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MADISON, Wis. -
An estimate of damage caused by east Madison building fire was not yet available Saturday but the fire remained in control as firefighters remained at the scene overnight, officials said.
Madison Fire Department spokeswoman Lori Wirth said crews had stayed watch overnight to battle hot spots at the site where an apartment building under construction on Apollo Way caught fire Friday night.
The fire was initially reported by drivers on Interstate 90 who saw smoke and flames at about 7:30 p.m., Wirth said.
Firefighters en route to the site saw smoke and flames come from the back side of the building on the third and fourth floors from a half mile away, according to a release.
Heat from the fire caused fire crews to move back from the building, as heat was melting plastic on the fire engine and breaking window glass.
"Because the building was under construction with no occupants ... crews adopted a defensive strategy to protect the occupied dwellings, Wirth said.
Heat from the fire caused damage to houses nearby, melting siding and cracking windows. Firefighters hosed the buildings with water to cool them and prevent structural damage, according to the fire department.
The blaze was visible from miles away and falling debris caused spot fires across the interstate. The 911 center continued to receive reports of intense heat, heavy smoke, falling debris and grass fires along the interstate and areas of the east side up to an hour after the initial call.
Crews had the fire under control by 9:37 p.m. but remained on Apollo Way to maintain control. Pallets of building materials across the estimated two-acre fire continued to smolder Saturday, fire officials said.
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Investigators ask for public's pictures, videos of massive fire
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Published on August 10, 2014
Japan architects make it big on world stage, not with monuments but with a natural sensibility
TOKYO - A new generation of Japanese architects believes the world has fallen out of love with the 20th century steel and concrete skyscraper. They are pushing a human-friendly alternative that some say has roots in the elegant simplicity of the traditional Japanese tea house.
Instead of pursuing monuments that cry out with a message of economic power, these Pritzker Prize-winning architects are scoring success with a uniquely Japanese reinterpretation of the past.
Unlike their predecessors, who modernized Japan with Western-style edifices, they talk of fluidly defining space with screens and sliding doors, innovatively blending with nature, taking advantage of earthy materials and incorporating natural light, all trademarks of Japanese design.
Their sensibility is also a hit abroad, said Erez Golani Solomon, professor of architecture at Waseda University in Tokyo.
"Food and architecture," said Solomon, stressing how the two are Japan's most potent brands. "They are powerful Japan's strongest cultural identity."
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Kengo Kuma, one of the star architects, finds he is in demand not only in Japan and in the West but also in places such as China, which has tempestuous relations with Tokyo but now boasts a growing fan base for Kuma's works.
Among the major China projects for Kuma are the recent Xinjin Zhi Museum, whose sloping angles and repeated tile motifs are characteristically Kuma, and the Yunnan Sales Center, a sprawling complex of shops, housing and a theatre, where wooden lattice decorates the main structure overlooking a pond.
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Japan architects make it big on world stage, not with monuments but with a natural sensibility
TOKYO A new generation of Japanese architects is scoring success by reinterpreting the past.
Unlike their predecessors, who modernized Japan with Western-style edifices, they talk of fluidly defining space with screens, innovatively blending with nature, taking advantage of earthy materials and incorporating natural light, all trademarks of Japanese design.
And their sensibility that speaks to a human-oriented yet innovative everyday life is proving a hit abroad, said Erez Golani Solomon, professor of architecture at Waseda University in Tokyo.
Food and architecture, said Solomon, stressing how the two are Japans most potent brands. They are powerful Japans strongest cultural identity.
Kengo Kuma, one of the star architects, finds he is in demand not only in Japan and in the West but also in China.
Among the major China projects for Kuma are the recent Xinjin Zhi Museum, whose sloping angles and repeated tile motifs are characteristically Kuma, and the still ongoing Yunnan Sales Center, a sprawling complex of shops, housing and a theater, where a wooden lattice decorates the main structure overlooking a pond.
He also designs private homes for affluent Chinese who admire Zen philosophy and want to incorporate that stark aesthetic into their daily lives, he said.
Japanese architecture offers warmth and kindness as it is adept in the use of natural light and artisanal craftsmanship, such as bamboo and paper. It is working together like music, to create a comfortable and luxurious spot even in a cramped space, the basic principle of a Japanese tea house, Kuma said.
Its part of our genetic makeup, Kuma told The Associated Press, sitting in his Tokyo studio and pointing with disgust at the vaulting skyscrapers visible from his window.
People all over the world are sick and tired of modern monuments, he said. The desire for the human and the gentle is a backlash to the globalization that brought all these monster skyscrapers.
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Japanese architects embracing tradition
