Home Builder Developer - Interior Renovation and Design

Church of the Open Door is getting ready to open the doors to its Lorain Campus.

In 2016, the Elyria-based Christian church unveiled its 20/20 Vision Plan, a blueprint for expanding several ministries, eliminating debt and upgrading the existing facilities.

The plan included a new physical presence in Lorain -- and it is happening.

At 11 a.m. Feb. 9, Church of the Open Door will begin regular Sunday worship services in the renovated former Lorain YMCA, 1121 Tower Blvd.

When the YMCA was built in 1969, for years it was a blessing to the surrounding neighborhood, said Jason Russ, Lorain Campus pastor.

Church of the Open Door will begin regular Sunday worship services at 11 a.m. Feb. 9, 2020, at the former Lorain YMCA, 1121 Tower Blvd. This 1991 mural by Jim Lemaster remains in place on the lower level of the Y building.

He added he has talked to people who recalled their experiences at the Y growing up in Lorain. In the neighborhood, residents also want new connections, especially for children and the elderly.

Everybody has some connection to this Y, Russ said. What a gift of God to be able to open the doors back up to this community, something that was such a huge benefit.

I just think its neat that we can turn this place back around to the community, open it up, he said.

On Feb. 3, the building was a hive of activity as contractors, church staff and congregation members completed tasks ranging from painting to rigging lights to installing sound and video equipment.

Russ wore an Open Door shirt and blue jeans with a wrench and work gloves in his hip pocket.

Church of the Open Door's Lorain team leaders took a break from construction for a group photo at the former Lorain YMCA, 1121 Tower Blvd. From left are Stephanie Carrell, who works with childrens ministry; Joe Gonzales, who works with the student ministry; Jason Russ, Lorain Campus pastor; and Tony Reyes, director of worship. The church will begin regular Sunday worship services there at 11 a.m. Feb. 9, 2020.

Church of the Open Door Executive Director Alex Marks was present with the Lorain Campus directors: Stephanie Carrell, who works with childrens ministry; Joe Gonzales, who works with the student ministry; and Tony Reyes, director of worship.

On Sundays, the renovated space will use two entrances, one on the north side of the building and one on the east side.

That door opens into a fellowship area that sits next to the main auditorium; holding about 170 seats, the auditorium will serve as the sanctuary for worship.

The worship team would rehearse there in a few days, Reyes said. He has grown up, gone to school and worked in the city.

Its really awesome to now launch a campus where we can now bring the Gospel in Lorain as well, where its home as well, Reyes said.

Church of the Open Door Director of Worship Tony Reyes, right, and helpers prepare a wall for installation of a video screen mounting bracket as part of renovations at the former Lorain YMCA, 1121 Tower Blvd., on Feb. 3, 2020.Church of the Open Door will begin regular Sunday worship services at 11 a.m. Feb. 9, 2020, at the former Lorain Y.

The Sunday morning worship service will be at 11 a.m. with Russ and Reyes leading prayer and singing. There will be a simulcast of the weeks sermon with church Pastor Jim Mindling.

Carrell said she and Church of the Open Door Pastor of Childrens Ministries Ben Fowlkes have met local children through visits to Lorain City Schools Washington and Hawthorne elementaries. But they have not yet had families with young children in the building.

For the worship, there will be a check-in station, a nursery and rooms for pre-K and elementary childrens ministries. Weekly themed lessons will include songs and music.

Im so excited about partnering with families in Lorain, just being here for whatever they need, Carrell said. I just feel deeply for families and I want to partner with families just to fill in the gaps that might be there. Again, so much of that is pointing them to Christ and just loving people and meeting needs as he did.

The building is Lorains former YMCA. Although there has been extensive renovation, it still has a lot of room for athletics and that will be part of the programming there.

Church of the Open Door will begin regular Sunday worship services at 11 a.m. Feb. 9, 2020, at the former Lorain YMCA, 1121 Tower Blvd. The church has renovated some spaces within the building, but the basketball court remains in place as one of the areas where children and adults can pursue physical health along with spiritual health.

Gonzales is the first to work in regular ministry in the building. He has begun a basketball ministry, drawing up to 40 youths, mostly boys from Clearview, Lorain and Horizon Science Academy schools, for basketball and discussion three nights a week.

Gonzales recalled his youth and the advice from an elder: Be the person you wanted when you were younger.

My passion is to be that person to the young people of Lorain, that I wish I had when I was younger, he said. Part of that is introducing them to Christ and giving kids in Lorain something to do.

Russ and Marks agreed the only real difficulty about the Lorain project is that it took longer than expected.

But they said the congregation trusts in Gods timing for the growth. It took time to raise money and develop the vision, then the blueprints, for how the building could accommodate Sunday worship and weekly use for study, fellowship and physical activities.

Church of the Open Door will begin regular Sunday worship services at 11 a.m. Feb. 9, 2020, at the former Lorain YMCA, 1121 Tower Blvd.

The investment in Lorain was part of a multi-year effort to raise more than $2 million for the entire Vision 20/20 plan.

The cost of remodeling the building has been significant, Marks said.

But from our perspective, its an investment in the community and into the people here, he said.

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Old doors ready to reopen for Church of the Open Door growth in Lorain - The Morning Journal

In the last few years, a number of startups led by the company Away have disrupted the sleepy luggage market with an array of colorful hard-shell suitcases that incorporate features such as built-in batteries to recharge your gadgets.

Now Target is looking to get in on the action, too.

After overhauling most of its apparel and home brands, the Minneapolis-based retailer is now eyeing other categories where it could increase its business such as luggage.

Target's new luggage brand, Open Story, lands in stores on Sunday and on Target.com on Feb. 13.

The nearly 40-piece line includes hard-sided checked and carry-on luggage, backpacks, packing cubes, garment bags and totes, with prices ranging from $19.99 to $179.99. The suitcases include features such as USB ports for a battery or power bank, a built-in TSA lock, a laundry bag and many zippered pockets to help travelers to keep items organized.

"We know from looking at market trends that the consumer is looking to travel more and more and is preferring to go on experiences," said Julie Guggemos, Target's chief design officer. "We decided, as we look at the travel industry, that it would be a good opportunity for Target to create something that offers the best of the best from a features standpoint at an incredibly affordable price."

Target's new carry-on suitcase, for example, will sell for $149.99, which Guggemos said is about 30% cheaper than comparable products from major competitors. Away's carry-on suitcases start at $225.

Target's designers and engineers spent about 14 months developing Open Story, researching not only the features offered by premium luggage brands, but also talking to consumers about what they are looking for in luggage and where they would like to see improvements. They went through several prototypes and stress-tested them on trips and on cobblestone streets.

"It's going to blow all other luggage offerings out of the water," Guggemos said.

Target decided not to include a battery with its suitcases. Built-in lithium batteries are now barred from being checked on flights in the U.S., and some airlines now require them to be detached when carrying such luggage onto flights.

"We decided to let the consumer decide what they want to do," she said.

The suitcases also come with a hardy polycarbonate shell, four silent 360-spinning wheels and are expandable. They will come in about a dozen colors.

While Target has been seeing some growth in luggage sales, Guggemos said it hasn't been on par with the rest of the market. With Open Story, she said Target hopes to outpace competitors.

Luggage sales have risen 11% in the U.S. since 2016 and are now a $2.3 billion industry, according to Beth Goldstein, an industry analyst with the NPD Group.

In addition to the growing interest in travel and experiences, enhanced features and functionality are also helping to fuel growth, she said.

"I think there has been a halo effect from the startups, most notably Away, but even the ones that didn't survive, like Raden and Bluesmart," she wrote in an e-mail, noting that traditional players are also now adding more features such as luggage sleeves and extra pockets.

The challenge, though, is that consumers don't buy new suitcases very often, which could hinder sustained growth.

This is not Target's first foray into private-label luggage. It has a longtime brand called Embark and more recently launched an in-house line through one of its newer, though more budget-focused, brands, Made by Design. It also carries national brands such as American Tourister.

Open Story will be prominently displayed in Target's luggage section, but the overall space for the section won't change. Instead, the retailer is making room for it by shrinking its offerings from other owned and national brands, Guggemos said.

In addition to remodeling stores and adding new fulfillment options, refreshing Target's owned brands has been a key part of Target CEO Brian Cornell's strategy that has led to impressive sales gains over the last two years. However, Target reported last month that its sales over the holidays came in lower than expected, a rare miss for a retailer that has become one of the better performers in the industry.

Target has now rolled out more than 40 new brands over the last several years. Last month it launched All in Motion, an activewear brand that replaces C9 by Champion.

While the pace of new brand rollouts has begun to slow, Target is now looking at other categories outside of apparel and home, which had been its initial focus.

As for what's next, Guggemos said Target is looking at everything from sporting goods to toys.

Link:
Target takes on startups like Away with new luggage brand - Minneapolis Star Tribune

41 West, Special to Naples Daily News Published 6:40 a.m. ET Feb. 1, 2020

BEFORE: View of kitchen area at condo in The Windsor before being renovated by 41 West.(Photo: Submitted)

AFTER: Dramatically enhanced kitchen area after renovation by 41 West.(Photo: Kenny Siebenhar)

Considering a new look for your condo, kitchen or bath? Where do you start? This is the question 41 West hears most often from condo owners in the luxury high-rise buildings in Naples, Marco Island, Bonita Springs and Estero.

41 West has been remodeling luxury condos since 1995 and is honored to be ranked as the #1 General Contractor in Naples by Houzz.com. 41 West creates inspires condo residences in collaboration with architects and interior designers. With the understanding that you want your own special place that reflects your style and taste, they use The 5 Simple Steps , allowing you to describe what you want, the design team draws it, you approve it and 41 West builds it, as was the case with this 5,500 SF, four-bedroom condo in The Windsor.

This beautifully renovated high-rise has been dramatically enhanced to modernize the space and update the home to suit the lifestyle of the owners by adopting a transitional style, blending traditional molding details with contemporary tile, stone flooring and dove-white cabinetry in a bright, neutral space with LED lighting throughout.

The intent was to keep the space very clean and ornate. One of the primary kitchen walls was knocked down to create one large area with a large doorway from the dining room to the kitchen, while a new suite of appliances was installed. Walls also came down in the master bathroom, where the larger space allowed for a new shower and a free-standing Albert & Victoria soaking tub, a stunning centerpiece in any bathroom.

A unique design element is the blue agate accent tile in the entryway. Known for enhancing any space, this semi-precious gemstones eye-catching blue agate surface is exclusive in look because of its luxurious and crystalline nature.

Visit 41west.com for more information or to schedule an idea session with their team of design experts.

41 West is a design/build firm that has been building custom home and remodeling luxury condos and homes in the beach communities of Naples, Marco Island and Bonita Beach since 1995. 41 West is honored to be ranked #1 on Houzz.com of over 3,000 general contractors in Naples. The 41 West design team specializes in creating plans for an inspired residence and work in collaboration with nationally recognized architects and interior designers. Creating a unique residence to match the lifestyle of their clients if the focus of 41 West. Choose 41 West to build your new custom home, remodel your luxury condo or remodel your home and enjoy their promise of a 41 West 5-Star experience before, during and long after construction.

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41 West renovates condo in The Windsor - Naples Daily News

BOCA RATON, Fla., Feb. 4, 2020 /PRNewswire/ --Reflecting his commitment to offer the most state-of-the-art technologies to his patients, Jacob D. Steiger, M.D., Facial Plastic Surgeon, of Steiger Facial Plastic Surgery in Boca Raton is one of the first physicians nationally to have Sofwave ultrasound, the newest technology to hit the market to improve fine lines and wrinkles on the face and neck.

Created by Sofwave Medical Ltd., an emerging aesthetic device company, the Sofwave system has received 510(k) clearance from the U.S. Food and Drug Administration (FDA). In clinical studies, 87% of patients were marked as improved or significantly improved, 12 weeks after a single treatment.

A clinically-proven, non-invasive approach to improving fine lines and wrinkles, Sofwave utilizes proprietary Intense Ultrasound Beam TechnologyTM (IUB), in which sound wave energy passes through the skin's surface (the epidermis), heating at precisely the right depth in the mid-dermis to improve the overall appearance of aging skin. It is a non-invasive, no downtime wrinkle treatment. The treatment only takes about 30 minutes, and offers major results. It is appropriate for all skin types.

The high-intensity, high-frequency, IUB ensures no damage to the epidermis nor the underlying structures beneath the dermis, including bones, facial nerves, facial fat and blood vessels. With Volumetric Directional Thermal Impact (VDTI), the beams spread through the tissue and create a variety of volumetric cylindrical-shaped thermal zones in the dermis, separated by areas of undamaged tissue, creating a fractional effect in the mid-dermis.

This creates a controlled and directional, thermal impact (60C70C) parallel to the skin, at a prime depth of 1.5mm in the mid-dermis. The targeted treatment zones promote an inflammatory wound-healing response, the remodeling and concentration increase of collagen (neocollagenesis) and elastin (neoelastoegensis), which leads to a reduction in fine lines and wrinkles, and restoration of natural skin features.

The direct skin contact enables the integration of cooling and real-time feedback mechanisms for superb epidermal protection, accurate targeting of the thermal effect and optimal pain management.

The solid-state energizer module, a hand piece, is robust and stable with no moving parts nor optics. It's light and maneuverable, and covers a large area. The treatment involves no sterilization nor needles.

"Sofwave is a revolutionary treatment that provides effective and safe results," said Dr. Steiger, a double board-certified facial plastic surgeon. "My ongoing commitment to my patients is to research and utilize the latest, cutting-edge treatments in facial plastic surgery such as Sofwave to provide the best possible results."

Dr. Steiger is board certified by the American Board of Facial Plastic Surgery, and is a diplomate of the American Academy of Facial Plastic and Reconstructive Surgery. He is also board-certified by the American Board of Otolaryngology Head and Neck Surgery. He focuses his practice specifically on the face and neck. He offers state-of-the-art surgical and non-invasive solutions for facial rejuvenation, as well as techniques for specific features, such as nose reshaping, jawline tightening, neck lifting, lip augmentation, skin resurfacing and eyelid lifting.

About Jacob D. Steiger, M.D. & Steiger Facial Plastic SurgeryAn accomplished, double board-certified, Ivy League-trained physician, Jacob D. Steiger, M.D., Facial Plastic Surgeon, specializes exclusively in plastic surgery of the face. The 5,000-square-foot modern Steiger Facial Plastic Surgery features luxurious treatment rooms and a state-of-the-art surgical center with an operating room and overnight suite. For more information, to schedule an appointment, or to book a spa treatment, call 561-499-9339, toll-free at 866-994-FACE (3223) or visit drsteiger.com. Steiger Facial Plastic Surgery/1001 Aesthetic Medical Center is located at 1001 N. Federal Highway, Boca Raton, FL 33432.

Media Contact:Dure & Company, Inc.954-723-9350233413@email4pr.com

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Jacob D. Steiger, MD, One of the First Physicians Nationally to Offer Sofwave Ultrasound, the Newest Non-Invasive Technology to Improve Fine Lines and...

The Washington Parks Department started 2019 with a new parks and recreation director Wayne Dunker, who assumed his new duties Jan. 7.

Dunker has been working in this field all of his career, dating back to 2000. He moved around the St. Louis area working for different parks departments before coming to Washington.

Last year was a busy year, he said. I had a lot of things come in and out of this office, but now I have a better feel of things.

With one year under his belt, Dunker said he has a better handle on a lot of things, including the budget, the different events and the Washington Town & Country Fair.

Dunker did admit that the Washington Parks Department is a little busier than he expected, but he was able to accomplish quite a list in 2019.

Dunkers first task was updating athletic and facility fees. His office looked at comparable facilities and organizations, evaluated pricing and updated the fees accordingly. This also included fee increases for rentals for the senior center, pavilion, fairgrounds.

Several roofs in the park system have been replaced in the past year. This roof replacement was an ongoing project that started in 2018 after storms in 2017 damaged facilities.

What was most pleasing about the project was after the roofs were replaced the department had an excess of funding and was able to make other improvements. This included a renovation to the main park pavilion which now has new siding, paint, suffixing, gutters, as well as a new roof.

Another highlight was the opening of the front nine holes of Busch Creek Disc Golf at Burger Park and a new trail was installed with 1,700 square feet of wood fence around the quarry at Miller Post Nature Reserve, which is open.

The parks department also updated city hall with LED lighting, new windows and HVAC improvements. The lighting also was updated at the police station, library and fire houses.

Dunker said Washington participated in the America in Bloom Competition for the ninth year. The city finished first in the 12,000-14,000 population category and received special recognition for its flowers.

Some other accomplishments in 2019 included renovations at the South Point Dog Park, such as parking lot paving, sidewalk installation and landscaping; resolving the drainage issue at Lakeview baseball soccer field; receiving the Tree City USA award for the 14th year; installing an informational kiosk on the riverfront west trailhead; and other renovations and improvements in the Washington area.

Washington residents can expect to see several changes and exciting in the new year, according to Dunker.

The America in Bloom National Symposium will be held in Washington Oct. 1, which is expected to bring between 200 to 250 people to the city for the day.

The back nine holes at Busch Creek Disc Golf Course will open later this year and there will be new playgrounds in the main park, renovations to the Optimist skate park and updated and revised park entry signs.

The department also plans to install large and small dog fencing at South Point Dog Park.

The fountain at the Farmers Market parking lot will receive an upgrade this year as well.

Dunker explained that weather and river levels permitting, renovations will take place on the eastern portion of Rotary Riverfront Trail after MoDOT completes its work, which will allow the trail to reopen.

A big picture idea that the department is working on is continuing to evaluate how Washington can connect to the Katy Trail, Dunker said.

Originally posted here:
Parks Office Reports Busy, Successful Year - More to Come in 2020 - The Missourian

Judith Faulkner, CEO of healthcare IT giant Epic Systems.

Source: Epic Systems

Epic Systems CEO Judy Faulkner recently urged some of the largest health systems in the country to sign a letter opposing proposed rules designed to make it easier for patients to obtain their medical information and share it with apps.

About 60 of these health systems have signed it.

The letter, which was obtained by CNBC, was addressed to Department of Health and Human Services Secretary Alex Azar and opposed proposed rules designed to help medical information flow more easily between health systems and patients. The rules also aim to make clinical data accessible through application programming interfaces (APIs).

Epic, which is privately held, sells its electronic medical record software to hospitals across the country and is one of the largest health-technology companies in the U.S. An Epic installation is a major undertaking and can cost upwards of $1 billion for a major health system to implement.

Epic's CEO Judy Faulkner previously urged health care executives to take a stand with her: "HHS needs to hear from you so they understand that you feel these issues are important," it says. "Very little time is left."

A spokesperson for HHS told CNBC that it did indeed receive the letter. "We appreciate all stakeholder feedback as we continue to finalize the rules," they said. "Our ultimate goal is to ensure that patients are able to easily access their electronic medical records."

The largest technology companies, alongside patient advocates and caregivers, have taken the opposite stance and have spoken out in favor of the rules. Apple, Microsoft and Google recently joined a call with a non-profit called Carin Alliance to discuss ways to get the rule finalized and released. These companies favor the rules, in part because greater interoperability between systems that store medical records could help them move into the $3.5 trillion health care sector.

"There are many health systems that have deep concerns regarding the rule, and they've shared those concerns with HHS," Epic said in a statement to CNBC. "We are supportive of the goals of the proposed regulations, but we believe that important changes must be made to the rule before it becomes final in order to protect the privacy of patients and their personal health information. We appreciate the work that HHS is doing to incorporate different perspectives and ensure that the final rule is a good one."

The letter reads, in part, "While we support HHS' goal of empowering patients with their health data and reducing costs through the 21st Century Cures Act, we are concerned that ONC's Proposed Rule on interoperability will be overly burdensome on our health system and will endanger patient privacy. Specifically, the scope of regulated data, the timeline for compliance, and the significant costs and penalties will make it extraordinarily difficult for us to comply."

The letter goes on to recommend some changes, including more clarity around health information related to family members, and a longer timeline -- at least 12 months to prepare and 36 months for "development of new technology required by the rule."

It was signed by health systems including Ardent Health Services, Atrius Health in Massachussets, Bay Health in Delaware, NYU Langone Health in New York, Parkview Health in Indiana and Ohio, University Health System in Texas and UW Health in Wisconsin among others. Several life sciences companies also signed it, including Exact Sciences, maker of a diagnostic test for colorectal cancer.

A handful of organizations were also listed as sending their own separate letter.

One doctor who signed says he shared Epic's privacy concerns as the number of proposed medical apps skyrockets.

"There are tens of thousands of health care apps," said Neil Calman, MD, chairman of family medicine at Mount Sinai in New York and president of the institute for family health, in an interview.

"Getting these big computer systems to communicate in a predictable and secure way took a decade and now people are writing these apps in all different languages. There's no possible way a system that has been in development for decades now could all interface with all these apps and keep information secure. This needs a lot more thought, and more structure and regulation."

Some health IT experts note that the letter has not been signed by some of the largest health systems in the Epic ecosystem, and they say that's significant.

"Their absence represents a thundering silence," said David Brailer, the first National Health Information Technology Coordinator, appointed by George W. Bush. "Many health systems are quietly discussing how the data access and data fluidity actually benefits them in the long-run."

Here is the full list of health systems and health companies that signed the letter, not including those who chose to send their own:

Access Community Health Centers; Community Health Center Network, Alameda Health Consortium; Altru Health System; Atrius Health; Adventist Health Portland; Affirmant Health Partners; Lovelace Health System; Arc; UT Health Athens; Ardent Health Services; Bay Health; Buffalo Medical Group; Christie Clinic; Deaconess Health System; Genesis Healthcare System; Catholic Health; Community Health Network; Exact Sciences, Group Health Cooperative, South Central Wisconsin; Charlotte Eye Ear Nose & Throat Associates; Confluence Health; Fresenius Medical Care; Gundersen Health System; Guthrie; HonorHealth; Institute for Family Health; Mercy; UnityPoint Health; Hospital Sisters; HSHS Wisconsin; Iowa Specialty Hospitals & Clinics; Mercy Care; VHS; HSHS St. Clare Memorial Hospital; HSHS St Joseph's; HSHS Illinois; Mary Washington Healthcare; Mercy Health Services; Middlesex Health; Beth Israel Lahey Health, Mt. Auburn; NYU Langone Health; PeaceHealth; Piedmont Healthcare; Northshore's Evanston Hospital; OhioHealth; Pembia County Memorial Hospital; Pine Rest Christian Mental Health Services; Norton Healthcare; Parkview Health; Permanente Dental Associates; Prevea Health; River Valley Primary Care Services; Singing River Health System; University Health System; Vancouver Clinic; Riverside; Southcoast Health; Titus Regional Medical Center; UT Health San Antonio; Wellstar Medical Group; Self Regional Healthcare; SSM Health; UHS Inc. and UHS Hospitals; UW Health; West Virginia University Health System.

More here:
Epic and about 60 hospital chains come out against rules that would make it easier to share medical info - CNBC

Anne Rippy/Digital Trends

Tulsa, Oklahoma is having a moment, and the world has taken notice. From being honored as home to one of Time Magazines Worlds 100 Greatest Places to the second round of Tulsa Remote opening to new applicants, the city is in the midst of a renaissance. But its the buildings of the past that have architecture lovers most excited. With some of the finest Art Deco designs in the country, a major push to restore long-neglected buildings, and the increased interest and participation of renowned architects, Tulsa is the place to be in 2020.

The last few decades have seen significant changes in the Buckle of the Bible Belt. Tulsa was among the first to change Columbus Day to Indigenous Peoples Day to recognize the critical role Native American tribes played and continue to play in shaping the city. And for over 20 years, the city has hosted massive celebrations for Juneteenth and Pride Day, embracing the diversity that makes this town unique.

But its the amazing architecture, restoration, and revitalization thats drawing design lovers from around the world to this central U.S. city. Thanks to the oil boom of the 1920s, Tulsa became the wealthiest city in the world. Construction took off as tycoons rushed to leave their mark on the town. While myriad influences from many different styles can be found in buildings around the area, it was Art Deco that architects truly embraced. Today, Tulsa has one of the countrys largest collections of original Art Deco architecture.

So just how many Art Deco buildings are there in Tulsa? The Decopolis Tulsa Art Deco Museum lists 63 total, with another 24 buildings that were demolished over the years. So to say the city abounds with Art Deco is an understatement. Everywhere you look, in every neighborhood, elements of the style can be seen. And we cannot talk about Art Deco in Tulsa without looking at Bruce Goff, one of the most prolific architects of the style.

Perhaps the most recognizable of all the citys Art Deco buildings, Boston Avenue Methodist Church was completed in 1929. Listed on the National Register of Historic Places, the church is carefully positioned at the end of Boston Avenue, making for a dramatic sight when viewed from the historic downtown business district. The 255-foot central tower is capped by four shards of deco glass, making it a striking focal point of the citys skyline.

For many decades, Bruce Goff alone was credited with the churchs design. But records show that the plan was originally drawn by his mentor and instructor, Adah Robinson. Today, Robinson is credited with coming up with the original sketches that Goff then based the design off of.

Early on, Goff worked closely with Robinson, who began her career as the first art teacher at Tulsa High School. Goff was one of her very first students, and perhaps this was how he became the designer of her own home. Working with Joseph A. Koberling, Jr, Goff designed the home in 1924. At first glance, it may be hard to see the Art Deco elements of the Robinson House, but they are there. Windows are geometric and elongated, there are terrazzo floors throughout, and the home is covered in stucco (a common material for Art Deco homes at that time).

The Tulsa Club Hotel is a prime example of the citys modern revitalization. Built in 1927, the Tulsa Club was an upscale gathering place for the citys elite. Designed by Bruce Goff, the 11-story building spent many years abandoned and neglected. Water damage from a leaky roof and fire hoses (the building experienced four fires in just one year) resulted in ceilings and walls beginning to rot. Luckily one developer saw potential in the building and set to work restoring it. Thanks to Ross Group, Tulsa Club Hotel is now a showcase for historic Art Deco elegance with a fun contemporary twist. Stepping into the lobby feels like a Great Gatsby party could break out at any moment.

After its construction in 1914, Brady Theater was remodeled by Bruce Goff in 1930. Adding plenty of Art Deco details, Goff designed everything from custom acoustical ceiling tiles to gilded air conditioning grilles. The new details effectively turned the simple barn-like convention hall into an elegant and breathtaking theater. It may have received some contemporary updates since then, but that amazing Art Deco ceiling is still there for all to admire.

Among all of Tulsas Art Deco designs, The Philcade Building truly stands out. Built in 1931, it was one of the many new structures lining Boston Avenue as oil tycoons sought to leave their mark on the city. Designed by architect Leon Senter, the Philcade was one of two towers commissioned by Waite Phillips. Located directly across the street from the already built Philtower, the Philcade represented Phillips dominance in the oil industry. Done in the Zigzag Art Deco style, the Philcades seemingly simple exterior belies the lavish interior, including the stunning lobby with an arched, hand-painted ceiling.

Tulsas countless Art Deco buildings arent the citys only architectural style worth admiring. In the downtown area alone, visitors will spot a range of iconic styles from Gothic to Contemporary and everything in between.

Boston Avenue, running through the center of downtown, showcases some of the citys most notable buildings, including the Kennedy Building, the Mid-Continent Tower, and the Philtower Building (connected to the Philcade through an underground tunnel), culminating at the BOK Tower at the top of Boston Avenue. Each building has its own unique look and its own story to tell. For architecture nerds, there are niche tours that have been built around these marvels.

The Tulsa Foundation for Architecture, formed in 1995, offers walking tours on the second Saturday of every month. Following a different theme each month, the tours center around everything from the impact of Route 66 on architecture to exploring the citys hidden underground tunnels. Its a unique chance to get an insider look at the architecture and designs that shaped the city for more than a century.

The city is also home to a one-of-a-kind Csar Pelli design. The BOK Center shows off Tulsas contemporary side and its love affair with art of all kinds. As a testament to how seriously this city takes its buildings, it rejected Pellis original (and admittedly boring) concept for the flagship arena. It wanted more than a basic rectangular box, so city planners demanded the world-renowned architect go back to the drawing board and come up with a more contemporary design. The result is the smooth, undulating silver swirl building that resembles a tornado when seen from above, a cheeky nod to Oklahomas wild weather.

Architecture not your thing? Dont worry, Tulsa still has you covered. From music to ballet to street art, Tulsa is one seriously creative community. Museums abound, each offering a different tidbit on the areas rich history. While not all of that history is something to be proud of (the Tulsa Race Massacre depicted in the opening scene for HBOs Watchmen really happened), locals dont shy away from any of it. A stop at the Tulsa Historical Society and Museum is a must. It gives the full picture of how far this city has come after the devastating attack on Black Wall Street in 1921. From there, you have a variety of museums to choose from to get your art, history, or music fix.

If you consider food to be art, youre in luck there, too. Incredible restaurants can be found in every corner of Tulsa. In 2018, the city took its food game up a notch with the opening of Mother Road Market. While it is dubbed a food hall, Mother Road Market is more of an experience, getting visitors up close and personal with local chefs, sampling unique cuisine, and socializing with fellow food lovers on the outdoor patio.

Speaking of the Mother Road, a stretch of Route 66 runs right through town, letting you get a healthy dose of nostalgia. From classic diners to the famous Golden Driller statue, you can get your fix of the vintage kitsch the road is known for. Be sure to check out Buck Atoms Cosmic Curios for the true Route 66 experience.

Once youve had your fill of impressive architecture, endless art, delicious food, and a stroll through Gathering Place, be sure to stop at the Center of the Universe before leaving town. Yep, Tulsa has that, too.

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Why Design Lovers Need to Head to Tulsa in 2020 - The Manual

I am an all-time architecture content consumer and nothing fascinates me more than seeing concept homes designed for the future! While we imagine it to be all Jetsons and some Avatar, designer Ivan Venkov has created a concept home that makes me curious is this what homes would look like if Elon Musk was in charge?

Venkov mentions that the original idea was for the modular aspect to only be included in the interior spaces, but the exterior sculptural look could also be shaped differently if desired this means only the interior foundation and platform will remain as is. His aim was to make modular spaces more than just functional, Venkov wanted it to be striking without costing a fortune to execute. The aesthetic is based on pillars of modern, minimal and calming design while still catching your eye. I particularly love the wide glass stairs leading up to the house, it gives such an airy and spacious feeling especially because it is only one floor allowing the trees to tower over you and build the view.

The illustration by Venkov includes stock imagery and his original concept designs for details as well like the Nebula lounger out on the porch and also the automobile parked up in the front. This concept home is a high-end prefabricated unit resting in a forest, but I imagine it can be assembled in other settings as well. I am sure this Tesla-esque abode will be built to be a smart home. Would you move into a home like this in 2040?

Designer: Ivan Venkov

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If Tesla designed houses, this is what they would look like - Yanko Design

Ill be honest, this product is not something you need but it is certainly something you will want. How cool will it be to have an air purifier that also steams irons your shirt for work? That is exactly what this steam and clothes manager does in a nutshell! The design concept for this home accessory aims to solve the issue of using space inefficiently when you have an air purifier and a clothes manager.

This one device serves both functions as we know so all you need to do to switch from air purified to clothing manager is slide up the top. A hanger will emerge and a sliding curtain to allow for effective deodorization when steaming in a closed space. It is relatively smaller when compared to the traditional clothing manager and because of its dual functionality, it becomes a smarter choice especially for the urban homes.

The steam manager has won various awards for its concept already Korea Design Exhibition Award Special Prize (2019), Winner of International Busan Design Award (2019), and was the finalist atD2B Design Fair (2019). Designer Jiheon Song has already patented the concept and we are excited to see it on the market! I, for one, am ready for cleaner air, cleaner clothes and a cleaner decade.

Designer: Jiheon Song

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Get wrinkle-free clothes and a smell-free home with one device! - Yanko Design

It is the kind of house that would kindle hot pangs of desire in even the most imperturbable editor at Dwell magazine: Clean, horizontal lines. Walls made of Betn brut concrete. Floors and ceilings from fine-grain hardwood. There is a pristine island kitchen with an induction cooktop and temperature-controlled wine storage. Plus, near the entrance, a graceful internal courtyard harbors a cluster of bamboo trees illuminated, of course. (Uplighting vegetation is the design tic of the bourgeoisie.)

If the Academy of Motion Picture Arts and Sciences were to grant an Oscar for architecture as a character in a movie, the Minimalist manse inhabited by the well-to-do Park family in Bong Joon Hos Parasite would certainly be the lead contender. The home, which in the film is designed by a fictional starchitect named Namgoong Hyeonja, hits all the markers for tasteful displays of wealth, from the Minimalist furnishings to the Minimalist soaking tub a desire for less-is-more that applies to everything except scale.

But as design critic Kyle Chayka writes in The Longing for Less: Living With Minimalism, his newly released book about the desire for less, Just because something looks simple does not mean it is; the aesthetics of simplicity cloak artifice, or even unsustainable excess.

In the case of the Park home, the simplicity cloaks a disquieting secret in the basement.

A scene from Bong Joon Hos Parasite showcases the Minimalist home of the well-to-do Park family.

( Neon / CJ Entertainment)

Each of the best-picture nominees for the 92nd Academy Awards employed architecture and urbanism to help tell stories.

Martin Scorsese offered an epic take on a mobsters regret-filled life in The Irishman, a picture redolent of clubby, Old World restaurants. Ford v Ferrari and Once Upon a Time ... in Hollywood traveled to the 1960s, a world of Space Age neon, wood-paneled executive suites and ranch-style houses. Noah Baumbachs Marriage Story remained firmly in the present, offering a realistic view of a crumbling relationship set against blandly tasteful middle-class domestic settings and the barren Los Angeles apartment inhabited, at one point, by Adam Drivers character, a setting whose principal design feature is beige wall-to-wall carpet.

The two best-picture films that take place in wartime are among the most intriguing for the ways in which they employ architecture and its absence. So it is little surprise that both also received Oscar nominations for production design.

Taika Waititis Jojo Rabbit, which takes place during World War II, tells the fantastical tale of a German boy and his imaginary friend who happens to be Hitler.

The exteriors (shot in the Czech Republic) evoke a Baroque German city. But the interiors of the home, where much of the action takes place, features Modernist, Art Deco design flourishes and boldly colored wallpapers as if this home were a cocoon against everything happening outside. (A cocoon that happens to be hiding a young Jewish woman.)

Hitler, for the record, hated Modernism.

Quite different in its approach to architecture is Sam Mendes riveting 1917, set on the Western Front during World War I. This war epic shows little in the way of architecture but when it does, it is the stuff of nightmares.

There is the design of the trench, where so much of the film takes place, and where countless lives come to an end in a soup of mud and waste. But the most memorable scene shows George MacKay as Lance Cpl. Schofield running for his life through the bombed-out French village of coust-Saint-Mein at night, flares and bombs illuminating the wreckage of this once picturesque settlement.

It is a hellscape. The end of architecture. Its crumbling ruin seeming to contain only the last vestiges of human life.

George MacKay as Schofield dashes through a destroyed French village at night in 1917.

(Universal Pictures)

Taken collectively, however, the best-picture nominees deploy architecture in ways that tell compelling stories about the ways in which the poor and the wealthy divide.

Greta Gerwings Little Women is about the March sisters wrestling with the life options available to them in Civil War-era Concord, Mass. options that seem to sit on a continuum between getting married and thwarted attempts at a creative life. But the film also tells a story of class and the ways in which women aspire to it.

The home belonging to the kindly and well-to-do Mr. Laurence, a Georgian Revival mansion played by the Nathaniel Thayer Estate in Lancaster, Mass., sits right within view of the March familys more humble abode, a 17th century colonial farmhouse painted a dreary shade of brown. The drafty home of the poor Hummel family down the road highlights the social classes even further. In the Laurence home, the wood trim sparkles; in the March house, the surfaces have a genteel worn-out-ness, with flowered wallpaper that has dulled over time. The Hummels can only dream about wallpaper.

Those details are hardly incidental. The March home is based on author Louisa May Alcotts Massachusetts home, where she wrote the novel upon which the movie is based. Our version of the March house is a bit broken and run-down on the outside, production designer Jess Gonchor told The Times last year, but the interiors have this flow of positive energy and color.

But they are interiors, as the March sisters are keenly aware, that constantly speak to their status.

Saoirse Ronan (clockwise from top left), Laura Dern, Emma Watson, Florence Pugh and Eliza Scanlen, at home as the March family in Little Women

(Wilson Webb / Columbia Pictures)

Quentin Tarantinos Once Upon a Time ... in Hollywood, which is also up for an Oscar for production design, likewise offers some interesting juxtapositions of rich and poor.

The camera lovingly dwells on the creature comforts of the Hollywood Hills home that belongs to actor Rick Dalton, played by Leonardo DiCaprio, including a full bar and a turquoise swimming pool with L.A. views. Cut to the home of Brad Pitts barely employed stuntman Cliff Booth, a banged-up trailer behind the Van Nuys Drive-In. It is stuffed with decidedly unfancy clutter: the dishes in the sink, the dirty dog bowl in the corner, the television on a teetering TV tray.

We wanted to put Cliff in the realm of a drive-in, production designer Barbara Lin told the Hollywood Reporter of the concept. I love that whole environment for Cliff, putting him in such a different world from the [glamorous one] in which he serves as stuntman.

The disheveled trailer belonging to Cliff Booth (played by Brad Pitt) in Once Upon a Time ... in Hollywood.

(Andrew Cooper / Sony Pictures)

Todd Phillips Joker goes beyond individual environments.

The film opens with Joaquin Phoenix, as Arthur Fleck, applying clown makeup in a gloomy, industrial room as radio news reports talk about Gothams garbage crisis. Shortly thereafter, he is assaulted by a group of teens in an alley. Thus begins a spiral that puts the emotionally unstable Fleck on the path to becoming the Joker. And part of that path is the one of a society afflicted by rampant economic inequity all conveyed by the crumbling prewar apartment building that Fleck inhabits, with its flaking paint and dire hallways.

It is also conveyed by the city itself, a rat-filled, crime-saturated Gotham that evokes the New York City of Bernhard Goetz, the vigilante who shot four African American teens on the New York City subway in 1984. A similar scene occurs in Joker, in which Fleck shoots at a pack of bratty financiers who bully him on the train. (In a case that made national headlines, Goetz was found not guilty on all charges except for carrying an unlicensed weapon.)

The film is every paranoia about the urban rendered on screen: a vision of cities as festering sites of crime and filth, evocative of the Ford to City: Drop Dead New York of the 1970s and the ways Donald Trump talks about Chicago today. All of it is paralleled by the wealthy moguls who seem untouched by the decay.

Flecks sickly mother is hopeful that one of those moguls, Thomas Wayne, whom she once knew, will rescue her and her son from their grinding poverty.

That, however, is not in the cards. As Flecks counselor tells him, after funding is cut for his mental health services, They dont give a ... about people like you, Arthur. And they really dont give a ... about people like me either.

Joaquin Phoenix as Arthur Fleck in Joker navigates a trash-covered street evocative of 1970s New York.

(Niko Tavernise / Warner Bros. Pictures)

But it is ultimately Parasite that uses architecture to tackle the topic of inequity in the most direct ways: a tragicomic story about the parallel lives of the wealthy Park family and the poor Kim family that work for them in an array of household jobs jobs acquired through various ingenious scams. But even before the plot has begun to unfurl, the architecture in the film has already articulated the class tension.

The Parks inhabit a state-of-the-art estate. The Kim family lives in a style of semi-basement apartment that is common to Seoul, where the film is set. Known as banjiha in Korean, this style of housing offers little in the way of creature comforts such as daylight. Contrast that to the Parks large picture window, which overlooks a vast, manicured garden.

It is the Kims banjiha that opens the film: with socks drying before a row of four grimy windows. Milk crates stacked high against walls burst with clutter. The wires that provide electricity are visible as they run along ceilings and walls. A tiny bathroom features not a soaking tub, but a toilet set on an elevated platform (presumably a way to flush waste without having to dig any deeper for plumbing).

Park So Dam (left) and Choi Woo Shik in their semi-basement bathroom in Parasite.

( Neon)

In an interview with Indiewire last fall, Lee Ha Jun, who nabbed an Oscar nomination for his production design on the film, described the toilet as a temple of excrement. It is no wonder the Kims will do whatever it takes to worm their way into the Parks sumptuous home. None of it, however, results in what they imagine.

Those pristine magazine homes? It turns out they have plenty of room for skeletons in their capacious, walk-in closets.

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How the Oscars' best-picture nominees used architecture to tell stories of inequity - Los Angeles Times