Roper said Applebaum arranged to have his drawings and other works donated to the UC Santa Barbara Art, Design & Architecture Museum with more than 275 collections include papers and drawings by leading California architects.

Norm said hes in good company, she said.

Besides Roper, Applebaum is survived by his two sons, Anthony and Jeffrey, who both live in San Diego, and five grandchildren. The family requests friends make donations in his memory to the San Diego Blood Bank or a charity of their choice.

Roger Showley, a freelance writer, can be reached at rmshowley@yahoo.com and (619) 787-5714.

Read more here:
Norm Applebaum, architect as friend and artist, 80 - The San Diego Union-Tribune

The Commonwealth of Massachusetts will now be micro-managing everything in your life, including your health and your job, and what could possibly go wrong, comrade?

After all, this is the same state government that has done such an incredible job regulating the states nursing homes that only 3,574 of MAs 5,862 deaths have occurred in them.

Its the same state government that presided over the fiasco at the New England Compounding Center in Framingham, which due to state governments complete incompetence was allowed to kill at least 64 people.

Its the same state government that manages the Department of Children & Families, which didnt turn over 118 cases of sexual abuse of children to law enforcement because they didnt think it was particularly significant.

They also run the MBTA.

Not to mention the very honest Massachusetts State Police, with too many scandals to even list, and where embezzlers are allowed to continue collecting $100,000-a-year state pensions.

These same state bureaucrats who now imperiously order you around like a dog also run the Registry of Motor Vehicles, which killed seven people in New Hampshire last year when the hacks couldnt be bothered pulling the license of a foreign career criminal.

Lets check in with Lt. Gov. Karyn Pay to Play Polito as she explains the phase-in process to being the process of phasing in the phase-ins, after the meeting to plan the next phase-in meeting.

We have established a new restaurant accommodations and tourism work group consisting of industry representatives and municipal leaders that we will continue to have discussions with to help us determine the industry-specific protocols for meeting our safety standards. This group will help us shape the guidance that will allow these industries to reopen and when the data allows for it they will do so safely and in within mind the need to continue to fight the virus.

That would be the COVID-19 virus, or as its now known, the COVID-1984 virus.

So far its killed exactly 76 Massachusetts residents under the age of 50. If you are a woman under 30, you have a better chance of being allegedly assaulted by Gov. Charlie Parkers son on a commercial airliner than you do of getting sick, let alone dying from, COVID-1984.

By the way, many of the Reichs draconian requirements will be policed by the Department of Public Health. Which is very reassuring this would be the same DPH with the state labs in Jamaica Plain and Amherst where for a decade chemists were either fabricating or ingesting evidence in drug cases, leading to the tossing of 38,000 criminal convictions.

You read that right 38,000. And now your business will be answering to that very same DPH.

Can you imagine just how corrupt this entire reopening scam is going to be? Think marijuana licenses in Fall River. Or building permits in Boston. Or selling jobs in the Probation department. Or MSP overtime at Logan or the Mass Pike. Then multiply by 100, or maybe 1,000.

If I were U.S. Attorney Andrew Lelling, I would be impaneling a federal grand jury right now on spec. This is going to be like shooting fish in a barrel.

Just tell us all how much is it going to cost me to get you greedy hacks off my back?

We already know that if you pay off the right people, you can open up, its as simple as that. Look at the golf courses. They hired a lobbyist and fore! Or you can sue look at the gun shops, and the churches. But courts are unpredictable, so its easier to, uh, retain the right person and somehow you are Open for Business.

Just do the right thing, as we say in the hackerama, and let the good times roll. Who did the marijuana shops use as their lobbyist?

Now more than ever, the three rules of life at the State House will apply: Nothing on the level, everything is a deal, no deal too small.

Do you remember how King George IIIs government was described in the Declaration of Independence?

He has erected a multitude of new offices, and sent hither swarms of officers to harass our people and eat out their substance.

If that doesnt describe the m.o. of these power-mad little petty tyrants, what does?

Lets face it, New England is now the modern Warsaw Pact. All six states are behind an Iron Curtain. In the old Eastern bloc, some dictatorships were less onerous than others. After all, theres only so far you can take this gag when you have only 53 fatalities (Vermont) or 70 (Maine). Not that they dont try.

But I think that after Mondays press conference, its pretty clear which Warsaw Pact nation Tall Deval and Pay to Play are aiming to turn Massachusetts into East Germany, the most oppressive of em all.

Thats why they keep talking about sectors just like in Cold War Berlin. And theres only one way out of Massachusetts now. You have to get through Checkpoint Charlie.

Continue reading here:
Howie Carr: Welcome to the commonwealth of micro-managing - Boston Herald