Home Builder Developer - Interior Renovation and Design

Half Price Paving companyare Driveways andPatios specialists in Kent. We lay driveway paving and patio paving using block paving, slabs etc. in Kent including Ashford, Broadstairs, Canterbury, Chatham, Deal, Dover, Faversham, Folkestone, Gillingham, Herne Bay, Hythe, Maidstone, Margate, New Romney, Ramsgate, Rochester, Sandwich, Sevenoaks, Sittingbourne, Whitstable...and beyond. - Free design consultation regarding patterns, styles, shapes + driveway and patios colours. - Driveways, patios, block paving, walls, steps, pathways, fencing, turf and top soil. - Clean, seal, lacquer and re-sand all types of paving. SALE NOW ONALL PAVING HALF PRICE FROM 120M2NOW60M2 50% OFFLACQUER PRICES AT JUST 4M2 Half Price Pavingcompany are specialists in driveway paving and patio paving in Kent. See some examples of ourpatio anddriveway block paving work. We are a well-established company with public liability insurance and many years experience in block paving and cover all types of driveway paving, patio paving and walling for residential properties and businesses.

All work is carried out by our own employees, not sub-contractors, ensuring quality control throughout. We offer friendly advice and will assist you in making important decisions such as design versus cost.

Half Price Paving are contractors for patios and driveways in Kent.

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Awesome European Cut Diamond Ring (Indoor Lighting

By: OpheliaGrace

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Awesome European Cut Diamond Ring (Indoor Lighting - Video

The Versatile 60cm sized square LED Panel Lights Now Generate Up to 3950 Lumens Using Only 44 watts

Taipei, Taiwan -- GlacialLight, the lighting division of GlacialTech Inc., announces the latest addition to its commercial lighting products - the Pollux GL-PL0606-V2 series - is the new thinner, lighter and even more energy efficient version of the versatile LED Panel Light. The Pollux series of Panel Lights offers smooth, even illumination across entire lighting panel. The new 60cm sized GL-PL0606-V2 offers 3 color temperatures options, enhances performance up to 90 lumens per watt, and adds additional mounting options as well as 3-in-1 dimming, making these Panel Lights even more energy efficient and versatile.

Better Quality Light Compared to traditional fluorescent office lighting, the new Pollux GL-PL0606-V2 offers much better quality, even lighting across its entire lighting surface. The PL0606-V2 produces flicker free light even with AC current thanks to its advanced two-stage LED driver with active PFC. The panel light can come in Warm White (3000K), Neutral White (4000K), or Cool White (5700K) color temperatures to suit various office environments.

Versatile Installation The GL-PL0606-V2 is now thinner and lighter making it even easier to mount, and new installation options add versatility to this indoor lighting fixture. Recessed (595mm or 600mm with spacer), surface mount, ceiling mount, suspension cable, and clip-on mounting (615mm) options are all available, making it a snap to use the GL-PL0606-V2 as architectural lighting in new buildings, to supplement or replace existing commercial lighting such as fluorescent tube lights or louver lights.

Environmentally Friendly and Safe The Pollux GL-PL0606-V2 is RoHS compliant, uses no mercury in its construction, and emits no harmful UV or IR radiation. The bundled LED driver has OTP, OVP and SCP protection for superior electrical safety. With high energy efficiency and a long lifespan of 30,000 hours, it presents an environmentally friendly alternative to traditional fluorescent office lighting.

Features: High system efficacy up to 90 lm/W. Recessed, surface mount, ceiling mount, suspension cable, and Clip-on mounting options are all available. Elegant structure, slim and light design. 3 optional color temperatures and 3 sizes available. Optional dimming available. Ideal replacement for fluorescent tube lights or louver lights.

Specifications GL-PL0606-V2 (non-dimmable)

GL-PL0606DA-V2 (DC dimmable : 1-10V/PWM/Resistor)

About GlacialLight GlacialLight, the lighting division of GlacialTech, manufactures LED lighting solutions for indoor/outdoor applications and both residential and commercial uses. As well as having a wide range of finished LED lighting products, GlacialLight also offers its clients the option of customizing products for specific needs. Please visit the company homepage at http://www.GlacialLight.com

GlacialTech Press Contacts Dan Zhang Account Manager Email: dan@globalpr.com.tw Skype: GPR-Dan MSN: GPR-JP@hotmail.com Skype: GPR-JP

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Commercial LED Panel Light projects smooth, even illumination.

Efficient 36V XUAN high-power COBs for easy assembly in LED spotlight and downlight designs; Color Choice Series of tunable CHI COBs for indoor retail and residential lighting environments;

Shulin, New Taipei City EVERLIGHT ELECTRONICS CO., LTD. [TSE:2393, a leading player in the global LED and optoelectronics industry, announces two new Chip-on-Board LED families, the XUAN series of high-power COBs and the Color Choice (Color on Demand) COB series CHI.

EVERLIGHT's high-power (36V) XUAN COB series offers the dual benefit of high efficiency and easy assembly. Covering a wide wattage range at customers' preference from 2-50W the MCPCB device can achieve > 130 lm/W. Designed with high thermal conductive Mirror-Aluminum substrate, it can be easily attached to the heatsink by holder or screws. Another feature of the XUAN series is its wide driving operation range, ensuring a super high efficacy in the typical driving state. In an over-driven state, however, it can still deliver a high lumen output and, with proper heatsink, also remains stable to bring about an economic lighting design. Seven different designs on EVERLIGHT's XUAN LED are currently available in 1313 and 1919 dimensions with color temperature options from warm to cool (2700-6500K) and CRI ratings of 82 (>80), 92 (>90) and > 97 Ra. EVERLIGHT's XUAN LEDs are a best fit for LED single light source applications like spotlights and downlights.

Another option is color on demand. The Color Choice Series CHI COBs (9-29W) are designed on a Ceramic PCB package and is based on two color temperatures 2700K and 5700K which, when thoroughly mixed, can take on every ANSI color temperature in this CCT range. All mixture points achieve >110lm/W and a CRI >80 (R9> 0). EVERLIGHT's Color Choice Series directly targets indoor retail, hospitality and residential lighting applications. Offered with wattages of 9W, 19W and 29W, CHI LEDs can supplement direct luminaires and spotlights with dynamic color temperature variability and allow the seamless setting of any desired color temperature between 2700K and 5700K. The Color Choice Series' seamlesscolor temperature tunability is achieved by subdividing the COB into two electrically insulated segments for warm white 2700K and cool white 5700K which can be controlled/driven independently from each other. Each circuit requires a separate power supply unit or a co-channel power supply.

This makes the Color Choice Series ideal for elegant and simple mood lighting, adjustment to changing daylight and decorative lighting aspects in private homes, stores, hotels and bars. CHI COBs are suited for with large spot lights in retail applications or smaller directional lamps like MR16, PAR20, PAR30, PAR38 lamps for general lighting use.

All Chip-on-Board LEDs from EVERLIGHT have completed LM80 lumen maintenance testing. A complete line of accessories such as standardized holders, appropriate reflectors and more is available in the aftermarket.

Sampling and technical support: Available now (upon request) Mass Production: Q3/2014

More information or data sheet for this product upon request: Please contact your local EVERLIGHT sales office. Local sales information: http://www.everlight.com.

"The Right LED for the Right Application" A dedicated application-based marketing approach supports the idea that every application is to be paired with "The Right LED" to provide the best performance and quality. Every package design presents its own advantages in certain applications.

EVERLIGHT is fostering close relationships between their R&D, Sales and Marketing teams to meet and exceed their customers' expectations in both product offering and technology. EVERLIGHT provides a great variety of customers with total solutions for their different applications and is incessantly committed to satisfy the strongly growing global market for LED solutions.

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Chip-on-Board LEDs facilitate assembly and offer color on demand.

Architects - "Daybreak" - Drum Cover by Bastian Thusgaard
Here is another drum cover of mighty Architects. This time of "Daybreak". As usual Dan Searle did a great job writing the drum parts. Learning this has been so inspiring and it #39;s such an amazing...

By: Bastian Thusgaard

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Architects - "Daybreak" - Drum Cover by Bastian Thusgaard - Video

Written by Craig McKee Saturday, 13 December 2014 00:00 Prominent Illustrator's Work Now in Permanent Collection

To call it unlikely would be an understatement.

A work of art that challenges the official account of 9/11 has been accepted into the permanent collection of the 9/11 Museum in New York City. And surprisingly, the piece was created by an artist who is best known for his illustrations in the mainstream media.

Anthony Freda who has contributed provocative political art to publications like The New York Times, Time, Rolling Stone, Esquire, The New Yorker, and Playboy says he has no idea why the museum would accept his painting, titled "9-11 Questions."

The original "9-11 Questions" by artist Anthony Freda is now owned by the 9/11 Museum, though it is not clear whether its curators intend to ever display it in public.

"I still can't figure out what is in the museum's mind letting me in there, because literally every part of my being is fighting against the official narrative that they are trying to promote," he said in an interview. "The thing that fascinates me, and they admitted this, is that this is the only piece in the entire collection that questions the official narrative in any way."

Freda met with museum staff for 90 minutes to donate the art and to answer questions about the images it contains. The entire exchange was filmed for a documentary called Behind Truth Art, which is planned for release in 2015. (This 30-minute preview shows highlights of the meeting.)

Museum officials told Freda that "9-11 Questions" will rotate with other works on display and that it may also be included in traveling 9/11 art shows organized by the museum. But he concedes that museum officials, now that they own it, can do whatever they want with the piece including locking it in a vault forever.

Freda created the work eight years ago, when The Village Voice commissioned him to illustrate its article "Fakes on a Plane," which was intended to "gently make fun" of online 9/11 documentaries like Loose Change and the people who believe them.

Editor's Note: This fascinating and provocative technical piece on NIST's manipulation of the WTC 7 evidence is broken down into a series of six articles. The second installment (below) is PART 1: NIST and Popular Mechanics Fabricate Myth About WTC 7's "Scooped-Out" 10 Stories. The first installment was the INTRODUCTION. Stand by for the next four installments, to be published monthly.

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World Trade Center Building 7 Demolished on 9/11? | AE911Truth

Story 5 of the Best: Shopping experiences with an impressive architectural twist

It's Christmas time, so when better to look at shopping centres in the latest '5 of the best'? Retail heaven...

Love architecture? Become a RIBA Friend of Architecture. Support the RIBA - a registered charity - and gain access to great benefits.

Irish architects Sheila O'Donnell and John Tuomey have been named as the 2015 recipients of the Royal Gold Medal, the world's most prestigious architecture award.

Architect Tom Emerson shares his thoughts on photographer Edwin Smith's work

Book now for our fascinating new tours of Liverpool, starting mid-November...

Take an exclusive look at the pick of this year's RIBA award-winning buildings nationwide.

The fourth poem in the Edwin Smith series is inspired by 'Loch Long by Ardgartan, Argyll'. The exhibition in London closes this Saturday.

Final week of the exhibition... closes Saturday.

The conclusion of our series of poetry inspired by Edwin Smith, before the closure of the exhibition this Saturday.

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Royal Institute of British Architects (RIBA)

Architecture (Latin architectura, after the Greek arkhitekton from - "chief" and "builder, carpenter, mason") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

"Architecture" can mean:

Architecture has to do with planning, designing and constructing form, space and ambience to reflect functional, technical, social, environmental and aesthetic considerations. It requires the creative manipulation and coordination of materials and technology, and of light and shadow. Often, conflicting requirements must be resolved. The practise of Architecture also encompasses the pragmatic aspects of realizing buildings and structures, including scheduling, cost estimation and construction administration. Documentation produced by architects, typically drawings, plans and technical specifications, defines the structure and/or behavior of a building or other kind of system that is to be or has been constructed.

The word "architecture" has also been adopted to describe other designed systems, especially in information technology.[3]

The earliest surviving written work on the subject of architecture is De architectura, by the Roman architect Vitruvius in the early 1st century AD.[6] According to Vitruvius, a good building should satisfy the three principles of firmitas, utilitas, venustas,[7][8] commonly known by the original translation firmness, commodity and delight. An equivalent in modern English would be:

According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leone Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was therefore an inherent part of an object, rather than something applied superficially; and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari:[9] by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish and English.

In the early 19th century, Augustus Welby Northmore Pugin wrote Contrasts (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture."

The 19th-century English art critic, John Ruskin, in his Seven Lamps of Architecture, published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure".[10]

For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least.[10]

On the difference between the ideals of architecture and mere construction, the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture".[11]

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Architecture - Wikipedia, the free encyclopedia

Summary

Naval architects work on the basic design of ships, including the form and stability of hulls.

Marine engineers and naval architects design, build, and maintain ships from aircraft carriers to submarines, from sailboats to tankers. Marine engineers work on the mechanical systems, such as propulsion and steering. Naval architects work on the basic design, including the form and stability of hulls.

Marine engineers and naval architects held about 7,300 jobs in 2012.They typically work in offices, where they have access to computer software and other tools necessary for analyzing projects and designing solutions. Sometimes, they must go to sea on ships to test them or maintain them.

Marine engineers and naval architects typically have a bachelors degree in marine engineering, naval architecture, marine systems engineering, or marine engineering technology. Employers also value practical experience, so cooperative education programs, which provide college credit for structured job experience, are valuable.

The median annual wage for marine engineers and naval architects was $88,100 in May 2012.

Employment of marine engineers and naval architects is projected to grow 10 percent from 2012 to 2022, about as fast as the average for all occupations. The need to design ships and systems to transport energy products, such as liquefied natural gas, across the globe will help to spur employment growth for this occupation.

Compare the job duties, education, job growth, and pay of marine engineers and naval architects with similar occupations.

Learn more about marine engineers and naval architects by visiting additional resources, including O*NET, a source on key characteristics of workers and occupations.

Marine engineers and naval architects may work directly on ships.

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Marine Engineers and Naval Architects : Occupational ...

FAQ

This website was developed as a service to you by the Missouri Board for Architects, Professional Engineers, Professional Land Surveyors and Professional Landscape Architects in an effort to answer some of the most commonly asked questions directed to the Board's office.

We believe this site will address questions you may have regarding addresses, phone numbers, licensing, etc. Should your specific question not be a part of this site, then please feel free to call (573-751-0047) or E-mail (moapeplspla@pr.mo.gov) our office and any member of our staff will provide you with the information that you need or they will direct you to the individual or agency that can help.

Our normal office hours are Monday - Friday, 7:30 a.m. - 5:00 p.m. CST (with the exception of designated public holidays. (For a list of those holidays, click on Office Hours.)

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