Jim Lovinsky also manages their Eastview Farm in East Hardwick, where he and his wife, Mary-Ellen, grow organic seed garlic and raise dairy goats and Highland beef cattle. Photos by Erica Houskeeper

by Christine McGowan, Vermont Forest Industry Network Resourceful Vermonters have long looked to the forest for wood heat, building materials, and furniture, but Jim Lovinsky, owner of Sylvacurl in East Hardwick, may be among the first to see an alternative to plastic packing peanuts.

The company produces wood curls that can be used in place of plastic and polystyrene packaging materials. Compostable and biodegradable, the curls are free of dyes or chemical treatments and can be reused or simply returned to the earth. Its no different than leaves falling off the trees, said Lovinsky.

As many of us look to ship gifts to family and loved ones this season, well also be contributing to an estimated 25 percent increase in household wastemore than 25 million tons of garbagebetween Thanksgiving and Christmas, according to the EPA. The Lovinskys hope to make a dent in the amount of waste being sent to landfills, while supporting Vermonts forested working landscape.

Jim and Mary-Ellen Lovinsky take a break after producing and bagging wood curls in East Hardwick.

Ahead of Their Time

Sylvacurl has been around for more than twenty years, when Lovinsky first became concerned about forest industry jobs as paper mills began pulling out of New England in the 1980s.

As the paper mills moved overseas, New England was left with fewer markets for low-grade wood, said Lovinsky, which threatened not only jobs, but our working landscape as well.

Working with leaders from UVM Extension, the Vermont Department of Forests, Parks & Recreation, and the Governors Task Force on Northern Forest Lands, Lovinsky became an advocate for the industry, working to preserve jobs and prevent large tracts of forest from being sold off. Finding new markets for low-grade wood was a constant topic of conversation, so when he saw an ad from a company in Georgia that was using wood curls for horse bedding, the idea for Sylvacurl was born.

Purchasing the equipment he needed to process curls from a company in West Virginia, Lovinsky officially opened Sylvacurl in 1993. Instead of animal bedding, however, he focused on an alternative to plastic and polystyrene packaging. Sourcing wood from nearby Lamarres sawmill in Brownington, he quickly discovered that poplar, a fast-growing native species, was perfect for manufacturing wood curls. Light in color with a neutral odor, the wood held the curls nicely and condensed to create secure packaging, even for fragile items.

The company initially worked seasonally to supply local companies including Shelburne Farms, Fat Toad Farm, Nervous Nellies, and Jasper Hill with packaging during the holiday season, and found some interest from potpourri manufacturers. While they could see potential to scale the business, they found that for many businesses and consumers, sustainable packaging was not top-of-mind in the 1990s.

Jim Lovinsky, owner of Sylvacurl in East Hardwick, manufactures wood curls with poplar, a native tree species. Light in color with a neutral odor, the wood holds the curls nicely and condensed to create secure packaging, even for fragile items.

We may have been a little ahead of our time when we started out, he said, noting that when they first opened, they had to educate buyers about the environmental impact of styrofoam before they could make a pitch for their product.

No one was talking about a circular economy back then, said Lovinsky, adding that Sylvacurl closes the loop as a business. In addition to the curls being biodegradable, the sawdust that they shake off prior to shipment is used for animal bedding on their farm, and later composted. From there, the compost is used to top dress their gardens, completing the cycle.

An Opportunity to Do More

Of course, all of that has changed in recent years with businesses from Amazon to Zappos working to reduce their carbon footprint through sustainable packaging. A recent study on consumer trends indicates that 57 percent of people are willing to change their purchasing habits in order to reduce their negative environmental impact, and 70 percent will pay a premium for sustainable, eco-friendly goods. Add to that a sharp increase in online shopping during Covid-19 and Sylvacurl may have an opportunity to make a real dent in those styrofoam packing peanuts.

Up until now, said Lovinsky, Sylvacurl has been a side business, something my wife and I could manage while still working full time. We grew slowly and organically, just the way we wanted to, for twenty years.

Mary-Ellen Lovinsky bags wood curls at Sylvacurls production warehouse in East Hardwick.

Over the past eight months, however, existing customers like Jasper Hill Farm, Blanc Creatives, and igourmet have increased their orders for Sylvacurl packaging as their own online sales have skyrocketed. New customers are also coming in through referrals. This holiday season, Lovinsky expects to ship 10,000 cubic feet of curls to customers, the equivalent of approximately 4,500 board feet. According to Lovinsky, thats a 40 to 50 percent increase over last year-- a trend he hopes will continue as the new normal post-pandemic.

We are reassessing our growth, said Lovinsky, who would like to focus more on marketing and sales for the company. We certainly have an opportunity to do more. And of course, growth brings challenges as well, which makes it that much more exciting.

Good Stewards, Good Neighbors

Lovinsky has held onto his day job as Executive Director of the Lamoille Housing Partnership. His wife Mary-Ellen, a reading specialist, also manages their Eastview Farm in East Hardwick, where they grow organic seed garlic and raise dairy goats and Highland beef cattle. Their grown children, James and Kathryn, helped as active participants in the business growing up and still help out when they can, but for the first time, Lovinsky can see needing to hire some part- or full-time help.

Whether its manufacturing natural packaging, advocating for forest industry jobs, helping Vermonters find affordable housing, or growing good food, the thread that runs through the family business is to be good neighbors and good stewards of the land. We will always work to make a difference in the place we live, said Lovinsky.

About the Vermont Forest Industry Network

Vermonts forest products industry generates an annual economic output of $1.4 billion and supports 10,500 jobs in forestry, logging, processing, specialty woodworking, construction and wood heating. Forest-based recreation adds an additional $1.9 billion and 10,000 jobs to Vermonts economy. The Vermont Forest Industry Network creates the space for industry professionals from across the entire supply chain and trade association partners throughout the state to build stronger relationships and collaboration throughout the industry, including helping to promote new and existing markets for Vermont wood products, from high quality furniture to construction material to thermal biomass products such as chips and pellets. Learn more or join at http://www.vsjf.org.

Read more:
Sylvacurl: Reduces waste, supports healthy forests and local economy - Vermont Biz

BMW Motorsport Will no longer be in Formula E after 2020-2021 season

BMW has become the second big-name manufacturer to quit the Formula E World Championship in just two days following a lackadaisical announcement that offers some clue as to why the board in Munich has decided to follow Audi through the open door come the end of the next season. As the worlds most prestigious EV-only racing series, Formula E has thus lost two big players that have been supporting the series ever since its debut season all the way back in 2014.

Wednesday, December 2nd, 2020, BMW ought to have told us just how happy it is that its driver, 23-year old Maximilian Guenther, topped the timesheets during last weekends Formula E pre-season test days held at Valencia, in Spain. There, Guenther, who drives for the BMW i Andretti Motorsport team, set the pace during the final day of proceedings indicating that BMW may be a force to be reckoned with in the seventh season of Formula E thats set to kick-off with the Santiago ePrix in mid-January.

Instead, BMW Motorsport effectively told us that season seven will be the brands last, with the factory program that backs the American Andretti Autosport operation set to end after just three seasons. The racing arm of the Bavarian company underlines that, "as a partner from the word go, BMW has been instrumental in the success of Formula E." However, "when it comes to the development of e-drivetrains, BMW Group has essentially exhausted the opportunities for this form of technology transfer in the competitive environment of Formula E."

The statement goes on to say that "the strategic focus of BMW Group is shifting within the field of e-mobility," meaning that the automaker, "will now concentrate on a model offensive and series production in large quantities with the fifth-generation BMW E-drives." In an additional press release, BMW is adamant that the plan is, "to have put one million electric vehicles on the roads by the end of 2021. The goal is to increase this figure to seven million by 2030, of which two-thirds will be fully-electric." Key to this onslaught are models such as the upcoming BMW iX, previewed by the BMW Vision iNext Concept Car of 2018 and, more recently, by the iX prototype.

BMW began its collaboration with the Formula E World Championship six years ago but not as an entrant or chassis manufacturer. Instead, BMW provided the entire fleet of safety and officials cars that appeared during each and every Formula E weekend, finally making the step into the arena ahead of the 2017-2018 season when it became a key technical partner of Andretti Autosport. Then, from the 2018-2019 season onwards, the Andretti Autosport team morphed into the official BMW Formula E team under the BMW i Andretti Motorsport moniker. The move coincided with the introduction of the second-generation Formula E cars, BMWs contender being the iFE.18 driven by Antonio Felix da Costa and then-newcomer Alex Sims.

Thus far, BMW has competed in 24 races as a factory team scoring four victories, four pole positions, and nine additional podiums.

With the iFE.21 model that features a BMW-developed drivetrain, BMW aims to add to that tally of wins and podium finishes in season seven when Guenther will be joined by Jake Dennis who has replaced Alex Sims.

In recent times, Volkswagen has made waves by smashing the all-time Pikes Peak International Hill Climb record with the awe-inspiring ID.R prototype. Powered by two electric motors that combine to deliver 671 horsepower and 479 pound-feet of torque, the ID.R also starred on the Nuerburgring-Nordschleife where it snatched the record for the fastest-ever EV in effortless fashion.

That all took place during the summer of 2019 (including re-writing the Goodwood Hill Climb record) and we all thought that the ID.R is the sign of things to come in two different areas. First of all, its a sign of things to come on the street since Volkswagen has spent billions to make sure that its ID family of electric models (that includes stuff like the ID.3, ID.4, and many, many more) will rule the world. Moreover, we believed that its also a sign of things to come on the worlds race tracks and - why not? - on the rally stages following Volkswagens announcement that it leaves ICE-powered racing behind.

The news, that arrived last year, basically signaled the end of the road for the highly successful Volkswagen Golf GTI TCR that was originally meant to live on through a successor supposedly built to the upcoming set of TCR rules. Instead, the TCR race cars production has ceased at the end of 2019 meaning all the cars youve seen in the 2020 season of GT World Challenge America and in the Michelin Pilot Challenge arent that new. Moreover, Volkswagen also shelved a new Polo GTi R5 rally car although it pledged its support towards all of the privateers still running the current iteration of the rally car.

At the time, we understood that "Volkswagen Motorsports customer sport program will be electrified," and that "the first stage will involve different disciplines, platforms and vehicle types being examined and evaluated." The factory team too was supposed to undertake at least some EV racing programs because, as Volkswagen Motorsport boss Sven Smeets put it, racing represents "a convincing marketing platform to inspire people even more towards electric mobility."

Apparently, views on the subject have shifted in the past 12 months and, now, the suits up in Wolfsburg have canned the entire motorsport arm of VW. The decision has been made, according to Chief Development Officer of the VW brand Frank Welsch, as "part of the companys realignment," in a bid to become "the leading supplier in sustainable electric mobility." To achieve its lofty goals, VW decided that it needed all hands on deck in the production EV department which means that the 169 employees that are currently part of the motorsport program will be integrated into various areas of road car development.

"The deep technical expertise of the employees as well as the gained know-how from the ID.R project will thus remain in the company and will help us to bring further efficient models of the ID family onto the road," Welsch added. Does this mean Volkswagens five-decade-long relationship with the world of racing will never be rekindled in the future? Thats hard to tell at the moment but we guess Volkswagen wont be back racing any of its programs until the entire ID family is firing on all cylinders and the Group as a whole is happy with the figures that its EVs return.

Looking back, Volkswagen traces its racing roots all the way back to the days of Formula Vee (short for Formula Volkswagen) in the 60s and 70s. At the time, the entry-level single-seaters were utilizing pre-1963 VW Beetle running gear held in place by a purpose-built tube frame chassis. At a price tag of about $15,000 to $20,000, Formula Vee remains arguably the cheapest open-wheel formula in the world and thats why, over the decades, it acted as the launching pad for the careers of many a famous racing drivers including Niki Lauda, Emerson Fittipaldi, Nelson Piquet, and Keke Rosberg - all of whom have gone on to become F1 champions.

Both BMW and Volkswagen have pinpointed their desire to focus more on their electric car divisions as the main reason behind their collective change of heart towards racing. Having said that, fans are now hoping that the budget that BMW will free up by quitting FE will be pumped into a different, more exciting program, but it doesnt seem like BMW is willing to follow Audi all the way and show up at Le Mans or at the start line of the Dakar Rally.

In fact, its barely been one year and a bit since BMW decided to quit the FIA World Endurance Championship (FIA WEC) where it had been racing in the GTE-Pro ranks with the lanky M8 GTE. The shocking decision, made merely one year after that program had debuted in partnership with M-TEK, was followed recently by BMWs announcement that it ]wont offer too much support->https://www.bmwblog.com/2020/11/16/bmw-dtm-2021/] to the GT3 teams that are looking to compete in the new-fangled DTM with BMW M6 GT3 race cars.

However, the Bavarian marque is preparing to launch a brand-new GT3 car based on the 2021 BMW M4 Coupe. The GT3 racer, slated to make selected appearances at long-distance events throughout 2021 before beginning to reach customers in 2022, will most likely be followed by a GT4 variant set to replace the current M4 GT4.

Beyond that, we also know that BMW is still coy to commit to another full season of IMSA Weathertech Sportscar Championship racing seeing as the Rahal-Letterman Lanigan Racing BMW M8 GTEs (yes, they were kept alive Stateside) havent broken through during the recently-concluded 2020 season that saw Corvette dominate with the new C8.R GTE. Given that Aston Martin has announced that it will reduce its footing in the WECs GTE-Pro class next year and that Porsche has ditched IMSAs GTE class, known as GTLM, altogether, its probably reasonable to think that BMW is cautious to dish out cash towards a program that hasnt delivered titles since the early 10s - although the M6 did score two consecutive wins at the 24 Hours of Daytona.

The current situation in Formula E has raised the alarm within the entire motorsport family. The introduction of the third-generation ruleset (equal to faster, more efficient cars) has been pushed back to 2023 and, thus far, only Mahindra and Mercedes have expressed a clear desire to build the necessary powertrains for Gen 3 Formula E single-seaters as Jaguar, Nissan, DS/Citroen, Porsche, and NIO are still undecided or havent come forth with a formal confirmation of their continued support of the series.

Mercedes has voiced its opinion on the current state of affairs through the voice of Mercedes Motorsport boss Toto Wolff who told Motorsport.com that "I think FE is in a strong position in its niche, and can definitely grow from its niche," before adding that "we remain committed as long as the framework for future regulations, financial regulations, and technical regulations, remain attractive for Mercedes."

"I think that BMW leaving doesnt mean that Andrettis leaving, and Audi leaving doesnt mean that the Audi entry is leaving. So we will get the message, learn the lessons and make it stronger from here," he went on to stress before arguing that "we need to speed up the discussion around cost cap to make it financially more sustainable and we need to discuss revenue distribution. The stability of the upcoming set of rules is also important for the Mercedes Motorsport supremo who wanted to make clear that racing is "not only about technology transfer. It is about performance under pressure. It is about team spirit. And its about fighting against the best."

At the moment, it looks like each manufacturer is looking at ways to "fight the best" while also staying relevant within the market and while also being able to convey the message they want to convey in a believable way. VW stepping back potentially allows Porsche to expand its portfolio in racing (an LMDh program is still on the cards) and Audi most likely decided to return to Le Mans and also to race in the Dakar Rally because endurance racing on the one hand and, on the other, rally racing are key components of the companys DNA. Single-seater racing is not.

Go here to read the rest:
Two of Germanys top automakers realign their respective motorsport strategies - Top Speed

This November tens of millions of voters responded to the rockiest political landscape in memory in the most rational way possible by splitting their tickets.

The much-predicted Blue Wave never materialized, as Republicans outperformed the polls, gained a number of seats in the House and so far look to be holding their ground in the Senate. And while Bidens transition team powers forward, they must be aware that much of America seems unimpressed by the policies and rhetoric of the far left wing of his party.

Pundits quickly weighed in that a new administration would be forced to compromise with a divided Congress. That appraisal certainly makes sense, but I dont think it fully captures the voters sentiment. Yes, people clearly rejected the extreme wings of both parties; but that doesnt necessarily mean they voted for listless half measures and perpetual gridlock.

Instead, I believe they voted for commonsense solutions which is not the same thing as compromise. Americans recognize that we face very real and urgent problems, and I believe they still want their leaders to act boldly and decisively. But they want pragmatic approaches and action, not ideological adventures to nowhere.

Democrats failed to grasp this. While polling shows that voters across the political spectrum care about climate change, including a majority of self-identified conservatives, Republicans balk at the heavy-handed government mandates put forth in the so-called Green New Deal. In the waning days of the campaign, swing voters in key areas felt that workers in traditional energy industries were unfairly under attack and that at least for the time being fossil fuels will need to make up an important, but diminishing part of our energy mix.

Now more than ever America needs its Republican leaders to resist the temptation to simply be a roadblock to radical leftwing proposals, and instead put forth their own commonsense clean energy proposals that wont pit the economy against the environment.

Republicans in Congress must seize on this chance to bring forth market-based, conservative policies that, unlike the Green New Deal, will not bankrupt our future. Party leaders should continue efforts to support clean energy industries and implement policies that continue investing in tomorrows technologies today. The jobs and economic data dont lie the clean energy sector has been an economic engine that has allowed our nation to depend less on foreign oil, while also mitigating the impact of climate change in our communities.

And they need not wait until the new Congress to get started.

There is an immediate opportunity to pass meaningful legislation in the lame-duck session with the American Energy Innovation Act (AEIA), which is a compilation of more than 50 energy-related measures considered and individually reported by the Senate Energy and Natural Resources Committee last year. Sen. Lisa MurkowskiLisa Ann MurkowskiBig banks get a big break on pending whistleblower law The Hill's Morning Report - Presented by Mastercard - Congress inches closer to virus relief deal Lawmakers pressure leaders to reach COVID-19 relief deal MORE (R-Alaska) is determined to get the AEIA passed this year in the final days of her chairmanship, and it would be a lasting legacy.

The legislation has strong bipartisan support as it consists of measures sponsored or co-sponsored by more than 60 senators. It focuses on American leadership in the research and development of innovative energy technologies, such as renewables, energy storage, and carbon capture, as well strengthening our national security in key areas and facilitating workforce development.

The AEIA is not a silver bullet for solving climate change, but it taps into the best America has to offer its researchers, scientists, and entrepreneurs and is the lowest hanging fruit available that can make a real difference in reducing emissions. At the same time, it will serve as an immediate economic stimulus as every job created directly from public R&D investment creates an average of 2.7 additional jobs from indirect impacts.

Longer term, bipartisan solutions should also leverage the ingenuity and hard work of American farmers, foresters, ranchers and fishermen, who have been Americas environmental stewards for generations. One legislative example is the Growing Climate Solutions Act (GCSA), which would provide those who live and work on the land with planning, technical assistance, and third-party certification to access carbon credit marketplaces. It would provide voluntary incentives for practices that capture carbon, reduce emissions, and improve soil health.

Voters want leadership in Congress that understands that economic growth and environmental protection are not mutually exclusive objectives. Commonsense solutions may not fit into the traditional partisan framework, but lawmakers who can work across the aisle and implement them will be rewarded at the ballot box in future elections.

Heather Reams is Executive Director for Citizens for Responsible Energy Solutions (CRES), a 501(c)(4) non-profit organization founded in 2013 to engage Republican policymakers and the public about responsible, conservative solutions to address our nations energy, economic, and environmental security while increasing Americas competitive edge.

Read the original:
Voters have demanded bold leadership and common sense, not partisan gridlock | TheHill - The Hill

by beth on December 4, 2020

Above: On Monday evening, you can learn about how to use an experts list of plants to support native pollinators at risk. You can also hear about the success of a special pollinator initiative based in town. (image cropped from pic posted to flickr by John Baker)

On Monday evening, the Metrowest Conservation Alliance Native Pollinator Task Force is holding a webinar for the public. The topic is Assessing and Improving Your Landscape to Save Native Pollinator Species At Risk in Massachusetts. The event will feature learnings from an initiative on Southborough conservation land.Southborough Open Space Preservation Commission is inviting the public to to zoom in.

The Southborough Open Space Preservation Commission (OSPC) invites you to attend the Metrowest Conservation Alliance Native Pollinator Task Forces free webinar Assessing and Improving Your Landscape to Save Native Pollinator Species At Risk in Massachusetts Monday at 7pm, featuring the creation and success of pollinator habitat at Southboroughs Breakneck Hill Conservation Land

Since 2015 the OSPC has been collaborating with Dr. Robert Gegear, a professor of biology at UMASS Dartmouth to rebuild functionally diverse native ecosystems, across town, on conservation, public, and private land. A focus of our efforts has been to save pollinators in decline at Breakneck Hill Conservation Land in partnership with the Southborough Stewardship Committee and with support from the Conservation Commission.

More info: Massachusetts Association of Conservation Commissions (maccweb.org)

Link to Register:Webinar Registration Zoom

The webinar will instruct on how to use Dr. Gegears Plant List for at-risk native pollinators:

Learn about the importance of providing multiple habitat needs for at-risk species, find what you already have growing in your space, and where to begin searching for these plants.

Updated (12/5/20 7:01 am): I initially listed the wrong organization as the host.

Read more here:
Webinar on saving pollinators (and success of Breakneck Hill's pollinator habitat) Monday - mysouthborough

Chris Miller|The Daily News

Former Southwest High School football coach and athletic director Phil Padgett joked in 2013 that a reason his school moved up in realignment was due to the Walmart shopping center being built on Yopp Road a sign that commerce was ready to grow, and with it more housing developments.

While the Southwest community has seen business growth, it also has faced a decline in population, resulting in the school seemingly on the 1-A/2-A border every four years during NCHSAA realignment cycles.

Southwest is in its third 2-A stint, having been there when it was built in 1976 until it dropped to 1-A in 1984. The Stallions returned to 2-A in 1997 before dropping back down in 2009.

More: Playoff spots to mean more for area teams after NCHSAA decision

The transitions have placed the Stallions twice in the Coastal Plains 1-A, in the East Central 2-A and the Coastal 8 1-A/2-A conference, where they play currently after realignment three years ago.

Conference landscapes have certainly changed over the years, and Southwest isnt the lone area school to have been affected.

If the state association's realignment proposal for the 2021-22 school year goes through, Croatan and Dixon will make the jump to 3-A for the first time, while Richlands moves back up to 3-A for the second time since 2013.

Areas seeing growth

How did this happen?

For its next realignment cycle, the NCHSAA not just used Average Daily Membership numbers, it also took into account three-year averages of State Cup scores and Individual Student Percentages, information that shows how any of each school's students benefit from government assistance, including free or reduced meals.

More: NCHSAA classification breakdown

While Croatans ADM now is around 870, athletic director Dave Boal said, the Cougars are scheduled to make the jump because of their State Cup performances and low government assistance. Croatan has been a 2-A school since it opened in 1998.

We are growing and there is development after development being built here, but those two things, the ISP and the Wells Fargo Cup, put us over the hump, Boal said.

More: NCHSAA final realignment figures

Dixon, meanwhile, is also growing with an influx of military families continuing to call that area home. Athletic director Brandon Ball anticipated a jump in classification, but not for another cycle.

We are at 891 I believe, which puts us at the top of 2-A, he said. We dont really stand out in the Wells Fargo Cup but as far as free or reduced meals, the ISP is what got us.

Then theres Richlands, which was 1-A from 1985-97 before playing in 2-A for the next 16 years. For a short period in 2013, Richlands was Onslow Countys largest high school in terms of enrollment and in 3-A, but the school dropped back down to 2-A in 2017 after Onslow County redistricting moved more kids from Gum Branch Road to Jacksonville High.

Like Ball, Richlands AD Mike Kelly anticipated another stay in 2-A before a move up the next cycle, adding the ISP figures moved his school over the line.

Looking ahead

What does these schools being 3-A for the local conference landscape?

Ideally, Croatan, Dixon and Richlands would join Jacksonville, Northside, Swansboro and White Oak in one Onslow conference, a league that ADs said would make traveling and scheduling easier, and perhaps provide some newgeographical rivalries.

But things are not that simple.

West Carteret remains 3-A, but is the Morehead City school placed in the Onslow conference or do it and 3-A Havelock move on? Keeping West Carteret in a league with Jacksonville, White Oak, Swansboro and Northside would geographically and competitively make sense.

Havelockwouldnt be missed by many Coastal Conference football teams, but the Rams fate is interesting because they could relocate to a Greenville-based split conference with D.H. Conley, South Central and J.H. Rose.

And making matters even more convoluted is that New Bern and D.H. Conley have to be together, given they are the only 4-A schools east of I-95 not in the Wilmington area.

Talk about a domino effect.

And what happens to Southwest, Onslow Countys only 2-A school?

My take would be for the Stallions to reenter the East Central Conference with the likes of East Duplin, Wallace-Rose Hill, James Kenan and Clinton, a move that would solidify the league as the states toughest football conference.

The NCHSAA will begin releasing conference proposals on Thursday.

Chris Miller can be contacted via email atchris.miller@jdnews.comor by calling 910-219-8472. Follow him on Twitter@jdnsports.

Read this article:
Miller: Onslow's high school conference landscapes have changed over the years - Jacksonville Daily News

Its difficult to visit a website today without being warned that youre on your last free article. With social media devouring traffic, ad revenue collapsing, and layoffs ripping through the industry, paywalls are helping publications survive. Some are even thriving: The New York Times added a record 587,000 subscribers in the first quarter of 2020. Defector, which rose from the ashes of the horrendous private equity mismanagement of Deadspin, was dubbed the potential future of media in a New Republic article that said the new venture was on track to make at least $2 million per year in subscription fees.

SUBSCRIBE

Creators deserve to be paid, and readers are saying these publications are worth the cost. The relaunch of Deadspins zombified corpse, despite being free, pulled in an embarrassing 10 percent of the traffic the site managed before the exodus of its beloved writers. But as paywalls grow more common (76 percent of American newspapers used them in 2019, up from 60 percent just two years prior) and stricter (publications are getting better at sussing out incognito mode and other tricks to dodge paywalls), most readers are still only willing to pay for one online news subscription. The media landscape, then, may come to resemble what it looked like before the internet, where it was difficult and expensive for any one consumer to traverse a wide range of viewpoints.

Just how far will this fragmentation go? Consider the case of streaming video. Subscription libraries of movies and TV shows are orders of magnitude more popular than those for the written word: The New York Times has 6.5 million subscribers, while Netflix has 183 million. But even there, as of mid-2019, the average American was spending just $29 a month, on an average of 3.4 streaming services. Even if readers turn out to be willing to spend that much for online publications, it wont get them very far. Subscribe to both The New York Times ($17 per month) and Defector ($8 per month), and youve already used up most of your budget. A Washington Post subscription ($8.33 per month), your local paper (the Denver Post is $14.99 per month), and one or two Substacks (popular ex-Buzzfeed journalist Anne Helen Petersen charges $5 per month for her newsletter) would also zero out your budget; as would a single subscription to The Boston Globe ($27.72 per month).

Unless readers are willing to spend a lot of moneyand substantially more than they spend on watching videosit simply wont be financially viable for them to consume a lot of internet content. Not coincidentally, a lot of internet content wont be financially viable, either. The New York Times 587,000 new subscriptions outnumbered the combined efforts of 261 local papers across America. In a 2017 analysis by The Outline (one of many sites to perish in recent months), only 2 percent of Patreons were earning the equivalent of $7.25 an hour from content creation, and less than half of those people hit the vaguely livable $15 an hour. Far from every Patreon is a full-time endeavor, but theres still a wide gap between the flashy success stories and everyone else.

The same problem appears to be reaching Substack. Theres long been a theory that if you can find 1,000 fans willing to pay you five dollars a month then you can make a comfortable $60,000 living online, and Substack was hyped as a simple execution of that concept. But where are those 1,000 readers going to come from when everyones pouring their money into legacy publications, and specialist sites such as Defector and The Athletic?

Continued here:
Paywalls, Newsletters, and the New Echo Chamber - WIRED

For close to 17 years Rene Spring and his husband, Mark Hoffmann, have called Morgan Hill home. And during that time the bedroom community south of San Jose has seen rapid development of new homes and businesses.

An avid hiker who regularly posts photos to his Facebook page of the numerous animals he encounters on his morning hikes, from wild pigs and turkeys to deer and coyotes, Spring decided four years ago he wanted to have more say in the future of his new hometown. So the native of Switzerland took leadership roles in several community groups and served as a planning commissioner for the city.

He is a big champion of Morgan Hill, setting up a popular Facebook page called "It's Ours, Our Morgan Hill," to promote the local civic scene. But the coronavirus outbreak has made doing so a bit harder the last nine months, noted Spring in a recent phone interview with the Bay Area Reporter.

"Prior to COVID-19, I was out in our community whenever I had a minute to do so," said Spring, 56, a program management director for a global software company who has been working from home since March. "I am a people person. I loved doing that and I miss being able to do so to be honest."

In 2016, Spring decided to run for the District C seat on the Morgan Hill City Council. He was elected, becoming the first known LGBTQ person to serve on the governing body, and in November, he handily won a second four-year term.

"I can bring change. I bring in a voice that was missing on the council before," said Spring, who became a U.S. citizen in 2006. "I am a voice for the environment. I am pretty creative so I like to think outside the box if I can."

His swearing in ceremony will take place at 7 p.m. Wednesday, December 9, on Zoom as the council is meeting remotely due to the health crisis.

"You can imagine I am extremely happy and humbled about it. Down here in our city, we don't have any polls so you don't know where you stand," he said. "As an incumbent you can go either way; people like your track record or don't. People like what I was doing, and I am happy my district sent me back."

He wanted to continue serving on the council so there was a progressive, LGBTQ voice on the body advocating for smart development that includes more affordable housing and office space so residents do not have to commute north to their Silicon Valley jobs.

"I am not in the camp of build as much as you can. I want us to build in a sustainable way and not grow outside the city limits," he said. "We haven't annexed one acreage of land since I have been on council, which was the way it used to be in this city."

Spring is a strong advocate for the protection of Morgan Hill's rural charms and wild landscape. The city is the gateway into the sprawling Henry Coe State Park, which saw roughly 56,000 acres burn due to the SCU Lightning Complex Fire this summer.

"One of the reasons I ran for council was I really wanted to stop the urban sprawl outside of our city limits. We still have ag land and open space, that means a lot to me," said Spring. "I want to preserve it, as do a lot of the people here. It is why they voted for me four years ago."

Voters throughout Santa Clara County overwhelmingly renewed on the November 3 ballot a parcel tax to preserve open space throughout the South Bay. It has helped protect a large swath of Coyote Valley along Highway 101 between San Jose and Morgan Hill from being bulldozed for warehouses and tech campuses.

"There are endless amounts of reasons for why it is good for the environment. It helps with climate change; it helps protect water, as we need the groundwater. Besides being amazingly beautiful when take your time to go hike out there, it is extremely important for wildlife," said Spring for why he backed renewal of the tax and creation of the greenbelt planned for the area. "The cities to the north of us had done a huge mistake and got rid of all their orchards and beautiful ag lands. Once the land is gone, you can't get it back. I want our grandkids to be able to enjoy the beauty of the land as much as I can now."

Spring first moved to the Bay Area in 1998 and met Hoffmann, 63, an artist who also works as a mail carrier, that year in San Francisco. They married in 2008, and Spring is a step-dad to the couple's three adult children and a now a grandfather called "Opa" to three grandkids.

Like many families, they opted not to gather in person for Thanksgiving this year due to the pandemic even though their children all live in San Jose.

"That is really tough. We respect social distancing because we don't live in the same household," said Spring. "We do celebrate birthdays in the driveway. We don't visit in house anymore; it is really hard."

He has turned to baking, especially breads, while he sequesters at home. His posts of his finished creations on Facebook have fostered a new way for him to connect with his constituents.

"There are a whole bunch of new bakers in town. It was fun and I am continuing to do it," said Spring. "The European in me, the Swiss in me can't go for a walk to the bakery and get fresh croissants. I have to bake it myself when I have a craving."

He and Hoffmann had been living in South San Jose but ended up looking at homes to buy in Morgan Hill since it was more affordable and an easy commute for Spring.

"I didn't know anything about Morgan Hill when I moved down here," recalled Spring. "It is an amazing community; I love living here."

After his first successful council race led to news stories about that him being the first gay elected councilperson in South County, meaning Morgan Hill, San Martin, and Gilroy, Spring began to meet other LGBTQ residents of the area. There is a growing LGBTQ community in the three cities, he said, leading to a need for LGBTQ-focused services in that part of the county.

"I want people who live in San Francisco to know there is this wonderful community here. Morgan Hill is less than an hour away; come live here and visit," said Spring. "You are welcome here. They embrace the LGBTQ community here."

UPDATED 12/7/2020 to correct the spelling of Mark Hoffman's last name.

Political Notes, the notebook's online companion, will return Monday, December 14.

Keep abreast of the latest LGBTQ political news by following the Political Notebook on Twitter @ http://twitter.com/politicalnotes

Got a tip on LGBTQ politics? Call Matthew S. Bajko at (415) 829-8836 or e-mail m.bajko@ebar.com

Help keep the Bay Area Reporter going in these tough times. To support local, independent, LGBTQ journalism, consider becoming a BAR member.

More:
Political Notebook: For gay councilman, Morgan Hill is a welcoming home - Bay Area Reporter, America's highest circulation LGBT newspaper

The homeownership rate among Black households remains stubbornly low, even as the overall U.S. homeownership rate has risen in recent years. That is a key reason why Black families have a median net worth well below that of white households.

Even for families that do own homes, the benefits of homeownership arent equally dispersed. Andre M. Perry, a fellow at the Brookings Institutions Metropolitan Policy Program and scholar-in-residence at American University, has quantified some of that divide in an effort to shrink it in the future.

Mr. Perrys research with colleagues has shown that houses are underpriced in majority-Black neighborhoods, a process he calls devaluation. That can lead to lower property-tax revenue to fund local schools and infrastructure in those neighborhoods and reduced wealth and discretionary income for Black families. In his book, Know Your Price: Valuing Black Lives and Property in Americas Black Cities, which came out in May, Mr. Perry argues that racism contributes to the devaluation of assets, including homes, in majority-Black cities.

Mr. Perry spoke with The Future of Everything about the long-term effects of the gap in housing values, how to increase the Black homeownership rate and whats next for majority-Black cities.

We really wanted to see the impact of race on home price. And we controlled for education, crime, walkability, all those fancy Zillow metrics. And what we found is homes in Black neighborhoods are underpriced by 23%, about $48,000 per home. Cumulatively thats $156 billion in lost equity. In fact, $156 billion is the equivalent of 4.4 million new businesses, based on the average amount Blacks use to start up their firms. The $156 billion would have paid for more than 8 million four-year degrees, based on the average cost of a public four-year degree. Those are real material losses that were experiencing when we talk about devaluation. When people have this narrative in their mind that the conditions of Black neighborhoods are a direct result of the people in them, they wrongly discount the policies that created a lack of investment in those communities.

See the article here:
How to Make the Housing Market More Equitable - The Wall Street Journal

ORLANDO, Fla., Dec. 08, 2020 (GLOBE NEWSWIRE) -- BlueToad, a leading content delivery platform, today announces a new partnership with the Mark Allen Group, a leading publisher in the United Kingdom. The publisher selected BlueToad to create digitally responsive editions that will include brand-new and engaging content for readers.

Founded in 1985, the Mark Allen Group started with just two magazine titles but has since grown to be a diverse media organization boasting hundreds of print publications. With one of the largest portfolios in the media landscape, the publisher is now the go-to source for unique and inspiring content with clients ranging from healthcare to aviation, and everything in between.

The Mark Allen Group chose the BlueToad platform after a thorough investigation of digital publishing services on the market. BlueToads responsive solution offers a mobile-friendly layout that is both easy to use and visually appealing. The customization options for each magazines menu, as well as branding opportunities, allows the publisher to improve its audience reach and brand engagement.

Our content experience platform gives publishers extra bells and whistles to work with in order to define and enhance their brands, said BlueToad CEO, Paul DeHart. Having been in business for 35 years, the Mark Allen Group has grown tremendously and is clearly continuing to evolve to meet readers needs. The introduction of a solid digital offering was a clear next step as more and more people are consuming trustworthy magazine content through phones and tablets.

BlueToad allows publishers to incorporate media, such as audio and video to accompany articles. The Mark Allen Group is using Amazons Polly text-to-speech technology in order to give readers another way to enjoy content on the go. BlueToad has also made the process easy for Mark Allen by leveraging their print files and minimal other assets to create rich and engaging editions.

With so many readers using their phones to engage with our brands, we needed a solution that would provide a top of the range mobile experience, said Paul Creber, Director at Mark Allen Group. BlueToad has provided us with a partnership that allows us to get the most out of our content. While we started with just 17 of our titles, we quickly accelerated the transition of other titles and already have over 40 brands taking advantage of the BlueToad Platform with more to come.

For more information on BlueToad, please visit http://www.bluetoad.com.

About BlueToadBlueToad was launched in 2007 and provides publishers of all types a content experience platform for creating beautifully responsive digital editions and web content. It is a proud partner of some of the largest printers in the world and trusted to handle the important content of thousands of content creators across the globe. The companys goal is to make it easy for partners and customers to upload their content for a digital experience that works on all modern phones, tablets, and desktops.

About Mark Allen GroupThe Mark Allen Group is a family-owned private company, which was founded in 1985. The company employs more than 400 staff in five locations Herne Hill, Dartford, Guildford, Sutton and Wiltshire. Its 100 magazines and journals are published in a broad range of sectors, including: healthcare; dental; social care; education; farming; music; manufacturing and engineering; aviation; print; human resources; the built environment; technology; auto, transport and entertainment. It organises up to 250 exhibitions, conferences and awards every year. Flagship brands include: Farmers Weekly, Gramophone, Dental Update, British Journal of Nursing, Community Care, Nursery World, The Engineer, Machinery, Aircraft Interiors and Ground Handling International.

Media Contact:Alyssa CohenUproar PR for BlueToadacohen@uproarpr.com(321) 236-0102 x233

Continue reading here:
Mark Allen Group Partners with BlueToad to Create Digital Editions for Dozens of Industry-Leading Magazines - GlobeNewswire

*//*-->*//*-->*/]]>

The 63rd GRAMMY Awards are right around the corner, airing Sunday, Jan. 31, on CBS, but the nominations are here now! Find out who is nominated in each of the 83 categories in the full nominees list below. Use the links to jump to a desired field.

1. Record Of The YearAward to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

2. Album Of The YearAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.

BLACK PUMAS (DELUXE EDITION)Black PumasAdrian Quesada, producer; Adrian Quesada, engineer/mixer; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer

FUTURE NOSTALGIADua LipaLorna Blackwood & Koz, producers; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer

3. Song Of The YearA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

THE BOXLarrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Morag, Aqeel Qadir Tate & Khirye Anthony Tyler, songwriters (Roddy Ricch)

4. Best New ArtistThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

5. Best Pop Solo PerformanceFor new vocal or instrumental pop recordings. Singles or Tracks only.

6. Best Pop Duo/Group PerformanceFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

7. Best Traditional Pop Vocal AlbumFor albums containing at least 51% playing time of new traditional pop recordings.

8. Best Pop Vocal AlbumFor albums containing at least 51% playing time of new pop vocal recordings.

9. Best Dance RecordingFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

10. Best Dance/Electronic AlbumFor vocal or instrumental albums. Albums only.

11. Best Contemporary Instrumental AlbumFor albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.

AXIOMChristian Scott aTunde Adjuah

CHRONOLOGY OF A DREAM: LIVE AT THE VILLAGE VANGUARDJon Batiste

12. Best Rock PerformanceFor new vocal or instrumental solo, duo/group or collaborative rock recordings.

13. Best Metal PerformanceFor new vocal or instrumental solo, duo/group or collaborative metal recordings.

14. Best Rock SongA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

15. Best Rock AlbumFor albums containing at least 51% playing time of new rock, hard rock or metal recordings.

16. Best Alternative Music AlbumVocal or Instrumental.

17. Best R&B PerformanceFor new vocal or instrumental R&B recordings.

18. Best Traditional R&B PerformanceFor new vocal or instrumental traditional R&B recordings.

19. Best R&B SongA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

20. Best Progressive R&B AlbumFor albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&B.

21. Best R&B AlbumFor albums containing at least 51% playing time of new R&B recordings.

22. Best Rap PerformanceFor a Rap performance. Singles or Tracks only.

23. Best Melodic Rap PerformanceFor a solo or collaborative performance containing both elements of R&B melodies and Rap.

24. Best Rap SongA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only..

25. Best Rap AlbumFor albums containing at least 51% playing time of new rap recordings.

26. Best Country Solo PerformanceFor new vocal or instrumental solo country recordings.

27. Best Country Duo/Group PerformanceFor new vocal or instrumental duo/group or collaborative country recordings.

28. Best Country SongA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

29. Best Country AlbumFor albums containing at least 51% playing time of new country recordings.

30. Best New Age AlbumFor albums containing at least 51% playing time of new vocal or instrumental new age recordings.

31. Best Improvised Jazz SoloFor an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.

32. Best Jazz Vocal AlbumFor albums containing at least 51% playing time of new vocal jazz recordings.

33. Best Jazz Instrumental AlbumFor albums containing at least 51% playing time of new instrumental jazz recordings.

34. Best Large Jazz Ensemble AlbumFor albums containing at least 51% playing time of new ensemble jazz recordings.

35. Best Latin Jazz AlbumFor vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

36. Best Gospel Performance/SongThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

37. Best Contemporary Christian Music Performance/SongThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.

38. Best Gospel AlbumFor albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

39. Best Contemporary Christian Music AlbumFor albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

40. Best Roots Gospel AlbumFor albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

41. Best Latin Pop or Urban AlbumFor albums containing at least 51% playing time of new Latin pop or urban recordings.

42. Best Latin Rock or Alternative AlbumFor albums containing at least 51% playing time of new Latin rock or alternative recordings.

43. Best Regional Mexican Music Album (Including Tejano)For albums containing at least 51% playing time of new regional Mexican (banda, norteo, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

44. Best Tropical Latin AlbumFor albums containing at least 51% playing time of new tropical Latin recordings.

45. Best American Roots PerformanceFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).

46. Best American Roots SongA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

47. Best Americana AlbumFor albums containing at least 51% playing time of new vocal or instrumental Americana recordings.

48. Best Bluegrass AlbumFor albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.

49. Best Traditional Blues AlbumFor albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.

50. Best Contemporary Blues AlbumFor albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.

51. Best Folk AlbumFor albums containing at least 51% playing time of new vocal or instrumental folk recordings.

52. Best Regional Roots Music AlbumFor albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.

53. Best Reggae AlbumFor albums containing at least 51% playing time of new reggae recordings.

54. Best Global Music AlbumFor albums containing at least 51% playing time of new vocal or instrumental Global Music recordings.

55. Best Children's Music AlbumFor albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.

56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

57. Best Comedy AlbumFor albums containing at least 51% playing time of new recordings.

58. Best Musical Theater AlbumFor albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.

JAGGED LITTLE PILLKathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)

59. Best Compilation Soundtrack For Visual MediaAward to the artist(s) and/or in studio producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

A BEAUTIFUL DAY IN THE NEIGHBORHOOD(Various Artists)Nate Heller, compilation producer; Howard Paar, Music Supervisor

BILL & TED FACE THE MUSIC(Various Artists)Jonathan Leahy, compilation producer

EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA(Various Artists)Savan Kotecha, compilation producer; Becky Banthem, music supervisor

FROZEN 2(Various Artists)Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall & Dave Metzger, compilation producers

JOJO RABBIT(Various Artists)Taika Waititi, compilation producer

60. Best Score Soundtrack For Visual MediaAward to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.

61. Best Song Written For Visual MediaA Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

62. Best Instrumental CompositionA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

63. Best Arrangement, Instrumental or A CappellaAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

64. Best Arrangement, Instruments and VocalsAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

65. Best Recording Package

66. Best Boxed Or Special Limited Edition Package

MODEJeff Schulz & Paul A. Taylor, art directors (Depeche Mode)

ODE TO JOYLawrence Azerrad & Jeff Tweedy, art directors (Wilco)

67. Best Album Notes

68. Best Historical Album

69. Best Engineered Album, Non-ClassicalAn Engineer's Award. (Artists names appear in parentheses.)

HYPERSPACEDrew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)

70. Producer Of The Year, Non-Classical

August (Taylor Swift) (T)Gaslighter (The Chicks) (A)Holy Terrain (FKA Twigs Featuring Future) (T)Mirrorball (Taylor Swift) (T)This Is Me Trying (Taylor Swift) (T)Together (Sia) (S)

Cypress Grove (Jimmy "Duck" Holmes) (A)El Dorado (Marcus King) (A)Is Thomas Callaway (CeeLo Green) (A)Singing For My Supper (Early James) (A)Solid Gold Sounds (Kendell Marvel) (A)Years (John Anderson) (A

Backbone (Kaleo) (S)The Balladeer (Lori McKenna) (A)Boneshaker (Airbourne) (A)Down Home Christmas (Oak Ridge Boys) (A)The Highwomen (The Highwomen) (A)I Remember Everything (John Prine) (S)Reunions (Jason Isbell And The 400 Unit) (A) The Spark (William Prince) (S)You're Still The One (Teddy Swims) (S)

It Is What It Is (Thundercat) (A)

Break My Heart (Dua Lipa) (T)Me And My Guitar (A Boogie Wit Da Hoodie) (T)Midnight Sky (Miley Cyrus) (S)Old Me (5 Seconds Of Summer) (T)Ordinary Man (Ozzy Osbourne Featuring Elton John) (T)Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T)Under The Graveyard (Ozzy Osbourne) (T)

71. Best Remixed RecordingA Remixer's Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

72. Best Immersive Audio AlbumDue to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

73. Best Engineered Album, ClassicalAn Engineer's Award. (Artist names appear in parentheses.)

74. Producer Of The Year, ClassicalA Producer's Award. (Artist names appear in parentheses.)

Aspects Of America - Pulitzer Edition (Carlos Kalmar & Oregon Symphony) Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers) Dvok: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra) Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera) Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony) Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke's) Massenet: Thas (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra) Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra) Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)

Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss) Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus) Gluck: Orphe & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus) Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony) Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus) Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner) Shostakovich: Symphony No. 13, 'Babi Yar' (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

Gunn: The Ascendant (Roomful Of Teeth) Harrison, M.: Just Constellations (Roomful Of Teeth) Her Own Wings (Willamette Valley Chamber Music Festival) Hynes: Fields (Devont Hynes & Third Coast Percussion) Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble) Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble) Sharlat: Spare The Rod! (NOW Ensemble) Soul House (Hub New Music) Wherein Lies The Good (The Westerlies)

Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic) Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance) Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic) LA Phil 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic) Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra) Nielsen: Symphony No. 1 & Symphony No. 2, 'The Four Temperaments' (Thomas Dausgaard & Seattle Symphony)

Original post:
GRAMMY U: College Grads, Looking For A Job? Music Industry Professionals Share Their Insights On How You Can Get Hired During Uncertain Times -...