Ivan Torrent Architects Of Life [feat. Celica Soldream] (Epic Big Hybrid Action Mysterious Vocal)
Viel Spa! (HD) Title: Architects Of Life Composer: Ivan Torrent Vocal by: Celica Soldream Wallpaper: http://i1.sndcdn.com/artworks-000080815416-9z0a66-origi...
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Ivan Torrent Architects Of Life [feat. Celica Soldream] (Epic Big Hybrid Action Mysterious Vocal) - Video
Protecting The Value Of Architects: Interview With Architect David Andreozzi
Find out more on http://businessofarchitecture.com/yt . From loathing the AIA, to leading the knowledge community of the Custom Residential Architect #39;s Netwo...
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Protecting The Value Of Architects: Interview With Architect David Andreozzi - Video
ARCHITECTS - GIF vs. JPEG
Alles von ARCHITECTS: http://emp.me/Bg6 Abonnieren: http://emp.me/9ji Video zu Bring Me The Horizon: http://emp.me/BdP Video zu Killswitch Engage: http://emp.me/BdO.
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ARCHITECTS - GIF vs. JPEG - Video
Architects Of Evolution - The Continuum (Outro - Reconstruct) live
Filmed at Survival Of The Grimmest, Geelong Christ Church. Watch in HD. Go check Architects Of Evolution out! Facebook - https://www.facebook.com/architectsofevolution?fref=ts Youtube - https://www...
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Architects Of Evolution - The Continuum (Outro - Reconstruct) live - Video
Alex Maddison | Gravedigger/Naysayer/Broken Cross - Architects Drum Cover (Marathon)
(please read) Here is a 3 song in one take Architects drum cover! I couldnt decide which of the tracks from LFLT to do, so I did my 3 favourites instead I guess! A few things; this is one...
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Alex Maddison | Gravedigger/Naysayer/Broken Cross - Architects Drum Cover (Marathon) - Video
Zildjian On The Record - Dan Searle of Architects on Lost Forever//Lost Together - Playthrough
Zildjian announces the new video series "On The Record." Many drummers wanted to know what cymbals artists play in the studio, and this new series gives you that and much more. Behind-the-scenes...
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Zildjian On The Record - Dan Searle of Architects on Lost Forever//Lost Together - Playthrough - Video
Ma Yansong, MAD architects
Video-commento di Ma Yansong, MAD Architects (China)
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Ma Yansong, MAD architects - Video
Friday, 06 June 2014 17:30
VENICE: World architects gathered in Venice for the Biennale festival starting on Saturday, bringing together 65 national pavilions and taking up the 3,000 square metres (32,300 square feet) of the Arsenale shipyards.
Dutch star architect Rem Koolhaas, the curator of the giant event which is held every two years, said this "provocative" edition was all about how different countries have adapted to modernity in design over the past 100 years.
"Modernisation is a very often painful process," said Koolhaas, a winner of the prestigious Pritzker Prize who is known for his unconventional designs and city living theory.
"Somehow every nation in the last 100 years has been forced to modernise itself, and forced to adapt to a condition that is currently dictating the direction of the world," he said.
Eleven countries including Ivory Coast, Kenya and Turkey are taking part for the first time in a Biennale that Koolhaas said was intended to be more about "research" than presenting a finished product to the public.
The show is made up of three interlocking exhibitions: Elements of Architecture and Absorbing Modernity 1914-2014, both at the Giardini, and Monditalia in the Arsenale -- a six-month workshop on architecture in Italy.
Some of the exhibits at the Biennale -- entitled "Fundamentals" -- are wilfully provocative, like the boring office ceiling with exposed pipework at the beginning of the exhibition, which is suspended under a dome that illustrates the soaring ambitions of architects in the past.
Koolhaas said this was intended to show that architects now are often confined to superficial changes instead of getting involved in the structures of buildings.
Another part of the exhibition brings together replicas of spectacular doorways from different parts of the world, ending up with a gray airport security scanner.
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Architects take over Venice for Biennale festival
An artists impression of the Kings Lynn Innovation Centre. Pic Submitted
Ben Woods, Business writer Friday, June 6, 2014 12:21 PM
The architects tasked with designing a 4m enterprise centre for Kings Lynn have released their first designs for the site.
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The Kings Lynn Innovation Centre spearheaded by Norfolk and Waveney Enterprise Services (NWES) took a further step forward yesterday after Norwich-based architects Feilden+Mawson were awarded the project.
The artist impression provides a first glimpse of the enterprise hub, which will be based on the Nar Ouse Regeneration Area site and part funded by a 2.5m grant from the New Anglia Local Enterprise Partnerships Growing Places Fund, and a further 1m from Kings Lynn and West Norfolk Borough Council.
Alistair Beales, cabinet member for regeneration and industrial assets at the borough council, said: This is a really exciting step forward for the town. Creating an environment in which business can thrive is vital to the long-term success of the local economy. The construction of the Kings Lynn Enterprise and Innovation Centre gives a clear signal that Kings Lynn is serious about developing business excellence and promoting growth.
The Kings Lynn Innovation Centre is due for completion in 2016 providing a local hub for start up and early stage businesses.
Philip Bodie, partner and lead designer at Feilden+Mawson, said: We are absolutely delighted to have won the commission to design the Kings Lynn Innovation Centre and is very much looking forward to developing design ideas with the stakeholders of the project.
Helping to create a new Kings Lynn landmark is both a challenge and a privilege and the whole team is very much looking forward to working with Nwes and Borough Council of Kings Lynn and West Norfolk to help make it a reality.
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Architects reveal first glimpse of 4m Kings Lynn enterprise hub
The third and final stage of a competition for a new building for Tel Aviv Museum will be held tomorrow. The panel of judges will choose the plans for the building from three finalists - architects Yehoshua Gutman of Israel and Louis Ortega of the firm 451F of Spain; Preston Scott Cohen of the United States; and Ada Carmi-Melamed and Ram Carmi of Israel.
The building will be erected in the museum area, west of the existing structure, thereby doubling the area of the museum. It will include an architectural and design wing and an educational wing.
The final stage judges are architect Moshe Safdie, Professor Robert Oxman, architectural historian Yehuda Safran, Municipal Engineer architect Danny Keiser, curator of the design and architectural wing of the museum, Meira Yagid, and museum director-general and chief curator Professor Mordechai Omer, who will head the judges' panel.
The organizer of the competition is architect Yasha J. Grobma, who watches the judging as an observer. The same panel judged the second stage. The winning plan will be made public immediately after a winner is announced.
The competition was unveiled in October 2002 and was supposed to have two stages - winners of the first public and anonymous stage would compete in the second stage against architects invited to present plans. The first stage was held as planned in March 2003 and four architectural firms made it to the next stage, in which they competed against five architectural firms from Israel and abroad that had been invited to compete.
At the second stage, held in May, the judges found it difficult to choose one winning plan from the candidates and decided to add a third stage. The two final stages in the competition were not anonymous and included personal interviews with the contestants.
The proposal presented by Gutman and Ortega was the only one to move up from the public anonymous stage. For the final stage, the contestants were asked to relate to comments and requests for clarification that arose in the previous stage and to update their proposals accordingly.
The three that made it to the final stage were awarded the minimum prize allocated for the third place in the competition, $10,000. The winner of the first place will get $25,000 and his design will be the one for the new building, if all goes as planned.
Because of the location of the museum in Israel's most important and central cultural and arts compound, the competition to design the new building is one of the most prestigious held here in recent years, and compares with the competition for the Supreme Court building in Jerusalem held in the early 1990s.
The final stage of the competition has also raised special interest because of the architects competing - young people of the new generation against seasoned and experienced professionals, and architects from Israel against architects from abroad.
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Design contest for Tel Aviv Museum annex reaches finals