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Satoshin@gmx.com no longer exists

Last week, the Internet was abuzz with news of the threatened unmasking of Bitcoins anonymous creator who is known only by the pseudonym Satoshi Nakamoto. A hacker or hackers got into Nakamotos email account satoshin@gmx.com and announced plans to dox Bitcoins creator unless a ransom was paid. In an interview with Vice, a person with access to the address was vague regarding the details of how he got access to Nakamotos email account and what it was that he was able to pull from it, but he insisted throughout our conversation that he is 100 percent sure he has discovered Nakamotos identity. But since then. crickets.

Nakamotos identity has not been revealed, and the satoshin@gmx.com email account has shut down. Messages sent to it are now returned as undeliverable; Mailbox unavailable says the error message.

I havent heard anything [from the hacker], says Michael Marquardt, a.k.a. theymos, who was one of the first people to report that the address had been compromised. Maybe he was careless and didnt save the emails before GMX locked the account.

Thomas Plnnecke, spokesperson for 1&1, the Germany-based company that owns GMX, Nakamotos Pennsylvania-based email provider, says the company cant talk about what exactly happened with the account due to its privacy policy of not releasing information about an account holder to third parties. But he was able to generally address one of the theories floating around about how Nakamoto might have lost access to his account: That the account expired because it was inactive for 6 months, and that someone else took control of it.

Yes, according to our TOS weve got the right to terminate an account if it is inactive for six months, said Plnnecke by email. Six months ago, after being dormant for years, Satoshi Nakamoto returned to the Internet to post a message on a forum he used to frequent saying he was not Dorian Nakamoto, the man fingered by Newsweek as Bitcoins creator. The email affiliated with the forum the P2P Foundation is the GMX one as evidenced by the fact that the hacker was able to access the forum account once he or she had control of the email address through a password reset. So did Nakamoto access the email account six months ago to make his Dorian Nakamoto posting and then abandon it, leaving it to be terminated and reset by a hacker?

Plnnecke couldnt address that. But he did say that when an inactive GMX account is terminated, all its contents will be deleted along with the account. The person who got access to the satoshin@gmx.com account got access to its archive, and was able to forward old messages from the account to journalists and previous correspondents. So either the hacker did not get the address because it was made available due to GMX terminating an inactive account or a technical mistake was made by GMX when the address was released.

Plnneckesays that GMX does its best not to yank an account away from an unsuspecting user. While termination after six months of inactivity is the standard procedure for inactive accounts GMX allows additional time for the user to return and use the account, saysPlnnecke. During this time, we will also try to contact inactive customers, reminding them to use their GMX account again.

Satoshi Nakamotos email address is now deleted, but the mystery around its takeover remains intact.

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Satoshi Nakamoto's Email Provider Sheds Little Light On The Hacking And Deletion Of Bitcoin Creator's Account

Tara Locklear

Tara Locklear, 'Remington 1982'

Artist/designer Lorena Angulos book Behind the Brooch isnt a how-to, although Angulo teaches as an adjunct in the Metals Department at the Southwest School of Art and is a repeat instructor at Say S. Shes a well-known designer of original pieces of jewelry, also, though Behind the Brooch isnt a catalog of her own body of work. Instead, Angulo presents images of brooches from 128 jewelry makers. Not just brooches, either, but the backs of brooches; the pins, fastenings, tiny latches, the filigrees that allow light to pass through and the sly elements that communicate design solely between wearer and maker.

This is very niche. This meticulous focusing-in, rather than making for a dull reading experience, makes flipping through this book a hypnotic experience. In her introduction, the author describes her search for back-of-brooch images as a quest, and her dedication comes from a heartfelt place:

Talking with other artists, she writes, I knew I needed to do something about this. I like her urgency. Glory for the under-appreciated details! Brigitte Martin, who edits Crafthaus, an online art magazine, ups the emotional stakes, effusing: Oh, the things I saw on the backside of brooches that made my nerdy goldsmith heart sing with joy.

With the exception of these two short introductions, Angulo does very little writing in this book. The text is provided via pocket artist statements, many no longer than a tweet. Its hundreds of images of the backs of brooches with artist context. You can flip to any page and find something that, even if it doesnt suit your taste, reveals something tiny but important.

Not all brooch B-sides are intrinsically fascinating to the uninitiated; to my eye, some were just pins, the elegance of how they are affixed or integrated more understandable to crafters. But amid the quotidian appears the poetic. Spanish craft artist Montserrat Lacomba, for example, uses text as a design element, front to back. She explains that sometimes written words are sent to me that I do not understand. Intrigued by their shapes and their meanings, I transform and capture them in my brooches so their trip along unknown paths continues. American crafter Abigail Heuss writes of the rear as a secret, powerful, open place. It is a locket that never closes, to be worn over the heart. One of her backs has a red keyhole shape cut into the fastening metal, its negative space opening into a visceral red backing.

This large-format, coffee-table-ready book feels like a sit-down with a charming, obsessive friend who cannot wait to show you a specialty scrapbook of beautiful things. Or maybe more like combing through the backlog of somebodys Pinterest, the kind of thing one finds oneself sucked into, scanning then relishing entry after entry.

by Lorena Angulo Schiffer Publishing | $34.99 | 176 pp

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Local Srtist Sheds Light on 128 Jewelry Makers in Behind the Brooch

Lewes, DE (PRWEB) September 17, 2014

Wood Waste, Bagasse and Municipal Solid Waste to Remain Major Feedstocks. By mid-2014, wood waste was the most-used biopower feedstock, based on cumulative capacity. Around 32% of all biopower capacity used wood waste as their primary feedstock, as it is very widely available from a number of sources, such as timber businesses. Bagasse was the second most popular, with a 25.77% share, driven by sugarcane's status as a major crop in India, Brazil and China, three of the largest biopower markets. Municipal Solid Waste (MSW), which is also a universally available feedstock, was the third most popular at 16.72%. Landfill gas, wastewater and palm oil had smaller shares, while other feedstock materials contributed 17.25% of the biopower capacity.

Brazil and the UK had the Largest Solid Biomass Capacity Additions in 2013. In 2013, Brazil installed the largest biomass power capacity globally, with 1,730 Megawatts (MW), or 29.7% of the total for that year. The UK was a distant second at 12%, with an annual capacity addition of 641 MW. India, which has a large potential for biomass power, made a significant addition to its capacity with 500 MW, which equated to 10% of the global capacity addition. Thailand, Germany, China, Poland, and Italy followed, with 7.3%, 6.5%, 5%, 4.8% and 2.6% respectively. All other countries' biomass power capacity additions accounted for the remaining 22% of the global annual capacity.

New report "Global Biopower Market - Capacity, Generation, Market Size, Major Feedstock, Regulations, and Key Country Analysis to 2025", provides a clear overview of and detailed insight into the global biopower market. It explains the key drivers and challenges affecting the market and also provides data regarding historic and forecast market growth, average capital expenditure, market size and regulations, globally and in the key biopower countries: US, Brazil, UK, Germany, India, and China.

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Nearly $1 million in renovations planned at the Treasure Island Marina building will bring a new look, but also kick the Tin Roof Restaurant out of its home for up to six months.

Craig Hughes has operated the restaurant in the city owned building along the Great Miami River for five years. Hes reviewing options for survival after meeting last week with city representatives to discuss the renovations planned as part of a riverfront development effort.

We wished we could get improvements done in the building. Be careful what you wish for, Hughes said with a laugh. When he contracted with the city to run the restaurant, he spoke of dreams of canoe rentals and other river activities from and near the building that in earlier times was a focal point of river races and other events.

Initially notified that the closing would be at least 90 days beginning Jan. 1, that period was extended in the verbal discussion. Patrick Titterington, city service and safety director, said the closing could be as long as six months, give or take.

The restaurant and its equipment will need to vacate the building during construction. Hughes said hes looking at options including obtaining a food trailer to take the business on the road while the Tin Roof is displaced.

We are farm people, we know how to survive, Hughes said. Well roll with it.

The project will include repairing the deteriorating building and making vacant space, such as a room with a fireplace, usable. The alternative to renovating, Titterington said, would be demolition, costing up to an estimated $650,000.

City Council voted this summer to support the $10 million riverfront development project updating and enhancing the marina building, Treasure Island Park and Hobart Arena. Of the project, $7.2 million would be for the arena with the balance for the marina and Treasure Island Park.

The $1 million for marina renovations, in a nearly $2 million re-appropriation ordinance council approved Sept. 3, is the only construction money approved for the project so far. The balance of the re-appropriated money dollars moved from the general fund to the capital improvement fund - was for completing design of the three projects. Council still would need to vote on borrowing money for the rest of the project.

Hughes said plans for a renovated building are exciting. It is going to be a beautiful showplace when done, he said.

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Marina building project to displace restaurant

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The Stockton neighbourhood being filmed for the controversial Benefits Street TV show has been promised a makeover - to make it look better - claim residents.

Families in Kingston Road, Tilery, are being promised new windows, porches, gutters and roof facias as filming continues for the Channel 4 show.

Letters informed 25 households they were being included in a 60m improvement programme.

But many locals claimed it was only being done so the street does not look like a dump on television.

One resident, who did not wish to be named, said: Someone at the council must have realised that leaving this place as it was reflected badly not on us, but on the whole of Stockton, and the place would look like a dump.

So now we hear that our houses are finally going to get done up.

"Life here has suddenly turned very sweet.

Anyone who thought we were mad to get involved with Benefits Street needs to think again.

Thirteen, the housing association carrying out the work, said the refurbishing had been budgeted and planned several months ago.

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'Benefits Street' residents say 60m facelift plan has been introduced so road 'doesn't look like a dump' on TV