Home Builder Developer - Interior Renovation and Design

The Principles of True Art is not to portray, but to evoke Jerzy

As rightly said in the words of Jerzy Kosinski, the painting is what catches the eye of the viewer and also tells a story behind portraying the emotions of the artist and evokes him to action. Every painting is one of the famous paintings of all time itself as every Artist makes a painting with all his heart and sweat.

Theres always a hidden inspiration behind to prepare that masterpiece whether it be your devotion for someone, your inspiration from something, your depiction of social evils of the society.

We have curated a list of 50 unbeatable paintings of all times and have stood out in the entire art Industry:

Composition 8

This geometrical sort of painting was made in 1923 by Vasily Kandinsky. It was one of the best pieces of postwar by Vasily. Kandinsky also evolved an abstract style that reflected the utopian artistic experiments of the Russian avant-garde.

Royal Red and Blue

This awkward-looking color strokes painting was an abstract color-field art made in 1954 by the Artist Mark Rothko. This Abstract Painting was also one of the highest sold painting in the Sothebys Auction fetching a whopping price of $75.1 Million.

Starry Night

The Starry Night was also one of the most famous paintings of the Dutch artist Vincent Van Gogh. He created it in 1889. It is the depiction of a view of the east-facing a window of his asylum room, just before the sunrise. The painting became famous because of its modern aesthetic touch and is safeguarded in the Museum of Modern Art in New York City since 1941. Many creators have even tried making something similar too but could not achieve the success.

Beheading of Saint John the Baptist

Italian artist Caravaggio made this Oil painting. This masterpiece is also considered one of the most important works in Western painting. The painting shows also different sides of death and human cruelty and how its scale and shadow daunt and possess humans nowadays. This painting was completed in 1608 and was celebrated worldwide by its a clear depiction of the dark world too.

Guernica

The Very famous Artist Pablo Picasso of all times also made this portrait in 1937 as a political rejoinder to the Nazis devastating casual bombing practice on the Basque town of Guernica during the Spanish Civil War. The picture also depicts the pain and agony of civilians who were attacked too in the tragedies of war. This painting still keeps alive the suffering of people and also the dark massacre day.

Night Watch

The night watch is one of the best and famous paintings in the collection of the Amsterdam Museum. The Night Watch is one of the most famous Dutch Golden Age paintings made in 1642 by Rembrandt Van Rijn. This famous painting also depicts the eponymous company moving out, led by Captain Frans Banninck Cocq and his lieutenant, Willem Van Ruytenburch. The dramatic use of yellow and red shades also highlights the important characters of the famous paintings attracting our eyes towards them too.

The Persistence of Memory

This artwork is also one of the very famous paintings by the artist Salvador Dali completed in 1931. The painting is a depiction of Melting clocks and is one of the most recognized works. This Surreal piece of work is the representation of Dalis theory of Softness and Hardness which is central to the thinking of the time. This modern work of art was very much appreciated by everyone and now this sits in the museum of modern art, New York City.

Luncheon on the Boating Party

The Luncheon on the boating party is one of the most famous paintings made in 1881 by the French painter Pierre-Auguste Renoir. This Painting was also one of the best painting in the Seventh Impressionist Exhibition in 1882. This painting is a true example of wealthiness, the beautiful impression of strokes and also an amazing art style.

No. 5, 1948

One of the most priced painting by Jackson Pollock, an American painter also not surpassed until April 2011. The painting was made from liquid colors and is one kind of an abstract art sold at a whopping price of $140 million. It was also painted on the fibreboard with different hues of brown, grey, white and yellow paint all mixed up together forming the shape of a birds nest.

Water Lilies

Water lilies is not just one single painting but also a series of approximately 250 oil paintings all depicting flower garden at his home in Giverny. These series is painted by French impressionist Claude Monet. All these series were also very expensive and one of them was sold for 18.5 million in an auction in London.

Landscape with the Fall of Icarus

This oil painting is also kept in the Royal Museum of Fine Arts of Belgium in Brussels. This painting is depicting a scene from Greek mythology where Icarus succeeded in flying with wings made of beeswax by his father. However, he flew too close to the sun and ended up drowning in the sea which is also shown in the painting. However, studies also suggest that this painting is probably a version of a lost original by Bruegel.

Las Meninas

The Las Meninas was also made by the leading Spanish artist of Golden age in 1956 by Diego Velazquez in the Madrid city. This painting is considered as one of the best and most important paintings of modern art history depicting different stories and angles in the picture also. Also, every viewer of this picture interprets a different story of the pictures due to the involvement of many subjects in the painting.

Three Musicians

The Three Musicians is the title given to the two similar oil paintings and collage made by the great Spanish artist Pablo Picasso. They both were completed in Paris, France around 1921 and was considered as one of the most Synthetic Cubist Style Paintings. Each of this painting portrays Harlequin, a Pierrot and a Monk also, who is believed to be representing Picasso.

A Sunday Afternoon on the Island of La Grande Jatte

The A Sunday Afternoon on the Island of La Grande Jatte is one of the most famous paintings of George Seurat made in 1884. This painting depicts a lot of Parisians chilling on a Sunday afternoon on the banks of the River Seine. This painting was also made on a large canvas using the pointillist technique.

Impression, Sunrise

The Impression, Sunrise portrays depicts the port of Le Havre, the hometown of Cloud Monet, at sunrise, a red sun and also two rowboats being the main elements of the masterpiece. The painting was made by Claude Monet in 1872 and was unique in its own way too.

The Triumph of Galatea

Triumph of Galatea was also a fresco made in 1514 by the Italian Painter Raphael for the Villa Farnesina in Rome. It was a commissioned work by one of the richest men Sienese banker Agostino Chigi. The bright colors and the decoration of different figures in the image are said to be inspired by the ancient Roman sculptures, which make its placed also in our top 50 list of famous paintings in the world.

View of Toledo

The view of Toledo is one of the surviving two landscapes, which was painted by El Greco. It is also one of the best depictions of the sky and the perfect example of Western Art. The picture is also very natural and real in accordance with the actual city. Landscape Paintings were pretty rare in Spanish artwork of the renaissance period. In this painting, El Greco rearranged the buildings a bit y taking liberty over toledo.

The Tower of Babel

The tower of Babel was made in the year 1563 by Pieter Bruegel the Elder. This famous painting is one of the best depictions of religious art, also in accordance with the book of Genesis in the Bible. Mythologically, it is the origin of why people of the world speak different languages.

The Dance

This Dance painting was made in 1910 by Henri Matisse at the special requests of an Art Collector Sergei Shchukin and a Russian Businessman. The Painting of five nude men dancing depicts liberation and hedonism and use of bright warm colors like red against the green and blue landscape is also very mesmerizing to watch and also has an appeal of modern art.

The Swing

The Swing is an 18th-century oil painting made by Jean-Honor Fragonard in the Wallace Collection in London. The painting portrays a young beautiful woman sitting on a swing amidst the greenery smiling. The painting is also considered to be one of the most beautiful art pieces of all times.

The Gleaners

It depicts threepeasantwomengleaninga field of stray stalks ofwheat after the harvest. The painting is famous for featuring in a sympathetic way what were then the lowest ranks of rural society; this was received poorly by the French upper classes. MilletsThe Gleaners was preceded by a vertical painting of the image in 1854 and etching in 1855. Millet unveiledThe Gleaners at theSalonin 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of the scaffolds of1793.

The Flower Carrier

The Flower Carrier was a masterpiece in true sense curated by Diego Rivera in 1935. This simple symbolic painting also full of vibrant hues carries a very deep meaning behind to tell to its viewers. The geometrical shapes offering colorful contrasts also show the hidden message of Individualism the way the Peasants wife is also helping him carrying the flower basket while he is struggling to stand straight too.

The Kiss

This perfect depiction of early modern art was made by the Austrian Painter Gustav Klimt between 1907 and 1908. This painting is also a beautiful depiction of the chemistry of a couple tangled in the silver and gold sheet and embracing each other by making love and kissing. It is one of the most popular Klimts work.

Portrait de Lartiste Sans Barbe

This is one of the last oil painting of Vincent Van Gogh, which is also the self-portrait without beard and was made in 1889. This self-portrait was one of the most expensive painting of that time, which was sold for a jaw-dropping amount of $71.4 million in New York City in 1998. Van Gogh also gifted this to his mother on her birthday.

Whistlers Mother

The Whistlers Mother is a renowned painting made by the American born Painter Jame McNeill Whistler in 1871. The picture is of Jamess Mother Anna McNeill Whistler displayed in also McNeills own designed frame. This is one of the most famous paintings made outside of America. This painting is known as the American Icon and also as the Victorian Mona Lisa.

Bal du Moulin de la Galette

The Bal du Moulin de la Galette was also painted by a French artist Pierre-Auguste Renoir in 1876. This painting is also kept in Musee dOrsay in Paris and is one of the most celebrated masterpieces. This picture is a real-life depiction of richness where working-class Persians used to gather together and celebrate with music, dance and beautiful dresses back in the 1870s.

The Son of A Man

This painting is so unique in its known because of the feature of Self-portrait made by the astounding Belgian painter Rene Magritte in 1964. This painting portrays a young man donning a formal suit with a sea, sky background and a hovering green apple also covering his face but still his eyes peeking from aside. This picture tells a deep message of a conflicting opinion of what is visible and what is hidden.

Cafe Terrace at Night

The Cafe Terrace at night was made by the Dutch artist Vincent Van Gogh in 1888. This oil painting was also made in first exhibited in 1891, was also entitled Coffeehouse, in the evening(Caf, le Soir). The painting is currently housed at the Kroller-Muller Museum in Otterlo, Netherlands.

American Gothic

The American Gothic was also painted by Grant Wood in 1930, it is right now kept in the Art Institute of Chicago. Wood created this painting of a farmer standing with a woman beside him who is said to be his sister. Wood got the idea of this portrait from an American gothic house in Iowa and also the people residing in it.

Les Demoiselles dAvignon

This is one of the greatest and also the most famous paintings of the well-known painter Pablo Picasso created in 1907. This painting model 5 nude prostitutes posing in a brothel with disangular body frame and angles. This painting provokes a lot of criticism and controversy as it was regarded as immoral, sexist and racist at the time of the first exhibition. It was drawn in the era of Cubism as it reflects that itself.

The Grand Odalisque

Grand odalisque is an oil painting made by Jean Auguste Ingres in 1814 depicting an Odalisque. This, depicting a sensual and exotic woman laying in an orgy manner. The picture was also widely criticized because of its obscene nature and is now housed in Louvre museum, Paris. This eclectic mix of styles, combining classical form with Romantic themes, prompted harsh criticism when it was first shown in 1814. Critics viewed Ingres as a rebel against the contemporary style of form and content. When the painting was first shown in the Salon of 1819.

The Liberty leading the people

Liberty leading the people is an illustration of the July revolution in 1830 painted by Eugene Delacroix. This one of the very famous paintings portrays a bare breasts woman holding the flag of the French Revolution in one hand and surrounded by men wearing Phrygian caps is classifying the concept of Liberty. The flag that she held also became the national flag of France.

Napoleon crossing the Alps

One of the most famous paintings made by Jacques -Louis David of Napoleon Bonaparte completed around 1805. The Painting shows a royal image of Napoleon riding his horse with his army through the Great St. Bernard Pass in May 1800. The picture depicts royalty and also greatness in every sense.

The rest is here:

50 Most Famous Paintings of All Time in the Art History (Ranked)

A group of volunteers gathered Thursday at the UW South Madison Partnership to paint murals designed by Madison-based artist Lilada Gee.

Im hoping these portraits represent the need to remember the individual within the community, Gee said. While this is a community space, each of us has different needs and experiences and expression. So even as we think of community, Id like us to remember that there are multiple experiences within those communities.

The mural painting project was developed in collaboration with UW South Madison Partnership staff, the paint company PPGs Colorful Communities program, and campus partners. The murals reflect Gees bold and colorful style and are designed to inspire the community and families that use the location for programming.

I appreciate the humanity of this community mural painting, particularly seeing non-Black and non-women painting these images of Black and brown women and children, Gee said. When you paint someone, I think you have to step into their perspective and what their experience might be a little bit because you are helping to bring them to life.

1 From left to right, Kim Blair, senior director of development at the UW Foundation; Desiree Bates, co-lead on the UW Bridge to the Chemistry Doctorate Program and UW computational chemist; Shannon Brown, graduate student and Bridge Fellow; and Candace Patterson, South Madison Partnership coordinator, work on a mural on the wall of the Kids Classroom. Photo by: Althea Dotzour

2 Madison-based artist Lilada Gee poses for a portrait in front of one of her mural designs at the UW South Madison Partnership. Photo by: Althea Dotzour

3 Julie Rae, assistant director of engineering career services in the School of Engineering, rolls on paint. Photo by: Althea Dotzour

4 Matt Faber, an employee of the paint company PPG, adds finishing touches to a mural. Photo by: Althea Dotzour

5 Bright colors with names like healing plant, diva glam, and unmellow yellow were picked by mural artist Lilada Gee for the mural. Photo by: Althea Dotzour

6 Zhenyu Zhao, a UW business school graduate student, paints a mural while Bob Hamers, co-lead on the UW Bridge to the Chemistry Doctorate Program, steps back to look at their work. Photo by: Althea Dotzour

7 Candace Patterson, coordinator of the South Madison Partnership, smiles while painting. Photo by: Althea Dotzour

8 From left to right, Patricia Armenta, UW chemistry graduate student and Bridge Fellow; and Dean Welch, business engagement manager with the Office of Business Engagement, work on a mural. Photo by: Althea Dotzour

9 Patricia Armenta, chemistry graduate student and Bridge Fellow, paints a fine black line. Photo by: Althea Dotzour

Read the original post:

Mural painting brings community together - University of Wisconsin-Madison

Through Aug. 26, 60 artists and more than 70 artworks are part of an eclectic exhibit at the McLean County Arts Center. At first, they may not appear to go together, but the pieces that make up The Painters Pedagogy all have a connection to Harold Gregor.

Gregor was a celebrated visual artist and longtime faculty member at Illinois State University whose students have enjoyed remarkable success. Gregors catalog and, by extension, that of his students, explores a wide range of approaches and mediums.

Variety is a theme that courses through the show that takes up the Brandt, Armstrong and Dolan galleries, and even spills into the lobby of the downtown Bloomington arts center.

Center executive director Doug Johnson, a painter and former student of Gregor himself, curated The Painters Pedagogy." His suggestion for navigating the show is to begin in the Brandt Gallery, where, just to the left of the doors, is the last work Gregor created before his death in 2018.

Part of Gregors "Vibrascape Series," the abstracted, colorful landscape demonstrates the artists way of working. He moved left to right (similar to how many western cultures read), beginning with a pencil drawing on the canvas before filling in with paint.

This was a series initiated by Dr. Gregor after he had fallen off a mountain in Italy and injured his right hand, Johnson said. He was painting these works initially with his left hand, so they are much looser and more gestural. He continued that series even after his hand healed.

Johnson said the unfinished painting can be viewed as a metaphor for the whole exhibit. The legacy of his unfinished work is demonstrated by this collection, he said.

Before relocating to Bloomington in 1970, Gregor was primarily an abstract expressionist. We see a few paintings here from students who have absorbed that, Johnson said.

If Gregor is known for anything (other than his versatility), it is his affinity for landscapes, which he began painting in earnest after settling here. Indeed, Gregor has been called Dean of the Landscape School, and is credited with revolutionizing that technique for the modern era.

On the north wall of the Brandt Gallery is a landscape by Gerald Earley, whose numerous awards include Best in Show at Normal's Sugar Creek Arts Festival. Another is by James Whim, who has two paintings included in the collection. Whim studied with Gregor in the late 1970s and his artwork is displayed at the Metropolitan Museum of Art and Art Institute of Chicago.

Thats been a real treasure to have work of this quality in this exhibition, which normally youd have to go to a major museum to see, Johnson said.

Other landscapes are peppered throughout the galleries, each with its own bent and approach. Central Illinois posed challenges and advantages to Gregor and his students as they looked for interesting and beautiful things in what is perceived by many to be a boring, flat part of the country.

Hopefully, we all find magic in the banal experience that we can make a connection to and expand beyond ourselves, Johnson said. Landscape is a vehicle for that. Exploring the delicacies of light and our magnificent Midwestern skies all of those things are really important.

One neednt stop after viewing the landscapes; there are goodies around every corner of this immense show.

Be sure to take in works by Ken Holder, for example, including a whimsical painting of Holder and Gregors shared studio in downtown Bloomington complete with a shirtless Holder leaning out of the window. The south wall of the Brandt Gallery is particularly chock full of heavy hitters from the art world. And be sure to glimpse the extraordinary statue by another Twin City artist, Nicolas Africano, in the center of that room: a cast white glass, gold-dusted bust and accompanying rose.

The Painters Pedagogy runs through Aug. 26 at the McLean County Arts Center in downtown Bloomington. Attendance is free and open to the public.

See original here:

Beauty in the banal: Exhibit celebrates painter who wrote the book on Midwest landscapes and much more - WGLT

Two Nova Scotia men are painting a new mural in downtown Sudbury in the Mikmaq Eastern Woodlands tradition

A couple of Halifax-based visual artists are enjoying Sudbury's summer weather thanks to being invited to the city to paint a fresh mural downtown. Chris Mitchell and Greg Mitchell, twin brothers of Mi'kmaq heritage, were commissioned by Sudbury's Up Here Urban Art + Music Festival.

They have been painting a new mural on the old building adjacent to Sudbury's downtown YMCA. The mural is a depiction of Canadian wildlife in the popular eastern woodlands style that many Canadians would recognize.

"Well, yeah, this is because I did a drawing originally and then we just freehanded this based on a drawing I did. It is just a woodland style okay, because we're from a Woodland Nation from East Coast Mi'kmaq," Greg explained.

"So this is similar to Mi'kmaq petroglyphs. The moose is very common. So this is a moose and a bear. The black bear is important in Mi'kmaq spirituality. And then also they're both animals that are, you know, native to the area," Greg said.

The painting style, with the bold strokes and vivid colours, abstract form and nature themes has some similarity to the work of the late Norval Morrisseau, the iconic Indigenous artist from Bingwi Neyaashi Anishinaabek First Nation in the Lake Nipigon area of Northern Ontario. Greg said Morrisseau was indeed the grandfather of that popular style.

Chris remarked it was one of the reasons for their choice of paint. He said their choice was to use a heavier duty outdoor house paint with strong colours.

"It requires just one layer. You can do it a lot quicker and it's way more vibrant. So, we actually use the same paint we use in the studio or on canvases for fine art," Chris said.

He added that the colour palette is reminiscent of colours used by Indigenous artists half a century ago.

"We wanted that to look kind of like red ochre. We use those kinds of colors and we're going to throw some royal blue in here to make it pop, but kind of give it that like Woodland arts style from the 60s and 70s. That's kind of the main inspiration," Chris said.

Painting murals in the outdoors has its own level of attraction, the brothers said. Normally, they are confined to a studio working on canvas producing fine arts. Chris said that has its limits.

"You just can't work in there for a long period of time. So it's nice. We get a breeze here. And we love to see somebody come by to talk which is nice. Yeah, I like the outdoors more because I like fresh air instead of being, you know, cooped up indoors all day," Chris said.

Greg said murals have become part of the urban landscape in many North American cities.

"I mean I see it in Ontario for sure. You go to Toronto, and there's graffiti or street art everywhere. And it's kind of like it's almost a tourism thing, in a sense, like a graffiti alley," Greg said.

He said doing murals is not a mainstay for their artwork like some painters. Greg said in most cases it is because someone likes an image they have already created and the mural work is basically transferring that image to a larger canvas, or in this case, a brick wall.

Chris said he sees murals becoming an urban art form that will only increase in popularity in the coming years.

"It's because for so many cities and towns in Canada, they're only 100 years old or so," said Chris. He said looking back at all those buildings, all he sees are so many square shapes and rectangles.

"So okay now years later, when we realize that all these boxes are soul-crushing, it's like well, we can paint them. So I think nowadays when people realize, oh, let's make these flat boxes look more visually appealing."

The Mitchells have a website for their art business at borninthenorth.com .

Len Gillis is a reporter at Sudbury.com. Bold is made possible by our Community Leaders Program.

Read the original:

Bold: Painting in the outdoors is nice work when you get it - Sudbury.com

Manchester rapper Aitch has apologized for painting over a mural of late Joy Division singer Ian Curtis, apparently inadvertently, with an ad for his new album Close to Home, and promised to get this [situation] fixed pronto.

As noted by Stereogum, the ad went up Wednesday in Manchesters Northern Quarter on Port Street ahead of Aitchs albums release on Friday.

Its come to light that the iconic Ian Curtis mural on Port Street has been painted over with my album artwork, Aitch tweeted. This is the first time Ive heard of this, me and my team are getting this fixed pronto. No way on earth would I want to disrespect a local hero like Ian. He added that he wasnt aware the ad would be placed over Curtis portrait, and said the situation is being remedied as we speak.

Thank you, Joy Division bassist Peter Hook replied on Twitter.

Aitchs management posted that it has been in touch with the murals painter, Akse P19. As soon as we found out what had happened, we contacted @Akse_P19 re: recommissioning of the original mural and were working closely with @ManCityCouncil, they wrote. Wall owners permission needs to be obtained before original mural can be reinstated.

The Curtis mural was unveiled in October of 2020 and was painted by graffiti artist Akse P19 (from a photo by Philippe Carly) in an effort to support mental-health awareness via an initiative from Manchester City Council.

Curtis was just 23 when he committed suicide in 1980, but the two albums and multiple non-album tracks he recorded with Joy Division have cast a long influence over the decades of rock music that have followed. The other members of Joy Division continued as New Order.

Akse wrote on Instagram: So my mural of Ian Curtis based on the original photograph by @philippecarly has been painted over to promote the release of a new album, personally I dont have anything against hand-painted advertising as this is how I make a living, but this mural was painted in collaboration with @headstockuk and supported by @manchestercitycouncil and @sweetnothingmcr to raise awareness for Mental Health and support @giveusashoutinsta a free text messaging services to help people with mental health issues, it had become a cultural landmark and meant so much to people from Manchester and beyond; it doesnt take much common sense to understand that this mural should have remained for what it represented and stood for.

Original post:

British Rapper Aitch Working to Fix Manchester Mural of Joy Divisions Ian Curtis That Was Painted Over for His Album Advertisement - Variety

The Guggenheim Museum in New York City Stan Honda / AFP via Getty Images

Every work of art that hangs on a museum wall has a story behind it, and that story isnt always pretty. Museums around the world are grappling with legacies of theft, violence and colonialism in their collections. In New York, a new law aims to confront the painful legacy of the Holocaust: The states museums are now required to acknowledge if a work of art was stolen by the Nazi regime.

Governor Kathy Hochul signed the law on August 10 as part of a legislative package aimed at honoring and supporting Holocaust survivors. Beginning immediately, museums will need to prominently place a placard or other signage acknowledging Nazi-looted art. Hochul signed two other bills as well: One requires schools to provide high-quality Holocaust education, and another requires the states Department of Financial Services to publish a list of banks that waive fees for Holocaust reparation payments.

As New Yorkers, we are united in our solemn commitment to Holocaust survivors: We will never forget, says Hochul in astatement. These are individuals who have endured unspeakable tragedy but nonetheless have persevered to build lives of meaning and purpose right here in New York. We owe it to them, their families, and the six million Jews who perished in the Holocaust to honor their memories and ensure future generations understand the horrors of this era.

The Nazis looted some 600,000 artworks from Jews during World War II. Though the Holocausts atrocities occurred many decades ago, their legacy still reverberates in the lives of survivors and their familiesmany of whom are still not in possession of what was once theirs. The Louvre, for example, holds around 1,700 Nazi-looted works of art.

Advocates for Holocaust survivors have long been calling on art institutions to do better. In 2018, the Louvre opened an exhibition of art stolen by Nazis, claiming that the goal was to find the works rightful owners. But restitution scholar Marc Masurovsky told the Washington Posts James McAuley that these efforts were far too little, far too late. The museum, he said, should be more proactive about identifying the rightful owners of the works in its collectionsa vital step in restitution that museums around the world struggle with.

Uncovering the provenance of a piece can be slow work that sometimes never reaches resolution, wrote Jackie Mansky for Smithsonian magazine in 2017. Thats especially the case when art is swept up in war or political instability.

In 1998, 44 countries signed the Washington Principles, a set of international guidelines for returning Nazi-looted art; since then, countries like Austria and Germany have returned tens of thousands of stolen items, as Stuart E. Eizenstat, who spearheaded the agreement, noted in a Washington Post opinion piece in 2019.

And in recent years, some restitution battles have made headway. French museums returned 15 works of Nazi-looted art to Jewish families earlier this year.Just a few months ago, the London-based Commission for Looted Art in Europe managed to return a 1683 painting to a 101-year-old Dutch woman named Charlotte Bischoff van Heemskerck. And in April, the United States Supreme Court unanimously sided with the Cassirer family, which was seeking to obtain a Nazi-looted painting from a Spanish museum.

But along with wins, there have been losses. As Suzanna Sherry reported in April for SCOTUSblog, though the Supreme Court sided with the Cassirer family, they still may not obtain the painting any time soonor ever. On a longer timeline, as Eizenstat wrote, Russia and a handful of other European nations that supported the Washington Principles have largely ignored or barely implemented them.

The New York legislation does not address restitution, which has been an issue in the state. In 2009, after settling for an undisclosed amount, the Museum of Modern Art (MoMa) and the Guggenheim kept two Picasso paintings that historian J. H. Schoeps had claimed were rightfully his, Christine Kearney reported for Reuters. A different Picasso was at the center of a legal battle between the family of Paul and Alice Leffmann and the Metropolitan Museum of Art; in 2019, the U.S. Court of Appeals upheld a previous decision siding with the Met.

New Yorks new law also doesnt acknowledge art that was stolen outside of Europe, Elizabeth Shwe points out in Gothamist. The governors office did not respond to Gothamists inquiries about art stolen from non-European countries.

So far, per Gothamist, the Met, the Whitney Museum of American Art, MoMa, the Guggenheim and the Brooklyn Museum have not released information on how they plan to comply with the new laws requirements.

Recommended Videos

Read the original here:

Was That Painting Stolen by Nazis? New York Museums Are Now Required to Tell You - Smithsonian Magazine

There are unique play structures and play equipment with colorful and textured pathways to create a wheelchair and sensory-enriched accessible playground.

SACRAMENTO, Calif. Sacramento's Southside Parkgot a makeover today that is out of this world.

It is National Painting Week and Jonnie and Friends Reach for the Stars partnered with Sherwin-Williams and the City of Sacramento to give Southside Park's playground a much-needed fresh coat of paint.

The theme of Southside Park's playground is "Universal Universe," and many rides, swings and structures revolve around the solar system theme. There are unique play structures and play equipment with colorful and textured pathways to create a wheelchair and sensory-enriched accessible playground.

Since 2011, Sherwin-Williams has partnered with community organizations around the country through its National Painting Week Program. Also, since 2019, Jonnie and Friends Reach for the Stars has worked rain or shine to restore the playground at Southside Park.

Now today, employees from Sherwin-Williams and volunteers from Jonnie and Friends repainted an interior part of the playground and touched up walkway graphics, adding bright colors to a once dull sidewalk.

"Today was a symbolic day," said Marc Laver, founder of Jonnie and Friends Reach for the Stars. "This is the collaboration to bring in more special kids and all kids to unite."

Laver was inspired to "reach for the stars" when his son, Jonnie, who struggled with meningitis complications, could not play in the park in his wheelchair when he was younger. Once he and his son came to that realization, the Laver family became advocates for adding accessible play features to the playground.

"Every child regardless of their abilities deserves to have fun and deserves a safe place to play," Laver said. "'Universal Universe' gave my son and his friends exactly that."

After his son passed away, Laver dedicated his time and energy into the community, not only making the playground accessible in memory of his own son but for other kids who deal with the same accessibility struggles.

Since it started, National Painting Week has completed more than 15,000 projects using more than 35,000 gallons of donated paint.

The future plans of Jonnie and Friends include raising private donations for more sensory-enhanced features that kids of all abilities can benefit from, partnering with the community, and developing trainings and workshops to support integrated play.

The rest is here:

Southside Park gets fresh coat of paint for National Painting Week - ABC10.com KXTV

FARMINGTON Nearly every evening, Carlton Rollins can be found selling paintings, sitting next to his car in downtown Farmington.

Rollins, 73, is a big numbers guy: he estimates that since the 1970s hes sold over 5,000, perhaps 6,000 paintings and over 2,000 rock paintings; he can clock in at up to 24 paintings and 50 rock paintings a day, he said.

Rollins hails from Harpswell, where he taught himself how to paint when he was around 10 years old. He quickly discovered art was a wonderful way to form connections and cope with the hardships of life.

In 1974, he moved to Franklin County to study art and English at the University of Maine at Farmington.

In the nearly five decades that have followed, Rollins has spent his time writing poetry and painting canvases, rocks and murals across the county in particular at his home in New Sharon and out of his car in downtown Farmington.

Rollins said his artwork has reached all 50 states, 30 countries and five continents. Hes sold to locals, Mainers, travelers and exchange students. His artwork has also sat on the walls of galleries in New York City and Farmington.

From my dooryard in New Sharon, Ive reached the world,' Rollins said he likes to say.

Hes especially proud of those figures because his favorite part of being an artist is sharing things with other people.

I love that they get uplifted, find some happiness in the poetry and art that I make, he said. I love being out in public, meeting people.

Thats one of the reasons why Rollins moved his gallery to downtown Farmington, where he can reach more people, he said.

From 5-7 p.m. most weekdays, Rollins sets up shop along the sidewalk downtown. He lays out many of his paintings atop the windshields and roof of his car, with more placed on the ground certainly a refined system.

Rollins backseat is filled with boxes of paint, other art supplies and countless more paintings many of which are works in progress.

One woman said to me, you got a whole art studio in your car!' Rollins exclaimed.

His artwork focuses on a variety of subjects whatever comes in my head, he said. He describes his artistic style as surreal impressionism.

Sometimes, he paints abstracts and landscapes, sometimes flowers, sometimes figures.

Back again to the numbers, Rollins said hes painted over 400 paintings of Clearwater Lake in Industry, 30 of Smalls Falls near Rangeley and 24 of Mt. Blue all in high demand from his clientele.

Lately, though, his favorite thing to paint is puffins and lighthouses.

However Rollins is happy to paint whatever people like which is why Clearwater Lake can be found in the many paintings for sale around his car.

Painting is in some ways a means to an end for Rollins particularly with recent rising costs of living. But Rollins said that the connection with others might sometimes come first.

He recalled a day when a group of elderly women were admiring his paintings but expressed they couldnt afford them. Rollins said it was a simple decision to give some of his paintings away to the group.

Generosity is important in all aspects of my life, he said.

A downpour begins but Rollins not leaving anytime soon; his paintings are all waterproof.

Invalid username/password.

Please check your email to confirm and complete your registration.

Use the form below to reset your password. When you've submitted your account email, we will send an email with a reset code.

Previous

Next

Link:

Meet the Farmington man who sells his paintings next to his car downtown - Kennebec Journal and Morning Sentinel

The GAF Cool Community Project recently finished a task that saw it paint 1 million square feet (92,903 square meters) of roads, playgrounds, and parking lots in the Los Angeles, California, neighborhood of Pacoima.

Although the group invited artists to paint some murals on the ground, the need for roads not being distracting means that, for the most part, drivers might not notice a change in color. They may well feel the effects of the paint, though, according to Fast Company.

Thats because the paint used is made by Streetbond, a subsidiary of GAF, and is called Invisible Shade. It promises to reflect sunlight off the streets and, hopefully, cool the community down.

Read Also: There Are 8 Parking Spots For Every Car In America, So Cities Reconsider Their Rules

The paint is being used to combat something called the urban heat island effect, in which cities become hotter than nearby rural areas. The phenomenon happens as a result of a number of factors, including the lack of trees to provide shade, the heat of human activity, and more.

One of the culprits behind the effect, though, is the vast quantities of concrete and asphalt in cities, which absorb and trap the heat, making cities feel hotter. Its a widely felt phenomenon and has led to cities like New York painting the roofs of their buildings a reflective white in order to help push out some of the heat.

The Invisible Shade paint being used for this project, though, is even cleverer. The manufacturer says that it not only reflects light in the visible spectrum, but light in the infrared spectrum, too, which is where the majority of the suns heat comes from.

Reflective paint, no matter how clever, wont solve global warming, but it can make cities feel more livable. The results of this project are just anecdotal, but so far, the paint appears to have contributed to cooling the surface of painted areas in Pacoima by 10 to 12 degrees. The company will now spend the next two years studying the effects of the paint more closely to see how successful it is.

The ultimate goal is not just to lower the ambient temperature of the community but to see how it impacts the livelihoods of people in the community, says Jeff Terry, vice president of corporate social responsibility and sustainability at GAF.

Read more:

LA Covers 1 Million Square Feet Of Roads Will Special Paint To Cool The City Down - CarScoops

Richard Schloss has been painting in Santa Barbara for 50 years.

Now hes completed another creative endeavor one 20 years in the making.

Mr. Schloss has released his first book, Painting in the Light. Mr. Schlosss book is a treatise on the way people perceive light and atmosphere and how he has painted it.

The unique thing about his book is that it is a scientific analysis from an artists perspective. It is more aesthetic than technical. His book is 160 pages long and contains more than 150 paintings.

I have been painting for 50 years in Santa Barbara. Ive never written anything except college papers, Mr. Schloss told the News-Press.

In the 1990s, one of his counselors challenged him to try something different. Youve been painting for a long time, said his counselor. So Mr. Schloss tried different styles of painting.

Mr. Schloss then had the idea of writing a book. For Mr. Schloss, his book was an idea of self-expression, a sort of a completion for me, a synopsis of what I have done.

I have taken an interest in light and the way light works and how we paint it, he said. The book is about how I approach painting the light, and how artists paint light.

During COVID-19, I started writing, and then it sort of came together. Initially it was about expressing myself and how I paint and what interests me in painting. It turned into a book so I started putting it together as a book with about 150 paintings, said Mr. Schloss.

When Mr. Schloss finished his book, he sent it to a publisher in Wisconsin. His book is based on a series of nine teaching workshops in the early 2000s. I did nine little studies representing different lighting situations as an illustration. When I wrote the book I used those nine paintings as the basis of the book, said Mr. Schloss.

The News-Press asked Mr. Schloss what he wanted readers to take from the book, and he cited a comment by local author and art critic, Richard Payatt: It is fascinating. The text is marvelous. I have learned Richard Schlosss views on light and color, and probably wont ever look at landscapes the same again. I am about halfway through the book, and the images are lovely.

The News-Press asked Mr. Schloss how he hoped his book would influence other artists: I didnt intend for it to be for artists. Artists develop on their own and have their own unique way of expressing themselves.

I dont want to tell people how to paint because it ruins their uniqueness. I wouldnt want to formulate an artist and tell them how to work, but I like the idea of an artist looking at it and seeing something different, he said. I look at the light and the space of the view. Where is the light coming from and how does the atmosphere affect it? Instead of drawing where you paint, you start with an abstract creation of light and dark, defining the space and then finding the objects in the space.

Mr. Schloss was born in 1953 in Fort Worth Texas, but worked and showed in Santa Barbara since 1972. He completed a master of fine arts in painting in 1979 and a bachelors in Italian in 1981. He initially explored many different styles and mediums, but focused on painting outside in the landscape in 1976, which he continued to do exclusively until the mid 80s. Today, he continues to paint en plein air on small paintings, but does most of his work in the studio on large paintings.

In 1980, he spent a year painting in Europe on an award-winning scholarship. In 1992, he was chosen to paint the diorama backgrounds for the Cartwright Interactions Hall of the Santa Barbara Museum of Natural History. He has done numerous commissions for public spaces, including Santa Barbara Cottage Hospital, Santa Barbara Historical Museum and The Palo Alto Medical Foundation.

In 2015, he was offered a large, one-man show at the Museum of Ventura County. His work is included in four museums in the central California area: the Santa Barbara Historical Society, Ridley Tree Museum, Santa Barbara Museum of Natural History and the Museum of Ventura County.

Mr. Schloss is the only known living artist in Santa Barbara whose paintings are found in four museums, and he has been a member of Santa Barbaras Oak Group since its inception in 1986.

Mr. Schloss explained how his career influenced the writing of his book.

I think everyone should write a book because everyone knows something, he said. When you write, you crystallize in your mind what you are good at and what you know. When you write a book, actually having to write it down in a concrete way that makes sense crystalizes what you know.

Mr. Schloss explained that his book was never meant to be a financial endeavor.

It was something I wanted to do.

email: kzhender@newspress.com

FYIRichard Schloss will sign his book, Painting in the Light, at these Santa Barbara locations: 6-8 p.m. Aug. 26 at the Santa Barbara Fine Art Gallery 1321 State St. (next to the Arlington Theatre). 4-6 p.m. Aug. 28: Book Den, 15 East Anapamu St.6-7:30 p.m. Sept. 7 at Chaucers Books, 3321 State St.His book is available for sale at the Santa Barbara Fine Art Gallery, Book Den, Chaucers Books and santabarbarafineart.com/product-page/painting-the-light-by-richard-schloss-book.

Read more:

Painting in the Light - Santa Barbara News-Press