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Turner Construction is the general contractor on the $300 million Austin State Hospital (ASH), which included the demolition of 14 structures to make way for the new facility.(Turner Construction photo)

The ongoing construction of the $304,600,000 Austin State Hospital (ASH), being constructed by Turner Construction Company on behalf of the Texas Health and Human Services Commission (HHSC) is proceeding full steam ahead.

The 240-bed hospital, located in the north central portion of the growing city at 4110 Guadalupe St., is expected to be delivered at the end of the year. The new three-story, split-level structure on a 15-acre site, with 374,000 gross sq. ft. of space, is replacing an existing hospital complex that was started in 1861, which currently provides services in several buildings.

Last November, construction surpassed the half-way point and is currently 85 percent completed.

To this point, Turner Construction has completed demolition, utilities, foundations, structure and building envelope. The remaining work consists of building conditioning, interiors build out and completion of site work and landscaping.

"Due to the vast amount of work in and around the Austin area, there has been a shortage of construction workforce labor," said Turner Project Manager Michael Balch. "To mitigate this, we've implemented strategic acceleration based on work availability and critical scope to complete and continuously work to provide the trades enough runway to work safely and efficiently. For a while in 2021 and into 2022, the project was impacted by material shortages and shipping constraints. As a result, there were a few activities that had to be installed out of sequence. Since then, material shortages and supply chain issues have been minimal, which allows crews to work in the plan's proper sequence, which promotes smooth, safe and efficient installations."

"Being on an old campus, there have been plenty of underground surprises," Balch added, "however, nothing that hasn't been overcome. In some instances, we've worked in conjunction with the campus's maintenance staff and design partners to develop alternate design solutions to help avoid potential existing utility conflicts. Relations with the maintenance and operational staff is good. We frequently meet to coordinate work and are sensitive to how construction activities may have an impact on the existing facilities and its patients."

All work is currently taking place during the day.

"With the building erected and building envelope in place, a majority of the work occurs in the interior, thus naturally reducing noise permeating outside of the construction site," said Balch. "There is still heavy equipment operating outside and we are in constant contact with campus maintenance and operations staff on what activities are ongoing and what noises and vibrations may occur as a result."

The new hospital is being constructed on an already developed site, with 14 ancillary buildings demolished in order to find the site area for the new hospital. The first step was to remove the asbestos from the old structures.

"Demolition was completed in 2020," said Balch. "No further buildings are to be demolished under the current program."

With the demolition out of the way, efforts could focus on the earthwork and site prep.

"The plan was to prep the building pad and build the structure in a clockwise rotation starting at the new hospital's Central Utility Plant," stated Turner Construction. "To prep, we had to remove native soil and replace it with a compacted flexible base. Site prep including demolition, with utilities and earthwork performed in 2020 and 2021. Cast-in-place piers, slabs and columns make up 80 percent of the structure, with the roof being supported by structural steel, trusses and metal decking."

The new utilities include storm drain, wastewater, fire water and domestic water.

Next came the pouring of the concrete for the foundations.

"Foundations were prepped and poured over several months, the majority of which were completed in 2021," said Balch. "The building structure calls for concrete piers, slab on grade, columns, and elevated slab decks with structural steel atop the highest columns to support the roof structure."

Work on the foundations and structural work were supported by three tower cranes.

The steel framing was placed between mid-2021 and mid-2022.

"Since steel sat atop concrete, the plan was for the structural steel to follow the concrete work," said Balch. "Challenges were getting steel to the project site on time. During steel operations we [and many others] were facing supply chain and material availability issues. The work was done in a clockwise fashion, following concrete."

The steel beams were delivered as needed, with the tower cranes hoisting and placing several beams daily. The concrete floors were poured over several months in 2021 and 2022.

The majority of the exterior wall is a cavity wall consisting of (from in to out) cold formed metal framing, sheathing, waterproofing membrane, insulation and faade a combination of brick, stone, metal panels, curtain wall and punched windows.

"The plan was to start at the central utility plant and follow the structural steel in a clockwise manner," said Balch. "The challenges were having all materials needed on hand in order to develop and maintain a consistent flow and sequence of work. The curtain wall system at the gym was built-in-place and the punched windows came prefabricated."

The TPO roof was installed in approximately nine months with the help of the tower cranes.

The design and engineering teams successfully resolved three challenges.

"Multiple stories to reduce travel distance while maintaining courtyard access, simple' mechanical systems to facilitate maintenance, and minimizing the institutional' feel of the building with different material massings," stated the Page team. "The anticipated building envelope has a life expectancy of 40 to 50 years, building systems 25 to 30 years and interior construction 15 to 20 years. The building design is highly energy efficient and incorporates best practices, while also meeting SECO requirements. It is not seeking LEED certification."

"We're removing the stigma' of mental health through a beautiful and innovative building that responds to the needs of the clients and help in the healing process," said Renu Razdan of HHSC.

There are no significant traffic issues as the work area ties the campus back into the city street grid with the 43rd Street extension.

"With multiple adjacent campus entrances and minimal work required to tie into city right of ways, traffic has not been much of a concern during construction," said the Page team.

Work on the hospital's outdoor elements should start this summer. Crews will establish two large parking areas, with road access from North Lamar Boulevard through 43rd Street, and additional access east of the facility with a road leading directly to the main lobby.

Peak days so far have 493 Turner staff and trade partners on-site. There are more than 100 subcontractors, with the larger ones being Champion Site Work for site work, WPM for site utilities, Graywolf for structural steel, United Forming for concrete, Tumlinson Electric and Schmidt Electric for electrical work, Capital Industries and MLN HVAC for HVAC, Standard Drywall for drywall installation, Carrco for painting, H2I for millwork, Admiral Glass and MS Glass for glass and glazing, and Flooring Solutions for flooring.

The engineering and structural consultants for the project are: Page architect and fire protection engineer; architecture + associate architect; AEI Engineering mechanical/plumbing engineer; CNG Engineering electrical engineer; Datum Rios Engineering structural engineer; Garza EMC civil engineering; Datacom Engineering low voltage/security/audiovisual; and Asakura Robinson - landscape consultant.

The ASH project is part of more than $1 billion that the Texas Legislature and Gov. Greg Abbott have dedicated to the revitalization of the state psychiatric hospital system. The funding is being used for the construction and renovation of state hospitals in Austin, Kerrville, Rusk and San Antonio, as well as the construction of new hospitals in Houston and Dallas. Construction was recently completed on the John S. Dunn Behavioral Sciences Center in Houston. Combined, the construction projects will add at least 500 new inpatient psychiatric beds in Texas within the next three years.

ASH has been operating since 1861 and is the oldest hospital in Texas for the care and treatment of people with mental illness. It provides in-patient psychiatric care for residents of central Texas, which includes competency restoration services for people who have been determined incompetent to stand trial and long-term treatment for individuals who have been found not guilty by reason of insanity. ASH is among 11 state hospitals that the HHSC owns. CEG

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Turner Delivering $300M Austin Hospital : CEG - Construction Equipment Guide

From significant business changes to noteworthy product launches, theres always something new happening in the world of design. In this biweekly roundup, AD PRO has everything you need to know.

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Racist caricatures at Milan Design Week

This years edition of Milan Design Week unfolded as it normally does, in a rapturous series of showroom visits, Negroni-fueled parties, and eye-opening installations. Yet there was one disturbing appearance that fiercely threw the boisterous event off course. InCampo Base, a group exhibition curated by Federica Sala, architect Massimo Adario presented an array of appalling 1920s glass figurines that reinforce crude racist stereotypes of Black, Asian, Middle Eastern, and Indigenous people.

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These offensive, out-of-touch caricatures were first called out publicly byHello Human publicist Jenny Nguyen, designerStephen Burks, and Wava Carpenter and Anna Carnick ofAnava Projects in a collective Instagram post. Such decorative motifs have a long and shameful history in our field. It was shocking to see this history so casually evoked in a contemporary design project, they wrote.Adario claims that harm was not his intent, which only cements the realization that the industry desperately needs to engage in widespread dialogue to illuminate why this show was so upsetting for so many and how something like it must never come to light again.[Editors note: For a deeper dive on antiracism in the interiors space, we recommend Sydney Gores article Interior Race Theory Is a Creative Way to Decolonize Our Homes.]

A preview at some of the 1,500 pieces from Freddie Mercurys collection that will be sold through Sothebys come September.

Sothebys to present monthlong Freddie Mercury exhibition and auction series

When he wasnt on stage donning a flamboyant costume, Queens Freddie Mercury was likely holed up in Garden Lodge, the Georgian-style brick villa in Londons Kensington neighborhood that he snagged in 1980. For the last three decades, Mercurys longtime friend Mary Austin presided over the abode, which remained filled with the musicians thoughtfully curated stash of Victorian paintings, glass objects, and Japanese fabrics.Some 1,500 of those items will now be displayed in Sothebys 16,000-square-foot London gallery (August 4 through September 5, what would have been Mercurys 77th birthday) after highlights from the collection make their way to New York, Los Angeles, and Hong Kong throughout June.

Following the traveling exhibition, the pieces will be auctioned off in six separate sales in September. Along with treasures like Mercurys red velvet and rhinestone crown and handwritten working lyrics to We Are the Champions, there is an assemblage of exuberant decor, including an early-20th-century enamel desk clock set with Faberg gems, a 1980s Bakelite rotary phone, and an Art Nouveau glass lamp decked out with a tasseled shade designed by Mercury himself.

In addition to presenting an array of stylish homewares and accessories, Crafting Dreams offered select guests the opportunity to commission bespoke trunks.

Louis Vuitton takes over a stylish LA abode

On April 12 in Los Angeles, Louis Vuitton opened the doors to Crafting Dreams, a complete immersion into all things LV. Transforming a private residence, the maison presented its beloved Objets Nomades, iconic hardsided trunks, fine jewelry and watches, baby goods, sporting waresincluding an incredibly chic take on a ping-pong tableplus rare examples of Capucine and Keepall handbags. Visitors were also treated to an early look at Cabinet of Curiosities, Louis Vuittons newest collaboration with Marc Newson, which later saw its official debut at Salone del Mobile in Milan. In another area, red carpet diehards have their own special display to look forward to, with gowns worn by Ana de Armas, Gemma Chan, Jennifer Connelly, and others making an appearance. Cabinet of Curiosities is open through May 3, and can be visited by appointment only.

Dreweatts to sell private collection of Robert Kime

The late London designer Robert Kime, who dreamed up classy, comfortable interiors for the likes of King Charles III and Andrew Lloyd Webber, was also a passionate antiques dealer and collector. His vast trove of objects, accumulated over the years from sojourns in English country estates to the Middle East alike, is the focus of a forthcoming sale organized by the auction house Dreweatts. On October 4 and 5, the public is invited to bid on Kimes tasteful array of furniture, rugs, textiles, ceramics, artworks, and books.

Pig of the Earth (2020) by Misha Kahn

Misha Kahn solo show opens in LA

Last weekend, Friedman Bendas LA gallery unveiledStaged (through June 2), an exhibition showcasing New York artist Misha Kahns creatively divergent, mesmerizingly chaotic oeuvre. Among his maximalist works are the undulating Ammonoid Delta chair fashioned out of bright cotton velvet and bronze, the Hold the Line lamp featuring intertwined painted plastic curves, and Windswept, a round dining table melding glass gems and stainless steel that embodies Kahns predilection for fusing design and technology.

Toast ventures across the pond to the Hudson Valley

British lifestyle brand Toast makes its mark on the US this spring with Renew, a pop-up in Hudson, New York, located at 415 B Warren Street. In addition to perusing Toast clothing, accessories, and homewares between May 6 and May 29, guests can take in a group exhibition curated in collaboration with Kate Orne of the regional publicationUpstate Diary. All the pieces, from local artists Sam Falls, Kat Howard, Kieran Kinsella, Kiva Motnyk, and Dana Sherwood, reimagine existing materials, dovetailing with a lineup of workshops dedicated to such crafts as kintsugi and patchwork quilting.

Tiffany & Co.s newly renovated New York flagship

A spiffed-up Tiffany & Co. enlivens Fifth Avenue

Dubbed The Landmark, Tiffany & Co.s iconic New York flagship at Fifth Avenue and 57th Street now exudes a rejuvenated eleganceand a rooftop additioncourtesy of AD100 Hall of Fame architect Peter Marino and OMAs local office, led by partner Shohei Shigematsu. Past the faade flaunting the restored Atlas statue and clock is an abstracted ceiling installation reminiscent of a skylight, mirrors that morph into video walls projecting views of Central Park and the citys skyline, and artworks from Julian Schnabel, Rashid Johnson, Anna Weyant, and Daniel Arsham sprinkled across 10 floors. There are several beautifully rendered odes to the past too, including wood parquet flooring that mimics the original 1940 version and a spiral staircase accented with rock crystals that calls to mind the organic forms of Elsa Peretti, who designed some of Tiffanys most groundbreaking jewelry collections.

The Lake Como collection by Mrs. Alice

Mrs. Alice debuts Lake Como-inspired collection

Italys magical Lake Como, in particular the luxe resort Passalacqua, served as muse for Alice Naylor-Leylands latest Mrs. Alice designs. Revolving around vivid yellow, orange, and sky blue hues evocative of summer, the whimsical tableware range spans hand painted Melograno plates emblazoned with botanical motifs, turquoise embroidery-edged Fleur placemats that take the shape of an eight-petal bloom, and the Valentina tablecloth (named for the Passalacquas chic owner) covered in an intricate pink paisley print.

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Freddie Mercurys Personal Collection Heads to Auction, a Racist Showcase Disturbs Milan Design Week, and More News - Architectural Digest

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Published May 1, 2023

In conclusion, cypress flooring is an excellent choice for homeowners in Cypress, TX who are looking for a natural and durable flooring option. While the cost of installation and maintenance may require an initial investment, the beauty and longevity of the flooring make it a worthwhile investment. By working with a professional flooring installer and following proper maintenance techniques.

If youre considering new flooring options for your home, you may want to consider cypress flooring. Cypress flooring is a popular choice due to its durability and unique, rustic look. However, before you jump into the installation process, there are a few things you should know. In this blog post, well cover everything you need to know about cypress flooring installation in Cypress, TX. From the benefits of cypress flooring to the installation process itself, well provide you with all the information you need to make an informed decision about this beautiful and long-lasting flooring option. So, whether youre a DIY enthusiast or plan to hire a professional, read on to discover everything you need to know about cypress flooring installation.

What is Cypress flooring?

Cypress flooring is a type of hardwood flooring made from the wood of the cypress tree. The cypress tree is native to the southern United States and is known for its durability and resistance to moisture and insects. Cypress flooring is often used in areas that are prone to moisture, such as bathrooms and kitchens, because it is less likely to warp or cup than other types of hardwood flooring. It is also a popular choice for outdoor areas, such as porches and patios, because of its natural resistance to rot and decay.

Cypress flooring is available in a variety of colors, ranging from a pale yellowish-white to a rich, reddish-brown. It is also known for its distinctive grain pattern, which is often described as knotty or rustic. Some cypress flooring is prefinished, meaning that it has been sanded, stained, and sealed before installation, while other types are unfinished, allowing the homeowner to customize the finish to their liking. Whether youre looking for a durable and moisture-resistant flooring option for your home or a beautiful and unique option for your outdoor space, cypress flooring is definitely worth considering.

Cypress Flooring Installation Process

The installation process for cypress flooring in Cypress TX is similar to that of other hardwood flooring types. The first step is to prepare the subfloor by making sure it is clean, level, and dry. If the subfloor is not level, it may need to be sanded or shimmed to ensure that the new flooring will lay flat. Next, the cypress flooring planks are acclimated to the rooms temperature and humidity to prevent warping after installation.

Once the cypress flooring is acclimated, it can be installed using a variety of techniques, including nail-down, glue-down, or floating. Nail-down installation involves using a pneumatic nailer to attach the flooring planks to the subfloor, while glue-down installation involves applying adhesive to the subfloor and pressing the planks into place. Floating installation is a newer technique that involves locking the planks together without attaching them to the subfloor. Once the installation is complete, the flooring can be sanded and finished to the homeowners desired level of shine and color. Overall, cypress flooring installation requires a skilled professional to ensure a beautiful and durable finished product.

Types of Flooring for Installation in Cypress

When it comes to choosing the right flooring for your home in Cypress, TX, there are many options available. Each type of flooring has its unique characteristics, pros, and cons. Here are some of the most popular types of flooring for installation in Cypress:

Which Cypress flooring is best for you?

Choosing the right flooring for your home in Cypress, TX can be overwhelming, given the plethora of options available. However, there are a few factors to consider that can help narrow down your choices. For instance, you should consider your lifestyle, budget, and the overall look you want to achieve. Hardwood flooring is an elegant and timeless option that adds warmth and value to your home. It is durable and easy to clean, but it can be expensive and may not be ideal for high-moisture areas.

Tile flooring, on the other hand, is durable, low-maintenance, and water-resistant, making it perfect for high-traffic areas such as bathrooms and kitchens. It is also available in various styles and colors, allowing you to create the perfect look for your home. However, tile flooring can be cold underfoot, and the installation process can be time-consuming and costly. Ultimately, the best flooring for you in Cypress, TX will depend on your individual needs, preferences, and budget. Its important to consult with a professional to ensure that you get the best possible results.

Cost of cypress flooring installation

Cypress flooring is a popular choice among homeowners because of its durability, strength, and natural beauty. However, before you embark on a cypress flooring installation project, its important to understand the cost involved. The cost of cypress flooring installation in Cypress, TX can vary depending on several factors.

Firstly, the size of the area to be covered with cypress flooring is a significant factor in determining the installation cost. The more square footage to be covered, the higher the installation cost. Additionally, the type of cypress flooring you choose can affect the overall cost. Some cypress flooring options are more expensive than others.

Another factor that can influence the cost of cypress flooring installation is the complexity of the installation process. For instance, if the subfloor needs to be replaced or repaired, the cost will be higher. Other factors to consider include the cost of labor and any additional materials needed to complete the installation process.

Maintenance of cypress flooring

Cypress flooring is a beautiful and durable option for homeowners looking for a natural and rustic aesthetic in their homes. However, like all flooring materials, it requires regular maintenance to keep it looking its best. Here are some tips for maintaining your cypress flooring in Cypress, TX.

Firstly, its important to keep your cypress flooring clean. Dirt, sand, and other debris can scratch and damage the surface of your flooring over time. You can sweep or vacuum your cypress flooring regularly to remove any debris. Mopping with a mild detergent and water solution can also help keep it clean.

Secondly, cypress flooring is prone to moisture damage, so its important to take precautions to prevent water damage. Wipe up any spills immediately to prevent them from soaking into the flooring. Avoid using excessive amounts of water when cleaning your cypress flooring, as this can cause the wood to warp or buckle.

Lastly, its important to maintain the finish of your cypress flooring. The finish helps to protect the wood from scratches and other damage. Over time, the finish may wear off or become scratched, so its important to have it refinished periodically. A professional flooring installer can sand down the surface of the flooring and apply a fresh coat of finish to keep it looking beautiful and protect it from damage.

In summary, maintaining your cypress flooring in Cypress, TX involves keeping it clean, preventing moisture damage, and maintaining the finish. With proper care and maintenance, your cypress flooring can last for many years and continue to add natural beauty and warmth to your home.

Conclusion

In conclusion, cypress flooring is an excellent choice for homeowners in Cypress, TX who are looking for a natural and durable flooring option. While the cost of installation and maintenance may require an initial investment, the beauty and longevity of the flooring make it a worthwhile investment. By working with a professional flooring installer and following proper maintenance techniques, your cypress flooring can last for many years and continue to add warmth and natural beauty to your home. Whether youre renovating an existing space or building a new home, cypress flooring is a great choice for those who value quality and aesthetics.

Media ContactCompany Name: Cypress Remodeling CompanyEmail: Send EmailPhone: +18323048152Address:10831 Woodwind Shadows Dr Suite C City: Cypress State: Texas 77433Country: United StatesWebsite: https://cypressremodelingcompany.com/

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Cypress Flooring Installation: Everything that One Needs to Know - Digital Journal

The Lynn Curlee exhibit and Casts of the Ancient World at the Slater Museum at Norwich Free Academy. (Sarah Gordon/The Day) Buy Photo Reprints Pieces in the African gallery at the Slater Museum at Norwich Free Academy. (Sarah Gordon/The Day) Buy Photo Reprints The Lynn Curlee exhibit at the Slater Museum at Norwich Free Academy. (Sarah Gordon/The Day) Buy Photo Reprints Director Dayne Rugh talks about a piece in the Connecticut Artists of the 20th Century the Slater Museum at Norwich Free Academy. (Sarah Gordon/The Day) Buy Photo Reprints Some of the Norwich Masterpieces are seen in the Dr. Lewis and Mrs. Grace Sears Gallery at the Slater Museum at Norwich Free Academy. The Sears Gallery will be the new semi-permanent home of the museum's collection of 19th-century American paintings and sculptures. (Sarah Gordon/The Day) Buy Photo Reprints The Colors of Connecticut Artists exhibit at the Slater Museum at Norwich Free Academy. (Sarah Gordon/The Day) Buy Photo Reprints

For the past year and a half, Slater Museum on the Norwich Free Academy campus has been closed as its slate roof was being replaced.

The folks who work inside the Slater, though, werent idle during that time. When you walk in, you can see how the iconic museum has been rethought.

A new gallery is devoted to Norwich artist Ellis Ruley.

The Sears Gallery, which visitors see first, now houses the most historically significant works in the Slaters collection.

The museums famed cast gallery has been renamed; walls and pedestals have been painted different shades; and a number of the casts have been moved.

In general, the Slater team oversaw the reinstallation of the permanent exhibition galleries, with nine new exhibitions, along with some temporary shows.

Museum Director Dayne Rugh says it was a perfect time and opportunity to do all that when the Slater shut down in January 2022.

The Lynn Curlee exhibit and Casts of the Ancient World.

The Lynn Curlee exhibit and Casts of the Ancient World.

The last time the museum did this kind of extensive installation work was more than a decade ago when the adjacent atrium was built.

Thats a long time in the museum world to have something not change very much, so I wanted to look at the galleries again and go, Whats working? What isnt working? How can we display the same things, the same types of things but make it a totally new and fresh experience for people? At the end of the day, I really want people to come in here and feel like theyre entering a proper art museum, says Rugh, who became Slaters interim director in March 2021 and then permanent director that October.

He says the biggest challenge was that there were always 50 different things happening at the same time. With a few exceptions, everything we did in terms of either construction or restoration or the hanging of the pieces, we all did that ourselves.

A couple of examples of those few exceptions: They had to call in outside experts for light fixture installation and for putting up a new wall.

But the rest was done in-house. Rugh says, Its a testament to how talented our staff is here at NFA incredibly talented, incredibly versatile and just so cooperative throughout the whole process. Discussing the NFA facilities team in particular, he says, I cant stress enough how important they were to get all this done.

Rugh designed and wrote all of the new labels and panels. (He notes he only has so much money to use on exhibition services.) He decided how the artwork should now be arranged. But some of those new arrangements came about by accident. When the floor was being redone, the facilities folks moved one of the big ship models into a different room, and Rugh realized it looked perfect there, so thats where it has stayed.

People who have been to the Slater before will notice a variety of changes.

Theyre going to walk into spaces, and its going to feel so much more open These rooms are so big and theyre so grand and they are beautiful to look at I wanted people to be able walk into a room without running into another wall or an object or something, he says.

Rugh wanted them to be able to see to the other side of the room and to appreciate the architecture as well.

In the Sears Gallery, for instance, people can marvel at the intricate woodwork and the grand fireplace.

I really want people to be awed by the openness, by the architectural details because thats part of the museum, too. Its very hard to find a museum so well preserved as this one, where you can still see pretty much the entire original building unaltered, he says.

Sears Gallery

Museum Director Dayne Rugh discusses John Trumbull's 1820 painting of Yantic Falls, which is housed in the Sears Gallery.

Photo by Sarah Gordon/The Day

Museum Director Dayne Rugh discusses John Trumbull's 1820 painting of Yantic Falls, which is housed in the Sears Gallery.

Photo by Sarah Gordon/The Day

The Sears Gallery, located across from the entrance area, is the nicest looking room that we have, Rugh says, so he wanted it to house the museums non-cast crown jewels. They are pieces that are part of the permanent collection that really stand out. Theyve been on display before, and some are new additions, but this is a whole new way of experiencing these pieces.

He wanted to choose the most historically significant pieces that the Slater has. All but one of the paintings in the Sears Gallery were done by John Denison Crocker, who was born in Salem and moved to Norwich when he was a young man.

Rugh says that Crocker captured the natural beauty, the natural landscape of Norwich in more than one way, and through these images, you learn about Norwichs early history as well as how it transitioned from an agrarian community to an industrialized community. You can see the landscape, you can see the city as Crocker saw it. He employed, of course, artistic license in some places, but it really gives you a unique way of experiencing history through his eyes.

Crocker was entirely self-taught as an artist, and some of the paintings depict seminal moments in Norwichs history, like the battle of Sachem Plains in the early 1640s, with the Mohegan Sachem Uncas in pursuit of the Narragansett Sachem Miantonomo.

The Sears Gallery also features what Rugh says is probably the most historically significant painting the Slater owns: a painting of the Yantic Falls by John Trumbull. Its one of two scenes of the falls he created, with other one now in Yale Universitys collection. Trumbull, who was born in Lebanon, also painted massive scenes of the American Revolution that are in the Capitol Rotunda in Washington, D.C.

The 1820 Crocker Yantic Falls painting that Slater owns was on display upstairs before. It was taken down to have some conservation work done, and it now has a new frame as well. It hasnt been on display since 2019.

And one of Slaters newest acquisitions is featured in the Sears Gallery: a sculpture by Bela Pratt, who attended Norwich Free Academy. He made three versions of The Bather, and the Slater now has the resin one. Pratts grandson, Nat Kennedy, donated the piece which hadnt left the family in more than 100 years to the Slater. (Pratt also designed Indian head gold coins for the U.S. government.)

Cast gallery

The museums renowned cast collection has been renamed Casts of the Ancient World.

The museums renowned cast collection has been renamed Casts of the Ancient World.

The Slaters cast gallery has been given a new name: Casts of the Ancient World.

I wanted to give this collection more definition, and the way to do that is give it a proper name, Rugh says.

Visitors are still greeted by the museums renowned cast collection when they step into the space, with the main area focused on Greek and Roman pieces.

The color scheme is now united throughout the gallery, with the pedestals painted a light peach called Peach Fuzz and the walls a gray-blue called Web Gray that makes the casts stand out more.

The biggest change, in the corridors on either side of the main gallery, is the aisles have been opened up. Eleven casts had been in the middle of the floor. They are now up against the wall; this way, they are better positioned and protected, and people can move more freely in the aisles.

Slater also added low-profile Q-cord stanchions in front of those casts, as an unobtrusive but effective way of indicating how close museumgoers should get.

New panels have been added to the cast area, explaining, for instance, how the casts were created and how they got to the Slater.

African gallery

The museums collection of masks and other three-

dimensional sculpture is highlighted in its African

gallery.

The museums collection of masks and other three-dimensional sculpture is highlighted in its African gallery.

In the Slaters African gallery, everything is rearranged, and the interpretation is a bit more streamlined and concise, Rugh says. The area highlights the Slaters collection of masks and other three-dimensional sculpture. Rugh says it all tells a story of how different civilizations of people on the same continent can create different works that mean something to them.

You can see so much symbolism and so many different designs that all have cultural meanings, he says.

This section boasts a brand-new cast, of Nefertiti. Its a copy of the original that is believed to have been created by Thutmose in 1345 BCE and is on view at the Neues Museum in Berlin. The cast was recently created for the Slater by Skylight Studios in Massachusetts.

There are ways we can add more casts to expose people to different masterpieces throughout history, Rugh says. This museum was designed to be a museum of replicas and duplicates. Later on, the plan to acquire and display original artwork was launched.

Connecticut artists

The space behind the cast gallery had been used to exhibit Connecticut Artists of the 20th Century. Works by state artists in the Slaters permanent collection are still showcased in that area, but the focus is now slightly different: "The Colors of Connecticut Artists.

The theme now is how artists use color to create shape, to create abstraction, to create feeling even. Each piece in here does it differently from the next, Rugh says.

Upstairs

In the mezzanine of the Slater the upstairs space all the rooms have been redone, and the floors have been refinished.

Previously, several rooms on the mezzanine were collectively called the Norwich Galleries. Rugh changed that; he wanted each space to be distinct from the next.

Ellis Ruley

In one of those mezzanine galleries is something that Rugh calls one of his favorite sections that he has seen come to fruition. It is all about Norwich artist Ellis Ruley (1882-1959).

Its special to me because Ellis Ruley is a Norwich story, and nowhere else in the world can claim it. He was born and raised here, and as an African-American artist, he plays an incredibly important role in the history of Black communities and artists of color, he says.

This is now a new permanent collecting endeavor for the museum, to acquire more Ellis Ruley pieces, to display them, to interpret them, and to ultimately make Slater Museum the definitive home (for people) to come here and see these pieces, to be inspired by them, to be inspired by his story.

The Slater currently owns five paintings by Ruley, one of which is a recent acquisition. The works had been part of the Connecticut Artists of the 20th Century section but now have their own space.

Among the other items on display here: a photo of Ruley exhibiting his art in front of the Slater Museum in the early 1950s.

Smaller rotating exhibitions

The Slaters expansive downstairs Converse Gallery will still host rotating exhibitions, but Rugh wanted a space for smaller or medium-sized temporary shows. The first one in this area on the mezzanine is a 50th-anniversary retrospective of the work of Lynn Curlee. Curlee, who has lived in Norwich for several years, was a professional author and illustrator, and many pieces in the exhibition are illustrations featured in his books. He has written a number of childrens books that connect to mythology and ships.

Norwich made

One mezzanine room is still devoted to Norwich Made, but it is laid out a little differently than before and incorporates some new items to the collection. The section, which focuses on the material culture of Norwich, from the start of the 1600s to the 1800s, boasts a range of items made in the Rose City, from tall case clocks to furniture to the newest addition to the collection, a bicycle from the late 1890s.

Ships built in Norwich

NFA facilities staffers Jason Barrett, left, and Eric Moss work on the Tall Ships: Building a Work of Art exhibit.

NFA facilities staffers Jason Barrett, left, and Eric Moss work on the Tall Ships: Building a Work of Art exhibit.

A space in one corner of the mezzanine focuses on the USS Confederacy, a ship that was built in Norwich during the American Revolution.

Rugh says the exhibition expands on the theme of Norwichs maritime history by telling the story of the building of the USS Confederacy.

New features include a cradle for the Confederacy ship model made by master ship modeler Lester Palifka of the Mystic Seaport Ship Modelers.

And in the interest of commemorating the visit with a photo: Visitors can take pictures in a new section where they can pose with a ships wheel.

What: Slater Memorial Museum

Where: Norwich Free Academy campus, 108 Crescent St., Norwich

Reopens to the public: Monday

Hours: Opens Monday, with hours 10 a.m.-4 p.m. Mon., Wed.-Fri.; Sat. hours to be added soon.

Admission: $10 for age 13 and up; $8 for seniors over 62, military and non-NFA high school or college students with ID; free for NFA students and families, NFA faculty and staff, NFA alums, and kids 12 and younger

Contact: (860) 425-5563, slatermuseum.org

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After being closed for over a year, Slater Memorial Museum reopens ... - theday.com

Ward six resident Lauren Stockwell was crowned the winner of this years Peoples Petal Porch competition, as part of the National Cherry Blossom Festival.

Her entry: The House of 1,000 Cranes: Somewhere over the Crainbow. The decor included over 1,000 paper cranes symbolizing hope, healing and good health. Stockwells design is a neighborhood favorite that also offers a basketful of cranes to passersby.

Her porch was selected as the winner in a vote conducted via Instagramstories on the National Cherry Blossom Festival account.More than 1,000 paper cranes filled the porch and yard of Ward six Petal Porch winner Lauren Stockwell. Photo: Crist-Travers, Courtesy Natonal Cherry Blossom Festival

More than 300 porches across the Districts eight wards, Maryland and Virginia were entered in this years program. Eight DC ward porches, chosen from Prime Petal Porches, were selected to participate in competition-style bracket competition on the Festivals Instagram account (@CherryBlossFest).

President and CEO of the festival Diana Mayhew said community and togetherness are pillars of the festival and the annual petal porch competition.

The goal of Petal Porches is to bring local neighborhoods together to celebrate spring and build community pride during the Festival, Mayhew said. This years competition for the Peoples PorchWinner was fierce with hundreds of participants in Washington, DC, Maryland and Virginia taking part in the overall PetalPorchescompetition.

Sarah Payne is a reporter for Capital Community News. She can be reached at sarahp@hillrag.com.

Originally posted here:
Ward 6 Porch Winner in Annual Petal Porch Competition - Hill Rag

by John Neiuber | Special to the Courier

Turn of the century is a term used to describe a group of residential styles popular from the late 1880s through the 1910s. The rapid industrialization that occurred during this period, the mass production of building products, and the new transcontinental railroad (completed in 1869) made these easily replicated styles popular.

Turn of the century styles flourished from 1900 to 1918 in Claremont and include the Victorian styles, massed plan vernacular, shingle style, American Colonial Revival, one-story bungalows, and American Foursquare. These styles have some similar characteristics, including simple forms, single story front porches, predominantly double-hung windows, and wood exterior materials. However, each style is slightly different. In this installment we will explore two of the styles of turn of the century architecture.

One of the most dominant styles of turn of the century homes in Claremont is the one-story bungalow, built in the early 1900s. The styles vary from those that contain simplified Craftsman details to those with classical details of the California Bungalow. Many have detailing unique to Claremont. The term bungalow originated in the Bengal region of India and came from a native hut called a bangala, which was described as a comfortable, single-story home with high thatched roofs and overhanging eaves that provided much needed shade. In the late 1800s the term was used to describe summer vacation cottages in the U.S. At the turn of the century, the term came into wide use by leaders and architects of the Arts and Crafts movement. Eventually, it came to describe simple one-story homes, of many different styles.

In early 20th century California the style developed as an efficient and much less expensive home than the complex and costly Victorian houses. It suggested a simpler, informal style of living. Usually a one-story rectangular-plan house, often with individual detailing in pedimented small porch entries, Claremont has many of these simple wood or stucco bungalows that preceded the larger and more detailed Craftsman bungalow styles.

Character defining features one-story bungalows

Massing

Roofs

Porches

Architectural details

Windows and doors

Another style found widely in Claremont is the American Colonial Revival, which was the dominant style for residential construction throughout the country from 1880 to 1955. Colonial Revival homes represent a resurgence of interest in the early English and Dutch houses built along the Atlantic seaboard. Usually two-story and rectangular in plan and massing, Colonial Revival homes have side gabled, gambrel, or hipped roofs, wood or brick exteriors, and a symmetrical arrangement of windows and doors on a flat facade. Characteristic features include an accentuated front door, normally with a decorated pediment supported by pilasters. Overhead fanlights or sidelights are also commonly found with the entry door. In Claremont, Colonial Revival homes range from the simple Cape Cod saltbox to more high-style Colonial Revival homes.

Character defining features American Colonial Revival style

Massing

Roofs

Porches

Architectural details

Future installments will explore additional turn of the century styles found in Claremont.

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Architectural styles: turn of the century - Claremont Courier

3:47 PM | Friday, April 28, 2023

As high school senior Micah Ziemke takes the stage in this weekends final showings of Fiddler on the Roof Jr. for Front Porch Musical Theatre in Elk River, he knows hes among friends that have become family.

Ive been in other sports. Ive done soccer, Ive done baseball, Ive done football. Its all great and good stuff there and connections you make there, said Ziemke, who plays Tevye. But the friends and connections you make here, the family that it is. Thats a word thats used a lot for a lot of communities, but I feel like here everybody just cares about each other so much and just genuinely is here for each other and you make some lifelong friends.

Tevye tries to navigate his family through what he sees as traditions in their Jewish community in Russia in 1905. Thats to say it doesnt always go the way he thinks it should.

Hes such a real person and in a lot of ways that makes him the most complicated character Ive ever played, said Ziemke. Its really easy to play a villain persona. Im a villain! Im bad! To portray a real dude, a real guy, whos displaying all these real emotions. Its something so deep and so cool and Ive really enjoyed just getting my teeth into and just digging into.

But Ziemke and his cast mates say thats what Front Porch strives to create and fosteran inclusive, welcoming experience for students of musical theater.

We try in every show that we do to have all of our student actors on stage as much as it possibly makes sense, said co-founder and co-creative director Linda Lindeen. We are very family-centered. All of our shows are family-appropriate. Every show we do, for all ages. As young as they come and as old as they come.

The cast of Fiddler is made up of students as young as 5 and as old as 18.

Everybodys very welcoming and everybodys always so accepting, and youre welcomed like youre a part of the family, said Emma Dorn, who plays Tevyes oldest daughter, Tzeitel.

Dorn knows that a lot of people come to see the show with a lot of their own memories of the well-known story.

Im excited for the excitement, I guess. Its a verynot overwhelmingbut its an exciting experience and its a lot of fun, she said. Sometimes there are certain circumstances that can not be solved by things that have always been followed. Tradition is mainly the message in Fiddler. Sometimes love wins.

There are performances Friday, Saturday and Sunday at Elk River High School.

The next production for Front Porch Musical Theatre will be Disneys Lion King Jr. in May.

Twin Cities

Weekend Showcase

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Front Porch Musical Theatre Puts On 'Fiddler On The Roof Jr.' - ccxmedia.org

Apr 28, 2023 10:56 am EDT

TRUMBULL, CT Nestled in Trumbull, this home is near award-winning schools, shops and restaurants, with close proximity to New York for commuters.

Listing Description

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The home offers four bedrooms, two full baths, eat-in kitchen, living room with a fireplace , central air, hardwood floors throughout the first floor.

Second floor has dormered back half of the house with a full bath and large closets. A screened-in heated porch, ideal for soaking in the sun or simply enjoying some quiet time.

Solar panels, fenced in yard, a must see with endless possibilities schedule your appointment today!

Listed by: Diane Camara, Realty One Group Connect

For more information click here. See more photos of the listing below, courtesy of Realty One Group Connect:

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Trumbull Home Offers Screened-In Heated Porch, Fenced-In Yard - Patch

SPEEDWAY, Ind. (WISH) Get geared up for the Greatest Spectacle in Racing with an Indy 500 Porch Party!

Porch Parties are a big part of the Month of May festivities and offer neighbors a chance to get in the racing spirit!

To be a part of the Indy 500 Porch Parties Race:

Submissions will be judged following the Indy 500 Qualifying Weekend. Winners will be notified by Monday, May 22.

Pick up your Porch Party Kit

Race fans love to go all out with Porch Party decor!

Need some help with the decorations? Porch Party Kits will be available on a first-come, first-served basis to the first 500 fans at the following locations:

Each Porch Party Kit includes the following items:

Check out the official Harrison Center for the Arts Porch Party Guide that will help you plan the ultimate porching experience!

Porch Party Prizes

The grand prize winner will receive a Porching Party on May 24 courtesy of IMS, free meat for a year from Good Ranchers, a special visit from IMS President Doug Boles and friends, and a few freebies from Dew and Advance Auto Parts!

The 2nd and 3rd prize winners will each receive a Dew Tote Bag and a special visit from IMS President Doug Boles.

Click here to visit the IMS website and submit your home!

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Celebrate the Month of May with an Indy 500 Porch Party - WISH TV Indianapolis, IN

Neighbours in Clifton have been left 'shocked' after a terrible incident where a car crashed into a house and left the porch crumbling. Officers were called to the incident just after 7am on Thursday (April 27).

People living in the area described seeing police at the scene and said they were left feeling saddened by the collision.

Nurse Evelyn Owusu-Nipah, 57, said: "I saw the police and I thought 'what is happening?' Ive been here since 2007 and it was nice and quiet. When we came to buy the house, it was one of the most sought after streets, Im not too sure now that all these things are happening.

Are you planning an event for King Charles IIIs Coronation? Let us know here

Hope Jones, 31, said the porch of the affected property had been left crumbling. She said: I walked my dog and I saw the police.

We only moved in in December. We dont know too much about the area. Its been a bit of an interesting few months. Its quite unfortunate, I saw it [the porch] crumble.

Another neighbour, who asked to remain anonymous, said: "I feel a bit sad for them. Its a shock really.

It was early in the morning and everyone was in bed, added another resident, who asked not to be named. "I saw the car at the house, I never saw anything else. Its terrible."

Inspector Iain Blackstock, of Nottinghamshire Police, said it was "extremely fortunate that no-one was hurt". Officers arrested a 37-year-old man on suspicion of drink driving in connection with the incident.

Anyone who witnessed the incident, or has dash-cam footage, is asked to get in touch with Nottinghamshire Police on 101, quoting incident 104 of April 27.

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Clifton neighbours saw porch 'crumble' after car crashed into house - Nottinghamshire Live