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April 5, 2018

2019/01/31

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North Shore Heating and Cooling, is an Illinois (IL) Heating, Cooling, Air Conditioning, Water Heater, Boiler, and Furnace repair, service, replacement and maintenance Company located in Glenview area. North Shore Heating and Cooling employs only the best technician for air conditioner repair, furnace repair, and water heater repair as well as all air conditioner replacement, furnace replacement, and boiler replacement in Deerfield IL, Glencoe IL, Glenview IL, Golf IL, Highland Park IL, Highwood IL, Kenilworth IL, Lake Bluff IL, Lake Forest IL, Lincolnshire IL, Morton Grove IL, Northbrook IL, Techny IL, Wilmette IL, Winnetka IL. So when you ask to find "A good heating and air conditioning repair or service company near me," you've come to the right place. To set-up a repair service estimate or replacement estimate, call (847) 729-1040. North Shore Heating and Cooling services all furnace, AC, humidifier, filter, thermostat and water heater brands including Aire Flo, Amana, American Standard, A.O. Smith, April-Aire, Arcoaire, Armstrong, Armstrong Air, Bell & Gossett, Bradford White, Bryant, Buderus, Burnham, Carrier, Climatrol, Coleman, Comfort Aire, ComfortMaker, Day & Night, Dayton, Ducane, Dunkirk, Ecobee, Emerson, General Electric, Goodman, General Humidifiers, Fedders, Frigidaire, Friedrich, Heil, Honeywell, Janitrol, Kenmore, Lennox, Luxaire, Maytag, Nest, Payne, Peerless, Rheem, Ruud, Sears, Space Pak, State, Tappan, Tempstar, Tappen, Trane, Triangle Tube, Unico, Utica, WeatherKing, Weil Mclain, White Rogers, Whirlpool, Westinghouse, Williams, and York.

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There are numerous variables that must be considered that affect the price of a gutter cleaning service. What are the variables that cause these prices to fluctuate? There are four main reasons for this and they are:

The first reason we are going to explore in this article is location and how that affects the pricing of a cleaning.

Location And Difficulty

Some of the biggest considerations for a cleaning is the geographic location of the home and the complexity of the cleaning itself and the time required to clean it. For instance, a home that is in a mountainous region such asDenver, Colorado in the middle of winter cant be compared to houses in Atlanta, Georgiain the middle of summer.

Time Since The Last Cleaning

The general rule of thumb is that gutters should be cleaned twice a year.This is also subjective based the location of the cleaning and the particular circumstances. As an example, a homeowner in a northwest city, such as Portland, Oregon or Seattle, Washington where rain is the daily norm, has to be extra vigilant in regards to maintaining their gutters as opposed to someone in New Jersey that will not have to deal with the excess rain and foliage.

Frequency Of Cleaning

There are three primary reasons that frequency of cleaning should be important to the home owner:

Lets examine these three point in more detail.

Dirty Gutters

It stands to reason if gutters are allowed to accumulate debris over an extended period of time, they are going to much dirtier than they should be and it will be more difficult to get them back to the condition in which they should be in so that water will flow properly and drain away from the foundation.

Labor Cost

Collared with the above, if it takes an extended period of time to clean gutters, this will require more labor. This may seem obvious but many home owners fail to consider the implication of neglecting their gutters and wonder why their cleaning bill is nearly twice the norm.

Inflated Potential Damages

Along with dirty gutters and the excessive time it takes to clean them, the third and final point is the potential damage that can occur when gutters stop doing the job they are designed for. If the gutters are not maintained, the result will always be a larger cleaning bill and, most importantly, more damage to the structure of the property has been sustained.

For more information see our post on When Gutters Should Be Cleaned.

Who Cleans Them

When choosing a service provider for gutter cleaning, there are really only three option to consider:

Lets take a look at these individually.

DIY

Lets dive right into this and look at Do-It-Yourself first. If you enjoy the idea of spending your weekend hip deep in the muck and mire of rancid, putrid, nasty and did we mention dirty- gutter and on top of that the money you are going to have to spend when your insurance comes do from your trip to the ER, you might want to skip over this option and proceed to the next item.

Local Handyman

We all know them. They are nice people and you see them advertising all over Craigslist and Facebook. They are jack of all trades and master of none. Using a handyman has a significant liability to the home owner. Some of these are:

Lets move on to the best option

Professional Gutter Cleaning Services

Of course we suggest that home owners use a professional company for their gutter cleaning. As we have explained, this is the most cost effective way to maintain the home owners gutters, save money over the long term, and remove the headache involved of remembering to maintain them. A professional gutter cleaning service can schedule a cleaning service many months in advance which will give peace of mind to the home owner.

Frequently Asked Questions

While gutter cleaning is mentioned as an important part of your home maintenance, it can seem a bit pointless sometimes. It sounds like an unpleasant or expensive task, but its just another part of your homes regular cleaning that can help you avoid huge costs later down the road.

Dont be worried about what youll find in the gutters, because the most common debris that gets stuck is nothing unnatural or disgusting, unless you let it build up for far too long.

Read the full article here:6 of the Most Common Things Youll Find Gutter Cleaning

You may think that clogged gutters are not that important to deal with. Its a hassle and grubby, slippery unsafe work climbing up and down to get your gutters clean.

You wont think that when you have water damage or flooding that could have been avoided if your gutters had been working properly. Here are the top 5 home problems that can be caused by clogged gutters: Top 5 problems caused by clogged gutters

If you are looking for theBest way to clean guttersthe answer wont be cut and dry. The truth is that there are a lot ofdifferent approachesto cleaning out gutters, so what you need to do is learn about what works best for your home. ReadThe Best Way To Clean Guttersto learn more.

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How Much Does Gutter Cleaning Cost?

Coming of Age Within the Cycle of Damaged Black Manhood

Both Troy and Bono relate stories of their childhood in the south and tales of their relationships with difficult fathers to Lyons in Act One, scene four. Their often-painful memories provide a context for understanding the similarities and differences of the generations separating Troy and Bono from Lyons and Cory. Troy's father, like many blacks after the abolishment of slavery was a failed sharecropper. Troy claims that his father was so evil that no woman stayed with him for very long, so Troy grew up mostly motherless. When Troy was fourteen, his father noticed that the mule Troy was supposedly taking care of had wandered off. Troy's father found Troy with a girl Troy had a crush on and severely beat Troy with leather reins. Troy thought his father was just angry at Troy for his disobedience, but proving Troy's father was even more despicable, his father then raped the girl. Troy was afraid of his father until that moment.

At that moment, however, Troy believes he became a man. He could no longer live under the roof with a man that would commit these unacceptable acts, so he left home to be on his own, though he was homeless and broke, with no ties or family elsewhere. Manhood, to Troy, meant separating from his father because of conflict and abuse. The one attribute Troy respected and proudly inherited was a sense of responsibility. Troy's father provided for eleven children, and Troy too became the sole breadwinner for his family.

Bono however, remembers a different type of father. Bono's father was equally depressed about life as Troy's father, but unlike Troy's father, Bono's dad never provided a fathering or providing role to Bono and his family. Bono describes his father as having, "The Walking Blues," a condition that prevented his father from staying in one place for long and moving frequently from one woman to the next. Bono could barely recognize his father and knew little about him. Bono says his father, like many other African Americans of his father's generation, were "searching out The New Land." As blacks were freed from slavery and wanted to escape the often slavery-like conditions of sharecropping, many walked north in what history calls The Great Migration, to pursue a better life in the north, particularly in urban centers. Because of Bono's father's unreliable personality, Bono chose not to father children, to insure he would not abandon a child like his father. But, contrary to Bono's fears, his father's personality was not a family trait, but a choice he made to cope with his particular circumstances. Bono has been loyal to his wife, Lucille for almost eighteen years.

Lyons and Cory had very different upbringings, though their development into men does not fall too far from the tree of their father's experience. Lyons spent his entire childhood growing up with only one parent, his mother, while Troy was in jail. Lyons feels he has the right to make his own life decisions and pursue his own dreams in music because he had more familial support and fewer hardships than Troy. Troy was not around to mold him into a responsible person, so Lyons tends to need to borrow money, though he does pay Troy back respectfully. Cory ends up leaving home in a similar conflict with Troy that Troy had with Cory's paternal grandfather. To Troy and Cory, becoming a man comes to mean leaving the man that raised you because of a violent conflict. This painful process of coming of age is confusing. For both Troy and Cory, the creation of their own identity when their role model is a creature of dualitypart responsible and loyal, the other side, hurtful, selfish and abusive, proves a difficult model with which to mold their own identity as grown men with a more promising future than the father who threatens their livelihood.

Much of the conflict in Wilson's plays, including Fences, arises because the characters are at odds with the way they see the past and what they want to do with the future. For example, Troy Maxson and his son, Cory see Cory's future differently because of the way they interpret history. Troy does not want Cory to experience the hardship and disappointment Troy felt trying to become a professional sports player, so he demands that Cory work after school instead of practicing with the football team. Cory, however, sees that times changed since baseball rejected a player as talented as Troy because of the color of his skin. Cory knows the possibility exists that the professional sports world will include, not exclude him. In Act One, Scene Three, Cory provides examples of successful African American athletes to Troy. Cory says, "The Braves got Hank Aaron and Wes Covington. Hank Aaron hit two home runs today. That makes forty-three." Troy responds, "Hank Aaron ain't nobody." Cory's sport, football, integrated its players years before baseball. For Troy to accept this change in the world would cause Troy to accept the death of his own dreams. Troy refuses to see Cory's potential because it would mean accepting his own misfortune. Troy and Cory see history in a way that benefits their worldview. Unfortunately this conflict pushes father and son away from each other. Troy, who learned a responsible work ethic from his otherwise abusive father, means well when he insists that Cory return to work at the A&P because he sees the job as fair, honest work that isn't at the mercy of powerful whites' sometimes arbitrary decisions, as in Major League baseball. But by attempting to insure Cory of a harmless future, Troy stifles his son's potential and prevents Cory from having a promising future.

Troy's perception of what is right and what is wrong for Cory, based on Troy's refusal to perceive a historical change in the acceptance of blacks, tragically causes Cory to experience a disappointing fate similar to Troy's. Troy passes his personal history on to his family in other ways throughout the play with sayings that represent his philosophies of life like, "You gotta take the crookeds with the straights." His children also inherit Troy's past by learning songs he sings like, "Hear It Ring! Hear It Ring!" a song Troy's own father taught him. Cory tells Rose in Act Two, scene five, "Papa was like a shadow that followed you everywhere." Troy's songs and sayings link his family to the difficult life in the south that his generation was free to run away from, though penniless and without roots in the north. Troy's purposefully and inadvertently passes on his life experience to his children and family, for better and for worse.

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SparkNotes: Fences: Themes

Autumn update September / November 2018

Well then, its a fair time since I updated this homepage and a lot has been happening. Ive spent much of the time since the Painting with Sound exhibition at the Barony Centre, simply painting and trying to catch up with all the paperwork that needed to be done! Over this period a number of exhibition opportunities have arisen and so the main focus of this new blog is to tell you about these shows.

The Biscuit Factory Autumn Exhibition September 8th October 28th

As you may know, I have over the past few years, shown some of my paintings at the fabulous Biscuit Factory in Newcastle upon Tyne. Back in the spring the gallery once again contacted me and asked if Id like to show some more work with them, this time in their Autumn 2018 exhibition. I of course accepted and during the summer have been working on several new pieces specifically for this show. One of them is this new 80 x 80cm acrylic and pastel painting based on a walk we did in Sutherland back in May. The hill, Meallan a Chuail, is quite rugged and although only 750m, is a far more interesting summit than its slightly bigger neighbour, Beinn Leoid .which was originally our target.

It really was an enjoyable and quite exhilarating day and we had the hill to ourselves. Even as we made our way up the ridge, I was thinking about how I might make a painting and I had started it within a few weeks of returning home to Irvine. As an aside, the folk at the Biscuit Factory have also asked me to give a short talk about my work and in particular, about how I have in recent years, started to use sound alongside paint. Sound engineers, Graham Byron and Drew Kirkland who I have been working with now for several years, will be travelling with me to Newcastle to set up and exhibit the Kylesku Project, our first audio painting, so that people who attend the talk will also get the opportunity to experience this new more immersive form of landscape. This event is planned for Sunday October 14th at 2pm. For further information and to book a ticket, please contact the Biscuit Factory.

Moray Arts Centre, Findhorn September 4th September 23rd

Earlier in the summer I was also asked whether I would like to put half a dozen small paintings into a group exhibition at the Moray Arts Centre, for a few weeks in September. Its a long way to travel but I kind of figured that we could make the trips to deliver and collect the work, into wee short walking trips ..taking the gear and the tent with us and then heading for the Cairngorms. That was the plan anyway, but just three weeks ago I heard that the three other people taking part in the show, had pulled out for various reasons .and I was asked if Id put a small solo exhibition on instead. After a short time thinking about this and checking what work I had available, I agreed. Nita and I did a flying visit about ten days ago to see the centre and to get an idea of the space and after a mad week sorting and wrapping the work, we went back on Monday to hang the show. We were very lucky in this as Graham and Tracy Byron kindly offered to drive up and help is with the installation. This made for a very enjoyable and stress free few hours. The show looks good I think and hopefully well get a good few visitors during the course of the exhibition. Of course, with a car full of paintings, there was no room for the rucksacks and so no walking but hey, you cant have everything!

The Seagull Gallery, Gourock September October

I was also recently invited to show a couple of small paintings in the Seagull Gallery in Gourock. The gallery has a rolling and constantly changing exhibition and there is a wonderful variety of work on display. For us living here in Irvine, it is just under an hour long drive up the coast and so made a very pleasant wee trip out when we went to deliver the paintings.

Courtyard Studios Group Exhibition Harbour Arts Centre, Irvine September 21st November 4th

We are once again holding a group exhibition of work created by the artists working at the Courtyard Studios in Irvine. The exhibition which will contain work by 17 artists, will include paintings, drawings, prints, jewellery, hand bookbinding, ceramics, leatherwork, photography and textilesso something for everyone to enjoy. Things have been such a rush for me recently that Im still not entirely sure which pieces Ill be showing in this show! I have a new 80 x 80cm painting completed and another on the go .so maybe one of these. Im also working on a new large graphite drawing and so this might be a candidate if I get it finished in time.

Courtyard Studios Open Weekend Saturday / Sunday 6 / 7th October, 12 noon 5pm both days.

Entry free, all welcome:

This will, I think, be the 14th year running that weve held this event and its proved quite a success over the years. Its a great opportunity to catch everyone in their studios at the same time and to see all the new work that has been done over the preceding 12 months. Many of us have been working at the Courtyard for a good number of years, but artists come and go and this year we have three new tenants and so there will be completely new work to see in their studios. As usual, everyone is welcome and of course, being right on the Harbourside, there are many and varied places to eat and drink during your visit. As well as a big selection of paintings and drawings on show in my studio, I will also be exhibiting and playing the Kylesku audio painting again .so if you missed seeing and hearing it at the Barony Centre back in March, youll be able to catch it as part of this event.

Well, thats about it for now. I do hope that you can get along to one or other of these events.

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Scottish Landscape Art - Keith Salmons Personal Blog

In 1846, a group of Swedish immigrants seeking religious freedom left their native land under the guidance of their charismatic spiritual leader, Erik Jansson. The site for their new utopia, later called Bishop Hill, was described to them as a land of plenty, brimming with milk and honey, and they struggled to make it so. These Janssonists built a successful communal society based on economic and religious principles. Many of the structures erected during this building campaign still exist. The colony grew and flourished for fifteen years before disbanding in 1861.

Today Bishop Hill is a quiet country village where the charm and character of the original colony have survived the test of time. Bishop Hill is a National Landmark Village, listed in the National Register of Historic Places, and it is an Illinois State Historic Site. Join us! We invite you to taste the historyof this once-bustling 19th century settlement. Sample our fascinating museums, quaint eateries, unique gift shops, and art galleries. Peek into the past at our seasonal festivals and holiday celebrations. Spend hours or days here with family and friends.

Search Illinois Periodicals Onlinefor more ofBishop Hills remarkable history.

Renew your spirit in this peaceful place.Discover why Bishop Hill remainsa utopia on the prairie today!

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Bishop Hill Illinois | Welcome to Bishop Hill, Illinois

The Olmsted Brothers company was an influential landscape architectural firm in the United States, established in 1898 by brothers John Charles Olmsted (18521920) and Frederick Law Olmsted, Jr. (18701957), sons of the eminent landscape architect Frederick Law Olmsted.[1]

The Olmsted Brothers inherited the nation's first landscape architecture business from their father Frederick Law Olmsted.[2] This firm was a successor to the earlier firm of Olmsted, Olmsted and Eliot after the death of their partner Charles Eliot in 1897. The two brothers were among the founding members of the American Society of Landscape Architects (ASLA) and played an influential role in creating the National Park Service. Prior to their takeover of the firm, Frederick Law Olmsted Jr. had worked as an apprentice under his father, helping to design projects such as Biltmore Estate and the World's Columbian Exposition before graduating from Harvard University. The firm employed nearly 60 staff at its peak in the early 1930s. Notable landscape architects in the firm included James Frederick Dawson and Percival Gallagher.[3][4] The last Olmsted family member in the firm, Frederick Law Olmsted, Jr., retired in 1949.[5] The firm itself remained in operation, moving from Brookline in 1980 and continuing in Fremont, NH until 2000. This created one continuous firm from 1858-2000.[6]

"Fairsted" -- the firm's 100-year-old business headquarters and design office -- has been carefully preserved as the Frederick Law Olmsted National Historic Site, located on 7 acres (2.833ha) of landscaped grounds at 99 Warren St., Brookline, Massachusetts.[7] It offers excellent insights into the practice of large-scale landscape design and engineering. The site also houses an archive (access by appointment only) of the firm's designs, plant lists, and photos for hundreds of projects.

The Olmsted Brothers completed numerous high-profile projects, many of which remain popular to this day, including park systems, universities, exposition grounds, libraries, hospitals, residential neighborhoods and state capitols. Notable commissions include the roadways in the Great Smoky Mountains and Acadia National Parks, Yosemite Valley, Atlanta's Piedmont Park, a residential neighborhood in Oak Bay, British Columbia, Canada: Uplands; entire park systems in cities such as Cleveland, Portland, Seattle,[8] and Washington state's Northern State Hospital. The Olmsted Brothers also co-authored, with Harland Bartholomew, a 1930 report for the Los Angeles Chamber of Commerce entitled "Parks, Playgrounds, and Beaches for the Los Angeles Region" encouraging the preservation of outdoor public space in southern California.[9] The report was largely ignored by the city, but became an important urban planning reference.

Excerpt from:
Olmsted Brothers - Wikipedia

On his 2016 release Pool, Aaron Maine swapped out the ramshackle guitar rock that had so far come to define his primary project Porches for a glitzy set of homemade beats. He applied the songwriting skills he had picked up as the leader of an indie band to an entirely new setting, one which allowed him to indulge the paranoia that had lurked around the edges of Porches so far, but never quite come to the forefront. The House, the third studio LP to Porches name, furthers the exploration of the tension between how youre seen and how you feel, but never quite locks into the kind of groove that made Pool so satisfying.

In its tightest moments, The House boasts some of the most gripping tracks Maine has ever released as Porches. Find Me vaults forward with a techno punch as it examines the psychological layout of overwhelming anxiety, the kind that traps you indoors, away from the party, deep in your own head. I think that Ill stay inside/If you dont think that theyd mind/I cant let it find me, Maine sings, the usual disaffection in his voice cracked by what sound like raw nerves. While he never exactly specifies what the it is thats hunting him, the blooming instrumentation fills in the gaps. Theres a second voice echoing his own, pitched-up and pixelated, more alien and broken than any of the backing characters heard in Porches songs before. The voice repeats Maines words but garbles them, like Kiiaras gobbledygook chorus on the 2016 hit Gold, which only sharpens the tension. Its like Maine is speaking and has no idea if anyone is hearing what he thinks hes saying, the gap between his intention and his reception growing unfathomably, unmanageably wide.

Find Me also includes the closest thing The House has to a pure pop hook, an indelible chorus complete with chirps of synth horns thats probably the catchiest thing Porches has put out since 2013s ecstatically nonsensical Townie Blunt Guts. But where Maine once favored the irreverent, he now leans toward the sincerely soul-searching, which can be touching or tepid depending on the song. The spare, lovely Country deals in simple imagery: a loved one caught in a pristine moment while swimming in a lake. Can you make it light?/Can you do no harm? Break the water with your arms, Maine sings. While oblique, his lines rest solidly enough on a single vision that they hit home; you can almost be where hes been, which makes empathizing with the moment all the easier. But many lyrics on the album get tangled up in the immaterial and the cliche, like Maine is trying to talk his way out of an ambiguous feeling and never quite getting there. It is good to know ourselves/Because most of the time/I have no idea/Who I see in the mirror, Maine pronounces on By My Side, reiterating a visual metaphor already sung threadbare by Michael Jackson and Christina Aguilera, for starters. The scattershot instrumentals accompanying him dont help his case much; hes singing in circles, both lyrically and melodically, and the syrupy beats hes laced together struggle to get off the ground.

Punctuating The Houses actual songs are occasionally baffling interludes (one, keren, is sung entirely in Norwegian, a first for Porches), which play more like unfinished sketches than intentional moments of quiet. On Understanding, Maines father guests on the track and warbles vaguely about love over honeyed synth chords; on Swimmer, MIDI arpeggios cycle behind Auto-Tuned vocals for just under a minute. These tracks dont get anywhere, and they add little to their surroundingstheyre not portholes into Maines songwriting process so much as theyre the dregs thereof. Breaking up finished songs with undercooked ones can sometimes work as a sequencing strategy, but The House, especially in its B-side, barely has any momentum to break up. Aside from Ono, whose muscle does, eventually, kick in, the albums second half tends to stagnate, circulating the same water metaphors Maine might have put to use on Pool. When The House ends on a stanza mostly lifted from Roy Orbison (Anything you want/Anything you need/Anything at all), it feels like a fitting enough synecdoche for the bulk of the album: a reiteration, slowed down and sapped of its original spark, familiar enough to go down easy but not quite spirited enough to get the current flowing again.

Correction: An original version of this article misidentified the singer on the song Understanding.

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Porches: The House Album Review | Pitchfork

Get Clean Windows is a regular, repeat service employer providing window cleaning and window washing offerings with a smile. We really do care about our customers, which is why we offer a 100% satisfaction guarantee. Even if mother nature undoes our work, we come back and fix it for up to 5 days later!

We brush your screens for free. If you are a first time customer, we definitely recommend our signature screen sealing service to help revitalize your screens and protect them from the sun (your choice, at an additional charge), but every customer gets the dust and cobwebs brushed off of their screens every time.

Dont forget our discounts for repeat customers. The first deep cleaning will be at a regular charge, but if you have us back, well start cutting the price down for you. Why? Because not only do we hope your windows are always the envy of the neighborhood but because we can clean them faster when your windows are regularly maintained and we pass that savings on to you!

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Commercial window cleaners are professionally trained in commercial window cleaning and adhere to OSHA standards and guidelines.

Adventure Window Cleaning is a fully insured and bonded, locally owned and operated Michigan company. All of our window cleaners are uniformed professionals who take proper precautions to not damage any property, including the building, landscape, equipment, etc. We value your business as being a professional setting, so our window cleaners' conduct is courteous and professional.

Commercial window cleaning services are scheduled to accommodate the client's needs. If the length of service time is an issue, we are able to allocate more window cleaners to complete the job in a specified period of time. We also offer convenient recurring services that will save money and valuable time.

What sets Adventure Window Cleaning apart from other southeastern Michigan window cleaners? Our quality, experience, and professionalism. Phone calls to Adventure Window Cleaning are answered personally Monday through Saturday by our knowledgeable office staff. Managers are on duty six days a week to answer questions quickly and thoroughly.

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